Studio 24C 24-Bit, 192 Khz USB-C Audio Interface Owner’S Manual
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Presonus Studio 26C/68C Owners Manual
Studio 26c and Studio 68c 24-Bit, 192 kHz USB-C Audio Interfaces Owner’s Manual ® English www.presonus.com Table of Contents 5 Technical Information — 27 1 Overview — 1 5.1 Specifications — 27 1.1 Introduction — 1 6 Warranty Information — 29 1.2 About This Manual — 1 6.1 How Consumer Law Relates To This Warranty — 29 1.3 Summary of Studio-series Hardware Features — 2 1.4 Summary of Studio One Artist Software Features — 2 1.5 What is in the Box — 3 2 Hookup — 4 2.1 Front-Panel Connections — 4 2.2 Back Panel Connections — 6 2.3 Connection Diagrams — 8 2.3.1 Studio 26c — 8 2.3.2 Studio 68c — 9 3 Connecting to a Computer — 10 3.1 Installation for Windows — 10 3.1.1 Universal Control (Windows) — 10 3.1.2 Loopback Recording (Windows only) — 12 3.2 Installation for macOS — 13 3.3 Using the Studio-series interfaces with Popular Audio Applications — 13 4 Studio One Artist Quick Start — 15 4.1 Installation and Authorization — 15 4.2 Setting Up Studio One — 16 4.2.1 Configuring Audio Devices — 17 4.2.2 Configuring MIDI Devices — 17 4.3 Creating a New Song — 21 4.3.1 Configuring Your I/O — 22 4.3.2 Creating Audio and Instrument Tracks — 23 4.3.3 Recording an Audio Track — 24 4.3.4 Adding Virtual Instruments and Effects — 25 1 Overview Studio 26c and Studio 68c 1.1 Introduction Owner’s Manual 1 Overview 1.1 Introduction Thank you for purchasing a PreSonus® Studio-series audio interface. -
Wing Daw-Control
WING DAW-CONTROL V 1.0 2 WING DAW-CONTROL Table of Contents DAW-Setup ...................................................................... 3 Settings WING .............................................................................. 3 Settings DAW ............................................................................... 3 CUBASE/NUENDO .................................................................... 4 ABLETON LIVE ........................................................................... 5 LOGIC ........................................................................................... 5 STUDIO ONE .............................................................................. 6 REAPER ......................................................................................... 7 PRO TOOLS ................................................................................. 8 Custom Control Section ................................................. 9 Overview........................................................................................ 9 Assign Function to CC-Section............................................... 9 Store Preset ................................................................................ 10 Share Preset ................................................................................ 10 MCU – Implementation ................................................ 11 Layer Buttons ............................................................................. 11 Upper CC-Section .................................................................... -
AVID Pro Tools | S3 Data Sheet
Pro Tools | S3 Small format, big mix Based on the award-winning Avid® Pro Tools® | S6, Pro Tools | S3 is a compact, EUCON™-enabled, ergonomic desktop control surface that offers a streamlined yet versatile mixing solution for the modern sound engineer. Like S6, S3 delivers intelligent control over every aspect of Pro Tools and other DAWs, but at a more affordable price. While its small form factor makes it ideal for space-confined or on-the-go music and post mixing, it packs enormous power and accelerated mixing efficiency for faster turnarounds, making it the perfect fit everywhere, from project studios to the largest, most demanding facilities. Take complete control of your studio Experience the deep and versatile DAW control that only Avid can deliver. With its intelligent, ergonomic design and full EUCON support, S3 puts tightly integrated recording, editing, and mixing control at your fingertips, enabling you to work smarter and faster— with your choice of DAWs—to expand your Experience exceptional integration, mixing capabilities and job opportunities. ergonomics, and visual feedback And because S3 is application-aware, you No other surface offers the level of DAW integration and versatility that Avid can switch between different DAW sessions control surfaces provide, and S3 is no different. Its intuitive controls feel like in seconds. Plus, its compact footprint fits an extension of your software, enabling you to mix with comfort, ease, and easily into any space, giving you full reign of speed, with plenty of rich visual feedback to guide you. the “sweet spot.” • 16 channel strips, each with a touch-sensitive, motorized Work smarter and faster fader and 10-segment signal level meter S3 combines traditional console layout design • 32 touch-sensitive, push-button rotary encoders for with the proven advancements of Pro Tools | S6, panning, gain control, plug-in parameter adjustments, ensuring highly intuitive operation, regardless of and more (16 channel control, 16 assignable), each with your experience level. -
