A Topic of Silence Japan's Sexual Education
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Imōto-Moe: Sexualized Relationships Between Brothers and Sisters in Japanese Animation
Imōto-Moe: Sexualized Relationships Between Brothers and Sisters in Japanese Animation Tuomas Sibakov Master’s Thesis East Asian Studies Faculty of Humanities University of Helsinki November 2020 Tiedekunta – Fakultet – Faculty Koulutusohjelma – Utbildningsprogram – Degree Programme Faculty of Humanities East Asian Studies Opintosuunta – Studieinriktning – Study Track East Asian Studies Tekijä – Författare – Author Tuomas Valtteri Sibakov Työn nimi – Arbetets titel – Title Imōto-Moe: Sexualized Relationships Between Brothers and Sisters in Japanese Animation Työn laji – Arbetets art – Level Aika – Datum – Month and Sivumäärä– Sidoantal – Number of pages Master’s Thesis year 83 November 2020 Tiivistelmä – Referat – Abstract In this work I examine how imōto-moe, a recent trend in Japanese animation and manga in which incestual connotations and relationships between brothers and sisters is shown, contributes to the sexualization of girls in the Japanese society. This is done by analysing four different series from 2010s, in which incest is a major theme. The analysis is done using visual analysis. The study concludes that although the series can show sexualization of drawn underage girls, reading the works as if they would posit either real or fictional little sisters as sexual targets. Instead, the analysis suggests that following the narrative, the works should be read as fictional underage girls expressing a pure feelings and sexuality, unspoiled by adult corruption. To understand moe, it is necessary to understand the history of Japanese animation. Much of the genres, themes and styles in manga and anime are due to Tezuka Osamu, the “god of manga” and “god of animation”. From the 1950s, Tezuka was influenced by Disney and other western animators at the time. -
The Latticed Bars of Gender and Sexuality in Japan's Fifteen Year War
The Latticed Bars of Gender and Sexuality in Japan's Fifteen Year War Kathy J. Phillips University of Hawai'i Abstract After giving background on my theoretical approach, I will illustrate attitudes toward manhood and the body during Japan’s Fifteen Year War from Tatsuzo Ishikawa’s novel Solders Alive (1938) and Osamu Dazai’s short stories of the 1930s and '40s and his novel The Setting Sun (1947). While supporting the Empire, Ishikawa seriously criticizes many of its practices. Even more blatantly than Ishikawa, Dazai satirizes wartime definitions of manhood, after donning some cam- ouflage to get past censorship. I also look back at Ryunosuke Akutagawa’s short story “Hell Screen” (1918), teetering ambivalently on the cusp of change between the nineteenth-century and the militarization of the 1930s because this tale illumi- nates some of the sources (European and Japanese) for the “manly” detachment and sacrifice that weigh so heavily on Ishikawa’s and Dazai’s characters. Key words Japan’s Fifteen Year War (1931-1945), constructions of masculinity, ideas about sexuality In a collection of war paintings called WWII (1975), the American veteran and novelist James Jones remarks cryptically that U.S. servicemen should have understood Japanese soldiers’ focus on “blood and violence and manhood,” all tied in with “sexuality and sexual taboos and myths,” because Americans have similar traditions (p. 110). Although he does not elaborate this provocative insight in his brief commentary on the art works, Jones’s war novel The Thin Red Line (1962) does explore, with rare frankness, this trained linking of suffering and sexual response for American soldiers. -
“Girls Are Dancin'”: Shōjo Culture And
