Section 1250

Total Page:16

File Type:pdf, Size:1020Kb

Section 1250 Vol. XXVII, Number 16 • Friday, November 25, 2005 ■ 50¢ Two hearts beat as one Page 10 Check out the Weekly’s new online classifieds at fogster.com WeWeekend eEdition k l y www.PaloAltoOnline.com Fairytale Theater Sondheim’s ‘Into The Woods’ returns to TheatreWorks Page 7 Page 30 Nicholas Wright Worth A Look 11 Eating Out 12 Movie Times 17 Goings On 20 Crossword Puzzle 45 ■ Upfront Physical fitness: Half empty or half full? Page 3 ■ Sports Castilleja wins NorCal volleyball Page 27 ■ Home & Real Estate Do Try This At Home Page 34 We Think William Deserves a Medal Before the Race Begins. A brain tumor hasn’t slowed down 10-year-old William. Because of the world class care he received at Lucile Packard Children’s Hospital, William is now up on his feet every morning, training with his mom for a half marathon and setting an aggressive pace to help others in need. Ranked as one of the top ten pediatric hospitals in the nation by U.S.News & World Report, Lucile Packard Children’s Hospital at Stanford is a world class hospital devoted entirely to the care of children and expectant mothers – right in your backyard. Read more about William and Lucile Packard Children’s Hospital at www.lpch.org. L U C I L E PA C K A R D C H I L D R E N’S H O S P I T A L Page 2 • Friday, November 25, 2005 • Palo Alto Weekly UpfrontLocal news, information and analysis SCHOOLS Fitness levels The a mixed bag Some kids having a hard time touching their toes, Pleasure state test shows by Alexandria Rocha L espite faring better than their princip e peers throughout the state on Nicholas Wright D last year’s physical-fitness STRESS-REDUCTION FAIR TEACHES tests, only half of Palo Alto’s school TEENS THE VALUE OF RELAXATION children are considered fit, accord- ing to results released this week by by Alexandria Rocha the state Department of Education. The Palo Alto Unified School Dis- iddhartha Oza sat cross- trict’s 17 schools are a mixed bag of legged on the Mitchell Park fitness levels, with some campus’ S Community Center floor scores rising and others plummeting. Monday evening. Classmates El Carmelo Elementary School around him buzzed about, doing saw the largest gain, with 45 percent yoga, eating, or banging on bongo of fifth-graders qualifying as fit last drums. Oza tuned them out to focus year, up from 26 percent in 2003-04. on his breathing — a technique he Walter Hays Elementary School saw learned to reduce stress. the most significant decline in the “I call it balloon breathing. It’s number of fit students. In 2003-04, 47 most useful when you’re up against percent of the site’s students who something that is really frustrat- were tested made all the benchmarks. ing,” said Renee Burgard, instructor But last year, only 19.5 percent did. of the Palo Alto Medical Founda- The state Department of Education tion’s Mindfulness-based Stress requires school districts to annually Reduction program, who led Oza administer a physical fitness test to all and his peers through the method. fifth-, seventh-, and ninth-graders. Burgard was one of a handful of The test, called the FITNESSGRAM, guests at the second annual Teen assesses students in six major fitness Stress Reduction Fair Monday. The areas: aerobic capacity, percentage of event was hosted by the Palo Alto body fat, abdominal strength and en- Youth Council and held at the Mid- durance, trunk strength and flexibili- dlefield Road center. About 50 stu- Nicholas Wright ty, upper body strength and en- dents from Castilleja, Gunn and durance, and overall flexibility. Those Palo Alto high schools attended. translate into running or walking a It’s well known that high-school mile, measuring weight to height, and students in Palo Alto are stressed doing sit-ups, push-ups, and sit-and- out. Teens and their parents are of- Nidia Morales, a Gunn High School freshman (top, left) shares a laugh with Paly senior Lili Xu at the Teen reach toe touches. ten accused of being obsessed Stress Reduction Fair Monday night at the Mitchell Park Community Center. Paly and Gunn students take It is straightforward whether a stu- about grades and college admis- turns with the ‘singing bowl’ while learning about meditation and relaxation (above). dent meets requirements in each area sions. — they are either fit or not. The def- “Everyone is trying to be No. 1, since the Palo Alto community be- inition of fit, according to the test, a super kid, and no one can achieve came aware of the overwhelming says a student must “represent a lev- it,” said Christine Rogers, a senior stress and competitiveness teens el of fitness that offers some degree of at Castilleja. endure. Student suicides in 2002 protection against diseases that result There have been