Sexuality and Affection in the Time of Technological Innovation: Artificial
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The Latticed Bars of Gender and Sexuality in Japan's Fifteen Year War
The Latticed Bars of Gender and Sexuality in Japan's Fifteen Year War Kathy J. Phillips University of Hawai'i Abstract After giving background on my theoretical approach, I will illustrate attitudes toward manhood and the body during Japan’s Fifteen Year War from Tatsuzo Ishikawa’s novel Solders Alive (1938) and Osamu Dazai’s short stories of the 1930s and '40s and his novel The Setting Sun (1947). While supporting the Empire, Ishikawa seriously criticizes many of its practices. Even more blatantly than Ishikawa, Dazai satirizes wartime definitions of manhood, after donning some cam- ouflage to get past censorship. I also look back at Ryunosuke Akutagawa’s short story “Hell Screen” (1918), teetering ambivalently on the cusp of change between the nineteenth-century and the militarization of the 1930s because this tale illumi- nates some of the sources (European and Japanese) for the “manly” detachment and sacrifice that weigh so heavily on Ishikawa’s and Dazai’s characters. Key words Japan’s Fifteen Year War (1931-1945), constructions of masculinity, ideas about sexuality In a collection of war paintings called WWII (1975), the American veteran and novelist James Jones remarks cryptically that U.S. servicemen should have understood Japanese soldiers’ focus on “blood and violence and manhood,” all tied in with “sexuality and sexual taboos and myths,” because Americans have similar traditions (p. 110). Although he does not elaborate this provocative insight in his brief commentary on the art works, Jones’s war novel The Thin Red Line (1962) does explore, with rare frankness, this trained linking of suffering and sexual response for American soldiers. -
Sex, Lies, and Imitation Games: the Ethical Implications of an Artificially Intelligent Girlfriend
SEX, LIES, AND IMITATION GAMES: THE ETHICAL IMPLICATIONS OF AN ARTIFICIALLY INTELLIGENT GIRLFRIEND A Thesis submitted to the Faculty of the Graduate School of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Masters of Arts in Communication, Culture and Technology By Ellen Meredith Kaufman, B.A. Washington, DC April 3, 2018 Copyright 2018 by Ellen Meredith Kaufman All Rights Reserved ii SEX, LIES, AND IMITATION GAMES: THE ETHICAL IMPLICATIONS OF AN ARTIFICIALLY INTELLIGENT GIRLFRIEND Ellen Meredith Kaufman, B.A. Thesis Advisor: Mark MacCarthy, Ph.D. ABSTRACT With promising applications in business, health care and countless other fields, artificial intelligence may hold the key to cracking once-unsolvable industry challenges. The sex industry is no exception: For the makers of RealDoll, AI is poised to help meet customers’ most requested demand—bringing their sex dolls “to life.” Before the launch of their fully functional “sex robot,” the company encourages users to interact with “Harmony,” the AI at the heart of the technology, via its Android-based digital app. Though sex dolls have historically failed to alter sexual relations between humans, critics suggest that integrating AI technology demands researchers evaluate this prospect anew: Making sex dolls more lifelike—but not necessarily more realistic—could bolster negative gender stereotypes and erode cultural norms around sexuality. Though sex robots will undoubtedly be more than the sum of their parts, the experiences of Harmony app users provide a valuable entry point into this debate, offering empirical support for how people navigate intimate relationships with digital partners. Using qualitative content analysis, this study examines user discourse on the “Club RealDoll” forum to interrogate how the app engenders particular values or reinforces users’ preconceived attitudes about intimacy, consent and gender stereotypes. -
Kendall Fields Guide for Mental Health Professionals in The
