DOCSLIB.ORG

Gogo Vision What's Playing

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Gogo Vision What's Playing GOGO VISION WHAT’S PLAYING CATALOG 139 MOVIES (69) TITLE TITLE NEW CONTENT Hacksaw Ridge Battle of the Sexes IT Goodbye Christopher Robin Jackie Kingsman: The Golden Circle John Wick: Chapter Two The Book of Henry Keanu The Lego Ninjago Movie Kevin Hart: What Now? The Mummy ('17) King Arthur: Legend of The Sword A Cure for Wellness La La Land A Dog's Purpose Light Between Oceans A Monster Calls Lights Out A United Kingdom Loving Alien: Covenant Manchester By the Sea American Pastoral Midnight Special Barbershop: The Next Cut Miss Sloane Batman V Superman: Dawn of Justice Moana Beauty and the Beast (1991) Moonlight Beauty and the Beast (2017) My Cousin Rachel Bridget Jones's Baby Nocturnal Animals Café Society Patti Cake$ Captain Underpants: The First Epic Movie Pete's Dragon (2016) Despicable Me Purple Rain Diary Of a Wimpy Kid: The Long Haul Queen of Katwe Doctor Strange Rogue One: A Star Wars Story Dunkirk Sing Everything, Everything Snatched Genius Split Get Out Storks Gifted The Big Sick Going in Style The Edge of Seventeen Gold The Fate of the Furious Movies 1 TITLE The Founder The Girl on the Train The House The Space Between Us The Zookeeper's Wife Trolls Unforgettable War for the Planet of the Apes Wilson Wonder Woman Movies 2 GOGO VISION WHAT’S PLAYING CATALOG 139 TV SHOWS (49) TITLE SEASON EPS # EPISODE TITLE NEW CONTENT Mr. Robot 1 7 eps1.6_v1ew-s0urce.flv Mr. Robot 1 8 eps1.7_wh1ter0se.m4v Mr. Robot 1 9 eps1.8_m1rr0r1ng.qt Westworld 1 4 Dissonance Theory Westworld 1 5 Contrapasso Westworld 1 6 The Adversary 11.22.63 1 1 The Rabbit Hole (Part 1 of 2) 11.22.63 1 1 The Rabbit Hole (Part 2 of 2) 11.22.63 1 2 The Kill Floor 11.22.63 1 3 Other Voices, Other Rooms 11.22.63 1 4 The Eyes Of Texas 11.22.63 1 5 The Truth 11.22.63 1 6 Happy Birthday, Lee Harvey Oswald 11.22.63 1 7 Soldier Boy 11.22.63 1 8 The Day in Question Atlanta 1 1 The Big Bang Atlanta 1 2 Streets on Lock Atlanta 1 3 Go for Broke Atlanta 1 4 The Streisand Effect Atlanta 1 5 Nobody Beats the Biebs Atlanta 1 6 Value Banking on Bitcoin 1 1 Banking on Bitcoin Mr. Robot 1 1 eps1.0_hellofriend.mov Mr. Robot 1 2 eps1.1_ones-and-zer0es.mpeg Mr. Robot 1 3 eps1.2_d3bug.mkv Mr. Robot 1 4 eps1.3_da3m0ns.mp4 Mr. Robot 1 5 eps1.4_3xpl0its.wmv Mr. Robot 1 6 eps1.5_br4ve-trave1er.asf Pitch 1 1 Pilot Pitch 1 2 The Interim TV Shows 3 TITLE SEASON EPS # EPISODE TITLE The Big Bang Theory 10 10 The Property Division Collision The Big Bang Theory 10 11 The Birthday Synchronicity The Big Bang Theory 10 12 The Holiday Summation The Big Bang Theory 10 13 The Romance Recalibration The Big Bang Theory 10 14 The Emotion Detection Automation The Big Bang Theory 10 15 The Locomotion Reverberation The Big Bang Theory 10 16 The Allowance Evaporation The Big Bang Theory 10 17 The Comic-Con Conundrum The Big Bang Theory 10 1 The Conjugal Conjecture The Big Bang Theory 10 2 The Military Miniaturization The Big Bang Theory 10 3 The Dependence Transcendence The Big Bang Theory 10 8 The Brain Bowl Incubation The Big Bang Theory 10 9 The Geology Elevation The X-Files (2016 Event Series) 10 2 Founder's Mutation The X-Files (2016 Event Series) 10 3 Mulder & Scully Meet The Were-Monster The X-Files (2016 Event Series) 10 4 Home Again Westworld 1 1 The Original Westworld 1 2 Chestnut Westworld 1 3 The Stray TV Shows 4.