many forums and 2003 brought the issue into a from sedentary living.” and lectures to address the issue in glaring light. Since then, parents In Palo Alto, only half, or 47 per- the past two years. However, Mon- and educators have tried to debunk cent, of the 2,430 students tested were day’s two-hour fair was drastical- the myth that there are only a fit in all six areas. In the prior two ly different. handful of colleges worth attend- school years, 2002 to 2004, it was Although most of the recent ing, such as the Ivy Leagues and about the same. Fifth-graders per- events were held to examine the Stanford University. formed the best in sit-ups and push- problem and discuss strategies, this They have thought about limiting ups and had the hardest time with program put such cerebral matters the number of advanced-placement touching their toes. Seventh- and on the shelf. The teens who came courses students take, and have en- Nicholas Wright ninth-graders had more abdominal played with animals, finger paint- couraged teens to only be involved strength, but also had the most trou- ed, jazzercised, and like Oza sim- with activities that are enjoyable, ble with overall flexibility. ply sat and breathed. rather than simply impressive to a School-board member-elect Dana “That was the goal of the fair college admissions office. Tom, who has two children in dis- — to provide an atmosphere for But one thing became clear Mon- Mike Lee (left), Michael Fortune and Brecon Welton improvise a song trict schools, considered Palo Alto’s students to participate in activities day evening. There is nothing like at a drum circle. results as good, compared with the they normally wouldn’t and to time set aside to relax and have fun. county and state. learn about the different outlets, Gunn senior Susan Wu is a prime of her class and a student repre- the room, which was filled with oth- “Being the same (fitness ranking like drumming. They’re learning example. sentative on the district’s Board of er students’ pets, including a gerbil, as last year) is OK if it’s at a very, it’s fun and it feels good,” said When asked if she is stressed Education. mice, two turtles and two dogs that very high level. But if there is signif- Kim Parker, the center’s recreation out, she said, “absolutely.” Col- But on Monday she sat and cud- were brought in for the fair. The icant room for improvement, that’s supervisor. lege applications are due next dled with her bunny, named Imp. teens giggled, danced, sang songs, different,” he said. Various strategies have emerged week, added Wu, who is at the top Her friends strolled in and out of (continued on page 5) Last year in Santa Clara County, (continued on page 5) Palo Alto Weekly • Friday, November 25, 2005 • Page 3 703 HIGH STREET, PALO ALTO, CA 94302 (650) 326-8210 Gregory Wait, PUBLISHER Music Director William S. Johnson ReaderReaderWire comments via e-mail, voice mail and U.S. mail presents EDITORIAL Jay Thorwaldson, Editor tron visits last year and yet they cost Marc Burkhardt, Managing Editor Racism not ‘hidden’ Jocelyn Dong, Associate Editor Racism is a problem in Palo Alto as it only 8 percent of the total library budg- Allen Clapp, Carol Blitzer, Assistant Editors Keith Peters, Sports Editor is in every corner of this country and it et to run (according to city documents). Rick Eymer, Assistant Sports Editor Reserving books online has become Rebecca Wallace, Arts & Entertainment Editor isn’t hidden, certainly not from those of Don Kazak, Senior Staff Writer us who habitually suffer insults large hugely popular and many of the small- Bill D’Agostino, Alexandria Rocha, Staff Writers Norbert von der Groeben, Chief Photographer and small that make us feel like tres- branch library users take advantage of Nicholas Wright, Staff Photographer this to (cost-effectively) access titles Christmas Garland Brian Connelly, Photo Intern passers in our hometown — and some- Tyler Hanley, Assistant to the Editor & times even in our own homes. from the larger branches. Online Editor Wendell Whalum’s “Betelehemu,” Vaclav Nelhybel‘s “Estampie Natalis,” Sue Dremann, Staff Writer, Special Sections I am African-American. Not long ago We can certainly find more ways to George Guest‘s arrangement of the traditional Welsh lullaby “Suo Gân,” Cammie Farmer, Calendar Editor Jeanne Aufmuth, Dale Benson, Lynn while driving a few blocks from my efficiently build on the neighborhood- Conrad Susa‘s “A Christmas Garland,” and much more. Comeskey, Tim Goode, Jill Slater, Susan house I was stopped by a policeman branch model as we move toward a Tavernetti, Robert Taylor, Contributors Wrap yourself in the music of the season! Suman Mudamula, Saqib Rahim, Ken Selis, who asked me as he stared down at long-range plan for our libraries.
