February 4, 1977 Madison College, Harrisonburg, Va
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Multimillion-Selling Singer Crystal Gayle Has Performed Songs from a Wide Variety of Genres During Her Award-Studded Career, B
MultiMillion-selling singer Crystal Gayle has performed songs from a wide variety of genres during her award-studded career, but she has never devoted an album to classic country music. Until now. You Don’t Know Me is a collection that finds the acclaimed stylist exploring the songs of such country legends as George Jones, Patsy Cline, Buck Owens and Eddy Arnold. The album might come as a surprise to those who associate Crystal with an uptown sound that made her a star on both country and adult-contemporary pop charts. But she has known this repertoire of hardcore country standards all her life. “This wasn’t a stretch at all,” says Crystal. “These are songs I grew up singing. I’ve been wanting to do this for a long time. “The songs on this album aren’t songs I sing in my concerts until recently. But they are very much a part of my history.” Each of the selections was chosen because it played a role in her musical development. Two of them point to the importance that her family had in bringing her to fame. You Don’t Know Me contains the first recorded trio vocal performance by Crystal with her singing sisters Loretta Lynn and Peggy Sue. It is their version of Dolly Parton’s “Put It Off Until Tomorrow.” “You Never Were Mine” comes from the pen of her older brother, Jay Lee Webb (1937-1996). The two were always close. Jay Lee was the oldest brother still living with the family when their father passed away. -
Jerry Garcia Song Book – Ver
JERRY GARCIA SONG BOOK – VER. 9 1. After Midnight 46. Chimes of Freedom 92. Freight Train 137. It Must Have Been The 2. Aiko-Aiko 47. blank page 93. Friend of the Devil Roses 3. Alabama Getaway 48. China Cat Sunflower 94. Georgia on My Mind 138. It Takes a lot to Laugh, It 4. All Along the 49. I Know You Rider 95. Get Back Takes a Train to Cry Watchtower 50. China Doll 96. Get Out of My Life 139. It's a Long, Long Way to 5. Alligator 51. Cold Rain and Snow 97. Gimme Some Lovin' the Top of the World 6. Althea 52. Comes A Time 98. Gloria 140. It's All Over Now 7. Amazing Grace 53. Corina 99. Goin' Down the Road 141. It's All Over Now Baby 8. And It Stoned Me 54. Cosmic Charlie Feelin' Bad Blue 9. Arkansas Traveler 55. Crazy Fingers 100. Golden Road 142. It's No Use 10. Around and Around 56. Crazy Love 101. Gomorrah 143. It's Too Late 11. Attics of My Life 57. Cumberland Blues 102. Gone Home 144. I've Been All Around This 12. Baba O’Riley --> 58. Dancing in the Streets 103. Good Lovin' World Tomorrow Never Knows 59. Dark Hollow 104. Good Morning Little 145. Jack-A-Roe 13. Ballad of a Thin Man 60. Dark Star Schoolgirl 146. Jack Straw 14. Beat it on Down The Line 61. Dawg’s Waltz 105. Good Time Blues 147. Jenny Jenkins 15. Believe It Or Not 62. Day Job 106. -
Country Update
Country Update BILLBOARD.COM/NEWSLETTERS JUNE 3, 2019 | PAGE 1 OF 20 INSIDE BILLBOARD COUNTRY UPDATE [email protected] Morgan Wallen’s You Don’t Know Me From Adam: ‘Glasses’ In Fashion >page 4 Building A Fan Base At CMA Fest Power Players & Long-Term Thinking How do you fit into the genre but stand out from the crowd? microcosm of the challenge. Fans who browse the festival’s artist >page 10 When the Country Music Association launches the four-day lineup page are likely to spot Hambrick since his first name, CMA Music Festival on June 6, hundreds of country artists will Adam, puts him near the top of the alphabetical list. But the same be grappling with that question as they seek the attention and/ is true for four other developing artists named Adam — Adam or approval of 80,000-100,000 