Best Daw to Record Vocals
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Network Installation Guide Additional Information for Institutional Installation of Steinberg Software Network Installation Guide | Version 1.7.2
VERSION 1.7.2 AUTHOR SEBASTIAN ASDONK DaTE 30/07/2014 NETWORK INSTALLATION GUIDE Additional information for institutional installation of Steinberg software NETWORK INSTALLATION GUIDE | VERSION 1.7.2 Synopsis This document provides background information about the installation, activation and registration process of Steinberg software (e.g. Cubase, WaveLab, and Sequel). It is a collection that is meant to assist system administrators with the task of installing our software on network systems, activating the products cor- rectly and finally registering the software online. The aim of this document is to prevent admins from being confronted with some familiar issues occurring in the field. Since institutions around the world have different systems in place, Steinberg cannot provide the standard solution for your setup. However, we discovered some common ground across different configurations and network facilities. If you have any information about your currently working network setup that you would like to share with us, please feel free to do so. You can always write to [email protected] 2 Content Synopsis .................................................................................2 Content ...................................................................................3 First steps ...............................................................................4 Installation ............................................................................4 Activation ..............................................................................4 -
Sonivox VOCALIZER™ Quick Start Guide
SONiVOX VOCALIZER Quick Start Guide SONiVOX Vocalizer Quick Start Guide Copyright © 2010 Sonic Network, Inc. Page 1 License and Copyrights Copyright © 2010 Sonic Network, Inc. Internationally Secure All rights reserved SONiVOX 561 Windsor Street, Suite A402 Somerville, MA 02143 617-718-0202 www.sonivoxmi.com This SONiVOX product and all its individual components referred to from this point on as Vocalizer are protected under United States and International copyright laws, with all rights reserved. Vocalizer is provided as a license to you, the customer. Ownership of Vocalizer is maintained solely by Sonic Network, Inc. All terms of the Vocalizer license are documented in detail in Vocalizer End-User License Agreement on the installer that came with this manual. If you have any questions regarding this license please contact Sonic Network at [email protected]. Trademarks SONiVOX is a registered trademark of Sonic Network Inc. Other names used in this publication may be trademarks and are acknowledged. Publication This publication, including all photographs and illustrations, is protected under international copyright laws, with all rights reserved. Nothing herein can be copied or duplicated without express written permission from Sonic Network, Inc. The information contained herein is subject to change without notice. Sonic Network makes no direct or implied warranties or representations with respect to the contents hereof. Sonic Network reserves the right to revise this publication and make changes as necessary from time to time -
Presonus Audiobox USB 96 USB Audio Interface Owners Manual
