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L. R. Eswari 1 L. R. Eswari L. R. Eswari ( . எல் ஆர் ஈஸ்வரி ఎల్ ఆర్ ') ఈశ్వరి L.R.Eswari Background information Born 7 December 1939 Chennai, Tamil Nadu, India Genres Playback singing, Carnatic music Occupations Singer Instruments Vocalist Years active 1950s-current Lourde-Mary Rajeswari Eswari (L. R. Eswari) (Tamil: . Telugu: ) is a எல் ஆர் ஈஸ்வரி ఎల్ ఆర్ ఈశ్వరి Veteran playback singer of the Tamil movie and Telugu movie industries. She also sang in other languages like Kannada, Malayalam, Tulu, and English.[1] She has won Kalaimamani, the Tamil Nadu's state award for her contributions to the film industry. Early life She was born in Chennai into a Roman Catholic family to Anthony Devraj and Regina Mary Nirmala. Her ancestors were from Paramakudi near Madurai. Her full name is Lourde-Mary Rajeshwari. Since there was already another established singer with the name of M.S.Rajeshwari her name was abbreivated into L.R.Eshwari. She did not have any formal training in singing. Her mother was a chorus singer in films. Eshwari used to accompany her mother to the studios and soon began singing in the chorus herself, but quickly got a break to lend her voice as lead-singer. Her first break came from Sri K.V.Mahadevan in 1958 in the movie 'Nalla Idaththu Sammandham', her first solo song recorded in this movie was 'ivarey thaan avarey'. But major recognition came from the song 'vaarai en thozhi vaaraayo' from the movie 'paasa malar' (1961) sung under the baton of Viswanathan-Ramamurthy, which composers explored and exploited her vocal abilities to the maximum extent possible over the next 20 years. Career She sang under the direction of famous composers like M.S.Viswanathan,T.K.Ramamoorthy, K. V. Mahadevan,Veda,V.Kumar,Shankar-Ganesh,G.K.Venkatesh Ilayaraja and Kunnakudi Vaidyanathan. Her unique voice was considered to be suited for peppy numbers in the movies, be it a dance tune, folk song or a devotional track. Her song "Vaarayo Thozhi" from Paasa Malar was a popular choice for wedding music. She has also recorded many devotional albums in praise of the Goddess Amman which were hugely popular among the Tamil community and were played in many temples. Her "Chellatha" and "Karpoora Nayagi" numbers has won her a lot of fame among devotees. She sang Christmas songs "Varuvai Varuvai" and " Deivam thantha divya kumaaran" composed by Dr Anand Chellappa. She has won the Kalaimamani Award and other states awards. Her Hindi song uduthi hi chidiya from the film pistonwali, music by satyam shows her ability. She sang romantic songs filmed on heroines as well as cabarets filmed on dance-artistes and also folk songs. She made her everlasting impression in Telugu film industry with her husky and peppy numbers. Till date most of her songs are very popular among the Telugu audience. Her notable hits include "Masaka masaka Cheekatilo" from Devudu Chesina Manushulu, "Maayadari sinnodu" from Ammamaata, "Bhale Bhale magadivo" from Marocharitra, L. R. Eswari 2 "Arey yemiti lokam" from Anthulenikatha, "Le le le naa raaja" from Premnagar, "Malle puvvulu pillagaalulu" and "Theesko coco cola esko rammusoda" etc. Perhaps she and P.Susheela were the most popular female-duet-duo ever, they complimented each other perfectly in terms of voice and style, and sang very many popular duets in their times – unadhu