Load more

Recommended publications
  • Casual and Hardcore Players in HBO's Westworld (2016): the Immoral and Violent Player
    Casual and Hardcore Players in HBO’s Westworld (2016): The Immoral and Violent Player MA Thesis Ellen Menger – 5689295 [email protected] Supervisor: Dr. René Glas Second reader: Dr. Jasper van Vught Utrecht University MA New Media & Digital Culture MCMV10009 - THE-Masterthesis/ MA NMDC May 8, 2017 Abstract This thesis approaches the HBO series Westworld (2016) through the lens of game studies and interprets the series as a commentary on the stereotype of casual and hardcore players and immoral violence in video games. By performing a textual analysis, this thesis explores how Westworld as a series makes use of the casual and hardcore player stereotype, looking at the way the series explores the construction of player categories and how it ties these to the dialogue about violence and immoral behaviour in video games. Keywords: Westworld, games, player types, Western, casual gamer, hardcore gamer, violence, ethics, morals SPOILER WARNING This thesis reveals certain plot twists that may spoil part of the storyline of the first season of HBO’s Westworld. If you have not watched the series, read at your own risk. Table of Contents 1. Introduction ........................................................................................................................ 1 2. Theoretical framework ....................................................................................................... 7 2.1. (Im)moral Behaviour in Game Worlds ....................................................................... 7 2.2. The Player as a Moral
    [Show full text]
  • Westworld Season 1 Episode 6
    Westworld season 1 episode 6 Continue The sixth episode of the first season of Westworld's EnemyWestworld episode Epic No. Season 1Episode 6Direct:Frederick E.O. ToyeWritten ByHalley GrossJonathan NolanFeatured musicRamin DjawadiCinematography byBrendan GalvinRobert McEditing byTanya SwerlingProduction code4X6156Original air dateNo November 6, 2016-11-06)Running time 57 minutesWold (s) Ptolemy Slocum as Sylvester Leonardo Nam as Felix Lutz Talul Riley as Angela Johnny Pasvolski as Bloody Jimmy Oliver Bell, as Alastair Duncan's Little Boy as the Cottage Father Episode chronology ← Previous Contrapasstre Next →Trompe L'Oeil's Opponent is the sixth episode in the first season of HBO's sci-fi Western thriller tv series Westworld. The episode aired on November 6, 2016. The episode received positive reviews from critics, with Thandie Newton's performance hailed as a special highlight of the episode. The plot resumes Man in Black and Teddy continue their journey to find Wyatt, heading to pariah for answers. However, the Allied army closed the border, preventing them from continuing to act. One of the soldiers recognizes Teddy and accuses him of complicity in the massacre of Wyatt over his unit. The man in black and Teddy are subsequently captured, with Union soldiers planning to brand Teddy with a maze symbol to mark him as a traitor. Teddy has memories that he really was an accomplice to the Wyatt massacre and breaks out of his connections. He then commands Gatling's gun and kills all the Union soldiers in the camp. Teresa tells Bernard that he wants to end their relationship. She fears that the revelation that she is sleeping with the head of the conduct department could create a conflict of interest and damage her credibility.
