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Supplementary Written Submission from Community Land Scotland
Local Government and Communities Committee Planning (Scotland) Bill Supplementary Written Submission from Community Land Scotland Dear Jane, I’m writing on behalf of Community Land Scotland to thank the Committee for the opportunity to participate in the Planning (Scotland) Bill evidence session at its meeting on February 28th and to provide further information in that regard. The Policy Memorandum for the Planning (Scotland) Bill articulates an ambition to shift planning from reacting to development proposals to proactively supporting investment and quality place-making. As discussed in our evidence session, that requires some vision as to the purpose of the planning system as a mechanism for contributing to the sustainable development of both urban and rural Scotland. Community Land Scotland views the Bill as an important legislative opportunity for Planning Policy to contribute to the renewal of rural Scotland in particular by incorporating our proposals regarding repopulation and resettlement of land. Specifically by: Placing a duty on Scottish Ministers to have regard to the desirability of the repopulation and resettlement of rural Scotland; Giving Ministers powers to designate land for the purposes of its resettlement; Giving Ministers and others (local authorities) powers to purchase land for the purpose of its resettlement; including compulsory purchase powers; Requiring Ministers to produce or cause to produce a map of ‘no longer existing communities’ to which they may have regard in preparing future policy; Requiring Ministers -
“Al-Tally” Ascension Journey from an Egyptian Folk Art to International Fashion Trend
مجمة العمارة والفنون العدد العاشر “Al-tally” ascension journey from an Egyptian folk art to international fashion trend Dr. Noha Fawzy Abdel Wahab Lecturer at fashion department -The Higher Institute of Applied Arts Introduction: Tally is a netting fabric embroidered with metal. The embroidery is done by threading wide needles with flat strips of metal about 1/8” wide. The metal may be nickel silver, copper or brass. The netting is made of cotton or linen. The fabric is also called tulle-bi-telli. The patterns formed by this metal embroidery include geometric figures as well as plants, birds, people and camels. Tally has been made in the Asyut region of Upper Egypt since the late 19th century, although the concept of metal embroidery dates to ancient Egypt, as well as other areas of the Middle East, Asia, India and Europe. A very sheer fabric is shown in Ancient Egyptian tomb paintings. The fabric was first imported to the U.S. for the 1893 Chicago. The geometric motifs were well suited to the Art Deco style of the time. Tally is generally black, white or ecru. It is found most often in the form of a shawl, but also seen in small squares, large pieces used as bed canopies and even traditional Egyptian dresses. Tally shawls were made into garments by purchasers, particularly during the 1920s. ملخص البحث: التمي ىو نوع من انواع االتطريز عمى اقمشة منسوجة ويتم ىذا النوع من التطريز عن طريق لضم ابر عريضة بخيوط معدنية مسطحة بسمك 1/8" تصنع ىذه الخيوط من النيكل او الفضة او النحاس.واﻻقمشة المستخدمة في صناعة التمي تكون مصنوعة اما من القطن او الكتان. -
The Balmoral Tartan
The Balmoral Tartan Introduction The Balmoral tartan (Fig 1) is said to have been designed in 1853 by Prince Albert, The Prince Consort, Queen Victoria's husband. It is unique in several respects: it is the only tartan known to have been designed by a member of the Royal Family; has a unique construction; and is reserved for members of the Royal Family. It is worn by HM The Queen and several members of the Royal Family but only with the Queen's permission. The only other approved wearers of the Balmoral tartan are the Piper to the Sovereign and pipers on the Balmoral Estate (estate workers and ghillies wear the Balmoral tweed). Fig 1. Specimen of the original Balmoral Tartan c1865. © The Author. There is some confusion over the exact date of the original design. In 1893 D.W. Stewarti wrote, ''Her Majesty the Queen has not only granted permission for its publication here, but has also graciously afforded information concerning its inception in the early years of the reign, when the sett was designed by the Prince Consort.'' Harrison (1968) ii states that both the Balmoral tartan and Tweed were designed by Prince Albert. Writing of the tartan specimen in Stewart’s Old & Rare Harrison noted that “The illustrations were all woven in fine silk which did not allow of (sic) the reproduction of the pure black and white twist effect of the original. Mr Stewart compromised by using shades of dull mauve as the nearest that his materials allowed. Thus, for generations the Balmoral was looked upon not as a pure grey scheme but as a scheme of very quiet mauves” (Fig 2). -
Kilts & Tartan