malar, chiththira poovizhi, ninaithaal sirippu, thoodhu sella etc.. They seemed to share a perfect chemistry and out-did each other line after line, apparently providing each other inspiration all along the song.She sang a popular duet "Gudilona naa swamy koluvai unnadu " with S. Janaki in a Telugu movie Idalokam for music of Chakravarthy,which remains a top hit till date. She rendered several duets with S Janaki in Kannada movies as well. She sang innumerable duets with all the leading male singers also – T. M. Soundararajan, A. L. Raghavan, P. B. Sreenivas, S.P. Balasubramaniam, K. J. Yesudas, J. P. Chandrababu, C. S. Jayaraman, S. C. Krishnan, Thiruchi Loganathan, A. M. Rajah, Seerkazhi Govindarajan,Malaysia Vasudevan, & Jayachandran. She also sang duets with female singers with most notably with P. Suseela, S. Janaki, Vanijayaram K. Jamuna Rani, M. S. Rajeswari and Soolamangalam Rajalakshmi. Re-entry After a long break, she made her re-entry through a rocky peppy Tamil Song "Kalasala Kalasala " from Movie Osthi 2011. Within few days of this song release, it has became a super hit and reached music box office top ratings,she sang the new Tamil song "Naa Poondamallida per puspavallida" from thadaiyara thakka 2012. She has also sung a recent Kannada Song for the movie Victory, the song name is 'Yakka Nin Magalu Nanage' Notable songs Tamil songs Song Tamil movie Muthukulikka Vareegala Anubavi Raja Anubavi Mappillai Ragasiyam Arangketram Adi Ennadi Ulagam Aval Oru Thodar Kathai Enna Solla Enna Solla Babu Kangalum Kavadi Enga Vittu Pillai Puthi Sigamani Iruvar Ullam Chithirai Poovizhi Ithayathil Nee Yenna Poruthamadi Kanavan Aadavaralaam Aada Varalaam Karuppu Panam Malarendra Mugam Indru Kaadhalikka Neramillai Enthan Nenjam Yaarai Kathalithal Pothuma Kathal Penney Kathalithal Pothuma Maapillai Vanthan Kaveriyin Kanavan Avala Ivala Mannathi Mannan Aval Oru Kathanayagi Moondru Mudichu Singapore Machan Naam Moovar Pirantha Idam Thedi Naan Aanaiyittal L. R. Eswari 3 Dhukkaththilum Nalla Idathu Sammantham Oh Lakshmi Neela Vanam Nee Ninaithal Nilave Nee Satchi Inimai Niraintha Ulagam Ninaithale Inikkum Naam Oruvarai Oruvar Oruvar En Vaalibam Ennum Mahligaiyil Paalkudam Vaarayo Thozhi Paasa Malar Sonnathellam Nadanthiduma Padha Kaanikkai Ithazhai Virithathu Roja Pattanathil Bootham Kaalgal Nindrathu Poojaikku Vantha Malar Ithu Margazhi Matham Praptham Sala Sala Kathottam Praptham Raja Veetu Pennanalum Raja Veetu Pillai Manamagale Marumagale Saradha Lilli Lali Jimmy Selvam Vennila Mugam Selvamagal Pennai Parthum Shanthi Nilayam Pushpa Raagam Thani Kudithanam Naanoru Kaathal Thavapputhalvan Kottai Mathir Mele Thirudan Ivalavuthan Ulagam Ulagam Ivalavuthan Ada Sarithan Podi Uyira Maanama Savale Samali Uyira Maanama Enge Enge En Manathu Vaaliba Virunthu Ammamma Kannathil Kannam Vallavan Oruvan Palinginal Oru Mahligai Vallavan Oruvan Kathodhuthan Naan Velli Vizha Allipanthal Kaalgal Vennira Aadai Nee Emppathenna Vennira Aadai Pattathu Rani Sivandha Mann Pondamalli Thadaiyara Thaakka Kalasala Kalasala Osthe Telugu songs L. R. Eswari 4 Year Telugu film Song 1965 Pandava Vanavasam Mogali Rekula Sigadaana 1967 Ummadi Kutumbam Jigi Jigi Jigelumannadi Chinnadi 1968 Bandipotu Dongalu Gandara Ganda Shoggadivanta 1970 Kathanayika Molla Naane Cheluve Kannadiki 1970 Lakshmi Kataksham Andala Bommanu Nenu Chelikada 1971 Prem Nagar Le Le Le Naa Raaja 1972 