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Brad Collins Returns To slugmag.com 1 2 SaltLakeUnderGround slugmag.com 3 SaltLakeUnderGround • Vol. 22• Issue #276 • Dec. 2011 • slugmag.com Publisher: Eighteen Percent Gray Marketing Coordinator: Editor: Angela H. Brown Karamea Puriri Managing Editor: Marketing: Ischa Buchanan, Jeanette Jeanette D. Moses D. Moses, Stephanie Buschardt, Giselle Contributing Editor: Ricky Vigil Vickery, Veg Vollum, Emily Burkhart, Ra- Editorial Assistant: Esther Meroño chel Roller, Jeremy Riley, Sabrina Costello, Office Coordinator: Gavin Sheehan Taylor Hunsaker, Tom Espinoza, Grason Metal Coordinator: Bryer Wharton Roylance, Kristina Sandi, Brooklyn Ottens, Copy Editing Team: Jeanette D. Moses, Angella Lucisano Rebecca Vernon, Ricky Vigil, Esther Social Networking Coordinator: Meroño, Liz Phillips, Katie Panzer, Rio Grason Roylance Connelly, Alexander Ortega, Mary Enge, Distribution Manager: Eric Granato Cody Kirkland, Hannah Christian, Johna- Distro: Eric Granato, Tommy Dolph, Tony than Ford, Eleanor Scholz Bassett, Joe Jewkes, Katie Panzer, Nancy Cover Illustration: Ryan Worwood Burkhart, Joyce Bennett, Adam Okeefe, Ryan Worwood, Jennifer Quintana, John Lead Designer: Joshua Joye Ford, Dave Brewer Eric Sapp Design Team: Senior Staff Writers: Mike Brown, Mariah Design Interns: Jeremy Riley, Mann-Mellus, James Orme, Lance Saun- Chris Swainston ders, Jeanette D. Moses, Bryer Wharton, Ad Designers: Kent Farrington, Sumerset Peter Fryer, James Bennett, Ricky Vigil, Bivens, Christian Broadbent, Kelli Tomp- Gavin Hoffman, Jon Robertson, Esther kins, Maggie Poulton, Eric Sapp, Brad Meroño, Rebecca Vernon, Ross Solomon, Barker, Lindsey Morris, Paden Bischoff, Chris Swainston, Sam Milianta, Jimmy Maggie Zukowski, Thy Doan Martin, Ben Trentelman, JP, Tyler Makmell, Website Design: Kate O’Connor Princess Kennedy, Sean Zimmerman Wall, Jeremy Riley, Office Interns: Cody Hudson Kia McGinnis, Liz Lopez Monkeys with Computers: Brian Kubarycz, Eric Hess, Rio Connelly, Illustrators: Manuel Aguilar, Ryan Courtney Blair, Elliot Secrist, Dean O. Perkins, Phil Cannon, Benji Pierson, Hillis, Jemie Sprankle, Jessie Wood, Chris Maggie Zukowski, Sean Hennefer, Robin Proctor, Some Cop Dude, Andrew Roy, Banks, Timm Paxton Alexander Ortega, Kyla Grant, Nate Hous- ley, Madelyn Boudreaux, Gavin Sheehan, Photographers: Ruby Johnson, Katie Levi Rounds, Dylan Chadwick, Clayton Panzer, Dave Brewer, Sam Milianta, David Godby, Megan Kennedy, Tom Bennett, Newkirk, Barrett Doran, Adam Heath, Chris Mary Ryder, Mame Wallace, Jason Young, Swainston, Jesse Anderson, John Carlisle, Tom Winkley, Henry Glasheen, Alex Pow, Eric Scott Russell, Chad Kirkland, Melissa Kia McGinnis, Johnny Logan, Lauren Paul, Cohn, Gage Thompson, Megan Kennedy, Kylie Cox, Gregory Gerulat, Westin Porter, Michael Schwartz Paige Snow, Diane Hartford Videographers: Brian Baade, Loren Tyrel, Mary Catrow, Slugger, Andrew SLUG Magazine’s Official Podcast: Schummer, Brock Grossl SoundWaves of The UnderGround Download it for FREE every Monday on Ad Sales: SLUG HQ 801.487.9221 itunes or slugmag.com. Angela Brown: Host: JP [email protected] Producer: Gavin Sheehan Mike Brown: Executive Producer: Angela H. Brown [email protected] Associate Producers: Jeanette D. Moses, Jemie Sprankle Ricky Vigil, Esther Meroño [email protected] About this Cover: This month’s cover was designed by local aritst Ryan Worwood, aka local hip hop artist Dusk One. In addition to designing SLUG Mag’s rolling papers earlier this year,Worwood slings mags as part of our distro team, was a Craft Lake City artist and performs regularly. Check his music at mindstatemusic.com. DISCLAIMER: SLUG Magazine does not necessarily maintain the same opinions as those found in our articles, interviews or advertisements. If you are easily offended, please do not blame us. We are a carrier for the voice of the people and it is not our fault if you don’t like people. Content is property of SLUG Magazine. Please do not use without permission, or we will hunt you down and make you pay for your sins. Now that’s a promise. Contributor Limelight Cody Kirkland – Copy Editor After Cody Kirkland’s first night of working at SLUG, he joined his fellow copy editors for a “copy editor night out.” Most of the copy editors left early after finishing a beer or two, and what started as a group of six or more dwindled to SLUG’s Managing Editor, a senior copy editor and Kirkland. A typical new employee probably would have come for a beer and quietly gone home. Lucky for us, Kirkland isn’t typical. He stayed until last call, helped his coworkers make friends with some Scottish guys—who were more than happy to buy the poor SLUG employees rounds of drinks—and ended up crashing on a senior copy editor’s couch. This first night taught us a lot about Kirkland. He is fun to be around, has a good sense of humor and is highly responsible—all crucial personality traits for any member of the copy editor team. He also makes really amazing coffee at The Rose Establishment, which is great for getting rid of a lingering hangover from the night before. Kirkland recently started penning CD and book reviews for the mag and we’re excited that, soon, the rest of the world will be exposed to his witty point of view. Check his blog, The Whiskey Sutra, at thewhiskeysutra.tumblr.com for his most recent rants. 