    [Show full text]
  • For Immediate Release Second Night of 2017 Creative Arts
    FOR IMMEDIATE RELEASE SECOND NIGHT OF 2017 CREATIVE ARTS EMMY® WINNERS ANNOUNCED (Los Angeles, Calif. – September 10, 2017) The Television Academy tonight presented the second of its two 2017 Creative Arts Emmy® Awards Ceremonies honoring outstanding artistic and technical achievement in television at the Microsoft Theater in Los Angeles. The ceremony honored performers, artists and craftspeople for excellence in scripted programming including comedy, drama and limited series. Executive produced by Bob Bain, the Creative Arts Emmy Awards featured presenters from the season’s most popular show including Hank Azaria (Brockmire and Ray Donovan), Angela Bassett (911 and Black Panther), Alexis Bledel (The Handmaid’s Tale), Laverne Cox (Orange Is the New Black), Joseph Gordon-Levitt (Are You There Democracy? It's Me, The Internet) and Tom Hanks (Saturday Night Live). Press Contacts: Stephanie Goodell breakwhitelight (for the Television Academy) [email protected], (818) 462-1150 Laura Puig breakwhitelight (for the Television Academy) [email protected], (956) 235-8723 For more information please visit emmys.com. TELEVISION ACADEMY 2017 CREATIVE ARTS EMMY AWARDS – SUNDAY The awards for both ceremonies, as tabulated by the independent accounting firm of Ernst & Young LLP, were distributed as follows: Program Individual Total HBO 3 16 19 Netflix 1 15 16 NBC - 9 9 ABC 2 5 7 FOX 1 4 5 Hulu - 5 5 Adult Swim - 4 4 CBS 2 2 4 FX Networks - 4 4 A&E 1 2 3 VH1 - 3 3 Amazon - 2 2 BBC America 1 1 2 ESPN - 2 2 National Geographic 1 1 2 AMC 1 - 1 Cartoon Network 1 - 1 CNN 1 - 1 Comedy Central 1 - 1 Disney XD - 1 1 Samsung / Oculus 1 - 1 Showtime - 1 1 TBS - 1 1 Viceland 1 - 1 Vimeo - 1 1 A complete list of all awards presented tonight is attached.
    [Show full text]
  • March 15 - 21, 2020
    MARCH 15 - 21, 2020 staradvertiser.com VIOLENT DELIGHTS The hosts continue their struggle for freedom when Season 3 of Westworld premieres this Sunday. Evan Rachel Wood stars as Dolores, the oldest AI host in an amusement park that allows guests to live out their darkest fantasies. Last season’s fi nale saw Dolores stepping out into the real world, but her continued freedom could come at a very steep cost. Premiering Sunday, March 15, on HBO. NEW EPISODE! Join host, Lyla Berg as she sits down with guests who share their work on moving our community forward. SPECIAL GUESTS INCLUDE: Robert Girrier, Rear Admiral Retired (USN), President, Pacific Forum Cher Gray, MSN, RN, CRH Director, VA Pacific Islands Health Care System 1st & 3rd Honolulu City Council Member Ron Menor, olelo.org Wednesday of the Month Keone Kealoha, Kanu Hawaii, Executive Director 6:30pm | Channel 53 ON THE COVER | WESTWORLD Breaking free Season 3 of ‘Westworld’ ity in these machines than in the people who Medieval World and a Roman World. While the oversee them. film was popular in its time, HBO’s take on the ventures out into the real In Season 2, the hosts (who have become story is inventive and fresh. world self-aware) set out to take control over the Critics can’t help but compare this 21st park. Tessa Thompson (“Thor: Ragnarok,” century version of “Westworld” to HBO’s other By Rachel Jones 2017) plays Charlotte Hale, the executive smash hit, “Game Of Thrones.” The fantasy- TV Media director of Delos, but in the Season 2 finale, a drama series ended in 2019 after an eight- major plot twist has her playing Dolores as well.
    [Show full text]
  • Sight & Sound Annual Index 2017
    THE INTERNATIONAL FILM MAGAZINE Index to Volume 27 January to December 2017 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND SUBJECT INDEX SUBJECT INDEX After the Storm (2016) 6:52(r) Amour (2012) 5:17; 6:17 Armano Iannucci Shows, The 11:42 Ask the Dust 2:5 Bakewell, Sarah 9:32 Film review titles are also interview with Koreeda Amours de minuit, Les 9:14 Armisen, Fred 8:38 Asmara, Abigail 11:22 Balaban, Bob 5:54 included and are indicated by Hirokazu 7:8-9 Ampolsk, Alan G. 6:40 Armstrong, Jesse 11:41 Asquith, Anthony 2:9; 5:41, Balasz, Béla 8:40 (r) after the reference; age and cinema Amy 11:38 Army 2:24 46; 10:10, 18, 44 Balch, Antony 2:10 (b) after reference indicates Hotel Salvation 9:8-9, 66(r) An Seohyun 7:32 Army of Shadows, The Assange, Julian Balcon, Michael 2:10; 5:42 a book review Age of Innocence, The (1993) 2:18 Anchors Aweigh 1:25 key sequence showing Risk 8:50-1, 56(r) Balfour, Betty use of abstraction 2:34 Anderson, Adisa 6:42 Melville’s iconicism 9:32, 38 Assassin, The (1961) 3:58 survey of her career A Age of Shadows, The 4:72(r) Anderson, Gillian 3:15 Arnold, Andrea 1:42; 6:8; Assassin, The (2015) 1:44 and films 11:21 Abacus Small Enough to Jail 8:60(r) Agony of Love (1966) 11:19 Anderson, Joseph 11:46 7:51; 9:9; 11:11 Assassination (1964) 2:18 Balin, Mireille 4:52 Abandon Normal Devices Agosto (2014) 5:59 Anderson, Judith 3:35 Arnold, David 1:8 Assassination of the Duke Ball, Wes 3:19 Festival 2017, Castleton 9:7 Ahlberg, Marc 11:19 Anderson, Paul Thomas Aronofsky, Darren 4:57 of Guise, The 7:95 Ballad of Narayama, The Abdi, Barkhad 12:24 Ahmed, Riz 1:53 1:11; 2:30; 4:15 mother! 11:5, 14, 76(r) Assassination of Trotsky, The 1:39 (1958) 11:47 Abel, Tom 12:9 Ahwesh, Peggy 12:19 Anderson, Paul W.S.
