Grsong.Pdf °C 1996-2005 -Edition, Bremen Inhaltsverzeichnis
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Die 2000Er 1824 Titel, 5,1 Tage, 11,92 GB
Seite 1 von 71 -Die 2000er 1824 Titel, 5,1 Tage, 11,92 GB Name Dauer Album Künstler 1 Ab + Zua 3:55 Ûber'n Berg - Die Seer - 2004 (IT-320) Die Seer 2 Abenteuer Leben 4:12 1 Tag - Die Seer - 2007 (IT-256) Die Seer 3 Abide with me 4:49 Rock Of Ages... Hymns & Faith - Amy Grant - 2005 (VA-320) Grant Amy 4 Abilene (ft Natalie Maines - Background) 4:08 C'mon, C'mon - Sheryl Crow - 2002 (RS-192) Crow Sheryl 5 Abriendome Paso 4:10 Sister Bossa 10 - Comp 2011 (RS) Caradefuego 6 Absolutely everybody 3:44 Bravo Hits 31 - Comp 2000 (CD1-VBR) Amorosi Vanessa 7 Ach, Ihr Männer 3:41 Oh No No - Wencke Myhre - 2004 (HR) Myhre Wencke 8 Across America 3:06 The Loving Kind - Nanci Griffith - 2009 (RS) Griffith Nanci 9 Act of faith (ft McDonald Michael) 9:16 (2) - Olivia Newton-John - 2002 (RS) Newton-John Olivia 10 Address in the stars 4:29 Caitlin & Will (EP) - 2009 (VA) Caitlin & Will 11 Adouma 4:15 Shaman - Santana - 2002 (VA-320) Santana 12 African sunset 4:45 And The New Bohemain Freedom - Mo' Horizons - 2003 (RS) Mo' Horizons 13 After the fire 3:22 Simple Things - Amy Grant - 2003 (VA-320) Grant Amy 14 After the love has gone 4:27 Bossa N' Chicago - Comp 2007 (RS-128) Chicago Bossa 15 After the rain 3:05 The Performance - Shirley Bassey - 2009 (RS) Bassey Shirley 16 Again and again 3:31 Ultimate Collection - Status Quo Status Quo 17 Ageless 3:55 What's Next? - Pat Appleton - 2007 (RS) Appleton Pat 18 Ain't no sunshine 4:02 Monte Carlo Nights - New Classics Vol.0 - Comp 2008 (RS) Jazzamor 19 Ain't no sunshine 3:19 Sing: Chapter 1 - Wynonna Judd - 2009 -
Idioms-And-Expressions.Pdf
Idioms and Expressions by David Holmes A method for learning and remembering idioms and expressions I wrote this model as a teaching device during the time I was working in Bangkok, Thai- land, as a legal editor and language consultant, with one of the Big Four Legal and Tax companies, KPMG (during my afternoon job) after teaching at the university. When I had no legal documents to edit and no individual advising to do (which was quite frequently) I would sit at my desk, (like some old character out of a Charles Dickens’ novel) and prepare language materials to be used for helping professionals who had learned English as a second language—for even up to fifteen years in school—but who were still unable to follow a movie in English, understand the World News on TV, or converse in a colloquial style, because they’d never had a chance to hear and learn com- mon, everyday expressions such as, “It’s a done deal!” or “Drop whatever you’re doing.” Because misunderstandings of such idioms and expressions frequently caused miscom- munication between our management teams and foreign clients, I was asked to try to as- sist. I am happy to be able to share the materials that follow, such as they are, in the hope that they may be of some use and benefit to others. The simple teaching device I used was three-fold: 1. Make a note of an idiom/expression 2. Define and explain it in understandable words (including synonyms.) 3. Give at least three sample sentences to illustrate how the expression is used in context. -
The Contestants the Contestants
