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Contemporary Inuit Drawing
Cracking the Glass Ceiling: Contemporary Inuit Drawing Nancy Campbell A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN ART HISTORY, YORK UNIVERSITY TORONTO, ONTARIO. January 2017 © Nancy Campbell, 2017 Abstract The importance of the artist’s voice in art historical scholarship is essential as we emerge from post-colonial and feminist cultural theory and its impact on curation, art history, and visual culture. Inuit art has moved from its origins as an art representing an imaginary Canadian identity and a yearning for a romantic pristine North to a practice that presents Inuit identity in their new reality. This socially conscious contemporary work that touches on the environment, religion, pop culture, and alcoholism proves that Inuit artists can respond and are responding to the changing realities in the North. On the other side of the coin, the categories that have held Inuit art to its origins must be reconsidered and integrated into the categories of contemporary art, Indigenous or otherwise, in museums that consider work produced in the past twenty years to be contemporary as such. Holding Inuit artists to a not-so-distant past is limiting for the artists producing art today and locks them in a history that may or may not affect their work directly. This dissertation examines this critical shift in contemporary Inuit art, specifically drawing, over the past twenty years, known as the contemporary period. The second chapter is a review of the community of Kinngait and the role of the West Baffin Eskimo Cooperative in the dissemination of arts and crafts. -
A Historical and Legal Study of Sovereignty in the Canadian North : Terrestrial Sovereignty, 1870–1939
University of Calgary PRISM: University of Calgary's Digital Repository University of Calgary Press University of Calgary Press Open Access Books 2014 A historical and legal study of sovereignty in the Canadian north : terrestrial sovereignty, 1870–1939 Smith, Gordon W. University of Calgary Press "A historical and legal study of sovereignty in the Canadian north : terrestrial sovereignty, 1870–1939", Gordon W. Smith; edited by P. Whitney Lackenbauer. University of Calgary Press, Calgary, Alberta, 2014 http://hdl.handle.net/1880/50251 book http://creativecommons.org/licenses/by-nc-nd/4.0/ Attribution Non-Commercial No Derivatives 4.0 International Downloaded from PRISM: https://prism.ucalgary.ca A HISTORICAL AND LEGAL STUDY OF SOVEREIGNTY IN THE CANADIAN NORTH: TERRESTRIAL SOVEREIGNTY, 1870–1939 By Gordon W. Smith, Edited by P. Whitney Lackenbauer ISBN 978-1-55238-774-0 THIS BOOK IS AN OPEN ACCESS E-BOOK. It is an electronic version of a book that can be purchased in physical form through any bookseller or on-line retailer, or from our distributors. Please support this open access publication by requesting that your university purchase a print copy of this book, or by purchasing a copy yourself. If you have any questions, please contact us at ucpress@ ucalgary.ca Cover Art: The artwork on the cover of this book is not open access and falls under traditional copyright provisions; it cannot be reproduced in any way without written permission of the artists and their agents. The cover can be displayed as a complete cover image for the purposes of publicizing this work, but the artwork cannot be extracted from the context of the cover of this specificwork without breaching the artist’s copyright. -
Discover Inuit
) DiscoverDiscover InuitInuit ArtArt What do polar bears look like when they stand up on their hind legs? What kinds of creatures are the heroes of Inuit legends? How did Inuit mothers keep their babies warm through the freezing arctic days and nights? What does an Inuit summer camp look like? What are some of the big concerns for young Inuit today? You’ll learn the answers) to all these questions, and The detail in Inuit sculpture hundreds more, through and colourful drawings will open more doors than you can imagine. the wonderful world Many of the older Inuit artists working today grew up in a traditional way. They of Inuit art. lived in igloos in winter and tents made of animal skins in summer. Their families returned to their winter and