Lady Glenconner Is Now 87
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Cecil Beaton: VALOUR in the FACE of BEAUTY
Cecil Beaton: VALOUR IN THE FACE OF BEAUTY FROM BRIGHT YOUNG THING AND DOCUMENTER OF LONDON‘S LOST GENERATION OF THE 20S TO A DOCUMENTER OF A NEW GENERATION WHO WOULD LOSE THEIR LIVES IN THE SECOND WORLD WAR, THIS IS JUST ONE SLICE OF Cecil Beaton‘s REMARKABLE LIFE THROUGH PHOTOGRAPHY. ©THE CECIL BEATON STUDIO ARCHIVE AT SOTHEBY’S. STUDIO ARCHIVE AT ©THE CECIL BEATON TEXT Mark Simpson CECIL BEATON SELF-PORTRAIT, CAMBRIDGE FOOTLIGHTS, 1925 Another Another 254 Man Summer/Autumn 2020 Man 255 CECIL BEATON In a world saturated with social me-dear surveillance and Beaton: No, no one could help me. It was up to me to find suffused with surplus selfies, being ‘interesting’ becomes ever- the sort of world that I wanted. more compulsory – just as it becomes ever-more elusive. Not Face to Face, 1962 just for artists in this brave new connected, visual, attention- seeking world, but for civilians too. Cecil Walter Hardy Beaton was born in 1904 into a Little wonder that Cecil Beaton, a man who essentially prosperous Edwardian middle-class family in Hampstead, a invented himself and his astonishing career with a portable leafy suburb of London. He was the product of true theatrical camera loaded with his ambition and longing, one of the romance: his mother Esther was a Cumbrian blacksmith’s brightest of his bright young generation of the 1920s, has daughter who was visiting London when she fell in love with become more famous, not less. As we plough relentlessly into his father Ernest, a timber merchant, after seeing him onstage a 21st century that he anticipated in many ways, long before in the lead role in an amateur dramatic production. -
Copyright Statement
COPYRIGHT STATEMENT This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with its author and no quotation from the thesis and no information derived from it may be published without the author’s prior consent. i ii REX WHISTLER (1905 – 1944): PATRONAGE AND ARTISTIC IDENTITY by NIKKI FRATER A thesis submitted to the University of Plymouth in partial fulfilment for the degree of DOCTOR OF PHILOSOPHY School of Humanities & Performing Arts Faculty of Arts and Humanities September 2014 iii Nikki Frater REX WHISTLER (1905-1944): PATRONAGE AND ARTISTIC IDENTITY Abstract This thesis explores the life and work of Rex Whistler, from his first commissions whilst at the Slade up until the time he enlisted for active service in World War Two. His death in that conflict meant that this was a career that lasted barely twenty years; however it comprised a large range of creative endeavours. Although all these facets of Whistler’s career are touched upon, the main focus is on his work in murals and the fields of advertising and commercial design. The thesis goes beyond the remit of a purely biographical stance and places Whistler’s career in context by looking at the contemporary art world in which he worked, and the private, commercial and public commissions he secured. In doing so, it aims to provide a more comprehensive account of Whistler’s achievement than has been afforded in any of the existing literature or biographies. This deeper examination of the artist’s practice has been made possible by considerable amounts of new factual information derived from the Whistler Archive and other archival sources. -
Mustique 50Th Anniversary 16 – 22 July 2018 Message from the Prime Minister
