Art for Children Experiencing Psychological Trauma

Total Page:16

File Type:pdf, Size:1020Kb

Load more

Art for Children Experiencing Psychological Trauma Art for Children Experiencing Psychological Trauma aims to increase under- standing of art’s potential to enhance learning for children living in crisis. In this groundbreaking resource, the first of its kind to focus specifically on the connection between art education and psychological trauma in youth popu- lations, readers can find resources and practical strategies for both teachers and other school-based professionals. Also included are successful models of art education for diverse populations, with specific attention to young people who face emotional, mental, behavioral, and physical challenges, as well a framework for meaningful visual arts education for at-risk/in-crisis populations. Adrienne D. Hunter, MEd, has over 35 years of experience teaching art to at-risk, in-crisis, and/or incarcerated youth. She is a national presenter, a past president of the interest group on Special Needs in Art Education (SNAE) within the National Art Education Association, and a past mem- bership co-chair for the Council for Exceptional Children’s Division of Visual and Performing Arts Education (DARTS). Donalyn Heise, EdD, is founder and co-director of Teacher Effectiveness for Art Learning (TEAL), and is a leader at the local, state, and national levels. She is a researcher, author, national presenter, and award-winning educator with more than 30 years of experience teaching art to youth who have experienced psychological trauma. Beverley H. Johns, MS, is a professional fellow at MacMurray College. She has worked in public schools with students with significant behavioral problems for more than 33 years, presented international workshops, and authored more than 20 special education books. Art for Children Experiencing Psychological Trauma A Guide for Art Educators and School-Based Professionals Edited by Adrienne D. Hunter, Donalyn Heise, and Beverley H. Johns First published 2018 by Routledge 711 Third Avenue, New York, NY 10017 and by Routledge 2 Park Square, Milton Park, Abingdon, Oxon, OX14 4RN Routledge is an imprint of the Taylor & Francis Group, an informa business 2018 Taylor & Francis The right of Adrienne D. Hunter, Donalyn Heise, and Beverley H. Johns to be identified as the authors of the editorial material, and of the authors for their individual chapters, has been asserted in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. Trademark notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe. Library of Congress Cataloging-in-Publication Data Names: Hunter, Adrienne D., editor. Title: Art for children experiencing psychological trauma : a guide for art educators and school-based professionals / Adrienne D. Hunter, Donalyn Heise, and Beverley H. Johns, editors. Description: New York, NY : Routledge, 2018. | Includes bibliographical references. Identifiers: LCCN 2017052876 (print) | LCCN 2017054105 (ebook) | ISBN 9781315301358 (eBook) | ISBN 9781138236943 (hbk) | ISBN 9781138236950 (pbk) | ISBN 9781315301358 (ebk) Subjects: LCSH: Art therapy for children. | Psychic trauma in children—Treatment. | Art in education—Therapeutic use. Classification: LCC RJ505.A7 (ebook) | LCC RJ505.A7 A75 2018 (print) | DDC 618.92/891656—dc23 LC record available at https://lccn.loc.gov/2017052876 ISBN: 978-1-138-23694-3 (hbk) ISBN: 978-1-138-23695-0 (pbk) ISBN: 978-1-315-30135-8 (ebk) Typeset in Bembo by Swales & Willis Ltd, Exeter, Devon, UK Dedication This book is dedicated to all students who have experienced psychological trauma, and to all art educators who nurture the strengths, talents, and hopes of all students. Contents Biographies of Editors and Contributors x Acknowledgments xix PART I Overview of Behaviors: Who Are the Children in Crisis? Definitions and Demographics 1 1 Introduction and Purpose of this Book 3 ADRIENNE D. HUNTER, DONALYN HEISE, AND BEVERLEY H. JOHNS 2 Children Exposed to Trauma: Children in Crisis 6 LISA KAY 3 Who Are Homeless Children? 