Tata Manavadu Nookalammani Nene Nee Peekani Nokkettane 1973 Devudu Chesina Manushulu Masaka Masaka Cheekatilo 1973 Jeevana Tarangalu Nandamaya Garuda Nandamaya 1974 Nippulanti Manishi Welcome Swagatam Chesta Ninne Paravasam 1976 Anthuleni Katha Are Emiti Lokam 1978 Maro Charithra Bhale Bhale Magadinoi Bangaru Naasaamivoi 1978 Pranam Khareedu Bandameeda Undi Gundodi Debba 1979 Andamaina Anubhavam Ananda Thandavame Adenuga Aa Shivudu References External links • L. R. Eswari (http:/ / www. imdb. com/ name/ nm0261970/ ) at the Internet Movie Database Article Sources and Contributors 5 Article Sources and Contributors L. R. Eswari Source: http://en.wikipedia.org/w/index.php?oldid=567919105 Contributors: A08jemah, Adil.basha, Alangar Manickam, Andhratiger, Anirudh1989, Arrwiki, Avicennasis, CommonsDelinker, Download, Elango1, Enyavar, Fraggle81, Geniac, Glacialfox, Ilankaali, Ilyushka88, Kailash29792, Kanags, Kathirsush, Khareeshrajoo, Lord Lubbuka Das, MZMcBride, Marc87, Materialscientist, Mogism, Nikkimaria, Opus88888, Pectore, Pokalarudra, RA0808, Rajasekhar1961, Randhirreddy, Ranjanprema, Reachpls, Rjwilmsi, Salih, Shaqti, Sugram, Sugrutha, Sunil1048, Sushanthcm, Vprajkumar, Woohookitty, Zundark, 54 anonymous edits License Creative Commons Attribution-Share Alike 3.0 Unported //creativecommons.org/licenses/by-sa/3.0/.
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    Hypoglycemic Activity of VELLALLI POO CHOORANAM & Haematinic Activity of KAANDHA CHENDURAM (DISSERTATION SUBJECT) For the partial fulfillment of requirements to the Degree of DOCTOR OF MEDICINE (SIDDHA) (GUNAPADAM BRANCH) GOVERNMENT SIDDHAMEDICALCOLLEGE Tirunelveli – 627002 (Affiliated to the TamilnaduDr.M.G.R.MedicalUniversity, Chennai) APRIL – 2013 GOVT. SIDDHA MEDICAL COLLEGE PALAYAMKOTTAI. DECLARATION BY THE CANDIDATE I hereby declare that this dissertation entitled Hypoglycemic activity of VELLALLI POO CHOORANAM (Nymphaea alba) And Haematinic Activity Of KAANDHA CHENDURAM is a bonafide and genuine research work carried out by me under the guidance of Dr.A.Kingsly, M.D(S) , Post Graduate Department of Gunapadam, Govt.Siddha Medical College, Palayamkottai and the dissertation has not formed the basis for the award of any Degree, Diploma, Fellowship or other similar title. Date: Signature of the Candidate Place: Palayamkottai (S. Jamuna Rani) GOVT. SIDDHA MEDICAL COLLEGE PALAYAMKOTTAI. CERTIFICATE BY THE GUIDE This is to certify that the dissertation entitled Hypoglycemic activity of VELLALLI POO CHOORANAM (Nymphaea alba) And Haematinic Activity Of KAANDHAM CHENDURAM is submitted to the Tamilnadu Dr.M.G.R Medical University in partial fulfillment of the requirements for the award of degree of M.D(Siddha) is the bonafide and genuine research work done by Dr.A.Kingsly, M.D(S) , Post Graduate Department of Gunapadam, Govt. Siddha Medical College, Palayamkottai. Under my supervision and guidance and the dissertation has not formed the basis for the award of any Degree, Diploma, Fellowship or other similar title. Date: Seal & Signature of the Guide Place: Palayamkottai GOVT. SIDDHA MEDICAL COLLEGE PALAYAMKOTTAI. ENDORSEMENT BY THE HOD, PRINCIPAL/HEAD OF THE INSTITUTION This is to certify that the dissertation entitled Hypoglycemic activity of VELLALLI POO CHOORANAM (Nymphaea alba) And Haematinic Activity Of KAANDHAM CHENDURAM is a bonafide work carried out by Dr.