fans per day. Craig, Adam Doleac, Adam Wakefield and Adam Yarger Toby, T.G., Dierks: Many, perhaps — all of whom, Late CMA Fest Notes most, of those like Hambrick, >page 11 fans, sign up for the want to establish festival because their name in a of the night-time competitive field. lineups at Nissan Even beyond Is A Pulitzer In Stadium, where the Adam family of Tim McGraw’s the genre’s most artists, the festival Future? iconic attractions has a built-in >page 11 — including rivalry to it. At headliners any given moment DOLEAC HAMBRICK CRAIG Florida Georgia from 10 a.m. to 5 Makin’ Tracks: Line, Carrie p.m., as many as Gotta ‘Love That’ Underwood, Tim McGraw and Luke Bryan — pack tens of nine different stages will have music simultaneously, firing Seaforth thousands into an NFL venue and shoot most of the footage up artists’ desire to win. -
Songs by Title
Karaoke Song Book Songs by Title Title Artist Title Artist #1 Nelly 18 And Life Skid Row #1 Crush Garbage 18 'til I Die Adams, Bryan #Dream Lennon, John 18 Yellow Roses Darin, Bobby (doo Wop) That Thing Parody 19 2000 Gorillaz (I Hate) Everything About You Three Days Grace 19 2000 Gorrilaz (I Would Do) Anything For Love Meatloaf 19 Somethin' Mark Wills (If You're Not In It For Love) I'm Outta Here Twain, Shania 19 Somethin' Wills, Mark (I'm Not Your) Steppin' Stone Monkees, The 19 SOMETHING WILLS,MARK (Now & Then) There's A Fool Such As I Presley, Elvis 192000 Gorillaz (Our Love) Don't Throw It All Away Andy Gibb 1969 Stegall, Keith (Sitting On The) Dock Of The Bay Redding, Otis 1979 Smashing Pumpkins (Theme From) The Monkees Monkees, The 1982 Randy Travis (you Drive Me) Crazy Britney Spears 1982 Travis, Randy (Your Love Has Lifted Me) Higher And Higher Coolidge, Rita 1985 BOWLING FOR SOUP 03 Bonnie & Clyde Jay Z & Beyonce 1985 Bowling For Soup 03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 BOWLING FOR SOUP '03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 Bowling For Soup 03 Bonnie And Clyde Jay Z & Beyonce 1999 Prince 1 2 3 Estefan, Gloria 1999 Prince & Revolution 1 Thing Amerie 1999 Wilkinsons, The 1, 2, 3, 4, Sumpin' New Coolio 19Th Nervous Breakdown Rolling Stones, The 1,2 STEP CIARA & M. ELLIOTT 2 Become 1 Jewel 10 Days Late Third Eye Blind 2 Become 1 Spice Girls 10 Min Sorry We've Stopped Taking Requests 2 Become 1 Spice Girls, The 10 Min The Karaoke Show Is Over 2 Become One SPICE GIRLS 10 Min Welcome To Karaoke Show 2 Faced Louise 10 Out Of 10 Louchie Lou 2 Find U Jewel 10 Rounds With Jose Cuervo Byrd, Tracy 2 For The Show Trooper 10 Seconds Down Sugar Ray 2 Legit 2 Quit Hammer, M.C. -
Robby Valentine Topper Tobt Epica Gothic Met Goddelijke Tik
TIJDSCHRIFT OVER PROGRESSIEVE ROCKMUZIEK verschijnt 7 keer per jaar, 12e jaargang december 2007, losse exemplaren 5 io pa g e s 7 7 RITUAL EN KAIPA PATRIK LUNDSTRÖM ZINGT ROBBY VALENTINE TOPPER TOBT EPICA GOTHIC MET GODDELIJKE TIK ‘REMSLAAP’ ONTWAAKT RIVERSIDE VERDER: NOVEMBRE, ISOPODA, KRAMER, RUSH 'IN CONCERT' COLOFON 3 UITGEVER Stichting iO Postbus 67 Paradoxale slaap 2678 ZH De Lier (tevens adres abonnementen administratie) fax: 0174-511213 e-mail: [email protected] website: www.iopages.nl ABONNEMENTEN Iedereen kent tijdens de slaap Lundström tot het schrijven van Een jaarabonnement kost per nacht gemiddeld vier of het prachtige nieuwe album The 31,00 binnen Nederland, resp. 39,00 voor de rest van Europa en vijf zogenoemde ‘remperiodes’. Die Hemulic Voluntary Band. De Zweed 49,50 buiten Europa. duren ongeveer twintig minuten per keer is zowel in de formatie Ritual als Kaipa het Nieuwe abonnees ontvangen de en het zijn de tijden dat je meestal behoor- gezicht van de band. Sprookjesachtige prog- uitgave van de maand volgend lijk droomt. ‘Rem’ staat voor Rapid Eye gy folkrock