The Contestants The Contestants CYPRUS GREECE Song: Gimme Song: S.A.G.A.P.O (I Love You) Performer: One Performer: Michalis Rakintzis Music: George Theofanous Music: Michalis Rakintzis Lyrics: George Theofanous Lyrics: Michalis Rakintzis One formed in 1999 with songwriter George Michalis Rakintzis is one of the most famous Theofanous, Constantinos Christoforou, male singers in Greece with 16 gold and Dimitris Koutsavlakis, Filippos Constantinos, platinum records to his name. This is his second Argyris Nastopoulos and Panos Tserpes. attempt to represent his country at the Eurovision Song Contest. The group’s first CD, One, went gold in Greece and platinum in Cyprus and their maxi-single, 2001-ONE went platinum. Their second album, SPAIN Moro Mou was also a big hit. Song: Europe’s Living A Celebration Performer: Rosa AUSTRIA Music: Xasqui Ten Lyrics:Toni Ten Song: Say A Word Performer: Manuel Ortega Spain’s song, performed by Rosa López, is a Music:Alexander Kahr celebration of the European Union and single Lyrics: Robert Pfluger currency. Rosa won the hearts of her nation after taking part in the reality TV show Twenty-two-year-old Manuel Ortega is popular Operacion Triunfo. She used to sing at in Austria and his picture adorns the cover of weddings and baptisms in the villages of the many teenage magazines. He was born in Linz Alpujarro region and is now set to become one and, at the age of 10, he became a member of of Spain’s most popular stars. the Florianer Sängerknaben, one of the oldest boys’ choirs in Austria. CROATIA His love for pop music brought him back to Linz where he joined a group named Sbaff and, Song: Everything I Want by the age of 15, he had performed at over 200 Performer:Vesna Pisarovic concerts. -
Leer 8.Pages
Richie Havens 1. Minstrel From Gault 2. High Flyin’ Bird 3. I Can’t Make It Anymore 4. With A Little Help 5. Strawberry Fields For Ever 6. Hey Jude 7. I Had A Woman 8. Handsome Johnny 9. Freedom Sweetwater 1. Motherless Child 2. Look Out 3. For Pete’s Sake 4. Day Song 5. What’s Wrong 6. Crystal Spider 7. Two Worlds 8. Why Oh Why Bert Sommer 1. Jennifer 2. The Road To Travel 3. I wondered where you’d be 4. She’s Gone 5. Things Are Going My Way 6. And When It’s Over 7. Jeanette 8. America (first standing ovation at Woodstock) 9. A Note That Read 10. Smile Tim Hardin 1. Misty Roses 2. If I Were A Carpenter Ravi Shankar 1. Raga Puriya-Dhanashri / Gat In Sawarital 2. Tabla Solo In Jhaptal 3. Raga Manj Kmahaj / Alap Jor / Dhun In Kaharwa Tal / Medium & Fast Gat In Teental Melanie 1. Beautiful People 2. Birthday Of The Sun Arlo Guthrie 1. Coming Into Los Angeles 2. Walking Down The Line 3. Amazing Grace Joan Baez 1. Joe Hill 2. Sweet Sir Galahad 3. Drug Store Truck Driving Man 4. Swing Low Sweet Chariot 5. We Shall Overcome Day Two: Saturday, August 16 1969 Quill 1. They Live the Life 2. That’s How I Eat 3. Driftin’ 4. Waitin’ For You Country Joe McDonald 1. I Find Myself Missing You 2. Rockin’ All Around The World 3. Flyin’ High All Over The World 4. Seen A Rocket 5. Fish Cheer / I-Feel-Like-I’m-Fixing-To-Die-Rag John B. -
F^^ / OP AN-Y \R •" Jfw^T' / -IMALS ! ^4.^ Awrzlw I ***** ^ in THE