Kilts & Tartan Made Easy An expert insider’s frank views and simple tips Dr Nicholas J. Fiddes Founder, Scotweb Governor, Why YOU should wear a kilt, & what kind of kilt to get How to source true quality & avoid the swindlers Find your own tartans & get the best materials Know the outfit for any event & understand accessories This e-book is my gift to you. Please copy & send it to friends! But it was a lot of work, so no plagiarism please. Note my copyright terms below. Version 2.1 – 7 November 2006 This document is copyright Dr Nicholas J. Fiddes (c) 2006. It may be freely copied and circulated only in its entirety and in its original digital format. Individual copies may be printed for personal use only. Internet links should reference the original hosting address, and not host it locally - see back page. It may not otherwise be shared, quoted or reproduced without written permission of the author. Use of any part in any other format without written permission will constitute acceptance of a legal contract for paid licensing of the entire document, at a charge of £20 UK per copy in resultant circulation, including all consequent third party copies. This will be governed by the laws of Scotland. Kilts & Tartan - Made Easy www.clan.com/kiltsandtartan (c) See copyright notice at front Page 1 Why Wear a Kilt? 4 Celebrating Celtic Heritage.................................................................................................. 4 Dressing for Special Occasions.......................................................................................... -
THE MYTHOLOGY, TRADITIONS and HISTORY of Macdhubhsith
THE MYTHOLOGY, TRADITIONS and HISTORY OF MacDHUBHSITH ― MacDUFFIE CLAN (McAfie, McDuffie, MacFie, MacPhee, Duffy, etc.) VOLUME 2 THE LANDS OF OUR FATHERS PART 2 Earle Douglas MacPhee (1894 - 1982) M.M., M.A., M.Educ., LL.D., D.U.C., D.C.L. Emeritus Dean University of British Columbia This 2009 electronic edition Volume 2 is a scan of the 1975 Volume VII. Dr. MacPhee created Volume VII when he added supplemental data and errata to the original 1792 Volume II. This electronic edition has been amended for the errata noted by Dr. MacPhee. - i - THE LIVES OF OUR FATHERS PREFACE TO VOLUME II In Volume I the author has established the surnames of most of our Clan and has proposed the sources of the peculiar name by which our Gaelic compatriots defined us. In this examination we have examined alternate progenitors of the family. Any reader of Scottish history realizes that Highlanders like to move and like to set up small groups of people in which they can become heads of families or chieftains. This was true in Colonsay and there were almost a dozen areas in Scotland where the clansman and his children regard one of these as 'home'. The writer has tried to define the nature of these homes, and to study their growth. It will take some years to organize comparative material and we have indicated in Chapter III the areas which should require research. In Chapter IV the writer has prepared a list of possible chiefs of the clan over a thousand years. The books on our Clan give very little information on these chiefs but the writer has recorded some probable comments on his chiefship. -
Gaelic Scotland in the Colonial Imagination
Gaelic Scotland in the Colonial Imagination Gaelic Scotland in the Colonial Imagination Anglophone Writing from 1600 to 1900 Silke Stroh northwestern university press evanston, illinois Northwestern University Press www .nupress.northwestern .edu Copyright © 2017 by Northwestern University Press. Published 2017. All rights reserved. Printed in the United States of America 10 9 8 7 6 5 4 3 2 1 Library of Congress Cataloging-in-Publication data are available from the Library of Congress. Except where otherwise noted, this book is licensed under a Creative Commons At- tribution-NonCommercial-NoDerivatives 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/4.0/. In all cases attribution should include the following information: Stroh, Silke. Gaelic Scotland in the Colonial Imagination: Anglophone Writing from 1600 to 1900. Evanston, Ill.: Northwestern University Press, 2017. For permissions beyond the scope of this license, visit www.nupress.northwestern.edu An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high-quality books open access for the public good. More information about the initiative and links to the open-access version can be found at www.knowledgeunlatched.org Contents Acknowledgments vii Introduction 3 Chapter 1 The Modern Nation- State and Its Others: Civilizing Missions at Home and Abroad, ca. 1600 to 1800 33 Chapter 2 Anglophone Literature of Civilization and the Hybridized Gaelic Subject: Martin Martin’s Travel Writings 77 Chapter 3 The Reemergence of the Primitive Other? Noble Savagery and the Romantic Age 113 Chapter 4 From Flirtations with Romantic Otherness to a More Integrated National Synthesis: “Gentleman Savages” in Walter Scott’s Novel Waverley 141 Chapter 5 Of Celts and Teutons: Racial Biology and Anti- Gaelic Discourse, ca. -
May and June 2020 Newsletter