zoals we dat graag horen. Deze op de maand van aanmelding. Movement (snelle oogbeweging) en wordt klanken stimuleren tot wegdromen, even Adreswijzigingen dienen 4 weken ook wel paradoxale slaap genoemd. Die uit de heksenketel van het dagelijkse leven. tevoren te worden doorgegeven. (naar bovenstaand adres van uit- schijnbare tegenstelling heeft te maken met Tegelijkertijd zijn er diepere boodschappen gever of via e-mail). Vermeld altijd een grote hersenactiviteit en een maximale verborgen. Doet het toch weer een beroep je volledige naam en adres. ontspanning van de spieren. -
Crystal Gayle
2008 Induction Class Crystal Gayle One of the most popular and widely recognized female country singers of her era, Crystal Gayle supported her trademark, nearly floor-length hair with a supple voice, a flair for ballads, and a crossover-friendly country-pop style that netted her the occasional mainstream hit. Gayle was born Brenda Gail Webb in Paintsville, KY, in 1951; her older sister was future superstar Loretta Lynn, though Lynn had already left home by the time Brenda was born. The family moved to Wabash, IN, when Brenda was four, and she started singing along with country and pop songs on the radio at a young age. Inspired in part by Lynn's success, Brenda learned guitar and started performing folk songs in high school, also singing backing vocals in her brother's band. Lynn encouraged her younger sister, and started bringing her out on tour for a few weeks each summer. Lynn's label, Decca, signed the young singer as soon as she was done with high school, but suggested a name change so as to avoid confusion with labelmate Brenda Lee. Lynn suggested the name Crystal, inspired by the Krystal hamburger chain, and Brenda adopted her middle name to come up with Crystal Gayle.Gayle's debut single was 1970's "I've Cried (The Blues Right Out of My Eyes)"; done in a style very similar to Lynn's, it reached the country Top 40. Far from encouraging Gayle to develop her own style, Decca pushed for more "little Loretta" records, and Lynn actually wrote some of her early singles. -
Download (1MB)
University of Huddersfield Repository Quinn, Martin The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980 Original Citation Quinn, Martin (2019) The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980. Masters thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/34986/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ 0. A Musicological Exploration of the Musicians and Their Use of Technology. 1 The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980. A Musicological Exploration of the Musicians and Their Use of Technology. MARTIN JAMES QUINN A thesis submitted to the University of Huddersfield in partial fulfilment of the requirements for the degree of Master of Arts. -
Une Discographie De Robert Wyatt
Une discographie de Robert Wyatt Discographie au 1er mars 2021 ARCHIVE 1 Une discographie de Robert Wyatt Ce présent document PDF est une copie au 1er mars 2021 de la rubrique « Discographie » du site dédié à Robert Wyatt disco-robertwyatt.com. Il est mis à la libre disposition de tous ceux qui souhaitent conserver une trace de ce travail sur leur propre ordinateur. Ce fichier sera périodiquement mis à jour pour tenir compte des nouvelles entrées. La rubrique « Interviews et articles » fera également l’objet d’une prochaine archive au format PDF. _________________________________________________________________ La photo de couverture est d’Alessandro Achilli et l’illustration d’Alfreda Benge. HOME INDEX POCHETTES ABECEDAIRE Les années Before | Soft Machine | Matching Mole | Solo | With Friends | Samples | Compilations | V.A. | Bootlegs | Reprises | The Wilde Flowers - Impotence (69) [H. Hopper/R. Wyatt] - Robert