summer camps each year when the sea mammals and animals (like seals, whales and caribou), came in greatest numbers. Mothers carried their babies in an amauti — the big hood on their parkas. When the family travelled, it was on a sled pulled by a dog team. What Inuit art shows This traditional way of life is one of the big subjects in Inuit art. By showing us in drawings and sculptures how their ancestors lived, Inuit artists are keeping their history alive. Art helps them remember, and treasure, the ways their ancestors hunted and made protective clothing and shelter. In their Stories of ) art, many Inuit are making a visual history to show how their ancestors adapted to living in one of the harshest climates shamans tell on earth. -
Hudson Bay Ice Conditions
Hudson Bay Ice Conditions ERIC W. DANIELSON, JR.l ABSTRACT.Monthly mean ice cover distributions for Hudson Bay have been derived, based upon an analysis of nine years of aerial reconnaissance and other data. Information is presented in map form, along with diseussian Of significant features. Ice break-up is seen to work southward from the western, northern, and eastern edges of the Bay; the pattern seems to be a result of local topography, cur- rents, and persistent winds. Final melting occurs in August. Freeze-up commences in October, along the northwestern shore, and proceeds southeastward. The entire Bay is ice-covered by early January,except for persistent shore leads. RÉSUMÉ. Conditions de la glace dans la mer d’Hudson. A partir de l’analyse de neuf années de reconnaissances aériennes et d’autres données, on a pu déduire des moyennes mensuelles de distribution de la glace pour la mer d’Hudson. L‘informa- tion est présentte sous formes de cartes et de discussion des Cléments significatifs. On y voit que la débâcle progresse vers le sud à partir des marges ouest, nord et est dela mer; cette séquence sembleêtre le résultat de la topographielocale, des courants et .des vents dominants. La fonte se termine en aofit. L’enge€wommence en octobre le long de la rive nord-ouest et progresse vers le sud-est. Sauf pow les chenaux côtiers persistants, la mer est entihrement gelée au début de janvier. INTRODUCTION In many respects, ice cover is a basic hydrometeorological variable. In Hudson Bay (Fig. 1) it might be considered the most basic of all, as it influences all other conditions so decisively. -
MACKENZIE ART GALLERY Engaging People in Transformative Experiences of the World Through Art JOB POSTING Job Title: Director Of
MACKENZIE ART GALLERY engaging people in transformative experiences of the world through art JOB POSTING Job Title: Director of Programs (DoP) Reports to: Executive Director and CEO Department: Programs Status: Full-Time, Out-of-Scope Position, Contract position (five-year term) About the MacKenzie Art Gallery The MacKenzie Art Gallery plays an important role in the Canadian and International art ecosystem. Programming primarily contemporary art from the prairies, Canada and abroad, the MacKenzie addresses an encyclopedic range of visual art and has a proud and consistent history of being an ally in exhibiting and collecting the work of Indigenous artists, with leadership from Indigenous curators. The MacKenzie is at a crucial point in our history where we are seeking to critically examine our own histories, failings, and opportunities as we redefine our role as a cultural institution within our community. We are seeking a visionary leader who can bring a spirit of care, thoughtfulness, play, experimentation, and responsibility to our artistic vision, guiding a professional team to work collaboratively with each other, with artists, and our broader community. Opening in 1953 on the University of Saskatchewan Regina Campus (now the University of Regina), in the first purpose-built art gallery building in western Canada, the MacKenzie enjoys a nationally unique partnership with the U of R. After separating in 1990, and moving to its current premises, MAG now maintains separate board governance, site and an expansive mandate and quarters in the T.C. (Tommy) Douglas Building. The MacKenzie features an outdoor sculpture garden with potential for growth through loans, acquisitions and commissions. -
Required Format for Final Project Reports