15 DONA ANDERSON AND MATTHEW ADAMS 4 Child Abuse: Signs and Reporting Procedures— What the Art Educator Should Know 37 ORIANA C. HUNTER, DONALYN HEISE, BEVERLEY H. JOHNS, AND ADRIENNE D. HUNTER 5 Behavioral Characteristics of Children Living in Crisis and the Impact on Learning 53 BEVERLEY H. JOHNS 6 LGBTQ Trauma + Art Education 60 MINDI RHOADES viii Contents 7 The Role of the Art Educator in Meeting the Needs of Students Who Are Victims of Human Trafficking 76 BEVERLEY H. JOHNS AND ADRIENNE D. HUNTER 8 Alternative Educational Services for Students Who Have Experienced Psychological Trauma 83 ATHENA PETROLIAS, BEVERLEY H. JOHNS, AND ADRIENNE D. HUNTER 9 Mental Health Issues and the Art Classroom 93 STEVEN KELLY AND DARLA DAWN ABSHER 10 Neurobiological Impact of Trauma 104 CARLOMAGNO PANLILIO, ELIZABETH HLAVEK, AND AMANDA FERRARA PART II Art Education in Practice 115 11 Creating a Safe and Supportive Classroom Environment 117 BEVERLEY H. JOHNS, DONALYN HEISE, AND ADRIENNE D. HUNTER 12 Routines, Relationships, and Reinforcement 125 KARI CADDELL 13 Integrating Art and Academics: A Collaborative Approach 131 DONALYN HEISE, ADRIENNE D. HUNTER, AND BEVERLEY H. JOHNS 14 Building Relationships through Art: Understanding the Potential of Art-Making for Students Experiencing Psychological Trauma 150 LISA KAY AND SUSAN D. LOESL 15 Yellow Bricks: An Approach to Art Teaching 157 LISA KAY Contents ix 16 Non-Traditional Educational Settings, Center Schools, and Students with Behavioral Disorders 167 JOSEPH A. PARSONS, ADRIENNE D. HUNTER, AND DONALYN HEISE 17 Art and Youth Who Are Incarcerated 180 ADRIENNE D. HUNTER, BEVERLEY H. JOHNS, AND DONALYN HEISE 18 Where have we come from? Who are we? Where are we going? A Ceramic Mural for and by Students of the Rhode Island Training School 191 PETER J. GEISSER 19 Prison Art: A Recreational Model 200 ANNEMARIE SWANLEK, BEVERLEY H. JOHNS, AND ADRIENNE D. HUNTER PART III Identifying Future Directions 217 20 Pre-Service Art Teacher Preparation and Professional Development 219 JULIANN B. DORFF, LISA KAY, LYNNE J. HOROSCHAK, AND DONALYN HEISE 21 Community-Based Art Programs, Collaborative Partnerships, and Community Resources for At-Risk Students 248 LAURA BAILEY SAULLE, JOSEPH LAGANA, ROBIN CRAWFORD, AND BARBARA DUFFIELD 22 The Deep Joy of Teaching Art to Students Who Have Experienced Trauma 271 LYNNE J. HOROSCHAK Index 287 Biographies of Editors and Contributors Adrienne D. Hunter, MSEd, Special Education, is a pioneer in teach- ing art to in-crisis, at-risk, and incarcerated students. Recently retired, she was an art teacher in the Allegheny Intermediate Unit Alternative Education Program in Pittsburgh, Pennsylvania, for over 35 years. Ms. Hunter designed and implemented fully inclusive art curriculums for stu- dents aged 6 to 21, from homeless shelters, crisis centers, alternative edu- cation high schools, and maximum-security institutions. Through her sensitive and innovative curricula, she has addressed within her classroom the issues of gangs, domestic violence, homelessness, substance abuse, mental illness, and death. At the same time, she created a safe haven for inner-city youth through art. Ms. Hunter’s commitment to education and advocacy extends far beyond the workplace. She has reached across racial, generational, economic, and community boundaries to form part- nerships with colleges and universities, senior citizen centers, day care centers, local merchants, and community agencies throughout Allegheny County. Her students have created quilts for children with AIDS; murals that decorate schools, senior centers, and juvenile detention centers; and poetry and art books to help students on their journeys toward healing. Ms. Hunter has regularly enlisted local newspapers and merchants to gain publicity for her students’ positive contributions to their communities. In addition, as an advocate for art education for alternative education and for gifted education, she has spoken at Pennsylvania state legisla- ture hearings. Her professional training reflects her interests in both art education and special education. Ms. Hunter co-authored “Identifying the Visually Gifted: A Case Study” in Art, Science, and Visual Literacy and the “Teacher’s Assessment Resource Booklet” for the Pennsylvania Art Education Association (PAEA). She also co-authored “Students with Emotional and/or Behavior Disorders” in National Art Education Association’s (NAEA) Reaching and Teaching Students with Special Needs through Art. She is a nationally recognized presenter and an internationally exhibited fiber artist and is the recipient of numerous awards and grants, including a Fulbright Memorial Fund Teacher Scholarship to study art and education in Japan. In 2016, she was awarded the NAEA, VSA,1 Biographies of Editors and Contributors xi Council for Exceptional Children, Beverly Levett Gerber Special Needs Art Educator Lifetime Achievement Award. In 2008, she became the first recipient of the NAEA/Special Needs Art Educator of the Year Award. In 1996, she was awarded the PAEA Outstanding Secondary Art Educator of the Year Award. Ms. Hunter is a Past- President of the NAEA/Special
Recommended publications
  • JYP Thesis Final with Corrections