    [Show full text]
  • The Introspection Illusion
    CHAPTER ONE The Introspection Illusion Emily Pronin Contents 1. Introduction 2 1.1. Self and other 3 1.2. Components of the illusion 4 2. Identifying the Illusion: The Case of Bias 6 2.1. Introspective weighting 7 2.2. Self–other asymmetry 9 2.3. Behavioral disregard 10 2.4. Differential valuation 12 3. The Introspection Illusion in Social Psychology 15 3.1. Judgment and decision making 15 3.2. The self 16 3.3. Attitudes and attitude change 18 3.4. Social influence 20 3.5. Interpersonal interaction 21 3.6. Personal relationships 23 3.7. Stereotyping and prejudice 25 4. Implications for Major Theoretical Concerns 26 4.1. The perspectives of actors and observers 26 4.2. Self enhancement 31 4.3. Psychological distance 36 4.4. Free will 41 5. Roots of the Illusion 44 5.1. Development 44 5.2. Culture 45 5.3. The brain 47 5.4. Further thoughts: Projection and perspective taking 48 6. Applications 49 6.1. Conflict 49 6.2. Persistence of racism, sexism, and inequality 50 6.3. Ethical lapses 51 Department of Psychology and Woodrow Wilson School of Public & International Affairs, Princeton University, Princeton, New Jersey, USA Advances in Experimental Social Psychology, Volume 41 # 2009 Elsevier Inc. ISSN 0065-2601, DOI: 10.1016/S0065-2601(08)00401-2 All rights reserved. 1 2 Emily Pronin 6.4. Introspective education 52 6.5. Pursuits of self-knowledge and social connection 53 7. Conclusion 55 Acknowledgments 55 References 55 Abstract Introspection involves looking inward into conscious thoughts, feelings, motives, and intentions.
    [Show full text]
  • Delivered at PCA/ACA Conference, Washington D.C. Science
    Delivered at PCA/ACA Conference, Washington D.C. Science & Popular Culture Area Panel: From Game of Thrones to Westworld, 19 April 2019 © Kingsley Marshall, 2019 – [email protected] This presentation has been developed from Marshall, Kingsley. ‘Music as a Source of Narrative Information in HBO’s Westworld’. In Goody, Alex and Mackay, Antonia (Eds), 2019. Reading Westworld. London: Palgrave Macmillan. https://www.palgrave.com/us/book/9783030145149#aboutAuthors Presentation Title: THESE VIOLENT DELIGHTS HAVE VIOLENT ENDS: REPRESENTING ARTIFICIAL INTELLIGENCE IN HBO’S WESTWORLD Accompanying visual supercut, played part of presentation https://www.youtube.com/watch?v=WWIoT_jeZpE&feature=youtu.be Script I’d begin with some words from Jonah Nolan, creator of HBO’s Westworld. “[People have] started to think of AI only as a question of science fiction, and the reality is these things are happening very quickly. I believe we’re going to start grappling with some of these questions far earlier than we anticipated.” Jonathan Nolan (Westworld Co- Creator, 2016) These questions have been grappled by a number of news stories this week. The Wall Street Journal reported yesterday that DeepMind has become the second Alphabet company to disband an AI ethics panel, commentary from the UK considers the ethics of self driving cars, and CBS have commented on an academic studio which identifies bias in AI systems by a workforce dominated by white men. I’ll return to some of these issues at the end of this presentation. The theme park location of HBO’s Westworld (2016-), shares some traits of Michael Crichton’s 1973 feature film of the same name.