New Voices Volume 5 To link to this article: http://dx.doi.org/10.21159/nv.05.06 “Girls are dancin’”: shōjo culture and feminism in contemporary Japanese art1 Emily Jane Wakeling University of Queensland Abstract This article explores the gender-transgressive expressions found in shōjo culture in order to highlight the potential for feminist analysis in the prevalence of the shōjo motif in contemporary Japanese art. Shōjo culture is a fascinating cultural space, within contemporary Japanese culture, which fosters creative expressions of gender that negate or make complex hegemonic categories. Departing from stereotypes of Japanese girls, this article will pay particular interest to an emerging wave of figurative contemporary art practices in which the figure of the shōjo is utilised for a new generation of feminist critique. Aoshima Chiho, Kunikata Mahomi, Takano Aya, Sawada Tomoko and Yanagi Miwa are among the current artists who feature the shōjo motif in contexts that foreground female subjectivities found paralleled in shōjo culture. These works will then be contextualised in the greater picture of current trends and themes in global contemporary feminist art. Keywords shōjo, feminism, gender, contemporary art Introduction This article will examine the prevalence of the shōjo (girl) motif as an emerging trend in contemporary Japanese art and analyse its significance to new discourses in feminist art. In the closed, girl-only space of shōjo culture, girls negate and make complex the dominant gender stereotypes that exist in contemporary Japanese society through creations of gender that transgress hegemony. In the past two decades of contemporary art, transnational (especially Asian) perspectives have become more conspicuous. -
Knowledge and Power in Occupied Japan: U.S. Censorship of Hiroshima and Nagasaki
Bard College Bard Digital Commons Senior Projects Spring 2018 Bard Undergraduate Senior Projects Spring 2018 Knowledge and Power in Occupied Japan: U.S. Censorship of Hiroshima and Nagasaki May E. Grzybowski Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_s2018 Part of the Asian History Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Grzybowski, May E., "Knowledge and Power in Occupied Japan: U.S. Censorship of Hiroshima and Nagasaki" (2018). Senior Projects Spring 2018. 134. https://digitalcommons.bard.edu/senproj_s2018/134 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. Knowledge and Power in Occupied Japan: U.S. Censorship of Hiroshima and Nagasaki Senior Project Submitted to The Division of Social Studies of Bard College by May Grzybowski Annandale-on-Hudson, New York May 2018 Table of Contents Introduction……………………………………………………………………………………………1 Chapter One: Censorship Under SCAP………………………………………………………………..5 Chapter Two: Censored Texts…………………………………………………………..……….…....20 Chapter Three: Effects of Censorship………………………………………………………………...52 Conclusion…………………………………………………………………………………………….66 Bibliography……………………………………………………………………………………...……69 Acknowledgements I would not have been able to finish this project without the support of many people. -
No Time and No Place in Japan's Queer Popular Culture
NO TIME AND NO PLACE IN JAPAN’S QUEER POPULAR CULTURE BY JULIAN GABRIEL PAHRE THESIS Submitted in partial fulfillment of the requirements for the degree of Master of Arts in East Asian Studies in the Graduate College of the University of Illinois at Urbana-Champaign, 2017 Urbana, Illinois Adviser: Professor Robert Tierney ABSTRACT With interest in genres like BL (Boys’ Love) and the presence of LGBT characters in popular series continuing to soar to new heights in Japan and abroad, the question of the presence, or lack thereof, of queer narratives in these texts and their responses has remained potent in studies on contemporary Japanese visual culture. In hopes of addressing this issue, my thesis queries these queer narratives in popular Japanese culture through examining works which, although lying distinctly outside of the genre of BL, nonetheless exhibit queer themes. Through examining a pair of popular series which have received numerous adaptations, One Punch Man and No. 6, I examine the works both in terms of their content, place and response in order to provide a larger portrait or mapping of their queer potentiality. I argue that the out of time and out of place-ness present in these texts, both of which have post-apocalyptic settings, acts as a vehicle for queer narratives in Japanese popular culture. Additionally, I argue that queerness present in fanworks similarly benefits from this out of place and time-ness, both within the work as post-apocalyptic and outside of it as having multiple adaptations or canons. I conclude by offering a cautious tethering towards the future potentiality for queer works in Japanese popular culture by examining recent trends among queer anime and manga towards moving towards an international stage. -