NUNAVUT WILDIFE MANAGEMENT BOARD FINAL REPORT October 12, 2012 Project Number: #4-10-03 Project Title: Avian Cholera: Examining the Geographic Spread and Population Impact of the Disease among Northern Common Eider Ducks Nesting in Nunavut Project Leaders: Dr. Grant Gilchrist, Environment Canada, National Wildlife Research Centre, 1125 Colonel By Drive, Carleton University, Ottawa, Ontario K1A 0H3 Phone: (613) 998-7364 Fax:(613) 998-0458, E-mail: [email protected] Dr. Catherine Soos, Environment Canada, 115 Perimeter Rd, Saskatoon, Saskatchewan, S7N 0X4. Phone: (306) 975-5357 Fax: (306) 975-4087, E-mail: [email protected] Summary: Mass-mortality events have been reported at several common eider breeding colonies in the Hudson Strait region of Nunavut and Nunavik. Laboratory testing has confirmed the presence of avian cholera, which is a disease affecting birds caused by infection with the bacterium Pasteurella multocida. Avian cholera does not cause serious illness in humans; however it is a major disease for waterfowl and its recent emergence in Nunavut poses a significant conservation concern. Working with multiple partners, we compiled information about past outbreaks and conducted coastal surveys to examine the geographic extent and severity of outbreaks in Nunavut during the summers of 2010, 2011 and 2012. We supplemented these data with information gathered at a long-term research station where common eiders have been studied since 1996, encompassing a period before, during and after a severe epidemic (Mitivik Island, East Bay Migratory Bird Sanctuary, Nunavut). Our results indicate that avian cholera is spreading within bird populations in the north and the presence of multiple serotypes of Pasteurella multocida, suggest that there have been multiple sources of introduction. -
MACKENZIE ART GALLERY Engaging People in Transformative Experiences of the World Through Art
MACKENZIE ART GALLERY engaging people in transformative experiences of the world through art Job Title: Communications Manager Department: Development & Communications Status: Full Time Out-of-Scope The Position: The MacKenzie Art Gallery is seeking a thoughtful and creative candidate to fill the role of Communications Manager. Our Mission is to provide transformative experiences through art; we aim to provoke ideas, emotions, and discussion with open-minded exploration; we are on treaty land and we are proud to be an ally in championing Indigenous artists; and we recognize that it is our responsibility to reflect our diverse communities and make the gallery a welcoming space. We encourage applicants who can help us live up to these ideals and create meaningful, reciprocal and innovate connections with our various communities. Reporting to the Director of Development, the Manager of Communications combines proven skills and experience to plan and implement the extensive communications and marketing needs of the MacKenzie. As an integral part of the senior leadership team, the Communications Manager will design, execute, and assess multi-year and annual marketing and communications strategies for the Gallery. As the leader of the Communications team at the MacKenzie Art Gallery, the Communications Manager helps build effective relationships across the organization and the community. The team gathers qualitative and quantitative data and feedback gathered through multiple communications channels, synthesizing communication impacts that can drive recommendations through the development of reports, analyses, and recommendations to the CEO and the senior leadership team. About the MacKenzie Art Gallery: The MacKenzie Art Gallery is Saskatchewan’s original and most comprehensive art museum, serving a leadership role in Western Canada. -
United States Arctic Weather Station Programme