THE AMERICAN ACADEMY OF CLINICAL SEXOLOGISTS AT MAIMONIDES UNIVERSITY GUIDE FOR MENTAL HEALTH PROFESSIONALS IN THE RECOGNITION OF SUICIDE AND RISKS TO ADOLESCENT HOMOSEXUAL MALES A DISSERTATION SUBMITTED TO THE FACULTY OF THE AMERICAN ACADEMY OF CLINICAL SEXOLOGISTS AT MAIMONIDES UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY BY KENDALL FIELDS NORTH MIAMI BEACH, FLORIDA DECEMBER 2005 Copyright © by Kendall L. Fields All rights reserved ii DISSERTATION COMMITTEE William Granzig, Ph.D., MPH, FAACS. Advisor and Committee Chair James O Walker, Ph.D. Committee Member Peggy Lipford McKeal, Ph.D. NCC, LMHC Committee Member Approved by dissertation Committee Maimonides University North Miami Beach, Florida Signature Date _________________________________ William Granzig, Ph.D. James Walker, Ph.D. _ Peggy Lipford McKeal, Ph.D. iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to those who assisted in the formulation of this dissertation: Dr. William Granzig, professor, advisor, and friend, who without his guidance, leadership, and perseverance this endeavor would not have taken place. To Dr. Walker, thank you for your time, patience, insight and continued support. To Dr. McKeal, thanks for you inspiration and guidance. You kept me grounded and on track during times when my motivation was waning. To Dr. Bernie Sue Newman, Temple University, School of Social Administration, Department of Social Work and in memory of Peter Muzzonigro for allowing me to reprint portions of their book. To those professionals who gave of their time to complete and return the survey questionnaires. To my darling wife, Irene Susan Fields, who provided support and faith in me. -
Ningyo: Destined for the Trash Can? Anita Y.K
University of North Florida UNF Digital Commons All Volumes (2001-2008) The sprO ey Journal of Ideas and Inquiry 2002 Ningyo: Destined for the Trash Can? Anita Y.K. Davis University of North Florida Follow this and additional works at: http://digitalcommons.unf.edu/ojii_volumes Part of the Social and Behavioral Sciences Commons Suggested Citation Davis, Anita Y.K., "Ningyo: Destined for the Trash Can?" (2002). All Volumes (2001-2008). 114. http://digitalcommons.unf.edu/ojii_volumes/114 This Article is brought to you for free and open access by the The sprO ey Journal of Ideas and Inquiry at UNF Digital Commons. It has been accepted for inclusion in All Volumes (2001-2008) by an authorized administrator of UNF Digital Commons. For more information, please contact Digital Projects. © 2002 All Rights Reserved Ningyo: Destined for the Trash Can ? history of their makers and their uses. Then we explore the disappearance and changes Anita Y. K. Davis Ningyo are undergoing within the context Faculty Sponsor: Dr. Ron Lukens-Bull of globalization. Finally, we examine the Assistant Professor of Anthropology future of Ningyo and suggest paths for preserving their appreciation. Abstract Japanese Ningyo (dolls) are static Research Methods art, individual sculptures and expressions of creativity. This paper Six weeks of field study in Japan explores the loss of these wonderful during the summer of 2000 provided works of art. While western dolls fetch follow-up comparisons for fourteen years high prices and are highly sought after if of observations begun when the fIrst author even a few decades old, we explore the lived in Japan. -
The Hina-Doll Crafting the Oyama-Doll Is a Starting Point of Our Business As a the Hina-Doll Has Its Root in Heian Period
The Oyama-doll The Hina-doll Crafting the Oyama-doll is a starting point of our business as a The Hina-doll has its root in Heian period. dress company. Recently, the number of artisans who craft dolls Noble people made Hina-dolls for their health for Kabuki, Japanese dancing, and traditional events has been and well-being. In detail, on the day of Joshi (i.e. Jomi), decreasing. We have been trying to preserve those culture. people floated simple dolls into a river as a sacrifice Understanding and respecting for them. The tradition has been passed down to other parts of Japanese culture, such as dances themselves, would following periods, and in Edo period, it was formed be our first steps. into a culture as we see today. Currently, Hina-dolls are displayed in a house with hoping The Ichimatsu doll children would grow healthy. We try to hand down The origin of Ichimatsu-dolls is such heartfelt culture to next generations. in Edo period. When a woman leaves her house to marry into the other families, her parents handed their daughter the doll that, on their wishes, would be a close friend for their daughter. Also, the Ichimatsu-doll has been regarded as a doll that watches over the growth and happiness of a girl. Our believes .. Within this workshop, both well-experienced craftsmen, Ay a (Ball joint doll) craftswomen, and talented youth have You can freely adjust posture, worked together and made every dolls clothes, and hairstyles of the with their hands. With determination, doll. All types of clothing cordiality, consideration, and from western clothes to craftsmanship, we have been trying Japanese kimono would fit to generate beautiful dolls, sophisticate each Aya dolls. -