Fr Ü Hst Ü Ck an Dw Alt H Al Lch Il D
FRÜHSTÜCK AND WALTHALL | CHILD’S PLAY Luminos is the Open Access monograph publishing program from UC Press. Luminos provides a framework for preserving and reinvigorating monograph publishing for the future and increases the reach and visibility of important scholarly work. Titles published in the UC Press Luminos model are published with the same high standards for selection, peer review, production, and marketing as those in our traditional program. www.luminosoa.org Child’s Play Child’s Play Multi-Sensory Histories of Children and Childhood in Japan Edited by Sabine Frühstück and Anne Walthall UNIVERSITY OF CALIFORNIA PRESS University of California Press, one of the most distinguished university presses in the United States, enriches lives around the world by advancing scholarship in the humanities, social sciences, and natural sciences. Its activities are supported by the UC Press Foundation and by philanthropic contributions from individuals and institutions. For more information, visit www.ucpress.edu. University of California Press Oakland, California © 2017 by Sabine Frühstück and Anne Walthall Suggested citation: Frühstück, Sabine and Walthall, Anne. Child’s Play: Multi-Sensory Histories of Children and Childhood in Japan. Oakland: University of California Press, 2017. doi: https://doi.org/10.1525/luminos.40 This work is licensed under a Creative Commons CC-BY-NC-ND license. To view a copy of the license, visit http://creativecommons.org/licenses. Library of Congress Cataloging-in-Publication Data Names: Frühstück, Sabine, editor. | Walthall, Anne, editor. Title: Child’s play : multi-sensory histories of children and childhood in Japan / edited by Sabine Frühstück and Anne Walthall. Description: Oakland, California : University of California Press, [2018] | Includes bibliographical references and index. -
Japanese Female and 'Trans' Athletes
Japanese Female and ‘Trans’ Athletes: Negotiating Subjectivity and Media Constructions of Gender, Sexuality, and Nation by Satoko Itani A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of Curriculum, Teaching & Learning Ontario Institute for Studies in Education University of Toronto © Copyright by Satoko Itani (2015) Japanese Female and ‘Trans’ Athletes: Negotiating Subjectivity and Media Constructions of Gender, Sexuality, and Nation Satoko Itani Doctor of Philosophy Department of Curriculum, Teaching & Learning Ontario Institute for Studies in Education University of Toronto 2015 Abstract The focus of this thesis is twofold: 1) the construction of Japanese female athletes in ‘masculine’ sports by Japanese media in terms of gender, sexuality, ethnicity, and nation; and 2) Japanese female and ‘trans’ athletes’ negotiation with Japanese gender and sexuality norms in the formation of their gendered subjectivities. A theoretical framework informed by feminist, queer, and postcolonial theories is used to analyze the discursive constructions and constitution of subjectivities of Japanese female and ‘trans’ athletes in the ‘masculine’ sports of soccer and wrestling. Critical discourse analysis (CDA) was employed to analyze Japanese mainstream newspaper and magazines published between 2001 and 2012 and in-depth interviews with twelve Japanese female and ‘trans’ athletes in wrestling and soccer. The result of the media analysis illustrates that Japanese mainstream media used multiple normative and normalizing ii discursive tactics to construct Japanese female athletes within patriarchal, sexist, and heterosexist gender and sexual norms. These discourses were also mobilized in the reporting of international competitions in which the success of Japanese female athletes was appropriated to construct Japanese national identity in order to recuperate Japanese masculinity. -
The Textbook Controversies in Japan: What History Is Taught?