ecr F^^ / OP AN-y \r •" Jfw^T' / -IMALS ! ^4.^ aWRZlW i ***** ^ IN THE.. ^f IH^« '. HOUSE" J}, * V,^-^P V t K a> ^aU r%irM" ^6 7V (i * itA (VA "* T 1 ^'Hi \ (j\ r*"'' «_y >^- i ^i---*-** I \ Ni^ Y// ; '• V F ^^^ -r-^~* \ ^) ^^< J fcfe8f-i itftlLSGQTk COB. Qm* X GOT J7BV3EP »JfO OJrS A VAIL- m& tfse£ d&* m~i wu *6Mt f *m J&f&r aw- Allan J. Miller (see picture) Is a former beat cop and member of the Tactical Squad. He's now ap parently on the vice squad's pay roll and is trying to make it in rj the community. Purpose? Dope ^ . busts. AJ# Urtl^mT^w^ em to mwii Miller lives at 301 W. Botts- m f ord.' The picture of him was A^,m^t^ C^W^rH^ HI ABOUT: men VML. taken in 1964. According to our t informants) Allan is working the MTC area and is trying to chum it up with people-from the East ,Side„ ( > He's 5' 10" and 170 pounds. ; He has black hair which he Is ' u JM— letting grow out.And while he +n* 4Mb WMLla *'*4 appears to be overdue for a shave, he does not yet have what would qualify as a beard. According to very good sour ces, Allan is dangerous. He should be avoided at all costs. If you Angela's Mother Aghast should run Into him, call ^'scope's Narc Patrol, 271-1250. "Even though I've lived In the ence at the UWM Center for Afro- ghter's freedom and stressed the "is very sensitive to the' needs Send a narc to the unemployment south all my life," Mrs. -
REFLECTIONS 148X210 UNTOPABLE.Indd 1 20.03.15 10:21 54 Refl Ections 54 Refl Ections 55 Refl Ections 55 Refl Ections
3 Refl ections DAS MAGAZIN DES ÖSTERREICHISCHEN Refl ections SONG CONTEST CLUBS MERCI CHÉRIE – MERCI, JURY! AUSGABE 2015 | ➝ Es war der 5. März 1966 beim Grand und belgischen Hitparade und Platz 14 in Prix d’Eurovision in Luxemburg als schier den Niederlanden. Im Juni 1966 erreichte Unglaubliches geschah: Die vielbeachte- das Lied – diesmal in Englisch von Vince te dritte Teilnahme von Udo Jürgens – Hill interpretiert – Platz 36 der britischen nachdem er 1964 mit „Warum nur war- Single-Charts. um?“ den sechsten Platz und 1965 mit Im Laufe der Jahre folgten unzähli- SONG CONTEST CLUBS SONG CONTEST 2015 „Sag‘ ihr, ich lass sie grüßen“ den vierten ge Coverversionen in verschiedensten Platz belegte – bescherte Österreich end- Sprachen und als Instrumentalfassungen. Wien gibt sich die Ehre lich den langersehnten Sieg. In einem Hier bestechen – allen voran die aktuelle Teilnehmerfeld von 18 Ländern startete Interpretation der grandiosen Helene Fi- der Kärntner mit Nummer 9 und konnte scher – die Versionen von Adoro, Gunnar ÖSTERREICHISCHEN schließlich 31 Jurypunkte auf sich verei- Wiklund, Ricky King und vom Orchester AUSSERDEM nen. Ein klarer Sieg vor Schweden und Paul Mauriat. Teilnehmer des Song Contest 2015 – Rückblick Grand Prix 1967 in Wien Norwegen, die sich am Podest wiederfan- Hier sieht man das aus Brasilien stam- – Vorentscheidung in Österreich – Das Jahr der Wurst – Österreich und den. mende Plattencover von „Merci Cherie“, DAS MAGAZIN DES der ESC – u.v.m. Die Single erreichte Platz 2 der heimi- das zu den absoluten Raritäten jeder Plat- schen Single-Charts, Platz 2 der deutschen tensammlung zählt. DIE LETZTE SEITE ections | Refl AUSGABE 2015 2 Refl ections 2 Refl ections 3 Refl ections 3 Refl ections INHALT VORWORT PRÄSIDENT 4 DAS JAHR DER WURST 18 GRAND PRIX D'EUROVISION 60 HERZLICH WILLKOMMEN 80 „Building bridges“ – Ein Lied Pop, Politik, Paris. -
Top 4000 2017