Humans, Robots, and Legal Imagination
laws Article Subject (in) Trouble: Humans, Robots, and Legal Imagination Ana Oliveira Centre for Social Studies, University of Coimbra, 3000-995 Coimbra, Portugal; [email protected] Academic Editor: Margaret Thornton Received: 30 September 2019; Accepted: 30 March 2020; Published: 31 March 2020 Abstract: The legal conception and interpretation of the subject of law have long been challenged by different theoretical backgrounds: from the feminist critiques of the patriarchal nature of law and its subjects to the Marxist critiques of its capitalist ideological nature and the anti-racist critiques of its colonial nature. These perspectives are, in turn, challenged by anarchist, queer, and crip conceptions that, while compelling a critical return to the subject, the structure and the law also serve as an inspiration for arguments that deplete the structures and render them hostages of the sovereignty of the subject’ self-fiction. Identity Wars (a possible epithet for this political and epistemological battle to establish meaning through which power is exercised) have, for their part, been challenged by a renewed axiological consensus, here introduced by posthuman critical theory: species hierarchy and anthropocentric exceptionalism. As concepts and matter, questioning human exceptionalism has created new legal issues: from ecosexual weddings with the sea, the sun, or a horse; to human rights of animals; to granting legal personhood to nature; to human rights of machines, inter alia the right to (or not to) consent. Part of a wider movement on legal theory, which extends the notion of legal subjectivity to non-human agents, the subject is increasingly in trouble. From Science Fiction to hyperrealist materialism, this paper intends to signal some of the normative problems introduced, firstly, by the sovereignty of the subject’s self-fiction; and, secondly, by the anthropomorphization of high-tech robotics. -
“Girls Are Dancin'”: Shōjo Culture And
New Voices Volume 5 To link to this article: http://dx.doi.org/10.21159/nv.05.06 “Girls are dancin’”: shōjo culture and feminism in contemporary Japanese art1 Emily Jane Wakeling University of Queensland Abstract This article explores the gender-transgressive expressions found in shōjo culture in order to highlight the potential for feminist analysis in the prevalence of the shōjo motif in contemporary Japanese art. Shōjo culture is a fascinating cultural space, within contemporary Japanese culture, which fosters creative expressions of gender that negate or make complex hegemonic categories. Departing from stereotypes of Japanese girls, this article will pay particular interest to an emerging wave of figurative contemporary art practices in which the figure of the shōjo is utilised for a new generation of feminist critique. Aoshima Chiho, Kunikata Mahomi, Takano Aya, Sawada Tomoko and Yanagi Miwa are among the current artists who feature the shōjo motif in contexts that foreground female subjectivities found paralleled in shōjo culture. These works will then be contextualised in the greater picture of current trends and themes in global contemporary feminist art. Keywords shōjo, feminism, gender, contemporary art Introduction This article will examine the prevalence of the shōjo (girl) motif as an emerging trend in contemporary Japanese art and analyse its significance to new discourses in feminist art. In the closed, girl-only space of shōjo culture, girls negate and make complex the dominant gender stereotypes that exist in contemporary Japanese society through creations of gender that transgress hegemony. In the past two decades of contemporary art, transnational (especially Asian) perspectives have become more conspicuous. -
The 1927 American-Japanese Friendship Doll Exchange and the Dream of International Peace
