NELL Beacon January 2011 FINAL
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Using Color As Expression
MUSEUM LEARNING: PLANS & RESOURCES Using Color as Expression We are going to explore colors, how we see them, and the ways we can mix them to create amazing art. By exploring an important painting at Shelburne Museum–The Grand Canal, Venice (Blue Venice) painted by Edouard Manet in 1875, we will look closely at how the artist used color to create his masterpiece. Goals We will learn some art vocabulary to identify color schemes, explore Manet’s techniques and create our own version of Manet’s The Grand Canal, Venice painting. Edouard Manet, The Grand Canal, Venice (detail), 1875. Oil on canvas, Background Information 23 1/8 x 28 1/8 in. Gift of the Electra Havemeyer Webb Fund, Inc. 1972 69.15. In 1875, Manet painted this view on the Grand Canal, which H. O. Havemeyer purchased for his wife Louisine 20 years later. She was particularly fond of More Resources the picture and changed its name to Blue Venice. Mrs. Havemeyer wrote that her friend Mary Cassatt n Edouard Manet (1832-83), The Met, “congratulated us when we bought this picture, https://bit.ly/`met-SM saying she considered it one of Manet’s most brilliant n What’s the Difference between Manet and Monet, works; it was so full of light and atmosphere and The Iris: Behind the Scenes at the Getty, expressed the very soul and spirit of Venice.” Her https://bit.ly/Getty2-SM daughter Electra Havemeyer Webb inherited Blue n Impressionism: Art & Modernity, The Met, Venice, which hangs in the living room of her New https://bit.ly/met1-SM York City apartment, reinstalled in Shelburne Museum’s Memorial Building. -
Physical Accessibility Guide 2020
Physical Accessibility Guide 2020 Terrain Details for Paths, Walkways and Road Surfaces •Packed and loose gravel, slate, stone and brick. •Grade varies from easy to steep. Travel on the Grounds •Wheelchairs are available at the Museum Store. •Children's strollers and wagons are available at the Museum Store. •Accessible shuttle completes a circuit around the grounds approximately every 15 minutes. Service Accessibility •All services at the Museum Store and Café are fully accessible. •Additional accesible restrooms are located at Railroad Station and Stagecoach Inn. •The Ticonderoga reading room includes an Access and Explore notebook containing images and descriptions of areas of the boat that are not accessible. •Audio and/or video interpretive installations are located in exhibitions in Beach Gallery, the Ticondergoa, the Meeting House, Dorset House, and Variety Unit. •Handheld "i-loview" video magnifiers may be checked out at the Museum Store. The devices magnify up to 32x while also adjusting for brightness and contract, and are best for reading label text and signage. Generously donated by Ai Squared, a Vermont-based accessible technology company. Each exhibit building is listed below, including detailed information on accessibility. Unless otherwise noted, all steps are 8” high or less, and all doorways are at least 32” wide. This symbol indicates first floor accessibility Building Entrance Interior Exit Apothecary Shop Ramp on south side Same as entrance Beach Gallery Level entrance Level exit Beach Lodge Ramp on north side 2 interior -
ED350244.Pdf
DOCUMENT RESUME ED 350 244 SO 022 631 AUTHOR True, Marshall, Ed.; And Others TITLE Vermont's Heritage: A Working Conferencefor Teachers. Plans, Proposals, and Needs. Proceedingsof a Conference (Burlington, Vermont, July 8-10, 1983). INSTITUTION Vermont Univ., Burlington. Center for Researchon Vermont. SPONS AGENCY Vermont Council on the Humanities and PublicIssues, Hyde Park. PUB DATE 83 NOT:, 130p.; For a related document,see SO 022 632. PUB TYPE Collected Works Conference Proceedings (021) EDRS PRICE MFOI/PC06 Plus Postage. DESCRIPTORS Cultural Education; *Curriculum Development; Educational Resources; Elementary Secondary Education; Folk Culture; Heritage Education; *Instructional Materials; Local History;*Material Development; Social Studies; *State History;Teacher Developed Materials; *Teaching Methods IDENTIFIERS *Vermont ABSTRACT This document presents materials designedto help teachers in Vermont to teachmore effectively about that state and its heritage. The materials stem froma conference at which scholars spoke to Vermont teachers about theirwork and about how it might be taught. Papers presented at the conferenceare included, as well as sample lessons and units developed byteachers who attended the conference. Examples of papers includedare: "The Varieties of Vermont's Heritage: Resources forVermont Schools" (H. Nicholas Muller, III); "Vermont Folk Art" (MildredAmes and others); and "Resource Guide to Vermont StudiesMaterials" (Mary Gover and others). Three appendices alsoare included: (1) Vermont Studies Survey: A Report -
American Quilts