Recommended publications
  • Romeo & Juliet
    Taylor University Pillars at Taylor University Taylor Theatre Playbills Campus Events 11-1-2012 Romeo & Juliet Follow this and additional works at: https://pillars.taylor.edu/playbills Part of the Acting Commons, Dance Commons, Higher Education Commons, Playwriting Commons, and the Theatre History Commons Recommended Citation "Romeo & Juliet" (2012). Taylor Theatre Playbills. 23. https://pillars.taylor.edu/playbills/23 This Book is brought to you for free and open access by the Campus Events at Pillars at Taylor University. It has been accepted for inclusion in Taylor Theatre Playbills by an authorized administrator of Pillars at Taylor University. For more information, please contact [email protected]. The Designers *Cory Rodeheaver - Scenic and Projection Designer Cory has been working as a freelance scenic designer for the past 12 years and is no stranger to Taylor Theatre. He has been involved with Taylor theatre for the past 17 years. Last season Cory designed Taylor’s The concession stand is open before the show and production of Proof. Outside of Taylor, Cory has designed for the Summer Studio Theatre Company during intermission. at the University of Illinois, the Feltre Library Theatre in Chicago, Parkland College and the University of Illinois Theatre department to name a few. Some other productions to his credit are: The Hobbit, La Traviata, Aloha Say the Pretty Girls, Tennessee Williams’ Spring Storm, Peter Pan, The Importance of Being Earnest, Tally’s Folley, The Adventures of Tom Sawyer, A Midsummer Night’s Dream, Urine Town the Musical, Into the Woods and staged readings of Ghosts and Desire Under the Elms.
    [Show full text]
  • Into the Woods Is Presented Through Special Arrangement with Music Theatre International (MTI)
    PREMIER SPONSOR ASSOCIATE SPONSOR MEDIA SPONSOR Music and Lyrics by Book by Stephen Sondheim James Lapine June 28-July 13, 2019 Originally Directed on Broadway by James Lapine Orchestrations by Jonathan Tunick Original Broadyway production by Heidi Landesman Rocco Landesman Rick Steiner M. Anthony Fisher Frederic H. Mayerson Jujamcyn Theatres Originally produced by the Old Globe Theater, San Diego, CA. Scenic Design Costume Design Shoko Kambara† Megan Rutherford Lighting Design Puppetry Consultant Miriam Nilofa Crowe† Peter Fekete Sound Design Casting Director INTO The Jacqueline Herter Michael Cassara, CSA Woods Musical Director Choreographer/Associate Director Daniel Lincoln^ Andrea Leigh-Smith Production Stage Manager Production Manager Myles C. Hatch* Adam Zonder Director Michael Barakiva+ Into the Woods is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.MTIShows.com Music and Lyrics by Book by STEPHEN JAMES Directed by SONDHEIM LAPINE MICHAEL * Member of Actor’s Equity Association, † USA - Member of Originally directed on Broadway by James LapineBARAKIVA the Union of Professional Actors and United Scenic Artists Orchestrations by Jonathan Tunick Stage Managers in the United States. Local 829. ^ Member of American Federation of Musicians, + Local 802 or 380. CAST NARRATOR ............................................................................................................................................HERNDON LACKEY* CINDERELLA