Copyright © 2006 by the South Dakota State Historical Society. All Rights Reserved. The 1927 American-Japanese Friendship Doll Exchange and the Dream of International Peace DAVID B. HARTLEY AND KATHERINE C. HARTLEY In the introduction to his 1929 book, Dolls of Friendship, Sidney L. Gulick quoted an inscription over the gateway to an American kinder- garten in France: "We who desire peace must write it in the hearts of children."' The dream of permanent peace and friendship among na- tions was never more alive in the hearts of Americans than in the decade after the armistice that ended World War I. As seen in count- less sermons, speeches, articles, and women's club discussions fol- lowing the "war to end all wars," the desire for lasting peace resonated in the public consciousness. Never before had antiwar activists and would-be diplomats touched off such a frenzy of activity dedicated to international harmony. The Doll Messengers of Friendship project of Sidney Gulick and the Committee on World Friendship among Ghildren sent hundreds of dolls to Japan in hopes of planting the seeds of peace among its youngest citizens. The project prompted a similar goodwill gesture to- ward the United States, of whom Miss Tottori. a torei ningyo doll in the collection of the South Dakota State Historical Society, is a lovely ex- ample. Although the doll exchange was a remarkable success at the popular level, it had little influence on official diplomacy.^ In the end. 1. Sidney L. Gulick, Dolls of Friendship: The Story of a Goodwill Project between the Children of America and Japan (New York: Friendship Press, 1929). -
No Time and No Place in Japan's Queer Popular Culture
NO TIME AND NO PLACE IN JAPAN’S QUEER POPULAR CULTURE BY JULIAN GABRIEL PAHRE THESIS Submitted in partial fulfillment of the requirements for the degree of Master of Arts in East Asian Studies in the Graduate College of the University of Illinois at Urbana-Champaign, 2017 Urbana, Illinois Adviser: Professor Robert Tierney ABSTRACT With interest in genres like BL (Boys’ Love) and the presence of LGBT characters in popular series continuing to soar to new heights in Japan and abroad, the question of the presence, or lack thereof, of queer narratives in these texts and their responses has remained potent in studies on contemporary Japanese visual culture. In hopes of addressing this issue, my thesis queries these queer narratives in popular Japanese culture through examining works which, although lying distinctly outside of the genre of BL, nonetheless exhibit queer themes. Through examining a pair of popular series which have received numerous adaptations, One Punch Man and No. 6, I examine the works both in terms of their content, place and response in order to provide a larger portrait or mapping of their queer potentiality. I argue that the out of time and out of place-ness present in these texts, both of which have post-apocalyptic settings, acts as a vehicle for queer narratives in Japanese popular culture. Additionally, I argue that queerness present in fanworks similarly benefits from this out of place and time-ness, both within the work as post-apocalyptic and outside of it as having multiple adaptations or canons. I conclude by offering a cautious tethering towards the future potentiality for queer works in Japanese popular culture by examining recent trends among queer anime and manga towards moving towards an international stage. -
Of Dolls and Men: Anticipating Sexual Intimacy with Robots
13 Of Dolls and Men: Anticipating Sexual Intimacy with Robots NORMAN MAKOTO SU, Indiana University Bloomington AMANDA LAZAR, University of Maryland JEFFREY BARDZELL and SHAOWEN BARDZELL, Indiana University Bloomington Sex and intimate technologies are important in people’s everyday lives. A class of technologies that is becoming increasingly more prominent in discussions of the future are sex robots. In this article, we present a qualitative analysis of posts from a forum where people describe their interactions with sex dolls and their motivations for using them through text and photographs. Forum users use dolls as a content authoring interface, imbue them with agency, and construct meaningful sexual relationships with them. Implications for the design of future robots and autonomous agents in humans’ everyday lives are discussed. We highlight that sex dolls are used for more than just sex; they provide fertile ground for embodied fictions and care of the self. Future, customizable technologies for sexual intimacy and wellness should account for this use. CCS Concepts: • Human-centered computing → Empirical studies in HCI; Additional Key Words and Phrases: Sexuality, intimacy, wellness, care, embodiment, robots, online forums ACM Reference format: Norman Makoto Su, Amanda Lazar, Jeffrey Bardzell, and Shaowen Bardzell. 