  • 2. Period of Applications (Covered in This List) Date 22/01/2020 07/12/19 3

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    ANNEXURE 5.8 (CHAPTER V, PARA 25) FORM 9 List of Applications for inclusion received in Form 6 Designated location Constituency (Assembly/£Parliamentary): Jayankondam Revision identity From To date 1. List number@ 2. Period of applications (covered in this list) date 22/01/2020 07/12/19 3. Place of hearing* Serial Name of Father / Date of Date of Time of number$ of Name of claimant Mother / Husband and Place of residence receipt hearing* hearing* application (Relationship)# 1 7/12/2019 Karthikeyan Kannan T Kannan T (F) 3/62, uthapallam, ulkottai, , ARIYALUR 723, MAIN ROAD SAVURVELI PATTANANKURURICHI 2 8/12/2019 VIGNESHWARAN V VEERAPPAN K (F) , ANDIMADAM, , ARIYALUR 723, MAIN ROAD SAVURVELI PATTANANKURURICHI 3 8/12/2019 VIGNESHWARAN V VEERAPPAN K (F) , ANDIMADAM, , ARIYALUR 723, MAIN ROAD SAVURVELI PATTANANKURURICHI 4 8/12/2019 VIGNESHWARAN V VEERAPPAN K (F) , ANDIMADAM, , ARIYALUR Ravichandran Rajaram 5 8/12/2019 Suja Ravichandran 5/117A, North Street, Meikkavalputhur, , ARIYALUR an (H) Ravichandran Rajaram 6 8/12/2019 Suja Ravichandran 5/117A, North Street, Meikkavalputhur, , ARIYALUR an (H) Ravichandran Rajaram 7 8/12/2019 Suja Ravichandran 5/117A, North , Meikkavalputhur, , ARIYALUR an (H) Ravichandran Rajaram 8 8/12/2019 Suja Ravichandran 5/117A, North , Meikkavalputhur, , ARIYALUR an (H) 9 9/12/2019 Balamurugan Palanivel (F) 1/5 A, East Street, Koovathur, , ARIYALUR 10 9/12/2019 Chithra Dhanaseelan (H) 3/595, Mela Street, Z Melur, , ARIYALUR 11 9/12/2019 Chithra Dhanaseelan (H) 3/595, Mela Street, Z Melur, , ARIYALUR Anbuselvi 12
  • Brought to Life by the Voice Explores the Distinctive Aesthetics and in South India

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    ASIAN STUDIES | ANTHROPOLOGY | ETHNOMUSICOLOGY WEIDMAN Playback Singing To produce the song sequences that are central to Indian popular cinema, sing- ers’ voices are first recorded in the studio and then played back on the set to and Cultural Politics be lip-synced and danced to by actors and actresses as the visuals are filmed. Since the 1950s, playback singers have become revered celebrities in their | own right. Brought to Life by the Voice explores the distinctive aesthetics and in South India affective power generated by this division of labor between onscreen body and VOICE THE BY LIFE TO BROUGHT offscreen voice in South Indian Tamil cinema. In Amanda Weidman’s historical and ethnographic account, playback is not just a cinematic technique, but a powerful and ubiquitous element of aural public culture that has shaped the complex dynamics of postcolonial gendered subjectivity, politicized ethnolin- guistic identity, and neoliberal transformation in South India. BROUGHT TO LIFE “This book is a major contribution to South Asian Studies, sound and music studies, anthropology, and film and media studies, offering original research and BY THE new theoretical insights to each of these disciplines. There is no other scholarly work that approaches voice and technology in a way that is both as theoretically VOICE wide-ranging and as locally specific.” NEEPA MAJUMDAR, author of Wanted Cultured Ladies Only! Female Stardom and Cinema in India, 1930s–1950s “Brought to Life by the Voice provides a detailed and highly convincing explo- ration of the varying links between the singing voice and the body in the Tamil film industry since the mid-twentieth century.