JOINT ARCTIC WEATHER STATIONS FIVE YEAR REPORT 1946-1951 JOINT CANADIAN -UNITED STATES ARCTIC WEATHER STATION PROGRAMME A REVIEW OF THE ESTABLISHMENT AND OPERATION OF THE JOINT ARCTIC WEATHER STATIONS AT EUREKA, RESOLUTE, ISACHSEN, MOULD BAY, AND ALERT AND A SUMMARY OF THE SCIENTIFIC ACTIVITIES AT THESE STATIONS 1946-1951 Compiled by METEOROLOGICAL DIVISION - DEPARTMENT OF TRANSPORT - CANADA and U.S. WEATHER BUREAU - DEPARTMENT OF COMMERCE – UNITED STATES CONTENTS CHAPTER PAGE 1. Introduction 1 2. Establishment of Stations 8 Eureka 8 Resolute 10 Isachsen 12 Mould Bay 14 Alert 15 Reconnaissance of Bridport Inlet 16 3. Station Maintenance 20 4. Methods of Re-supply 27 Summer Sea Supply Mission 27 Problems of Ice Navigation 29 Airlift Operations 35 5. Personnel 37 6. Meteorological Programme 42 Surface Observations 42 Upper Air Observations 46 7. Special Scientific Projects by Weather Station Personnel 48 Low Level Air Temperature Measurements 48 Permafrost Drilling and Soil Temperature Measurements at Resolute 49 Tidal Observations 59 Ice Thickness Measurements 61 Sea Ice Reports 63 Ice and Sea Water Temperatures 75 Lake Water Temperatures at Resolute 76 Observations of Arctic Snow Characteristics 77 Snow Crystal Replicas 81 Arctic Test of U.S. Navy Model, TDM-l, Automatic Weather Station 82 Salinity of Sea Water 85 Atmospheric Refraction 86 Solar Radiation 87 8. Stations Established at Resolute in Addition to the Weather Station 89 --ii-- CHAPTER PAGE Resolute Magnetic Observatory 89 Resolute Seismograph Station 90 Resolute Ionospheric Station 91 9. Arctic Buildings 92 Foundations 92 Prefabricated Buildings 95 Experimental Hut at Alert, N.W.T. 99 10. Projects by Transient Scientific Personnel 100 Wildlife Survey of Slidre Fiord Area 101 National Museum of Canada Investigations 101 Geological Survey - Cornwallis Island 104 Northern Insect Survey Investigations 109 Northern Insect Survey at Resolute, N.W.T.-1949 110 Northern Insect Survey at Alert, N.W.T.-l95l 114 Geographical Investigations at Eureka, N.W.T. -
Volume 4, 1951
Annual General Meeting of the Arctic Circle l Amendment to the Constitution 2 Royal Canadian Army Service Corps in northern trials and operations. By Major J.M. Berry .3 Geographical and archaeological investigations on Southampton Island, 1950. By J.B. Bird 10 Eskimo Handicrafts 12 The French Antarctic Expedition 12 Eastern Arctic Mailing List 13 Membership of The Arctic Circ1e 16 Back numbers of the Circu1ar 17 Editorial Note 17 Twenty-sixth Meeting of the Arctic Circle 18 Voyage round Cornwallis Island. By Trevor Harwood 18 The discovery of Prince Charles Island 29 The Arctic and the Specialist Navigation Course. By FIL G.J. Sweanor .30 Protection of wildlife in northeast Greenland 32 Hudsonts Bay Company Archives .3.3 ArcticMail 3.3 Membership of The Arctic Circle .35 Back numbers of the Circular 36 Editorial Note .36 Twenty-seventh Meeting of the Arctic Circle 37 Botanical Surveys in Central and Northern Manitoba. By H.J. Scoggan 37 Tuberculosis Survey: James and Hudson bays, 1950 45 Arctic Dog Disease 47 Reports of Arctic Dog Disease 48 The Varying Lemming captive in Ottawa. By T.H. Manning 50 Exercise Mukluk 50 Plant life in the Arctic 50 Membership of The Arctic Circle 51 Back numbers of the Circular 51 Editorial Note 51 APRIL-MAY 1951 Twenty-eighth Meeting of the Arctic Circle 52 Twenty-ninth Meeting of the Arctic Circle 52 Caribou in Greenland. By A.E. Porsild 52 Gravity survey of the Barnes Ice Cap. By C.A. Littlewood 58 Spring supply operations for the northern weather stations 61 Antarctic party's accident 61 Microfilm records of M'Clintock expeditions 62 Exercise Firestep 63 Hudson Bay Route Association 63 "Alaska's Health" 63 Membership of The Arctic Circle 63 Back numbers of the Circular 64 Editorial Note 64 Hydrographic survey operations of the ".Algerine" in 1950. -
MACKENZIE ART GALLERY Engaging People in Transformative Experiences of the World Through Art
MACKENZIE ART GALLERY engaging people in transformative experiences of the world through art JOB POSTING Job Title: Education Assistant ½ time one-year term Department: Programs Status: ½ time term In-Scope (CUPE 5791) position About the MacKenzie Art Gallery: The MacKenzie Art Gallery (MAG) is Saskatchewan’s original and most comprehensive art museum, serving a leadership role in Western Canada. This is a watershed moment in the history of the Gallery, as it is undergoing a multi-phase organizational transformation. Programming primarily contemporary art from the prairies, Canada and abroad, the MAG addresses an encyclopedic range of visual art and culture and is an ally in the research and presentation of Indigenous art. Housed