TOP 4000 2017 NR ARTIEST NUMMER JAAR 1 QUEEN BOHEMIAN RHAPSODY 1975 2 EAGLES HOTEL CALIFORNIA 1977 3 MICHAEL JACKSON THRILLER 1983 4 PRINCE PURPLE RAIN 1984 5 GUNS N' ROSES NOVEMBER RAIN 1992 6 PHIL COLLINS IN THE AIR TONIGHT 1981 7 U 2 ONE 1992 8 BILLY JOEL PIANO MAN 1974 9 LED ZEPPELIN STAIRWAY TO HEAVEN 1971 10 GEORGE MICHAEL CARELESS WHISPER 1984 11 MEATLOAF PARADISE BY THE DASHBOARDLIGHT 1978 12 BEATLES LET IT BE 1970 13 GOLDEN EARRING RADAR LOVE 1973 14 QUEEN INNUENDO 1991 15 DIRE STRAITS BROTHERS IN ARMS 1989 16 METALLICA ONE 1994 17 MICHAEL JACKSON BILLIE JEAN 1983 18 DEEP PURPLE CHILD IN TIME 1975 19 TOTO AFRICA 1982 20 JOHN MILES MUSIC 1976 21 METALLICA NOTHING ELSE MATTERS 1992 22 PINK FLOYD WISH YOU WERE HERE 1975 23 DAVID BOWIE LET'S DANCE 1983 24 DIRE STRAITS PRIVATE INVESTIGATIONS 1982 25 BOUDEWIJN DE GROOT AVOND 1997 26 ABBA DANCING QUEEN 1976 27 GUNS N' ROSES SWEET CHILD O'MINE 1988 28 PHARRELL WILLIAMS HAPPY 2013 29 EAGLES THE LAST RESORT 1976 30 MADONNA LIKE A PRAYER 1989 31 SUPERTRAMP SCHOOL 1974 32 FLEETWOOD MAC GO YOUR OWN WAY 1977 33 BON JOVI BED OF ROSES 1993 34 SIMON & GARFUNKEL THE SOUNDS OF SILENCE 1966 TOP 4000 4 t/m 24 december 2017 NR ARTIEST NUMMER JAAR 35 GEORGE MICHAEL & QUEEN SOMEBODY TO LOVE 1993 36 PEARL JAM ALIVE 1992 37 ELVIS PRESLEY SUSPICIOUS MINDS 1969 38 BRYAN ADAMS SUMMER OF '69 1990 39 U 2 WITH OR WITHOUT YOU 1987 40 BRUCE SPRINGSTEEN THE RIVER 1981 41 COLDPLAY FIX YOU 2005 42 MARILLION KAYLEIGH 1985 43 JOHN LENNON IMAGINE 1971 44 ROBBIE WILLIAMS ANGELS 1998 45 ELECTRIC LIGHT ORCHESTRA MR. -
Bibliographie Der Filmmusik: Ergänzungen II (2014–2020)
Repositorium für die Medienwissenschaft Hans Jürgen Wulff; Ludger Kaczmarek Bibliographie der Filmmusik: Ergänzungen II (2014– 2020) 2020 https://doi.org/10.25969/mediarep/14981 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Wulff, Hans Jürgen; Kaczmarek, Ludger: Bibliographie der Filmmusik: Ergänzungen II (2014–2020). Westerkappeln: DerWulff.de 2020 (Medienwissenschaft: Berichte und Papiere 197). DOI: https://doi.org/10.25969/mediarep/14981. Erstmalig hier erschienen / Initial publication here: http://berichte.derwulff.de/0197_20.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ Medienwissenschaft: Berichte und Papiere 197, 2020: Filmmusik: Ergänzungen II (2014–2020). Redaktion und Copyright dieser Ausgabe: Hans J. Wulff u. Ludger Kaczmarek. ISSN 2366-6404. URL: http://berichte.derwulff.de/0197_20.pdf. CC BY-NC-ND 4.0. Letzte Änderung: 19.10.2020. Bibliographie der Filmmusik: Ergänzungen II (2014–2020) Zusammengestell !on "ans #$ %ul& und 'udger (aczmarek Mit der folgenden Bibliographie stellen wir unseren Leser_innen die zweite Fortschrei- bung der „Bibliographie der Filmmusik“ vor die wir !""# in Medienwissenschaft: Berichte und Papiere $#% !""#& 'rgänzung )* +,% !"+-. begr/ndet haben. 1owohl dieser s2noptische 3berblick wie auch diverse Bibliographien und Filmographien zu 1pezialproblemen der Filmmusikforschung zeigen, wie zentral das Feld inzwischen als 4eildisziplin der Musik- wissenscha5 am 6ande der Medienwissenschaft mit 3bergängen in ein eigenes Feld der Sound Studies geworden ist. -
Joe Jackson – Fast Forward