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OpenRiver@Winona State University Essays in Education Volume 8 Article 1 Winter 12-1-2003 The Textbook Controversies in Japan: What History is Taught? Aaron Cooley University of North Carolina, Chapel Hill CALL FOR SUBMISSIONS! Essays in Education (EIE) is a professional, peer-reviewed journal intended to promote practitioner and academic dialogue on current and relevant issues across human services professions. The editors of EIE encourage both novice and experienced educators to submit manuscripts that share their thoughts and insights. Visit https://openriver.winona.edu/eie for more information on submitting your manuscript for possible publication. Follow this and additional works at: https://openriver.winona.edu/eie Part of the Education Commons Recommended Citation Cooley, Aaron (2003) "The Textbook Controversies in Japan: What History is Taught?," Essays in Education: Vol. 8 , Article 1. Available at: https://openriver.winona.edu/eie/vol8/iss1/1 This Article is brought to you for free and open access by OpenRiver. It has been accepted for inclusion in Essays in Education by an authorized editor of OpenRiver. For more information, please contact [email protected]. Cooley: The Textbook Controversies in Japan: What History is Taught? The Textbook Controversies in Japan: What History is Taught? Aaron Cooley University of North Carolina at Chapel Hill Abstract The controversies surrounding the content and perspective of several Japanese textbooks are examined and the impact on geo-political relations analyzed. The ways in which these battles affect perceptions of history are discussed in a regional and global context. -
Editing Identity: Literary Anthologies and the Construction of the Author in Meiji Japan
Editing Identity: Literary Anthologies and the Construction of the Author in Meiji Japan by Molly Catherine Des Jardin A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Asian Languages and Cultures) in The University of Michigan 2012 Doctoral Committee: Associate Professor Jonathan E. Zwicker, Chair Professor Margaret L. Hedstrom Associate Professor Christi Ann Merrill Professor Ken K. Ito, University of Hawai’i Table of Contents List of Figures iii Chapter I. Introduction 1 II. The Names of the Author 8 III. Literary Circles and Corporate Authorship 54 IV. Social Provenance and the Invention of Saikaku 95 V. In Memoriam 148 VI. Reproducing the Author 193 Bibliography 248 ii List of Figures Figure 1 Bungakkai 17 (May 1894) … 26 2 Kokumin no tomo 69 (January 1890) … 29 3 Kyōka and Kōyō … 48 4 “Shain meiji sho” … 61 5 “Bungakkai dai ichi-gō ga uketaru hihyō” … 77 6 “Kōshoku ichidai onna” … 99 7 Saikaku as illustrated in the inside front cover of Kōtei Saikaku zenshū … 128 8 Aikakuken … 132 9 Sakuhin 1(3) (May 1932) … 140 10 [Higuchi Ichiyō] … 178 11 Front cover of Bizan zenshū … 203 12 Front cover of Bizan zenshū … 204 13 Higuchi Ichiyō’s writing sample … 221 14 Kitamura Tōkoku’s writing sample … 222 15 [Higuchi Ichiyō] … 239 16 [Higuchi Ichiyō] … 240 17 [Kitamura Tōkoku] … 241 18 “Kōyō Sanjin in 1892” … 242 iii 19 Kawakami Akira … 243 20 “Bizan, 1889” … 244 iv Chapter I Introduction “Editing Identity: Literary Anthologies and The Construction of the Author in Meiji Japan” problematizes widespread acceptance of anthologies of authors' “complete works” as both transparent and authoritative compendia of Japanese literature. -
A Review of the History of Japanese Mathematics