    [Show full text]
  • Maine Woods : Vol. 33, No. 12 October 20,1910
    VOL. XXXIII. NO. 12—PRICE 4 «/,/ PHILLIPS, MAINE, THURSDAY, OCTOBER 20, 1910. LOCAL EDITION—12 PAGES« i°f/ a «O, WOMAN OF THE WOODS! STEVENS FiR BALSAM BEDS GIVE HER THE GREATEST HAPPINESS. i Doable Barrel Hammerless f t r Canoeing a Delight, and Communion THE BRAND TRADE MARK Gun No. 365 Wjth Nature Far From Fifri «SO. I« U. «• PAT« Off. Avenue the Thing that Restores Krup'p Fluid *& the T iu d Nerves and Effects a Steel Barrels and ^ REVOLVER AND PISTOL Cure. Lugs Drop-forged 4* in one piece. * CARTRIDGES. The following lett<r received sev­ Breech ^Strong^ eral weeks ago from Mrs. Wilda L. est where others T Winchester Revolver and Pistol cart­ Brown of Nowi York will douotless ridges in all calibers prove their sup­ are weak. interest mamy readers of Maine C A N N O T ♦> Woods, who may be wondering what eriority by the targets they make. SHOOT LOOSE £ to do for their sick wives and daugh­ Shoot them and you’ll find they are Pick up this gun A and feel the bal- y ters: ACCURATG9 CLEAN, SURE ance of it—exam- Since our chat here in Now York ine the working A about the big world out of (hors, g&V parts closely and y fate has been playing pranks with see the fine care X me and it sometimes threatens to N justice to your rifle get and finish of de- A jrevent my ¡being- able to spend the I U M C cartridges. You may prefer tail—you will say y « a Remington, a Marlin, a Winchester, it is a winner! X length of time I desire in the Can­ X a Savage, or a Stevens rifle.
    [Show full text]
  • Mysteries & Thrillers
    Mysteries & Thrillers WAITING FOR WEDNESDAY MISSING YOU INFLUX A Frieda Klein Mystery HARLAN COBEN DANIEL SUAREZ NICCI FRENCH It’s a profile, like all the others on the online When particle physicist John Grady finally When the brilliant yet reclusive psychothera- dating site. But as NYPD Detective Kat Dono- achieves the technology that makes antigrav- pist Frieda Klein is called in to investigate the van focuses on the accompanying picture, she ity possible, he expects celebration. Instead, death of Ruth Lennox, housewife and mother feels her whole world explode. his lab is locked down by a secret government of three, she discovers that the mother was A Dutton hardcover group—and he is thrown into a highly hiding a scandalous secret. March • 400 pp. • 978-0-525-95349-4 • $27.95 advanced prison built to hold the world’s most A Pamela Dorman hardcover intelligent scientists. April • 384 pp. • 978-0-670-01577-1 • $27.95 DEEP WINTER A Dutton hardcover Also available as a Penguin Audiobook SAMUEL GAILEY February • 384 pp. • 978-0-525-95318-0 • $26.95 Digital only, 13.5 hours • 978-0-698-14939-7 • $39.95 When the local bully-turned-deputy finds Also Available as a Penguin Audiobook Digital only, 13.5 hours • 978-1-10-163063-1 • $39.95 mentally damaged Danny with a young wom- NORTH OF BOSTON an’s lifeless body, it seems obvious that the ELISABETH ELO normally kindhearted man has finally hurt STANDUP GUY “An utterly riveting debut thriller! Pirio Kasp- someone. But his arrest gravely upsets the A Stone Barrington Novel arov is one of the best protagonists I’ve read in delicate balance of the town order.