MUSTIQUE 50TH ANNIVERSARY 16 – 22 JULY 2018 MESSAGE FROM THE PRIME MINISTER Dear Friends, On June 28, 2018, the Parliament of St Vincent a sensible give-and-take which grounds and the Grenadines passed, unanimously, an enduring harmony, despite occasional a Bill to amend “The Mustique Act” which dissonance. extends until December 31, 2039, a unique agreement between the government and The We treasure the home-owners in Mustique, Mustique Company Limited. The amendment their friends, and visitors as part of our also contains a provision for a further twenty- Vincentian family. We thank everyone who year extension on reasonable terms to be makes this enduring partnership work in the later concluded between both parties. In this interest of all. way, the 50th Anniversary of The Mustique Company was thus celebrated by our nation’s I personally look forward to the 50th Parliament. Anniversary celebrations. I heartily congratulate The Mustique Company, Over the past fifty years, the basic framework its owners, directors, management, and agreement between the Mustique Company employees on the magnificent journey, thus far. and St Vincent and the Grenadines has been supported by successive governments I wish The Mustique Company, the people of simply because it accords with the people’s Mustique, and the people of St Vincent and the interest. This remarkable, and mutually- Grenadines further accomplishments! beneficial, partnership has evolved as a model for sustainable and environmentally- sensitive development. The letter and spirit The Honourable -
This Episode Appeared As Part of a Series of Three Devoted to the Cultural Revolution That Occurred in Britain in the Years Between the Wars
Newsletter_42.1 This episode appeared as part of a series of three devoted to the cultural revolution that occurred in Britain in the years between the wars. The first dealt with architecture and design, with a focus on Art Deco and modernism, the third with the influence of Hollywood films on British culture. The second was devoted to the so-called Bright Young People of the 1920s. Presenters included Philip Hoare (biographer of Stephen Tennant), Selina Hastings (biographer of Evelyn Waugh and Nancy Mitford), Lucy Moore (author of Anything Goes: A Biography of the Roaring Twenties) and D. J. Taylor (author of a cultural survey entitled The Bright Young People). Indeed, Taylor’s book (reviewed in EWNS 41.2 and 39.1) seems to have been the basis for the program’s script, which follows his description and interpretation of participants in the BYP and their cultural/historical importance. No scriptwriter is mentioned in the credits. The program follows the careers of three participants in the BYP (Stephen Tennant, Elizabeth Ponsonby and Brenda Dean Paul) and two observers and chroniclers of that movement (Evelyn Waugh and Cecil Beaton). The three examples of BYPs were all from well-established upper-class families. Philip Hoare provides most of the narrative on Stephan Tennant, whose primary talent seems to have been drawing attention to himself as a thing of beauty. Nancy Mitford drew heavily on Tennant for her character Cedric Hampton in Love in a Cold Climate and The Pursuit of Love, and Caroline Blackwood compared him to David Bowie (unfair because Bowie can sing). -
Caribbean.Pdf
Contents Introduction 4 Grenada 50 Jamaica 90 Overview 6 The Grenadines 54 Mexico 98 Yachts & Cruises 8 Anguilla & St Barths 62 Dominican Republic 108 Barbados 10 British Virgin Islands 70 Puerto Rico 112 Antigua 22 St. Kitts & Nevis 74 Villas 118 St Lucia 34 The Bahamas 78 Booking Conditions 128 Turks & Caicos 44 Bermuda 84 Carrier Portfolio 131 BERMUDA BAHAMAS TURKS & CAICOS RIVIERA MAYA CUBA DOMINICAN MEXICO HAITI REPUBLIC BVI ANGUILLA PUERTO ST BARTHS BELIZE JAMAICA RICO ST KITTS ANTIGUA NEVIS GUATEMALA HONDURAS ST LUCIA EL SALVADOR THE GRENADINES BARBADOS NICARAGUA GRENADA TRINIDAD & TOBAGO COSTA RICA PANAMA VENEZUELA SURINAME FRENCH GUIANA COLOMBIA GUYANA ECUADOR / 3 For our latest Special Offers – please contact your preferred Travel Agent, call our reservations team on 0161 491 7620 or visit www.carrier.co.uk Introduction / Welcome to Carrier SPECIALISTS IN LUXURY, TAILOR-MADE HOLIDAYS WORLDWIDE The Carrier difference The Carrier experience sun-drenched islands of the Caribbean There is more choice than ever when it VIP arrivals: We can arrange VIP Meet have some of the dreamiest locations for comes to booking your holiday. With a & Greet and Fast Track Immigration in a wedding; choose from venues such as wealth of ideas and information at your Barbados, Antigua, Grenada, Jamaica, traditional plantation houses, cliff-top fingertips, it is tempting to while away hours Bahamas and St. Kitts. There is no better ceremonies offering spectacular views, white online undertaking your own research into way to arrive – especially when acclimatising sand beaches and sweet wedding chapels; the perfect getaway. This is where Carrier to a humid, unfamiliar airport – than being with the choice of everything from barefoot comes in; we will do the leg work for you. -