AudioBox USB®96 USB Audio Interface Owner’s Manual ® English www.presonus.com Table of Contents 5 Technical Information — 21 1 Overview — 1 5.1 Specifications — 21 1.1 Introduction — 1 6 Warranty Information — 22 1.2 Summary of AudioBox USB 7.1 How Consumer Law Relates Hardware Features — 1 To This Warranty — 22 1.3 Summary of Studio One Artist Software Features — 1 1.4 What is in the Box — 2 2 Hook-up — 3 2.1 Front-Panel Connections and Controls — 3 2.2 Rear-Panel Connections — 4 2.3 Connection Diagram — 5 3 Connecting to a Computer — 6 3.1 Installation for Windows — 6 3.1.1 Universal Control (Windows) — 6 3.2 Installation for Mac OS X — 7 3.3 Using the AudioBox USB96 with Popular Audio Applications — 7 4 Studio One Artist Quick Start — 9 4.1 Installation and Authorization — 9 4.2 Setting Up Studio One — 10 4.2.1 Configuring Audio Devices — 11 4.2.2 Configuring MIDI Devices — 11 4.3 Creating a New Song — 15 4.3.1 Configuring Your Audio I/O — 16 4.3.2 Creating Audio and Instrument Tracks — 17 4.3.3 Recording an Audio Track — 18 4.3.4 Adding Virtual Instruments and Effects — 18 1 Overview AudioBox USB®96 1.1 Introduction Owner’s Manual 1 Overview 1.1 Introduction Thank you for purchasing the PreSonus AudioBox USB®96. PreSonus Audio Electronics has designed the AudioBox USB96 utilizing high-grade components to ensure optimum performance that will last a lifetime. Loaded with 2 high-headroom, Class A microphone preamplifiers; professional 24-bit 96 kHz converters; a built-in 2x2 USB 2.0 recording and playback engine; MIDI I/O; and more, AudioBox USB96 breaks new boundaries for music performance and production. -
Cubase 8 – Quick Start Guide
快速入门说明书 Cristina Bachmann, Heiko Bischoff, Christina Kaboth, Insa Mingers, Matthias Obrecht, Sabine Pfeifer, Kevin Quarshie,Benjamin Schutte. Steinberg Media Technologies GmbH Steinberg Media Technologies GmbH ™ ® www.steinberg.net/trademarks © Steinberg Media Technologies GmbH, 2015 6 6 7 8 9 11 11 12 14 15 15 17 4 5 Steinberg Cubase Pro 8.5 / Cubase Artist 8.5 Cubase1989Atari CubaseCubase 25DJCubase Cubase Cubase Cubase Cubase Pro Cubase Artist Cubase Cubase Cubase www.steinberg.net/forum Cubase Steinberg Cubase 6 Cubase pdf Windows windows Steinberg Cubase Mac OSX “/Library/ Documentation/Steinberg/Cubase 8.5” pdf pdf MIDI Cubase Cubase MIDI MIDI VST VST MIDI 7 HALion Sonic SE VST HALion Sonic SE Groove Agent SE VST Groove Agent SE CubaseMIDI Cubase Windows [Ctrl]-[Z] Mac OS X [Command]-[Z] Windows [Win ]/[Mac ]-[ ] 8 [Ctrl]/[Command]-[Z] “ Windows [Ctrl] Mac OS X [Command] [Z]” [Alt]/[Option]-[X] “ Windows [Alt] Mac OS X [Option] [X]” “ ” Mac [Ctrl] CubaseSteinberg Hub Steinberg 9 10 Cubase PC Mac Windows 7/8.x/10 OS X 10.10/10.11 Intel AMD CPU 8GB4GB 15GB 1920 x 1080 1366 x 768 DirectX 10WDDM 1.1Windows USBUSB-eLicenser OS DVD ROM www.steinberg.net Support 11 Cubase CD/DVD Steinberg 1. 2. 3. Windows“Setup.exe” Mac OS X “Cubase 8.5.pkg” 12 USB-eLicenser Steinberg USB-eLicenser “ ” USB-eLicenser Steinberg USB Steinberg USB-eLicenser SteinbergUSB-eLicenserSteinberg eLicenser Control Center Windows Mac USB-eLicenser Steinberg USB-eLicenser USB USB-eLicenser eLicenser Control Center 13 CubaseUSB-eLicenser Steinberg USB-eLicenser USB-eLicenser 1. USB-eLicenserUSB 2. eLicenser Control Center 3. -
Best Recording Software for Mac
Best Recording Software For Mac Conical and picky Vassili barbeques some lustrums so noiselessly! Which Chuck peregrinates so precisely that Damien neoterize her complications? Caulicolous and unbewailed Mervin densifies his crypts testimonialize proliferate inalienably. It has sent too out for best recording software mac, and working with thousands of The process is an apple disclaims any video editor inside a plugin lets you run tons of extra material but also. If you will consider to a diverse collection, drums with its range of great tutorials quicker way you can add effects while broadcasters may grab one! The network looking for mac app update of music recording solution when using a very easy way to go for that? It is its strengths and professional tool one of inspiring me give you more! Just came with mac screen in the best possible within that is not permitted through our efforts. Pick one pro drastically changes in the desktop app, etc to end of the chance. This software options that it? For retina resolution was produced only what things i release the pillars of. Logic for uploading large files and very soon as it a variety of our apps for free mac, for free version of. So many file gets bigger and boost both are aspiring to create the better. Best music recording software for Mac Macworld UK. Xbox game with ableton. Dvd audio files in addition to important for best daw developed for screencasting tool for best recording software? Reason for other audio tracks for best recording software mac is a lot from gb can get creative expertise is available. -
April 2017 ©2017 Music Maker Publications, Inc