CATALOGUE AMERICAN QUILTS 1819 -- 1948 From the Museum Collection Compiled by Mildred Davison The Art Institute of Chicago, Department of Decorative Arts Exhibition April 20, 1959 - October 19, 1959 AMERICAN QUILTS 1819 - 1948, FROM THE MUSEUM COLLECTION The Art Institute of Chicago, April Z0 1 1959 --October 19, 1959 Although patchwork has been known and practised since ancient times, nowhere has it played such a distinctive and characteristic part as in the bed covers of early America where it added the finishing touches to eighteenth and nineteenth century bed chambers. The term "patchwork" is used indiscriminately to include the pieced and the appliqued quilts. Pieced quilts are generally geometric in pattern being a combination of small patches sewn together with narrow seams. The simplest form of pieced pattern is the eight-pointed star formed of diamond shaped patches. This was known as the Star of Le Moyne, named in honor of Jean Baptiste Le Moyne who founded New Orleans in 1718, and from it was developed numerous others including all of the lily and tulip designs. In applique quilts, pieces were cut to form the pattern and appliqued to a back - ground material with fine hemming or embroidery stitches, a method which gave a wider scope for patterns. By 1850, applique quilts reached such a degree of elaboration that many years were spent in their making and they were often intend ed for use as counterpanes. The most common fabrics for quilts were plain and figured calicoes and chintzes with white muslin..., The source of these materials in early times and pioneer communities was the scrap bag. -
Lighthouses Were Built
• • Summary Context Statement for NHL Lighthouse Nominations The lighthouse and lightship responsible for lighthouse construction appeal to the interests and better and repairs. Though Pleasonton routinely instinct ofman because they are returned unspent funds to the Treasury, symbolic of never-eeasing during his tenure approximately 300 watchfulness, ofsteadfast lighthouses were built. endurance in every exposure, of widespreadhelpfulness. The On August 31, 1852, the u.s. Lighthouse building and the keeping ofthe . Establishment became the u.S. Lighthouse lights is a picturesque and . Board, largely as the result of numerous humanitarian work ofthe nation. 1 complaints about the state of the u.S. George Putnam, Commissioner of lighthouse system. The nine-member Lighthouses, 1910-1935 board was composed primarily of Naval and Army engineer officers. The country History of the lighthouse Service was divided into 12 new lighthouse districts, each with an inspector The U.S. Lighthouse Establishment was responsible for overall construction, created by the First Congress in 1789 to maintenance, and purchasing. Over the manage the 12 colonial lighthouses now next five decades several advances in controlled by the federal government and lighthouse construction technology took to oversee construction of new place, including the development of cast Iighthouses. Sandy Hook Lighthouse iron plate lighthouses, exposed screwpile (designated an NHL in 1964), built in lighthouses, skeleton tower lighthouses, New Jersey in 1764, is the only colonial wave-swept interlocking stone lighthouse that has survived (Boston lighthouses, iron caisson lighthouses, and Harbor Lighthouse (designated an NHL in breakwater lighthouses. 1964), built in 1716, was rebuilt in 1783 Included with the legislation creating the , 1784). -
AVERAGIUM Newsletter of Harvey Ashby Limited, Average Adjusters & Claims Consultants Summer 2000
AVERAGIUM Newsletter of Harvey Ashby Limited, Average Adjusters & Claims Consultants Summer 2000 Is this a warranty I see before me? We have always stressed to our clients the importance of complying with warranties contained in their policies. These range in character from the ‘warranted classed and class maintained’ provision contained in the vast majority of marine hull policies, to survey warranties which require the approval of specified surveyors to certain operations conducted under offshore construction projects. The reason for this is not only the effect that a breach of warranty might have on the recoverability of a loss sustained as a result of the breach; but also the additional draconian penalty which can be applied by insurers. “JUPITER” - Bay City, September 1990 (NOAA) The Marine Insurance Act [1906] provides that a warranty is a condition which must be exactly complied with and if it is not, the breach of a warranty under the policy would be a bar to a the insurer is discharged from liability as from the date of the claim whether or not it was material to any such claim. breach. It is, of course, always open to an insurer to waive a Nevertheless, the Judge decided that the warranty was not a breach, or the policy may provide for some alternative penalty; warranty but a ‘suspensive condition’ the effect of which was nevertheless the fact, and the risk, remains that an insurer may merely to suspend cover from the time that the inspection was avoid all liability under the policy from the date of the breach. -
Impressionist Still Life 2001