Joe Jackson – Fast Forward (01:11:18, 2LP, EarMusic/Edel, 2015) Dass Joe Jackson ein Querkopf ist, ist hinlänglich bekannt. Seine Fans mussten schon so manchen stilistischen Winkelzug ihres Idols hinnehmen. Zu seinen Glanzzeiten hat er schon mal sein Konzertpublikum „zusammengefaltet“ und ermahnt, nicht in seine Songs hinein zu klatschen, sondern still zu sein bis der letzte Ton ausgeklungen war. Klassik-Experimente wie „Will Power“ oder „Night Music“ fanden denn auch ein durchaus geteiltes Echo. Nun scheint der seit einigen Jahren in Berlin ansässige Musiker doch etwas altersmilde geworden zu sein. Mit seinem neuen Album „Fast Forward“ knüpft er stilistisch an seine großen Erfolge der 80er an, als er gekonnt Elemente aus Rock, Soul, Jazz und New Wave zu einem durchaus progressiven (im eigentlichen Sinn des Wortes) Mix vereinte. Doch Joe Jackson wäre nicht Joe Jackson, wenn ein Album einfach nur ein Album wäre. Auf „Fast Forward“ legt er auf vier LP-Seiten vier sog. EPs von Sessions in New York, Amsterdam, Berlin und New Orleans vor, die jeweils von unterschiedlichen Besetzungen eingespielt wurden. Den Auftakt macht New York mit dem Titelsong ‚Fast Forward‘, einer zynischen Abrechnung mit der Gegenwart und unserer Gesellschaft, musikalisch allerdings in Kontrast zum Titel des Songs sehr ruhig und balladesk vorgetragen. Erst die gelungene Coverversion des Television-Klassikers „See No Evil“ erhöht das Tempo in Richtung Rock. Mit ‚Kings Of The City‘ endet die New-York-Session allerdings wieder mit einer feinen Ballade, die durchaus mit Klasssikern wie ‚Be My Number Two‘ oder ‚Slow Song‘ konkurrieren kann. Auf der Amsterdam-EP wird Jackson vom Royal Concertgebouw Orchestra unterstützt. -
The Roots Report: Joe Jackson at the Strand
The Roots Report: Joe Jackson at The Strand Okee dokee folks… “It’s Different For Girls” got things going for Joe Jackson on Monday night at The Strand in Providence. Jackson sat down at his digital keyboard and performed a touching, solo rendition of the song from his 1979 album I’m The Man. The refrain, “You’re all the same…” faded the song to the end. He jumped right into the song that introduced most of us to his music, “Is She Really Going Out With Him?” Bassist Graham Maby joined in on this one. When Jackson sang the line, “look over there” the audience shouted back, “WHERE?” and then they joined in singing on the chorus. The remaining members of the band, Teddy Kumpel on guitar and drummer Doug Yowell, took the stage. The background lighting turned a deep purple on the black drapery and Jackson sang the socially poignant “Real Men” from his Night and Day recording. Not missing a beat he launched right into his 1984 hit, “You Can’t Get What You Want (‘Til You Know What You Want).” Though the studio version was horn- heavy, it carried well with the four-piece treatment. After the next song, “A Little Smile,” Jackson commented, “It’s been quite a long time since we’ve been to Rhode Island. We are trying to get to some places that we haven’t been to in a while, or ever. Thanks for being here. We’re going to be trying out some new songs now. Every one starts as a new song at one time. -
Name Artist Album Track Number Track Count Year Wasted Words