    [Show full text]
  • AS YOU LIKE IT, the First Production of Our 50Th Anniversary Season, and the First Show in Our Shakespearean Act
    Welcome It is my pleasure to welcome you to AS YOU LIKE IT, the first production of our 50th anniversary season, and the first show in our Shakespearean act. Shakespeare’s plays have been a cornerstone of our work at CSC, and his writing continues to reflect and refract our triumphs and trials as individuals and collectively as a society. We inevitability turn to Shakespeare to express our despair, bewilderment, and delight. So, what better place to start our anniversary year than with the contemplative search for self and belonging in As You Like It. At the heart of this beautiful play is a speech that so perfectly encapsulates our mortality. All the world’s a stage, and we go through so many changes as we make our exits and our entrances. You will have noticed many changes for CSC. We have a new look, new membership opportunities, and are programming in a new way with more productions and a season that splits into what we have called “acts.” Each act focuses either on a playwright or on an era of work. It seemed appropriate to inaugurate this with a mini-season of Shakespeare, which continues with Fiasco Theater's TWELFTH NIGHT. Then there is Act II: Americans dedicated to work by American playwrights Terrence McNally (FIRE AND AIR) and Tennessee Williams (SUMMER AND SMOKE); very little of our repertoire has focused on classics written by Americans. This act also premieres a new play by Terrence McNally, as I feel that the word classic can also encapsulate the “bigger idea” and need not always be the work of a writer from the past.
    [Show full text]
  • To Download Resume
    THOM SESMA www.thomsesma.com 214 West 29th Street • Suite 1203 New York, NY 10001 • 212-977-8502 • Lic. # 0927158 Television / Film Death Saved My Life Peter Lifetime Television Instinct Jorry (Guest) CBS/Alan Cumming Exec. Prod. Madam Secretary Tran (Guest) CBS/Barbara Hall Productions Jessica Jones Kurata (Guest) ABC/Marvel/Netflix Gotham Barthel (Guest) Fox/WBTelevision/DC Comics Single Ladies Vincent (Guest) VH1/Dana Lynn North, Exec. Prod. The Good Wife Martinez (Guest) CBS/Michelle King, Exec. Prod Person Of Interest Su (Featured) CBS/JJ Abrams, Exec. Prod. Over/Under (Pilot) Ichiro (Recurring) USA/Jonathan Starch, Prod. Lay The Favorite Young Gambler Feature/Stephen Frears, Dir. Third Watch Chow (Guest) NBC/John Wells, Exec.Prod. Whoopi Cousin (Featured) NBC/Whoopi Goldberg, Exec. Prod. Trinity Gabriel (Recurring) NBC/John Wells, Exec. Prod. Law & Order Mark Considine (Guest) NBC/Dick Wolf Productions Building Girl Gilbride Indie Feature/Shari Carpenter, Dir. Broadway & National Tours Disney’s The Lion King Scar Disney Theatrical Productions Times They Are A-Changin’ Captain A-Rab Brooks Atkinson Theatre Man of La Mancha Carrasco Martin Beck Theatre Titanic: A New Musical Andrews Dodger Productions Miss Saigon The Engineer Cameron Mackintosh Prod. Search and Destroy Martin Circle in the Square Nick & Nora Robert Marquis Theatre Chu Chem The Prince Walter Kerr (Ritz) Theatre Off Broadway Unknown Soldier Doctor Trip Cullman, dir./Playwrights Horizons Superhero Vic Jason Moore, dir./2nd Stage The Resistible Rise of Arturo Ui Givola
    [Show full text]
  • Download Urinetown Theatre Program
    From the Director Welcome to the UAH campus and thank you for joining us tonight. Now that the cold dark days of winter are fading, we are here to celebrate the coming of spring with a fun Broad- way musical. This talented and devoted cast of players, artists, directors and technicians have been toiling through the winter months to prepare this wonderful piece of theatre to share with you, our humble audience. UAH Theatre is proud to be a part of this rich artistic community and privileged to offer this creative study to our students. Please enjoy the show and be sure to tell your friends that we are here producing live theatre at Huntsville’s own University. David Harwell - Director About the Musical Winner of three Tony awards and one of the most uproariously funny musicals in recent years, URINETOWN is a hilarious tale of greed, corruption, love, and revolution in a time when water is worth its weight in gold. In a Gotham-like city, a terrible water shortage, caused by a 20-year drought, has led to a government-enforced ban on private toilets. The citizens must use public amenities, regulated by a single malevolent company that profits by charging admission for one of humanity’s most basic needs. Amid the people, a hero decides he’s had enough, and plans a revolution to lead them all to freedom! Inspired by the works of Bertolt Brecht and Kurt Weill, URINETOWN is an irreverently humorous satire in which no one is safe from scrutiny. Greg Kotis had the idea for Urinetown while traveling in Europe.