Scottish Heritage USA NEWSLETTER MAY-JUNE 2020 Presumed site of 0ne of William Wallace’s hidden forts (©FLS by Skyscape survey 2020) ISSUE #1-2020 RESEARCHERS FIND WILLIAM WALLACE’S “HOUSE” ilia Wallace, 13th century “freedom fighter” and his 16 fighting men supposedly used this campsite (or fort) named W “Wallace House” to attack the British in small skirmishes. The site is in Dumfries and Galloway council area. Forestry & Land Scotland archaeologist, Matt Ritchie, conducted an aerial survey to give us a glimpse of the site (pictured above). Just think, Wallace and his men occupied this site over 700 years ago! Some think the fort was the staging ground for plans to capture the Scottish castle of Lochmaben in 1297. The castle held a strong defensive position high enough to have a clear view of the lands south of the castle. Historian Michael Brown (University of St. Andrews, Scotland) describes Wallace as a “patriotic hero whose only concern was the liberty and protection of his fellow Scots.” Wallace was fed up with England’s treatment of Scotland and he rallied Scotland’s fiercest patriots (Jacobites) to defeat the English at the Battle of Stirling Bridge in 1297. However, that was the last victory for one of Scotland’s most famous patriots as he was ultimately caught, imprisoned, and executed for his “crimes against England.” Because Wallace’s movements were unknown after Stirling, Ritchie’s team took hundreds of pictures and cobbled them together to form the images into the model above. It would be fantastic if this fort were actually built by Wallace and his men! Wallace’s House on an Ordinance Survey First Edition map of the area, Several figures prominent in the history of Scottish Independence including published circa 1857 William Wallace, Bonnie Prince Charlie and Mary, Queen of Scots. -
The Mother Tongue J Derrick Mcclure
The Mother Tongue J Derrick McClure We are grateful to J Derrick McClure for writing this article for inclusion on the Scots Language Centre website. ********** The old Scots tongue, the language that can still be heard in the mouth of many a lad and lass from the Shetland Isles to the Mull of Galloway, has as wonderful a history as any of the languages of the world. To understand the life of any language, we must know two things. We must know the structure of the language itself: its sounds and spelling, its grammar, its words. And we must also know what the language means, and has meant, to the people who speak it. There is no language that has not changed with the passing of the years: the English of Shakespeare is not the English spoken today. A language can change so much that it becomes an entirely different thing: French, Italian, Spanish and several other European tongues were all one and the same language, Latin, many centuries ago. And a language can simply die, leaving no trace: the Indians of America and Canada have now for the most part forgotten their mother tongues and speak only English, and many people fear that if we are not careful our own Gaelic and Scots will go the same way. Gaelic is related to Irish; Scots is related to English. What that means is that there was once a single language - Old Irish for one of the pairs, Old English (sometimes called "Anglo-Saxon") for the other - which divided into two, developing and changing in different ways in the kingdoms of Scotland and Ireland, or Scotland and England. -
Hogmanay Rituals: Scotland’S New Year’S Eve Celebrations
Accepted Manuscript of a book chapter published by Routledge Suggested citation: Frew, E. & Mair. J. (2014). Hogmanay Rituals: Scotland’s New Year’s Eve Celebrations. In Frost, W. & Laing, J. (Eds) Rituals and traditional events in the modern world. Routledge Hogmanay Rituals: Scotland’s New Year’s Eve Celebrations Elspeth A. Frew La Trobe University Judith Mair Department of Management Monash University ABSTRACT Hogmanay, which is the name given to New Year’s Eve in Scotland, is a long-standing festival with roots going far back into pagan times. However, such festivals are losing their traditions and are becoming almost generic public celebrations devoid of the original rites and rituals that originally made them unique. Using the framework of Falassi’s (1987) festival rites and rituals, this chapter utilises a duoethnographic approach to examine Hogmanay traditions in contemporary Scotland and the extent to which these have been transferred to another country. The chapter reflects on the traditions which have survived and those that have been consigned to history. Hogmanay and Paganism: Scotland’s New Year’s Eve Celebrations INTRODUCTION New Year’s Eve (or Hogmanay as it is known in Scotland) is celebrated in many countries around the world, and often takes the form of a public celebration with fireworks, music and a carnival atmosphere. However, Hogmanay itself is a long-standing festival in Scotland with roots going far back into pagan times. Some of the rites and rituals associated with Hogmanay are centuries old, and the tradition of celebrating New Year Eve (as Hogmanay) on a grander scale than Christmas has been a part of Scottish life for many hundreds of years. -