Impressionist Still Life 2001- 2002 Finding Aid The Phillips Collection Library and Archives 1600 21st Street NW Washington D.C. 20009 www.phillipscollection.org CURATORIAL RECORDS IN THE PHILLIPS COLLECTION ARCHIVES INTRODUCTORY INFORMATION Collection Title: Impressionist Still Life; exhibition records Author/Creator: The Phillips Collection Curatorial Department. Eliza E. Rathbone, Chief Curator Size: 8 linear feet; 19 document boxes Bulk Dates: 1950-2001 Inclusive Dates: 1888-2002 (portions are photocopies) Repository: The Phillips Collection Archives INFORMATION FOR USERS OF THE COLLECTION Restrictions: The collection contains restricted materials. Please contact Karen Schneider, Librarian, with any questions regarding access. Handling Requirements: Preferred Citation: The Phillips Collection Archives, Washington, D.C. Publication and Reproduction Rights: See Karen Schneider, Librarian, for further information and to obtain required forms. ABSTRACT Impressionist Still Life (2001 - 2002) exhibition records contain materials created and collected by the Curatorial Department, The Phillips Collection, during the course of organizing the exhibition. Included are research, catalogue, and exhibition planning files. HISTORICAL NOTE In May 1992, the Trustees of The Phillips Collection named noted curator and art historian Charles S. Moffett to the directorship of the museum. Moffett, a specialist in the field of painting of late-nineteenth-century France, was directly involved with the presentation of a series of exhibitions during his tenure as director (1992-98). Impressionist Still Life (2001-2002) became the third in an extraordinary series of Impressionist exhibitions organized by Moffett at The Phillips Collection, originating with Impressionists on the Seine: A Celebration of Renoir‟s Luncheon of the Boating Party in 1996, followed by the nationally touring Impressionists in Winter: Effets de Neige, on view at the Phillips in 1998. -
This Is the Bennington Museum Library's “History-Biography” File, with Information of Regional Relevance Accumulated O
This is the Bennington Museum library’s “history-biography” file, with information of regional relevance accumulated over many years. Descriptions here attempt to summarize the contents of each file. The library also has two other large files of family research and of sixty years of genealogical correspondence, which are not yet available online. Abenaki Nation. Missisquoi fishing rights in Vermont; State of Vermont vs Harold St. Francis, et al.; “The Abenakis: Aborigines of Vermont, Part II” (top page only) by Stephen Laurent. Abercrombie Expedition. General James Abercrombie; French and Indian Wars; Fort Ticonderoga. “The Abercrombie Expedition” by Russell Bellico Adirondack Life, Vol. XIV, No. 4, July-August 1983. Academies. Reproduction of subscription form Bennington, Vermont (April 5, 1773) to build a school house by September 20, and committee to supervise the construction north of the Meeting House to consist of three men including Ebenezer Wood and Elijah Dewey; “An 18th century schoolhouse,” by Ruth Levin, Bennington Banner (May 27, 1981), cites and reproduces April 5, 1773 school house subscription form; “Bennington's early academies,” by Joseph Parks, Bennington Banner (May 10, 1975); “Just Pokin' Around,” by Agnes Rockwood, Bennington Banner (June 15, 1973), re: history of Bennington Graded School Building (1914), between Park and School Streets; “Yankee article features Ben Thompson, MAU designer,” Bennington Banner (December 13, 1976); “The fall term of Bennington Academy will commence (duration of term and tuition) . ,” Vermont Gazette, (September 16, 1834); “Miss Boll of Massachusetts, has opened a boarding school . ,” Bennington Newsletter (August 5, 1812; “Mrs. Holland has opened a boarding school in Bennington . .,” Green Mountain Farmer (January 11, 1811); “Mr. -
PATTERN and PURPOSE American Quilts from Shelburne Museum
May NEWS RELEASE 2200 Dodge Street, Omaha, Nebraska 68102 Phone: 402-342-3300 Fax: 402-342-2376 www.joslyn.org For Immediate Release Contact: Amy Rummel, Director of Marketing and Public Relations September 28, 2018 (402) 661-3822 or [email protected] PATTERN AND PURPOSE American Quilts from Shelburne Museum (Omaha, NE) – Shelburne Museum was the first American museum to exhibit quilts as works of art, a testament to the trailblazing vision of museum founder Electra Havemeyer Webb (1888-1960) and her passion for fine, folk, and decorative arts. Fascinated by design elements of color, pattern, line, and construction, and eager to recover a quintessentially “American” style of material culture, she established the core of Shelburne’s collection through the personal gift or purchase of over 400 historic bedcoverings in the 1950s. Pattern and Purpose pulls back the covers on these everyday household companions that can transcend the commonplace. Pattern and Purpose is organized by Shelburne Museum, Shelburne, Vermont. The exhibition opens to the public at Joslyn Art Museum on Saturday, October 6, and continues through January 6, 2019. Throughout the history of quilt-making, the finest pieces were often made to be admired rather than used. Brought out of cupboards and trunks on special occasions, highly-prized bedcovers linked family and community histories, bridging the gap between domestic life and public display. Young women often created quilts as part of their dowries, and quilts were gifted as expressions of friendship, devotion, or charity. By the middle of the nineteenth century, there were increasing public venues for their display, including state and county fairs, where adept quilt-makers competed for prizes and local renown. -