    [Show full text]
  • Customer Order Form
    ORDERS PREVIEWS world.com DUE th 18 AUG 2015 AUG COMIC THE SHOP’S PREVIEWSPREVIEWS CATALOG CUSTOMER ORDER FORM CUSTOMER 601 7 Aug15 Cover ROF and COF.indd 1 7/2/2015 10:11:49 AM SAVE THE DATE celebratecelebrate halloweenhalloween atat youryour locallocal comiccomic shop!shop! HalloweenComicFest.com HCF15 StD OF.indd 1 7/2/2015 9:28:00 AM DEAD VENGEANCE #1 I HATE FAIRYLAND #1 DARK HORSE COMICS IMAGE COMICS BATMAN & ROBIN: ETERNAL #1 DC COMICS EVE: VALKYRIE #1 PAPER GIRLS #1 DARK HORSE COMICS BACK TO THE IMAGE COMICS FUTURE #1 IDW PUBLISHING HUNTER S. THOMPSON’S FEAR SUPERMAN: AND LOATHING DOCTOR STRANGE #1 LOIS & CLARK #1 IN LAS VEGAS HC MARVEL COMICS IDW PUBLISHING/ DC COMICS TOP SHELF PRODS. Aug15 Gem Page ROF COF.indd 1 7/2/2015 12:03:44 PM FEATURED ITEMS COMIC BOOKS & GRAPHIC NOVELS Uber Volume 5 TP l AVATAR PRESS INC Cognetic #1 l BOOM! STUDIOS Rowans Ruin #1 l BOOM! STUDIOS The Misadventures of Grumpy Cat #1 l D. E./DYNAMITE ENTERTAINMENT A Train Called Love #1 l D. E./DYNAMITE ENTERTAINMENT Battling Boy: Fall of the House of West GN l :01 FIRST SECOND The Art of Elfquest HC l FLESK PUBLICATIONS 1 Alex Raymond: An Artistic Journey HC l HERMES PRESS Appleseed Alpha Volume 1 GN l KODANSHA COMICS Blood Feud #1 l ONI PRESS INC. Assassin’s Creed #1 l TITAN COMICS 1 Book of Death: The Fall of X-O Manowar #1 l VALIANT ENTERTAINMENT LLC Ninja Slayer: Machine of Vengeance GN l VERTICAL COMICS One Punch Man Volume 1 GN l VIZ MEDIA LLC One Punch Man Volume 2 GN l VIZ MEDIA LLC Pokemon Pocket Comics: Legendary Pokemon GN l VIZ MEDIA LLC BOOKS My Little Pony: The Art of Equestria HC l ART BOOKS Black Widow: Forever Red HC l COMICS Marvel’s The Avengers Encyclopedia Hc l COMICS Only What’s Necessary: Charles M.