Revue d’histoire des math´ematiques, 7 (2001), p. 137–155. A REVIEW OF THE HISTORY OF JAPANESE MATHEMATICS Tsukane OGAWA (*) ABSTRACT. — This review aims to introduce Japanese mathematics to a non- expert and a non-Japanese readership. It briefly characterizes mathematics in Japan, surveys its history, as it developed over the last century, and provides a large (if not exhaustive) bibliography of works in the primary European languages. RESUM´ E´.—APERC¸ U SUR L’HISTOIRE DES MATHEMATIQUES´ JAPONAISES. Le but de cette note est de pr´esenter les math´ematiques japonaises `a un public non sp´ecialis´e dans le domaine. Les math´ematiques au Japon sont bri`evement caract´eris´ees, leur histoire, telle qu’elle s’est d´evelopp´ee durant le dernier si`ecle, est pass´ee en revue et finalement une importante bibliographie dans les principales langues europ´eennes est propos´ee, mˆeme si elle ne peut pr´etendre `a l’exhaustivit´e. 1. INTRODUCTION – NOT ONLY SANGAKU The custom of hanging sangaku ( ), wooden plates on which are inscribed mathematical problems and their answers, under the roofs of shrines in the Edo period (1603–1867) in Japan is familiar enough to have been illustrated and described in Scientific American, May 1998 [Rothman 1998]. It is, however, obvious that sangaku is not all there is to Japanese mathematics. It would be fallacious to consider that the essence of Japanese mathematics reveals itself in sangaku. As a beginning, this essay attempts briefly to introduce Japanese mathematics to a non-Japanese readership. It will answer the following questions : 1) What kind of mathematical disciplines developed in Japan ? 2) How were mathematical expressions written in vertical typesetting ? 3) How did the Japanese calculate ? 4) Is it true that, lacking proofs, Japanese mathematics was not logical ? (*) Texte re¸cu le 7 mars 1999, r´evis´e le 11 novembre 2000. -
The Japanese Press and Japanese Foreign Policy
THE JAPANESE PRESS AND JAPANESE FOREIGN POLICY 1927-1933 by Tsutomu David Yamamoto for Ph.D. School of Oriental and African Studies ProQuest Number: 11010590 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 11010590 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Preface Considering the indirect linkage between public opinion, as reflected in the press, and government policy, in particular in the foreign policy sphere where the government is at its most secretive, it is not surprising that very little research into their inter-relationship has been carried out. It is easy to understand, therefore, that this situation applies with regard to pre-War Japan which had a more authoritarian tradition than most Western nations. Even the Japanese press, however, had a role to play in the formation of government policy and its attitude at times did have serious implications for foreign policy and diplomacy. In this sense, the decline of the Japanese press as an Opposition force between 1927 and 1933, which is the subject of this study, is significant. -
Idols and Celebrity in Japanese Media Culture, Edited by Patrick W
Copyright material from www.palgraveconnect.com - licensed to Murdoch University - PalgraveConnect - 2013-08-20 - PalgraveConnect University - licensed to Murdoch www.palgraveconnect.com material from Copyright 10.1057/9781137283788 - Idols and Celebrity in Japanese Media Culture, Edited by Patrick W. Galbraith and Jason G. Karlin Idols and Celebrity in Japanese Media Culture Copyright material from www.palgraveconnect.com - licensed to Murdoch University - PalgraveConnect - 2013-08-20 - PalgraveConnect University - licensed to Murdoch www.palgraveconnect.com material from Copyright 10.1057/9781137283788 - Idols and Celebrity in Japanese Media Culture, Edited by Patrick W. Galbraith and Jason G. Karlin This page intentionally left blank Copyright material from www.palgraveconnect.com - licensed to Murdoch University - PalgraveConnect - 2013-08-20 - PalgraveConnect University - licensed to Murdoch www.palgraveconnect.com material from Copyright 10.1057/9781137283788 - Idols and Celebrity in Japanese Media Culture, Edited by Patrick W. Galbraith and Jason G. Karlin Idols and Celebrity in Japanese Media Culture Edited by Patrick W. Galbraith and Jason G. Karlin University of Tokyo, Japan Copyright material from www.palgraveconnect.com - licensed to Murdoch University - PalgraveConnect - 2013-08-20 - PalgraveConnect University - licensed to Murdoch www.palgraveconnect.com material from Copyright 10.1057/9781137283788 - Idols and Celebrity in Japanese Media Culture, Edited by Patrick W. Galbraith and Jason G. Karlin Introduction, selection