Letters of Philip Dormer, Fourth Earl of Chesterfield
fyx%t\\ lttn;t»e»sitg pitoatg BOUGHT WITH THB INCOME FROM THE SAGE ENDOWMENT FUND THE GIFT OF 1891 A-ll'i'^}'i ±. s Cornell University Library ^a .C525 1890 BJ1671 '^fft Letters of Philip Dormer, fourth eari of 3 1924 029 059 925 oiin DATE DUE .MS 'B 11- ^UiLla4fe>^>F '#^H « e^.fgo3 CAYLORD PRINTED IN U.S,> The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924029059925 LORD CHESTERFIELD'S LETTERS TO HIS GODSON HENRY FROWDE Oxford University Press Warehouse Amen Corner, E.C. Collotype. Oxford University Press. Philip Dormer Stanhope, Earl of Chesterfield. Etigravedfrom an original Picture painted by Gainsborough^ in the possession of the Family. LETTERS OF PHILIP DORMER FOURTH EARL OF CHESTERFIELD TO HIS GODSON AND SUCCESSOR EDITED FROM THE ORIGINALS, WITH A MEMOIR OF LORD CHESTERFIELD, BY THE EARL OF CARNARVON (H)«g tpotitaite anb Jffurttaftona SECOND EDITION, WITH APPENDIX OF ADDITIONAL CORRESPONDENCE €>xfotb AT THE CLARENDON PRESS M.DCCC.XC [A/i rights reserved'\ iT) A. \ v^'^ss 0;i;foitS PRINTED AT THE CLARENDON PRESS BY HORACE HART, PRINTER TO THE UNIVERSITY My Dear Porchester, Knowing the great interest which you have taken in these Letters, I desire now to inscribe your name on the first page, and to connect you with their publication. Apart from my wish and my pleasure in thus associating our names, I feel that it is all the more appropriate that these Letters should now, after the lapse of more than a century, be dedicated to you, the great-grandson of Philip Stanhope—the godson of the great Lord Chesterfield. -
I Imagine the Enthusiasm of Tatiana Copeland's Resounding
If a princess invited you to her soirée, wouldn’t you go? I imagine the enthusiasm of Tatiana Copeland’s resounding “yes!” when the notoriously charismatic and playful Princess Margaret, sister to Queen Elizabeth II, first invited her to the private island paradise of Mustique in the West Indies. Copeland is a jet-setting polyglot, philanthropist, and succesful businesswoman with an impressive family lineage that includes the likes of Russian composer Sergei Rachmaninoff. Along with her equally well-connected husband, Gerret (a scion of the prominent DuPont family), Tatiana has returned many times to Mustique since that first royal invitation about four decades ago. And with good reason: The remote island, with its overall ambiance of joie de vivre and laid-back elegance, continues to be the Copeland family antidote for stress. “At first we rented other people’s villas, and over time, we stayed at nearly every one on the island,” Tatiana tells me as we sip libations by an infinity pool at Toucan Hill, a Moroccan-inspired villa she built and finished in 2004. She gestures to the nearly 360-degree, panoramic view of cobalt sea, just as the sun sets, a fat orange ball exploding into purple octopus arms across the sky. A satisfied look consumes her face. “Finally, we just had to build our own fantastical dream.” Visitors can rent Toucan Hill, one of 100+ villas that comprise Mustique Island & Villas, which itself is owned by the island’s various homeowners. The infinity pool at Toucan Villa in Mustique. One of the Caribbean’s best-kept secrets, 1,400-acre Mustique island has drawn glitterati for decades. -
Cecil Beaton, a New Exhibition in London