Name Artist Album Track Number Track Count Year Wasted Words Allman Brothers Band Brothers and Sisters 1 7 1973 Ramblin' Man Allman Brothers Band Brothers and Sisters 2 7 1973 Come and Go Blues Allman Brothers Band Brothers and Sisters 3 7 1973 Jelly Jelly Allman Brothers Band Brothers and Sisters 4 7 1973 Southbound Allman Brothers Band Brothers and Sisters 5 7 1973 Jessica Allman Brothers Band Brothers and Sisters 6 7 1973 Pony Boy Allman Brothers Band Brothers and Sisters 7 7 1973 Trouble No More Allman Brothers Band Eat A Peach 1 6 1972 Stand Back Allman Brothers Band Eat A Peach 2 6 1972 One Way Out Allman Brothers Band Eat A Peach 3 6 1972 Melissa Allman Brothers Band Eat A Peach 4 6 1972 Blue Sky Allman Brothers Band Eat A Peach 5 6 1972 Blue Sky Allman Brothers Band Eat A Peach 5 6 1972 Ain't Wastin' Time No More Allman Brothers Band Eat A Peach 6 6 1972 Oklahoma Hills Arlo Guthrie Running Down the Road 1 6 1969 Every Hand in the Land Arlo Guthrie Running Down the Road 2 6 1969 Coming in to Los Angeles Arlo Guthrie Running Down the Road 3 6 1969 Stealin' Arlo Guthrie Running Down the Road 4 6 1969 My Front Pages Arlo Guthrie Running Down the Road 5 6 1969 Running Down the Road Arlo Guthrie Running Down the Road 6 6 1969 I Believe When I Fall in Love Art Garfunkel Breakaway 1 8 1975 My Little Town Art Garfunkel Breakaway 1 8 1975 Ragdoll Art Garfunkel Breakaway 2 8 1975 Breakaway Art Garfunkel Breakaway 3 8 1975 Disney Girls Art Garfunkel Breakaway 4 8 1975 Waters of March Art Garfunkel Breakaway 5 8 1975 I Only Have Eyes for You Art Garfunkel Breakaway 7 8 1975 Lookin' for the Right One Art Garfunkel Breakaway 8 8 1975 My Maria B. -
The Lighter Side of TEFL: a Teacher's Resource Book of Fun Activities for Students of English As a Foreign Language
DOCUMENT RESUME ED 419 399 FL 025 241 AUTHOR Kral, Thomas, Ed. TITLE The Lighter Side of TEFL: A Teacher's Resource Book of Fun Activities for Students of English as a Foreign Language. INSTITUTION United States Information Agency, Washington, DC. English Language Programs Div. PUB DATE 1994-04-00 NOTE 143p. PUB TYPE Guides Classroom Teacher (052) EDRS PRICE MF01/PC06 Plus Postage. DESCRIPTORS *Class Activities; *English (Second Language); *Figurative Language; *Folk Culture; *Games; *Humor; Idioms; Instructional Materials; Language Skills; Poetry; Puzzles; Second Language Instruction; Short Stories; Skill Development IDENTIFIERS Jokes; Limericks; Riddles ABSTRACT The guide provides teachers of English as a Foreign Language (TEFL) with classroom instructional activities that reinforce vocabulary or teach specific language skills (listening, speaking, reading, writing) while demonstrating that communicating in English can be fun. The activities are brief and self-contained, and an audiotape cassette (not included) is designed for use with the last four sections of the book. Each section focuses on a different type of activity: word games; crossword puzzles; idioms; limericks; jokes and riddles; puzzle stories; shaggy dog stories; and folk wisdom. An answer key is also included.(MSE) ******************************************************************************** Reproductions supplied by EDRS are the best that can be made from the original document. ******************************************************************************** Lif L U.S. DEPARTMENT OF EDUCATION y Office of Educational Research and Improvement EDUCATIONAL RESOURCES INFORMATION CENTER (ERIC) This document has been reproduced as received from the person or organization originating it. 1:1 Minor changes have been made to improve reproduction quality. Points of view or opinions stated in this document do not necessarily represent official OERI position or policy.