4 SaltLakeUnderGround slugmag.com 5 Dear SLUG, ces who get paid way more than $65 I am absolutely appalled that you would a pop to excrete their breakfast on to let “Princess” Kennedy write such a someone else’s body. Embrace the crude and offensive column in your fringes and realize that what you find October issue. The stories of filth she to be nothing more than “offensive included about herself and others made filth” is others’ bread and butter. me (and I know plenty of others who feel Check Kennedy’s column from Nov. if the same as I do) gag and immediately you are looking for a more whole- put down the magazine. I’m all about some and motherly tranny. free speech and wouldn’t want to live in a world that was censored, but there has Dear Dickheads, to be a line drawn somewhere. I know This morning I was on the train and I the world is filled with horrible people saw a man who was disabled being and they do disgusting things, but I’d harassed by Officer Adamson of the rather those people keep those things UTA Police Transit Authority. The to themselves. I seriously want to throw person had a verifiable ticket, I know up all over SLUG right now just thinking cause I am the operator of the train. It about it. And sorry, Princess Kennedy, really chaps my Red Irish Ass when but I don’t think true royalty poops on people do that to people with disabili- their date, no matter how much gold they ties. This guy is a paraolympian and get in return. he was being kicked around by the cops, and publicly humiliated. We are Sincerely, signing a petition and we are Grossed Out going global. -Ty Dear Grossed Out, Dear Ty, Human beings are disgusting, I recommend spamming the fuck out wretched creatures. We may function of UTA’s Facebook (facebook.com/ at a higher brain level than some of rideUTA) and Twitter (twitter.com/ our furrier mammal counterparts, rideUTA). Create a Facebook group but when it comes right down to it, dedicated to raising awareness of we are no better than the dog that Adamson’s actions and invite every- licks its ass, or the monkey that flings one you know, as well as the people its poo. Our bodies are fleshy, our posting on UTA’s Facebook page. I’m innards are foul and the old man who not hating on UTA here, but now that courted Kennedy with that weekly it’s so easy to hold organizations like delicious steak dinner doesn’t have UTA accountable for their actions via as crude of a fetish as you might social media, stuff like this can’t be think. Seriously—there are dominatri- swept under the rug. 6 SaltLakeUnderGround slugmag.com 7 certainly living up to Warsop’s stated goal. The Admittedly, the band is Warsop’s brainchild. “He Suedehead is essentially an all-star lineup is the musical mastermind behind the band,” says of musicians who have come together to Bradley. The band has many different influences, Rhythm create somewhat of a perfect hybrid of but the ones that stand out are the late ‘70s and punk, pub rock and good old Motown early ‘80s English mod/power-pop bands like The and grooves. In addition to Warsop, the band Jam, Joe Jackson and Elvis Costello, but the is comprised of Chris Bradley—a Utah music also belies a real element of ‘60s soul and ex-patriot who played in diverse bands Motown. Add to that a definite pop-punk element— the such as Interstate, Model Citizen and similar to early Stranglers stuff—and you start to Qaango before moving to California in the get somewhat of a feel for what Suedehead is all late ‘90s—Korey Horn (The Aggrolites, about. “It’s tight, but it ain’t too slick,” says Bradley. Groove Hepcat), Greg Kuehn (TSOL, Berlin) and Mike Bisch. Warsop and Bradley met The band’s first four-song EP was released on vinyl Suedehead while working for Hurley, where Warsop with a free digital download card, and on iTunes runs the recording studio and Bradley is in May 2011, and has been followed in the interim currently the Senior Brand Environment with two more four-song EPs, all released in the Designer. Warsop was demoing material same format. “All of the records have been getting in the studio when, in December of 2010, great reviews,” says Bradley. “We’re really stoked he was approached by Mike Ness—yes, that people are digging what we are laying down.” of Social Distortion—who asked to hear The band’s International Soul Rebel Society has said demos.
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