Leggi l'articolo su beautynews Cecil Beaton, a new exhibition in London Flamboyant, rebellious, irresponsible, glamorous, the “Bright Young Things”, effectively a youth cult of aristocratic socialites, haute bohemian party-givers and lower-born self-publicists, cut a dramatic swathe through the 1920s and 1930s. Their exploits, a headlong pursuit of hedonism – practical jokes, parties, costume balls – were written up almost daily in newspaper columns to the amazement of the young and the horror of the establishment. Their clever and inventive dealings with the media in the aftermath of the Great War foreshadowed our contemporary notion of modern celebrity culture. Many of the leading cast would become well known: writers Nancy Mitford and Evelyn Waugh, composers William Walton and Constant Lambert, stage designers Oliver Messel and Rex Whistler. Others would remain in the shadows, having accomplished almost nothing other than their own self-creations, such as aesthete Brian Howard and Stephen Tennant, the famously orchidaceous scion of a fractured dynasty. Drink, drugs and burn-out on the eve of another world war would claim more, famously and tragically, the dazzling “it girls” Brenda Dean Paul and troubled “wild child” Lois Sturt, debutante of the year and “the brightest of the Bright Young Things”. Their recording angel was Cecil Beaton, whose journey from middle-class suburban schoolboy to shining society ornament and star of Vogue revealed a social mobility unthinkable before the war, prefiguring the meritocracy of the 1960s. His dazzling photographs and incisive caricatures chronicled the original “Lost Generation”, lost in time. The Bright Young Things, 1927 Beaton organised and directed a series of late summer tableaux en fe?te champe?tre emulating the stylised, pastoral paintings of Lancret and Watteau and Fragonard. -
Sea Turtles of the Caribbean
SWOT report Volume XV The State of the World’s Sea Turtles SPECIAL FEATURE Sea Turtles of the Caribbean INSIDE: INDIAN OCEAN LOGGERHEADS DRONES FOR CONSERVATION JAGUARS AND MORE … A bubble forms as a green turtle exhales at the surface. © Ben J. Hicks/benjhicks.com. FRONT COVER: A leatherback turtle finishes her nesting process as day breaks in Grande Riviere, Trinidad. © Ben J. Hicks/benjhicks.com 2 | SWOT REPORT SEATURTLESTATUS.ORG | 1 2 | SWOT REPORT Editor’s Note No Sea Turtle Is an Island ise men and women throughout history have shown us that, “there is Wpower in unity and there is power in numbers” (Martin Luther King Jr., 1963). That is certainly the case with the State of the World’s Sea Turtles (SWOT) program, the world’s largest volunteer network of sea turtle researchers, conservationists, and enthusiasts. This volume of SWOT Report unifies an enormous cast: from the hundreds of researchers in more than 20 countries, whose collective efforts can be seen in the first-ever global-scale map of loggerhead sea turtle telemetry (pp. 32–33), to the beach workers from the Wider Caribbean Sea Turtle Conservation Network (WIDECAST) and beyond, whose labors are seen in this issue’s maps of sea turtle biogeography (pp. 24–27). As you peruse these cartographic works of art, reflect for a moment on the time, effort, and passion that went into each of those tiny, tinted polygons of telemetry data or the myriad multicolored circles of nest abundance. Together they represent the labors of a multitude of beach workers, synergistically amassed to bring big-picture visualizations of sea turtle natural history to life as never before. -
Saint Vincent and the Grenadines
ST. VINCENT AND THE GRENADINES FIFTH NATIONAL REPORT TO THE UNITED NATIONS CONVENTION ON BIOLOGICAL DIVERSITY Soil Conservation Techniques at Argyle, St. Vincent Courtesy Nicholas Stephens . Leatherback monitoring in Bloody Bay, Union Island Aerial view of the Tobago Cays Marine Park (Courtesy Union Island Environmental Attackers) (Courtesy A. DeGraff) Submitted To Ministry of Health, Wellness and the Environment 1st Floor Ministerial Building Halifax Street, Kingstown St. Vincent & the Grenadines Fifth National Report to the CBD 2015 St. Vincent and the Grenadines ST. VINCENT AND THE GRENADINES FIFTH NATIONAL REPORT TO THE UNITED NATIONS CONVENTION ON BIOLOGICAL DIVERSITY PREPARED