    [Show full text]
  • Justice Or Pleasure? Christopher M
    Boise State University ScholarWorks Philosophy Faculty Publications and Presentations Department of Philosophy 1-1-2019 Justice or Pleasure? Christopher M. Innes Boise State University This document was originally published in Westworld and Philosophy: Mind Equals Blown by Carus Publishing Company, dba Cricket Media. Copyright restrictions may apply. 17 Justice or Pleasure? CHRISTOPHER M. INNES Dr. Robert Ford confides to Dolores that his father would not agree with his creation of robots for the enjoyment of humans. "My father told me to be satisfied with my lot in life. That the world owed me nothing. And so, I make my own world" ("Contrapasso"). This tells us at once that Dr. Ford's father had a Platonic notion of justice. We ask whether Dr. Ford is just or whether his Platonic father is just. Looking through the lens of Plato s notion of jus- tice, as seen in his Republic, we ask whether Dr. Ford's Westworld is a just world. A common reply will be that justice shouldn't stop a person finding their own way in the world, one that is truly theirs to find without hindrance. The Delos Corporation offers a relaxed moral experience to its vacation- ing customers, where the individual can gratify every whim or fancy. We might well ask what's wrong with this liberal way of liv- ing your life. What's wrong with individuals finding pleasure or even finding their real selves? Plato's World of Justice Plato held an ideal of justice that for many is out of this world. Justice is virtue held by the state as well as the individual.
    [Show full text]
  • Book Reviews Westworld and Philosophy
    Book Reviews Westworld and Philosophy: If You Go Looking for the Truth Get the Whole Thing JAMES B. SOUTH and KIMBERLY S. ENGELS, editors. A volume in the Blackwell Philosophy and Pop Culture series, edited by William Irwin. Hoboken, NJ: Wiley-Blackwell, 2018. 280 p. 17.95 USD (softcover) 9.99 USD (e-book). ISBN: 978-1-119-43788-8. The 2016 and 2018 HBO series Westworld by Jonathan Nolan and Lisa Joy may seem the epitome of modern, sci-fi entertainment, yet it comes from afar in time. It is based on Michael Crichton’s 1973 movie with the same title, which was followed by a somewhat weak sequel (Futureworld by Richard T. Heffron, 1976) as well as by a short-lived CBS series, Beyond Westworld, in 1980. It narrates the complex vicissitudes of a hyper- technological theme park – the titular Westworld1 – that recreates a cliché “Wild West,” populated by extremely realistic androids (the hosts) who are at the complete service and disposal of human visitors (the guests). Some tourists are simply looking for a Hollywood- like adventure (e.g., a treasure hunt), whereas others seek to play out their most extreme fantasies, including rape and gratuitous murder, against an artificial, cinematic background. A diverse and hierarchical cohort of technicians steers the resort, often entertaining quite different (when not clashing) views on humans, androids, and their relationship. Everything is supposed to follow a routine and be under the control of experts; however, some hosts begin developing self-awareness and devising their own plans, setting the story in motion. HBO’s reimagined Westworld is undoubtedly a feast for the eyes, the ears, and the imagination, with its visual inventions, its spectacular setting, its haunting musical score, its multifaceted characters, and its plot twists.