within an over 115,000ft2 facility, maintained to Class A Museum standards, the MAG permanent collection spans 5000 years of art with nearly 5000 works. MAG was founded on the collection of its namesake, Norman MacKenzie (1869–1936), who bequeathed his collection to the University of Saskatchewan (Regina College), now the University of Regina. Opening in 1953 in the first purpose-built art gallery building in western Canada, the MacKenzie enjoys a nationally unique partnership with the University of Regina. After separating in 1990, and moving to its current premises, MAG now maintains separate board governance, site and an expansive mandate and quarters in the T.C. (Tommy) Douglas Building. The MAG is situated in Treaty Four territory, traditional land of the Cree, Saulteaux and Metis, and home to the Dakota, Nakota and Lakota peoples. The MAG is located on the edge of the 2300-acre Wascana Centre, the largest urban park in Canada, where nature, culture and education meet. -
Download the Teacher Resource
TEACHER RESOURCE CURRICULUM THEMES CURRICULAR CONNECTIONS Saskatchewan Voices; Sculpture; Ceramics; GRADE 4 | CR4.2: Students will explore Saskatchewan History and Culture artist Joe Fafard’s portraits and respond by creating a visual or written work about a local person who is significant in their lives. JOE FAFARD: THE POLITICIAN Fafard’s sculpture of The Politician depicts John G. Diefenbaker, Canada ’s 13th Prime Minister. Diefenbaker was a persuasive speaker and a prairie populist who prided himself on being able to remember the names of thousands of his constituents. Fafard has skillfully captured the essence of the man who suffered election defeats for two decades before finally being elected to Parliament, achieving the leadership of his party and then the Prime Minister’s office. In The Politician Fafard presents Diefenbaker in his later years, perhaps his last campaign in 1979, striking a characteristic hands-on-hips pose. Being a man of the people was part of the Diefenbaker persona, so it would be perfectly natural for him to climb on a chair in any of the community halls in his constituency to speak to a small group of voters. With The Politician, Fafard has applied his characteristic attention to detail to the figure on the chair, which exhibits strength of character and a sense of humanity that elevates this sculpture above a portrayal of one person to become the archetypal politician. THINGS TO THINK ABOUT Do you know someone who has a pose or gesture that is unique to that person, like John Diefenbaker’s hands-on- hips pose? What does that pose or gesture say about the person? Newspaper editorial cartoonists had a wonderful time drawing Diefenbaker during his time as Prime Minister and leader of the opposition. -
REGINA CANADA DAY | Schedule of Events COUNTDOWN TO
REGINA CANADA DAY | Schedule of Events COUNTDOWN TO WASCANA CENTRE (8:30 A.M. - 11:30 P.M.) CBC Saskatchewan Old Time Fair (1-6 P.M.) North Side (SASKATCHEWAN LEGISLATIVE BUILDING – 2405 LEGISLATIVE DRIVE) 1-6 p.m. Tethered Balloon Ride provided by Remax Horse Drawn Carriage Main Stage area 8:30-10:30 a.m. Save-On-Foods Pancake Breakfast FREE Bright Eyes Dog Rescue Main Stage 11 a.m. Simultaneous Drumming Initiative Mackenzie Art Gallery Main Stage 11:40 a.m. OPENING CEREMONIES Old Time Photo booth by Tap Snap Studios Hide Tanning demonstration by Lorne and Joely Kequatooway Main Stage 12 p.m. 21 Gun Salute Syllabic Rock Teachings Demonstration by Instructors Darren Main Stage 12:30 p.m. CIBC Citizen Reaffirmation Program Okemaysim and Lynn Cote. West Lawn-Legislative Building 1:15 p.m. Living Flag Queen City Cosplay West Lawn-Legislative Building 1:45 p.m. Round Dance by Charging Bear Performance Family Games (Bean Bag Toss, Sack Race, Balloon Toss) Yard Jenga and Yard Yahtzee 12-11:30 p.m. Food Trucks Traditional Hand Games by Elder, Archie Weenie and family 12-5 p.m. Crafters and Exhibitors CBC Saskatchewan Old Time Fair Stage (1-6 P.M.) North Side East Lawn-Legislative Building 11 a.m. Children’s Activities 1-1:30 p.m. Watermelon Eating Contest (12 to 11:30 p.m.) Main Stage 1:45-2:10 p.m. Youth In Harmony (Barbershop Quartet) 11:40 a.m. OPENING CEREMONIES 2:30-3 p.m. Line Dancing by Dorothy Fitzer 12:30 p.m.