2019. Of Dolls and Men:An- ticipating Sexual Intimacy with Robots. ACM Trans. Comput.-Hum. Interact. 26, 3, Article 13 (May 2019), 35 pages. https://doi.org/10.1145/3301422 1 INTRODUCTION Much public discourse on sex robots centers around their inevitability [46, 58]. The reasoning is as follows: humans readily establish meaningful relationships with non-human entities such as pets (real, virtual, or robotic), robots, and virtual agents. -
Fr Ü Hst Ü Ck an Dw Alt H Al Lch Il D
FRÜHSTÜCK AND WALTHALL | CHILD’S PLAY Luminos is the Open Access monograph publishing program from UC Press. Luminos provides a framework for preserving and reinvigorating monograph publishing for the future and increases the reach and visibility of important scholarly work. Titles published in the UC Press Luminos model are published with the same high standards for selection, peer review, production, and marketing as those in our traditional program. www.luminosoa.org Child’s Play Child’s Play Multi-Sensory Histories of Children and Childhood in Japan Edited by Sabine Frühstück and Anne Walthall UNIVERSITY OF CALIFORNIA PRESS University of California Press, one of the most distinguished university presses in the United States, enriches lives around the world by advancing scholarship in the humanities, social sciences, and natural sciences. Its activities are supported by the UC Press Foundation and by philanthropic contributions from individuals and institutions. For more information, visit www.ucpress.edu. University of California Press Oakland, California © 2017 by Sabine Frühstück and Anne Walthall Suggested citation: Frühstück, Sabine and Walthall, Anne. Child’s Play: Multi-Sensory Histories of Children and Childhood in Japan. Oakland: University of California Press, 2017. doi: https://doi.org/10.1525/luminos.40 This work is licensed under a Creative Commons CC-BY-NC-ND license. To view a copy of the license, visit http://creativecommons.org/licenses. Library of Congress Cataloging-in-Publication Data Names: Frühstück, Sabine, editor. | Walthall, Anne, editor. Title: Child’s play : multi-sensory histories of children and childhood in Japan / edited by Sabine Frühstück and Anne Walthall. Description: Oakland, California : University of California Press, [2018] | Includes bibliographical references and index. -
Sex Robots: Negative Impact Towards Society Jeraldine Hernandez Augustana College, Rock Island Illinois
Augustana College Augustana Digital Commons Augustana Center for the Study of Ethics Essay Prizewinners Contest Winter 4-16-2018 Sex Robots: Negative Impact Towards Society Jeraldine Hernandez Augustana College, Rock Island Illinois Follow this and additional works at: https://digitalcommons.augustana.edu/ethicscontest Part of the Ethics in Religion Commons, and the Feminist, Gender, and Sexuality Studies Commons Augustana Digital Commons Citation Hernandez, Jeraldine. "Sex Robots: Negative Impact Towards Society" (2018). Augustana Center for the Study of Ethics Essay Contest. https://digitalcommons.augustana.edu/ethicscontest/15 This Student Paper is brought to you for free and open access by the Prizewinners at Augustana Digital Commons. It has been accepted for inclusion in Augustana Center for the Study of Ethics Essay Contest by an authorized administrator of Augustana Digital Commons. For more information, please contact [email protected]. 1 Jeraldine Hernandez Sex Robots: Negative Impact Towards Society Table of Contents: I. Empathy & Human-Robot Interactions 2 II. Sex Robots: An Outlet for Peadophiles 4 III. Sex Robots Will Lead to Mistreatment of Human Beings 5 IV. How Sex Robots Target Women 7 V. Does Consent Matter with Sex Robots? 8 VI. Human & Sex Robots Are Not Real 9 VII. Conclusion 11 VIII. Works Cited 12 2 I. Empathy & Human-Robot Interactions In Japan, there is a emotion-detecting robot named Pepper that worked for a bank because the company thought it would bring in more customers. Indeed, it did. However, one day a 60-year old man assaulted Pepper because he was mad at the clerk in the bank and instead of taking it out on him, he took it out on Pepper (Weber, 2015).