    [Show full text]
  • George Furth
    AND Norma and Sol Kugler PRESENT MUSIC & LYRICS BY Stephen Sondheim BOOK BY George Furth STARRING Aaron Tveit AND Jeannette Bayardelle Mara Davi Josh Franklin Ellen Harvey Rebecca Kuznick Kate Loprest James Ludwig Lauren Marcus Jane Pfitsch Zachary Prince Peter Reardon Nora Schell Lawrence E. Street SCENIC DESIGNER COSTUME DESIGNER LIGHTING DESIGNER SOUND DESIGNER Kristen Robinson Sara Jean Tosetti Brian Tovar Ed Chapman HAIR & WIG DESIGNER PRODUCTION STAGE MANAGER CASTING Liz Printz Renee Lutz Pat McCorkle, Katja Zarolinski, CSA BERKSHIRE PRESS REPRESENTATIVE NATIONAL PRESS REPRESENTATIVE Charlie Siedenburg Matt Ross Public Relations MUSIC SUPERVISION BY MUSICAL DIRECTION BY Darren R. Cohen Dan Pardo CHOREOGRAPHED BY Jeffrey Page DIRECTED BY Julianne Boyd Sponsored in part by Carrie and David Schulman COMPANY is presented through a special arrangement with Music Theatre International (MTI). ORIGINALLY PRODUCED AND DIRECTED ON BROADWAY BY Harold Prince ORCHESTRATIONS BY Jonathan Tunick BOYD-QUINSON MAINSTAGE AUGUST 10—SEPTEMBER 10, 2017 TIME & PLACE 1970's New York City, Robert’s 35th birthday. CAST IN ORDER OF APPEARANCE Robert .....................................................................................................Aaron Tveit* Susan ...................................................................................................Kate Loprest* Peter ....................................................................................................Josh Franklin* Sarah ........................................................................................Jeannette
    [Show full text]
  • THE COLLECTED POEMS of HENRIK IBSEN Translated by John Northam
    1 THE COLLECTED POEMS OF HENRIK IBSEN Translated by John Northam 2 PREFACE With the exception of a relatively small number of pieces, Ibsen’s copious output as a poet has been little regarded, even in Norway. The English-reading public has been denied access to the whole corpus. That is regrettable, because in it can be traced interesting developments, in style, material and ideas related to the later prose works, and there are several poems, witty, moving, thought provoking, that are attractive in their own right. The earliest poems, written in Grimstad, where Ibsen worked as an assistant to the local apothecary, are what one would expect of a novice. Resignation, Doubt and Hope, Moonlight Voyage on the Sea are, as their titles suggest, exercises in the conventional, introverted melancholy of the unrecognised young poet. Moonlight Mood, To the Star express a yearning for the typically ethereal, unattainable beloved. In The Giant Oak and To Hungary Ibsen exhorts Norway and Hungary to resist the actual and immediate threat of Prussian aggression, but does so in the entirely conventional imagery of the heroic Viking past. From early on, however, signs begin to appear of a more personal and immediate engagement with real life. There is, for instance, a telling juxtaposition of two poems, each of them inspired by a female visitation. It is Over is undeviatingly an exercise in romantic glamour: the poet, wandering by moonlight mid the ruins of a great palace, is visited by the wraith of the noble lady once its occupant; whereupon the ruins are restored to their old splendour.
    [Show full text]
  • Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
    INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room.
    [Show full text]
  • Talking out of Tune
    Talking Out of Tune Remembering British Theatre 1944-56 Kate Lucy Harris Ph.D. School of English Literature, Language and Linguistics University of Sheffield December 2008 1 Summary of Thesis This thesis explores how British Theatre represented and reacted to cultural and social changes between 1944 and 1956. It is closely linked to the oral history strand of the AHRC University of Sheffield British Library Theatre Archive Project <http://www.bl.ukltheatrearchive>. The five chapters focus on distinct subject areas in order to explore the vibrant diversity of the period. However, they are united by an overarching narrative which seeks to consider the relationship between memory and history. The first chapter is based on the oral history strand. It explores the different ways in which the Project's methodology has shaped both the interviewee testimony and my own research. Chapter 2 focuses on the changing historical perceptions of the popular West End plays of the day. Case studies of plays are used to compare the responses of audiences and critics in the 1940s and 50s, with the critical commentaries that surround the plays and playwrights today. The third chapter explores the relationship between BBC television drama and theatre. It assesses the impact that cross fertilisation had on both media by examining plays, productions and policies. Chapters 4 and 5 focus on two of the theatre companies of the period - Theatre Workshop and the Old Vic Theatre Company. Chapter 4 explores the impact that Theatre Workshop's early years as a touring group had on the development of the company. It draws on new oral history testimonies from former company members who joined the group in the 1940s and early 50s.
    [Show full text]