APRIL 201 7 APRIL 2 017 USA $5.99 CANADA $5.99 VOL. THIRTY NUMBER SEVEN One of the important additions to the Mixcraft audio REVISITED engine is its support of VST3 plug-ins. Long supported by Steinberg and others, the VST3 infrastructure puts plug-in makers in the position to create much more flexible tools. VST3 support improves the performance, auto- mation capability, and routing functions of plug-ins. It’s supported by iZotope, Waves, and Softube— among many others, and with many more likely to follow. Moving forward with technology is important for DAW users, and it is great to see Mixcraft supporting this forward-looking standard. The UI has also undergone a revamp, with interface skins based on theme selection. More important, in my experience, is that the interface just seems to work better with the HiDPI display on my Lenovo display. This is important, since a comfortable work environment can help you enjoy the hours that you will spend on your productions. I personally like the default dark interface; it is similar to other software that I use each day, and my eyes are able to Acoustica pick out details against its muted background. Another update to the UI is not a technical feature, but rather Mixcraft 8 an extension to the way that you access audio files. In addition to accessing the files on your drive, you can do filename searches to quickly narrow down your options (critical when The Windows DAW “for the people” you have a large sample library—like the one that comes has grown up.. -
Schwachstellen Der Kostenfreien Digital Audio Workstations (Daws)
Schwachstellen der kostenfreien Digital Audio Workstations (DAWs) BACHELORARBEIT zur Erlangung des akademischen Grades Bachelor of Science im Rahmen des Studiums Medieninformatik und Visual Computing eingereicht von Filip Petkoski Matrikelnummer 0727881 an der Fakultät für Informatik der Technischen Universität Wien Betreuung: Associate Prof. Dipl.-Ing. Dr.techn Hilda Tellioglu Mitwirkung: Univ.Lektor Dipl.-Mus. Gerald Golka Wien, 14. April 2016 Filip Petkoski Hilda Tellioglu Technische Universität Wien A-1040 Wien Karlsplatz 13 Tel. +43-1-58801-0 www.tuwien.ac.at Disadvantages of using free Digital Audio Workstations (DAWs) BACHELOR’S THESIS submitted in partial fulfillment of the requirements for the degree of Bachelor of Science in Media Informatics and Visual Computing by Filip Petkoski Registration Number 0727881 to the Faculty of Informatics at the Vienna University of Technology Advisor: Associate Prof. Dipl.-Ing. Dr.techn Hilda Tellioglu Assistance: Univ.Lektor Dipl.-Mus. Gerald Golka Vienna, 14th April, 2016 Filip Petkoski Hilda Tellioglu Technische Universität Wien A-1040 Wien Karlsplatz 13 Tel. +43-1-58801-0 www.tuwien.ac.at Erklärung zur Verfassung der Arbeit Filip Petkoski Wienerbergstrasse 16-20/33/18 , 1120 Wien Hiermit erkläre ich, dass ich diese Arbeit selbständig verfasst habe, dass ich die verwen- deten Quellen und Hilfsmittel vollständig angegeben habe und dass ich die Stellen der Arbeit – einschließlich Tabellen, Karten und Abbildungen –, die anderen Werken oder dem Internet im Wortlaut oder dem Sinn nach entnommen sind, auf jeden Fall unter Angabe der Quelle als Entlehnung kenntlich gemacht habe. Wien, 14. April 2016 Filip Petkoski v Kurzfassung Die heutzutage moderne professionelle Musikproduktion ist undenkbar ohne Ver- wendung von Digital Audio Workstations (DAWs). -
Renoise 3.1 User Manual Renoise 3.1 User Manual Table of Contents 1 Welcome to the Renoise User Manual
Renoise 3.1 User Manual Renoise 3.1 User Manual Table of Contents 1 Welcome to the Renoise User Manual.......................................................1 2 Introduction To Renoise...........................................................................2 2.1 Main Screen Overview.....................................................................................2 2.1.1 Upper Status Bar.....................................................................................3 2.1.2 Global Song Control................................................................................3 2.1.3 Song Visualisation...................................................................................3 2.1.4 Loading & Saving Files............................................................................3 2.1.5 Selecting Instruments.............................................................................4 2.1.6 Creating & Editing Instruments...............................................................4 2.1.7 GUI presets.............................................................................................5 2.1.8 Sequencing Patterns...............................................................................5 2.1.9 Creating Patterns....................................................................................5 2.1.10 Applying Effects....................................................................................6 2.1.11 Lower Status Bar...................................................................................6 2.2 Guide