Itinerary of Prince Charles Edward Stuart from His
PUBLICATIONS OF THE SCOTTISH HISTORY SOCIETY VOLUME XXIII SUPPLEMENT TO THE LYON IN MOURNING PRINCE CHARLES EDWARD STUART ITINERARY AND MAP April 1897 ITINERARY OF PRINCE CHARLES EDWARD STUART FROM HIS LANDING IN SCOTLAND JULY 1746 TO HIS DEPARTURE IN SEPTEMBER 1746 Compiled from The Lyon in Mourning supplemented and corrected from other contemporary sources by WALTER BIGGAR BLAIKIE With a Map EDINBURGH Printed at the University Press by T. and A. Constable for the Scottish History Society 1897 April 1897 TABLE OF CONTENTS PREFACE .................................................................................................................................................... 5 A List of Authorities cited and Abbreviations used ................................................................................. 8 ITINERARY .................................................................................................................................................. 9 ARRIVAL IN SCOTLAND .................................................................................................................. 9 LANDING AT BORRADALE ............................................................................................................ 10 THE MARCH TO CORRYARRACK .................................................................................................. 13 THE HALT AT PERTH ..................................................................................................................... 14 THE MARCH TO EDINBURGH ...................................................................................................... -
January 2021 Newsletter
Scottish Heritage USA NEWSLETTER JANUARY 2021 Vikings leading the Hogmanay Torchlight Parade, Edinburgh ISSUE #1-2021 HAPPY NEW YEAR & HAPPY HOGMANAY! H OGMANAY may be Scotland’s New Year celebration, but it lasts three to five days with unusual, weird and wild H traditions. It starts on Christmas with the Edinburgh Torchlight Parade and is all downhill from there! Look to Scotland to find the best, most spectacular fire festivals in the UK. Combine the primitive impulse to light up the long nights (the ancient idea that fire purifies and chases away evil spirits) and the natural Scottish impulse to party to the wee small hours and you end up with some of the most dazzling and daring midwinter celebrations in Europe. At one time, most Scottish towns celebrated the New Year with huge bonfires and torchlight processions. Many have disappeared, but those that are left are real Site where the horde was found humdingers. Here are the five of the best winter fire festivals in Scotland: STONEHAVEN FIRE FESTIVAL: Strong Scots dare-devils parade through the town on New Year's Eve swinging 16-pound balls of fire around themselves and over their heads. Each "swinger" has his or her own secret recipe for creating the fireball and keeping it lit. Thousands come to watch this famous event on the North Sea, south of Aberdeen. It all gets underway before midnight with bands of pipers and wild drumming. Then a lone piper, playing Scotland the Brave, leads the pipers into town. At the stroke of midnight, they raise their flaming balls over their heads and begin to swing and twirl them, showering the street, themselves and usually the 12,000 strong crowd, with sparks. -
Scotland's New Year Festival
SCOTLAND’S NEW YEAR FESTIVAL FOREWORD A very warm welcome to you in our third year of producing Edinburgh’s Hogmanay, as we invite you to BE TOGETHER this Hogmanay. Now more than ever is the time to celebrate ‘togetherness’ and what better way than surrounded by people from all over the world at New Year? From performers to audiences, this festival is about coming together, being together, sharing experiences together and sharing the start of a new year arm in arm and side by side. BE ready to party from the 30th December as we return with a programme of events at the magnificent McEwan Hall. From the return of hit clubbing experience Symphonic Ibiza on 30th December featuring Ibiza DJs and a live orchestra, to the first party in 2020 celebrating the new year along with the Southern Hemisphere at G’Day 2020 with Kylie Auldist on 31 December. Jazz legends Ronnie Scott’s Big Band will play a gala concert on 31st December to give an alternative lead up to the bells and renowned DJ Judge Jules will spin into the wee small hours at our first ever Official After-Party. BE a trailblazer at the Torchlight Procession in partnership with VisitScotland. The historic event culminates in Holyrood Park as torchbearers create a symbol to share with the world: this year two figures holding hands - both residents and visitors to Scotland opening their door to the world and saying BE together. BE in the thick of it at the world famous Street Party hosted by Johnnie Walker, with a brilliantly eclectic programme of music, street theatre and spectacle.