Wyatt - drums and - Those Words They Say (66) voice [H. Hopper] - Memories (66) [H. Hopper] - Hugh Hopper - bass guitar - Don't Try To Change Me (65) - Pye Hastings - guitar [H. Hopper + G. Flight & R. Wyatt - Brian Hopper guitar, voice, (words - second and third verses)] alto saxophone - Parchman Farm (65) [B. White] - Richard Coughlan - drums - Almost Grown (65) [C. Berry] - Graham Flight - voice - She's Gone (65) [K. Ayers] - Richard Sinclair - guitar - Slow Walkin' Talk (65) [B. Hopper] - Kevin Ayers - voice - He's Bad For You (65) [R. Wyatt] > Zoom - Dave Lawrence - voice, guitar, - It's What I Feel (A Certain Kind) (65) bass guitar [H. Hopper] - Bob Gilleson - drums - Memories (Instrumental) (66) - Mike Ratledge - piano, organ, [H. Hopper] flute. - Never Leave Me (66) [H. -
Songs by Artist
Sound Master Entertianment Songs by Artist smedenver.com Title Title Title .38 Special 2Pac 4 Him Caught Up In You California Love (Original Version) For Future Generations Hold On Loosely Changes 4 Non Blondes If I'd Been The One Dear Mama What's Up Rockin' Onto The Night Thugz Mansion 4 P.M. Second Chance Until The End Of Time Lay Down Your Love Wild Eyed Southern Boys 2Pac & Eminem Sukiyaki 10 Years One Day At A Time 4 Runner Beautiful 2Pac & Notorious B.I.G. Cain's Blood Through The Iris Runnin' Ripples 100 Proof Aged In Soul 3 Doors Down That Was Him (This Is Now) Somebody's Been Sleeping Away From The Sun 4 Seasons 10000 Maniacs Be Like That Rag Doll Because The Night Citizen Soldier 42nd Street Candy Everybody Wants Duck & Run 42nd Street More Than This Here Without You Lullaby Of Broadway These Are Days It's Not My Time We're In The Money Trouble Me Kryptonite 5 Stairsteps 10CC Landing In London Ooh Child Let Me Be Myself I'm Not In Love 50 Cent We Do For Love Let Me Go 21 Questions 112 Loser Disco Inferno Come See Me Road I'm On When I'm Gone In Da Club Dance With Me P.I.M.P. It's Over Now When You're Young 3 Of Hearts Wanksta Only You What Up Gangsta Arizona Rain Peaches & Cream Window Shopper Love Is Enough Right Here For You 50 Cent & Eminem 112 & Ludacris 30 Seconds To Mars Patiently Waiting Kill Hot & Wet 50 Cent & Nate Dogg 112 & Super Cat 311 21 Questions All Mixed Up Na Na Na 50 Cent & Olivia 12 Gauge Amber Beyond The Grey Sky Best Friend Dunkie Butt 5th Dimension 12 Stones Creatures (For A While) Down Aquarius (Let The Sun Shine In) Far Away First Straw AquariusLet The Sun Shine In 1910 Fruitgum Co. -
September 30, 1977 Opinion Page 2 Should U.S
MADISON MEMORIAL LIBRARY James Madison University 'We freeze Harrisonburg, VA 22801 Vol. LV James Madison University, Harrisonburg, Virginia Friday, September 30. 1977 No. 9 Virginia would 'suffer' if bond issue is not passed 6A long time to recover,9 says Godwin By TAMI RICHARDSON However, available enough to cover these If the $125 million bond revenues are not going to be projects," he said. referendum is not passed Nov sufficient to "do things that Also, if higher education 8, Virginia higher education have to be done" unless other improvements were to be will "suffer a grievous revenues are "found and financed through the General wound" from which it "would tapped," Godwin said. Fund now, it would "almost not recover for a long time," The government has tried certainly" require "sub- according to Gov. Mills to finance "needed projects Godwia stantial" increases in taxes, though the General Fund for according to the Governor. Godwin spoke Monday at several years, but the money There is no tax increase James Madison University to "simply would not stretch far (Continued on Page 10) the Council of Visitors, members of boards of visitors from colleges and universities throughout the state. In his own estimation, Godwin said, as many as 30 per cent of voting Virginians will vote against the bond . - issue, which allots $86,475,000 to higher education, if they are not properly informed of its importance. It is a tradition in this state to vote against something that is believed to bring debt, he said. GOVERNOR MILLS GODWIN speaks to the Virginia Council of "I am not one who loves Visitors Monday. -