BY SIMMONS AND ASSOCIATES September 2015 ii St. Vincent & the Grenadines Fifth National Report to the CBD 2015 Acknowledgements iii Table of Contents Acknowledgements ..................................................................................................................... iii Abbreviations and Acronyms ................................................................................................... viii EXECUTIVE SUMMARY ................................................................................................................... xi CHAPTER ONE Biodiversity Status and Trends ....................................................................... - 1 - 1.0 INTRODUCTION ............................................................................................................... - 2 - 1.1 Biodiversity Status and Trends .......................................................................................... -
Though the Alist Playground of Mustique Has an Aloof Charm
The warm, friendly heart of gold of the island of Bequia Bequia, the second largest island in the Grenadines www.4cornersimages.com Amanda Linfoot Published at 12:01AM, December 27 2014 Though the Alist playground of Mustique has an aloof charm, beautiful Bequia is a perfect island in its own right Looking out to sea from Friendship Bay, on the island of Bequia, Mustique sits squarely on the horizon. This is the Grenadines — not short on fabulous vistas — but this scene is particularly appealing: blue sky, sea twinkling in the sunlight, a holiday island that radiates glamour. Roughly opposite my viewpoint at the Bequia Beach Hotel sits the Cotton House, Mustique’s only hotel. Guests there can sit on the manicured beach and enjoy the reverse of my view. Except that they will have paid considerably more for the privilege. Playground of royalty and Alisters, Mustique might seem off the travel radar of mere mortals. But here’s a secret: you don’t need to remortgage if you want to visit. It’s just perfect for day trips, as are the upandcoming Canouan island, home to Sandy Lane’s sister hotel, and other Caribbean idylls. Base yourself at Bequia and you get to stay on a lovely island in its own right, which also turns out to be the perfect base for a luxury islandhopping holiday. But first you have to get there. Bequia is the second largest of the Grenadines but it’s one of those islands that requires a bit of effort to reach. -
Impa Gendel NEW YORK5 21-03-2008 13:19 Pagina 1
impa gendel NEW YORK5 21-03-2008 13:19 Pagina 1 ALL AROUND FULCO DI VERDURA MILTON GENDEL impa gendel NEW YORK5 21-03-2008 13:19 Pagina 2 Cover: 28. Fashion Icon, Venice, 1963 impa gendel NEW YORK5 21-03-2008 13:19 Pagina 3 ALL AROUND FULCO DI VERDURA MILTON GENDEL AT 745 FIFTH AVENUE SUITE 1205 NEW YORK, NEW YORK 10151 TELEPHONE 212.758.3388 www.verdura.com Thursday, May 1st to Friday, May 30th 10 AM - 6 PM DAILY (CLOSED SATURDAY & SUNDAY) impa gendel NEW YORK5 21-03-2008 13:19 Pagina 4 impa gendel NEW YORK5 21-03-2008 13:19 Pagina 5 THE DUKE WARD LANDRIGAN Duke Fulco di Verdura’s career was as remarkable as his cast of friends. Born in Palermo Sicily in 1898 he inherited his ducal title in 1921. While a houseguest of Cole and Linda Porter in Venice in 1925, Fulco met one of the most significant people in his young life – Mme Coco Chanel. Coco was intrigued by the attractive young nobleman and invited him to Paris. He helped her remake the jewelry given to her by wealthy admirers and created her signature Maltese Cross Cuffs. Verdura was her jewelry designer until 1934 when the Porters lured him to New York. Fulco loved their sky-high palace in the Waldorf Towers but the rest of America beckoned. Together he and Nicky de Gunsburg bought a Packard convertible and motored to Palm Beach, then to the Paley’s in Mexico and finally on to Hollywood. With his excellent introductions Verdura was soon creating bold and innovative jewelry for film stars including Joan Crawford, Marlene Dietrich, Tyrone Power, Gary Cooper and Katherine Hepburn.