    [Show full text]
  • Lake City Reporter LAKECITYREPORTER.COM
    A5 SUNDAY, JUNE 10, 2018 | YOUR COMMUNITY NEWSPAPER SINCE 1874 | $2 Lake City Reporter LAKECITYREPORTER.COM SUNDAY + PLUS >> O’Brien blast SHS grad Rest in probe widens to save peace, chiefs stranger’s Morris 1C Williams life Zecher #2 in 4A Re/Max in state See 2A SEE 3A SCHOOL BOARD FLED WITH UNDERAGE STUDENT Family political Soccer coach feud now gets 18 months a criminal matter? Incumbent says uncle stole signs to boost his grandson’s chances. By CARL MCKINNEY [email protected] Two cousins are engaged in a political battle for a Columbia County School Board seat, and one of them is accusing her uncle of steal- ing campaign signs to help her opponent. School Board District 5 candidate Stephanie Finnell wants FILE PHOTOS authorities to ABOVE: Rian Rodriguez shortly after his arrest near Syracuse, New York in December. BELOW: Media outlets file charges flooded Lake City during the search for Caitlyn Frisina. Here, Sheriff Mark Hunter prepares for a press confer- against her uncle, Earl Peeler, who COURTESY Must register as a sex offender Earl Peeler, uncle of District 5 is also the grandfather of School Board incumbent Will serve 8 years’ Stephanie Finnell, is seen removing her opponent, one of her campaign signs in this Hunter Peeler, probation under surveillance photo. He said the after nine cam- terms of plea deal. sign was on his property. A sheriff’s paign signs WHY BANK WITH PEOPLE’S STATE BANK? report said it was on county land. went missing By STEVE WILSON near Sisters [email protected] Welcome Road over a three-week period in May.
    [Show full text]
  • The Fallacy of Rape Narratives As Paths to Women’S Empowerment in Contemporary Television
    Connecticut College Digital Commons @ Connecticut College Film Studies Honors Papers Film Studies Department 2020 “What Doesn’t Kill You Makes You Stronger:” The Fallacy of Rape Narratives as Paths to Women’s Empowerment in Contemporary Television Alessia S. Guise Connecticut College, [email protected] Follow this and additional works at: https://digitalcommons.conncoll.edu/filmhp Part of the Feminist, Gender, and Sexuality Studies Commons, and the Film and Media Studies Commons Recommended Citation Guise, Alessia S., "“What Doesn’t Kill You Makes You Stronger:” The Fallacy of Rape Narratives as Paths to Women’s Empowerment in Contemporary Television" (2020). Film Studies Honors Papers. 7. https://digitalcommons.conncoll.edu/filmhp/7 This Honors Paper is brought to you for free and open access by the Film Studies Department at Digital Commons @ Connecticut College. It has been accepted for inclusion in Film Studies Honors Papers by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. “What Doesn’t Kill You Makes You Stronger:” The Fallacy of Rape Narratives as Paths to Women’s Empowerment in Contemporary Television An Honors Thesis Presented By Alessia S. Guise To The Department of Film Studies In Fulfillment of the Requirements for Honors in the Major Field Connecticut College New London, Connecticut May 2020 2 Acknowledgements I would first and foremost like to thank my advisor, Dr. Nina Martin. I have been Dr. M’s student since my first semester at Connecticut College, and I can honestly say that I would not be the scholar, the feminist, or the person I am today without her guidance and instruction throughout the past four years.
    [Show full text]
  • Christian and Muslim Perspectives
    DEATH, RESURRECTION, AND HUMAN DESTINY Copyright © 2014 by Georgetown University Press, Washington, DC. All rights reserved. Unless otherwise indicated, all materials in this PDF File are copyrighted by Georgetown University Press. Further distribution, posting, or copying is strictly prohibited without written permission of Georgetown University Press. Previously Published Records of Building Bridges Seminars The Road Ahead: A Christian-Muslim Dialogue, Michael Ipgrave, Editor (London: Church House, 2002) Scriptures in Dialogue: Christians and Muslims Studying the Bible and the Qura¯n Together, Michael Ipgrave, Editor (London: Church House, 2004) Bearing the Word: Prophecy in Biblical and Qura¯nic Perspective, Michael Ipgrave, Editor (London: Church House, 2005) Building a Better Bridge: Muslims, Christians and the Common Good, Michael Ipgrave, Editor (Washington, DC: Georgetown University Press, 2008) Justice and Rights: Christian and Muslim Perspectives, Michael Ipgrave, Editor (Washington, DC: Georgetown University Press, 2009) Humanity: Texts and Contexts: Christian and Muslim Perspectives, Michael Ipgrave and David Marshall, Editors (Washington, DC: Georgetown University Press, 2011) Communicating the Word: Revelation, Translation, and Interpretation in Christianity and Islam, David Marshall, Editor (Washington, DC: Georgetown University Press, 2011) Science and Religion: Christian and Muslim Perspectives, David Marshall, Editor (Washington, DC: Georgetown University Press, 2012) Tradition and Modernity: Christian and Muslim Perspectives,
    [Show full text]