PIRG Surges Into National Action by PHILIP DUNCAN Projects of the North Carolina and Delaying Tactic to Dodge the Suit
Patterson Court Council reexamines self-selection By PHILIP DUNCAN various waiting lists. accomodate 90 people," said News Editor Though the general senti- their spokesman. The Patterson Court Coun- ment of the Council was that Treasurer Steve Smith of cil met Tuesday to discuss the the houses will become over- PIKA said that his house outcome of self-selection and crowded if too many off the would accept "five waiting lists are taken in, a p determine the policy for stu- and fifteen maximum off the dents on two or more eating' few of the house officers indicated that they felt a waiting list for a total of club waiting lists. approximately 72. Two hundred and twenty- responsibility to draw heavily off the lists. "I am reluctant to see the one freshmen signed up at the houses get bigger than they nine clubs, 146 men and 75 "There are a lot of people are now. Some sort of expan- women. Ninety-one could not out there who really want a sion is necessary to eliminate get into a house and signed place to eat," said one. the crowding," he said. FOCUS The KA's Vance Christ- Kathryn Bridges, who was opher indicated that his house elected President of PCC for would vote Thursday on whe- next year, said that F&M New doctors anticipated ther to increase membership in would not go over 78. their house to 90 and accept "It's too difficult to get to By CATHERINE LANDIS He does not wish to hire the tors. He also is encouraged by practically all those on the know people when the house is Editor Huntersville doctors for '77 the potential upgrading in the waiting list. -
BILLBOARD COUNTRY UPDATE [email protected]
Country Update BILLBOARD.COM/NEWSLETTERS SEPTEMBER 23, 2019 | PAGE 1 OF 23 INSIDE BILLBOARD COUNTRY UPDATE [email protected] Bentley “Living” It Up On Chart Cody Johnson, “God’s Country” And The >page 4 Evolution Of The Classic Country Song Chuck Dauphin Remembered When the Nashville Songwriters Association International his second Warner Music Nashville album, Durango — owned >page 10 (NSAI) gave out its annual awards on Sept. 17, songwriter of by Howie Edelman — decided that throwing a party for some the year Josh Osborne (“Hotel Key,” “Kiss Somebody”) and of the old guard might familiarize them with Johnson’s music the trio that penned song of the year “Break Up in the End” — and inspire them to dig into their catalogs for the gems that Chase McGill, Jessie Jo Dillon and Jon Nite — claimed their never quite got cut. Brantley Gilbert’s trophies on the stage of the historic Ryman Auditorium. Durango A&R executive Scott Gunter specifically asked Tootsie’s Role But when Durango Management held a Sept. 18 event to for songs that were written before 2000, and by the next day, >page 12 find songs for untapped music Cody Johnson, and thankful those current notes were hitmakers were already rolling in Luke Bryan Switches not on the invite from the likes of It Up list. Instead, the Allen Shamblin >page 12 aptly named ( “ T h e H o u s e back-alley That Built Me”), h a n g o u t O l d Steve Bogard Makin’ Tracks: Glory filled up (“Carried Away”) Chris Young’s with writers such and Kerry Kurt as Mike Reid Phillips ( “ I “Drowning” STRAIT JOHNSON OSBORNE >page 17 (“Stranger in Don’t Need Your My House”), Jim Rockin’ Chair”), McBride (“Chattahoochee”), Michael P.