    JYP Thesis Final with Corrections

    A Theatrical Critique of Resilience in Culture John Yves Pinder Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of Performance and Cultural Industries and School of English November 2018 2 The candidate confirms that the work submitted is his own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. The right of John Yves Pinder to be identified as Author of this work has been asserted by John Yves Pinder in accordance with the Copyright, Designs, and Patents Act 1988. 3 Acknowledgements I thank the numerous people who helped me develop and/or supported this project in different ways and at different stages of its gestation. These include Sarah Jane Bailes, Simon Bayly, Anil Biltoo, Steve Bottoms, Jen Harvie, Adrian Kear, Louise Owen, Parvathi Raman, Alan Read, Theron Schmidt, and Nicholas Wood. I also thank all of the staff and students at PCI and Workshop Theatre for having supported me throughout. I would also like to thank all the people who took part in the research and without whom my work would not have been possible. Finally, I would like to thank my supervisors Tony Gardner and Lourdes Orozco for their invaluable advice, guidance and patience as well as Anna Fenemore and Calvin Taylor. Finally, I thank my family, friends and, above all my partner, Michelle Outram, for her loving support throughout.
  • Using the Old to Speak to the New: an Appropriative Studio Approach

    Using the Old to Speak to the New: an Appropriative Studio Approach

    Georgia State University ScholarWorks @ Georgia State University Art and Design Theses Ernest G. Welch School of Art and Design Spring 5-9-2015 Using The Old To Speak To The New: An Appropriative Studio Approach David W. Batterman Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/art_design_theses Recommended Citation Batterman, David W., "Using The Old To Speak To The New: An Appropriative Studio Approach." Thesis, Georgia State University, 2015. https://scholarworks.gsu.edu/art_design_theses/171 This Thesis is brought to you for free and open access by the Ernest G. Welch School of Art and Design at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Art and Design Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. USING THE OLD TO SPEAK TO THE NEW: AN APPROPRIATIVE STUDIO APPROACH by DAVID BATTERMAN Under the Direction of Dr. Kevin Hsieh ABSTRACT This thesis is an A/R/Tographically-based investigation of my appropriative studio approach, resulting in a series of multi-media collage work entitled “Tonight’s Programming,” dealing with issues of militarism and commercialism in our everyday lives. Through research regarding appropriation in art history, examination of personal artistic influences, and regarding the work through the lenses of Artist, Researcher, and Teacher, I gained a deeper insight into not only my appropriative practices, but how these practices could be applied
  • Aesthetic Philosophy of Art Resilience As a Global Art Movement and Its Impact on Contemporary Interior Design