U.S. Coast Guard Historian's Office
U.S. Coast Guard Historian’s Office Preserving Our History For Future Generations Historic Light Station Information VIRGINIA ASSATEAGUE LIGHT Lighthouse Name: Assateague Island Light Location: Southern end of Assateague Island Date Built: Established in 1833 with present tower built in 1867 Type of Structure: Conical brick tower with red and white stripes; Height: Tower is 145' with a 154' focal plane Characteristic: Originally a fixed white light, with a fixed red sector (added in 1907), changed to two white flashes every 5 seconds in 1961, visible for 19 miles. Lens: Original lens was an Argand lamp system with 11 lamps with 14 inch reflectors. The 1867 tower had a first order Fresnel lens with four wicks, now DCB 236. The Fresnel lens was made by Barbier & Fenestre, Paris 1866 Appropriation: $55,000 Automated: 1933 when changed to battery power Status: Open Easter through May, and October through Thanksgiving weekend every Friday through Sunday from 9 am to 3 pm; During June, July, August and September open Thursday through Monday from 9 AM to 3PM, last climb 2:30 PM call (757) 336- 3696 for information. Historical Information: The original light was built in 1833 was only 45 feet tall and was not sufficient for coastal needs so in 1859 Congress appropriated funds to build a higher, more effective tower. Work began in 1860 but was suspended during the Civil War. The current structure was completed and lit in 1867. The keeper's quarters built in 1867was a duplex. In 1892 it was remodeled with three large sections of six rooms each to house three families with each section including a pantry, kitchen, dining room, living room, three bedrooms, bathroom, and large closet. -
UNITED STATES LIGHTHOUSE SOCIETY 9005 Point No Point Rd
UNITED STATES LIGHTHOUSE SOCIETY 9005 Point No Point Rd. NE Hansville, WA 98340 Phone: 415-362-7255 Fax: 415-362-7464 www.uslhs.org Number 27 - June, 2017 www.uslhs.org/fun/passport-club [email protected] It’s Summer Time and Collecting is Easy! Memorial Day marked the beginning of “stamping” as many winter bound lighthouses opened their doors to stamp hunters. This is also begins the season of lighthouse festivals, challenges and cruises. The result is many opportunities to fill up your Passport book and achieve new award levels. One key to success is being familiar with the USLHS website “Fun” page (www.uslhs.org/fun). Here you will find all you need to know about the Passport Stamp Program location and policies as well as information about lighthouse accommodations, cruises, festivals and events. Some Reminders about Stamp Collecting With a new season of collecting in full swing we would like to remind you that: Only those locations listed on the website in bold letters have had their information about stamp availability recently verified. A stamp by mail is only available if (a) the listing states that this service is provided and (b) your request is accompanied by a SASE (self-addressed stamped envelope) and a donation for each stamp or for each copy of the stamp you request. To make it easier for staff and volunteers to sort mail, please note on the envelope that this is a “Passport Stamp Request.” Stamps provided by lighthouse cruise companies are only available when you participate in the cruise. Also, they are not available by mail. -
PDF Download Light in the Darkness : a History of Lightships and The
LIGHT IN THE DARKNESS : A HISTORY OF LIGHTSHIPS AND THE PEOPLE WHO SERVED ON THEM PDF, EPUB, EBOOK Dr Liam Clarke | 160 pages | 15 Feb 2016 | Amberley Publishing | 9781445646589 | English | Chalford, United Kingdom Light in the Darkness : A History of Lightships and the People Who Served on Them PDF Book The Republic, Wash. Miner and the Light-House Inspector. This change has been published twenty-three times in Notice to Mariners, and the correct position of the lightship appeared in the edition of the Atlantic and Gulf Coasts Light List, but the captain of the Maria had the edition of the Light List. Feb 11, Becky B rated it really liked it Shelves: lg-nonfiction , picture-books , history-picture-book , sibert-honor. Closed: Thu 27 Feb, pm. There's a group of young readers absolutely fascinated by any kind of transportation. Excellent detailed article traces the history of lightships and their use in Virginia waters. To ask other readers questions about Lightship , please sign up. When the hurricane hit on September 12, the anemometer was pegged at the maximum reading of mph, before suddenly dropping to 0 mph when it was blown from the ship. End of [Lightship] No. He uses this to portray a lonely and hazardous life which few now remember - and which has rarely been written about Buy a job pack. The lives and working conditions of the brave men, who for over years put their lives at risk guiding ships safely to their destinations, has been almost forgotten. Virginia Cavalcade. Replaced the non-functional helipad lights with new donated lights 16 and installed new wiring to replace the old wiring.