Cecil Beaton, a New Exhibition in London
Leggi l'articolo su beautynews Cecil Beaton, a new exhibition in London Flamboyant, rebellious, irresponsible, glamorous, the “Bright Young Things”, effectively a youth cult of aristocratic socialites, haute bohemian party-givers and lower-born self-publicists, cut a dramatic swathe through the 1920s and 1930s. Their exploits, a headlong pursuit of hedonism – practical jokes, parties, costume balls – were written up almost daily in newspaper columns to the amazement of the young and the horror of the establishment. Their clever and inventive dealings with the media in the aftermath of the Great War foreshadowed our contemporary notion of modern celebrity culture. Many of the leading cast would become well known: writers Nancy Mitford and Evelyn Waugh, composers William Walton and Constant Lambert, stage designers Oliver Messel and Rex Whistler. Others would remain in the shadows, having accomplished almost nothing other than their own self-creations, such as aesthete Brian Howard and Stephen Tennant, the famously orchidaceous scion of a fractured dynasty. Drink, drugs and burn-out on the eve of another world war would claim more, famously and tragically, the dazzling “it girls” Brenda Dean Paul and troubled “wild child” Lois Sturt, debutante of the year and “the brightest of the Bright Young Things”. Their recording angel was Cecil Beaton, whose journey from middle-class suburban schoolboy to shining society ornament and star of Vogue revealed a social mobility unthinkable before the war, prefiguring the meritocracy of the 1960s. His dazzling photographs and incisive caricatures chronicled the original “Lost Generation”, lost in time. The Bright Young Things, 1927 Beaton organised and directed a series of late summer tableaux en fe?te champe?tre emulating the stylised, pastoral paintings of Lancret and Watteau and Fragonard.
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