    Aesthetic Philosophy of Art Resilience As a Global Art Movement and Its Impact on Contemporary Interior Design

    Aesthetic Philosophy of Art Resilience as a Global Art Movement and its Impact on Contemporary Interior Design Mahmoud Ahmed Hassan Elkouriny Assistant Professor at Helwan University - Faculty of Applied Arts Department of Interior Design & Furniture. Egypt 2019 Introduction: Both creative and technical aspects of interior design are influenced by contemporary global art movements and trends. Some of these movements and trends are exaggerated to the point of fantasia, others are applicable, objective and influential to societal advancement, taking into account cultural identity and ruling standards. Of those trends that express the latter is Art Resilience, founded in Paris in 2014, the birthplace of most modern movements of the world. It was natural for the movement to have an effect on modern and contemporary architecture and interior design concepts in terms of their creative and applied aspects. This is due to the movement’s interest in reestablishing the aesthetic values of artistic work and design, in light of the current cultural and social developments. This paper aims to shed light on how this movement and its principles impacted interior design. Why This Research: Interior design is the life we live in. It is what surrounds us from furniture, colors, materials, walls, windows, doors, and everything we build and use. Therefore, all that we see, either positive or negative things, affects us respectively whenever we utilize this vacuum, influenced by contemporary intellectual trends and artistic movements. At the present moment, one of most important and globally transcending contemporary intellectual and artistic movements, Influential in art, architecture and interior design, is the Art Resilience movement.
  • Education Association March 2015 N Volume 68, No

    Education Association March 2015 N Volume 68, No

    The Journal of the National Art Education Association March 2015 n Volume 68, NO. 2 n $9.00 EDUCATIONART DESIGNING Interventions “Change does not need to be GLACIAL especially when we pull back for enough of an overview to see the patterns of our social interactions and where catalysts may be required.” The Journal of the National Art Education Association March 2015 Volume 68, No. 2 ARTEDUCATION 4 30 EDITORIAL EXPERIENCES IN MULTIAGE ART EDITOR: James Haywood Rolling Jr. DESIGNING INTERVENTIONS and Education: Suggestions for Art EDITORIAL ASSISTANT: David Rufo Accommodations for the Art Teachers Working With Split Class INSTRUCTIONAL RESOURCES COORDINATOR: Laura K. Reeder Classroom and Beyond Combinations EDITORIAL REVIEW BOARD: Joni Acuff, Debra Jean Ambush, This issue looks at how art educators can play a Multiage classes can provide benefits, including Daniel Barney, Kristin Baxter, Lorrie Blair, Bryna Bobick, building a sense of classroom community and Vittoria Daiello, Leslie Gates, Jeffrey B. Grubbs, Susanne more active role in designing interventions and Floyd Gunter, Olga Ivashkevich, Amelia Kraehe, Julia accommodations that serve a diversity of encouraging peer mentorship. Three teachers of Marshall, Marissa McClure, Mary Elizabeth Meier, Alice learners. multiage classes share their experiences and Pennisi, Amy Pfeiler-Wunder, Stacey McKenna Salazar, give advice. Christopher Schulte, Kevin Slivka, Deborah Stokes, James Haywood Rolling Jr. Matthew Sutherlin, Kevin Tavin, Amber Ward, and Jeffrey L. Broome, Karen Heid, Courtnie Wolfgang. Jan Johnston, and Dan Serig NAEA BOARD: Dennis Inhulsen, Robert Sabol, Patricia Franklin, Flávia Bastos, Kimberley Cairy, Patrick Fahey, Angela Fischer, Peter Geisser, Carla Majczan, 6 James Rees, Jackie Terrassa, Nancy Walkup, Debi West, CREATING MEANINGFUL ART Elizabeth Harris Willett, and Deborah Reeve.