DOCSLIB.ORG

2017-ACL-Music-Festival-Independent-Audit-Preview

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
2017-ACL-Music-Festival-Independent-Audit-Preview PREVIEW Titles VERSION ENIGMA INDEPENDENT EVENT AUDITS ENIGMA INDEPENDENTUnbiased Intelligence EVENT for SeniorAUDITS Marketers Unbiased Intelligence for Senior Marketers 2017 AUSTIN CITY LIMITS MUSIC FESTIVAL 2016 STATE FAIR OFAustin, TEXAS Texas Dallas, Texas October 6-8 and 13-15, 2017 September 30-October 23, 2016 P2 Highlights P3 Event Experience P5 Sponsor Recall and Appreciation P6 Activation Evaluations PageP10 2: BeverageHighlights Consumption PageP11 3- 4 Product: andEvent BrandExperience Preferences P17 Demographics CONFIDENTIAL PageP18 5- 8 Tourism: andSponsors Economic andImpactActivations For paid subscribers only. P20 Comments and Methodology Unauthorized duplication or sharing strictly prohibited. Page 9-12: Auto and Truck Show Exhibits Page 13: Beverage Consumption Page 14-19: Product and Brand Preferences CONFIDENTIAL Page 20: Demographics For paid subscribers only. Page 21-22: Tourism and Economic Impact Unauthorized duplication or sharing strictly prohibited. Page 23-24 Comments and Methodology PREVIEW Highlights VERSION Most popular reasons for attending Most popular features within brand activations 1 To see a specific artist or artists 1 Honda Rebel motorcycle 2 Enjoy the festival atmosphere 2 Aviator Nation merchandise display 3 Enjoy all types of music 3 Tito’s Plinko Parlor free merchandise Most popular performers Most popular feature attractions 1 Red Hot Chili Peppers 1 ACL Eats 2 The Killers 2 Camelbak Hydration Stations 3 Jay-Z 3 Festival Stores Most recalled sponsors Most popular brands used 1 American Express Vehicle: Toyota 2 Honda Soda: Coca-Cola 3 Miller Lite Cigarettes: Camel and Marlboro Most visited brand activations Tourism and economic impact 1 Red Bull and Water Stations Percentage non-local: 33% 2 Honda X Waterloo Records Signing Stage and Record Store Estimated hotel room nights: 22,700 3 Tito’s Plinko Parlor Estimated economic impact: $49.6M Most appreciated brand activations Best attendee comments 1 State Farm #HERETOHELP “ACL has been my family reunion for 11 years. I can’t imagine a sibling reunion without the music, beer, laughing, and life-loving experience.” 2 HomeAway UpsideDown House “Amex Experience Lounge was the single best amenity at ACL and greatly added to my experience!” 3 Honda X Waterloo Records Signing Stage and Record Store “Stay weird!” CONFIDENTIAL For paid subscribers only. Unauthorized duplication or sharing strictly prohibited. ENIGMA INDEPENDENT EVENT AUDITS 2 PREVIEW Event Experience VERSION Reasons for attending event (aided) Performances watched (aided) 2016 One of reasons To see a specific artist or artists Red Hot Chili Peppers Main reason The Killers Jay-Z Enjoy the festival atmosphere Ice Cube Gorillaz Enjoy all types of music Foster the People Portugal. The Man Chance the Rapper To socialize with friends and family Run the Jewels Milky Chance To learn about new artists Martin Garrix The XX Tove Lo To people-watch Glass Animals Vance Joy To meet new people The Head and the Heart Russ A$AP Ferg To express myself with clothing, hair, signs, etc. Spoon Crystal Castles To eat a meal Dram Louis the Child Zhu To relax or drink in lounge areas Rüfüs du Sol Ryan Adams To purchase arts, crafts, or clothing First Aid Kit Solange Skepta To look at or photograph art, sculptures, or interesting things Alison Wonderland Bonobo To visit brand and corporate sponsor displays Cut Copy Watched Royal Blood Favorite CONFIDENTIAL For paid subscribers only. Unauthorized duplication or sharing strictly prohibited. ENIGMA INDEPENDENT EVENT AUDITS 3 PREVIEW Event Experience VERSION Featured attractions visited 2016 ACL Eats Camelbak Hydration Stations (water) Festival Stores (merchandise) ACL Cashless Barton Springs Beer Hall ACL Wine Lounge ACL Art Market RideAustin ACL Bodegas Silent Disco Rock and Recycle Center ACL Cares exhibits Austin Kiddie Limits Platinum viewing Event ratings excellent good fair poor 2016 2016 2016 2016 2016 2016 Quality Variety Variety Quality Cleanliness Value of entertainment of entertainment of food and beverage of food and beverage for admission price CONFIDENTIAL For paid subscribers only. Unauthorized duplication or sharing strictly prohibited. ENIGMA INDEPENDENT EVENT AUDITS 4 PREVIEW Sponsor Recall and Appreciation VERSION Sponsor recall Sponsor recall (top 3 unaided among those who could recall sponsors) 2016 62% --- 47% 34% 40% 40% 28% 32% 20% 12% 17% 11% 2016 Could recall at least one sponsor 13% 10% Could not recall any sponsors 5% --- Extent to which brands and corporate sponsors enhanced experience 4% --- 3% 3% 2% 68% Did not enhance 2% 1% Greatly enhanced 2% --- 2% --- Somewhat enhanced 1% 2% 2016 1% 2% 1% --- CONFIDENTIAL For paid subscribers only. Unauthorized duplication or sharing strictly prohibited. ENIGMA INDEPENDENT EVENT AUDITS 5 PREVIEW Activation Evaluations VERSION Red Bull and Water Stations Honda X Waterloo Signing Stage and Record Store PARTICIPATION RANKING 1 2 2016 1 ENHANCEMENT RANKING PARTICIPATION Entered exhibit Saw from outside Did not see ACTIONS TAKEN (among those who entered) Purchased water Looked at Honda Civic Purchased Red Bull Purchased vinyl or CDs Received autographs from Purchased Vita Coco artists Purchased Red Bull and Vita Coco combo Took photos with artists Sat in Honda Civic Purchased other products Used $8 bag check service EXTENT ENHANCED EVENT EXPERIENCE (among those who entered) Greatly enhanced Somewhat enhanced Did not enhance MORE LIKELY TO PURCHASE THAN BEFORE THE EVENT (among those who entered) Red Bull preferred brand Honda-Acura owners Other preferred brand Other owners CONFIDENTIAL For paid subscribers only. Unauthorized duplication or sharing strictly prohibited. ENIGMA INDEPENDENT EVENT AUDITS 6 PREVIEW Activation Evaluations VERSION Tito’s Plinko Parlor Chipotle Mexican Grill PARTICIPATION RANKING 3 4 ENHANCEMENT RANKING PARTICIPATION Entered exhibit Saw from outside Did not see ACTIONS TAKEN (among those who entered) Received branded merchandise Purchased burrito Played plinko game Took photo with #LIFEISBURRITOFUL sign Took photo with sign for Purchased other food $1 Emancipet donation or beverage Received branded merchandise EXTENT ENHANCED EVENT EXPERIENCE (among those who entered) Greatly enhanced Somewhat enhanced Did not enhance MORE LIKELY TO PURCHASE THAN BEFORE THE EVENT (among those who entered) Tito’s preferred brand Fast food consumers Other preferred brand All who entered CONFIDENTIAL For paid subscribers only. Unauthorized duplication or sharing strictly prohibited. ENIGMA INDEPENDENT EVENT AUDITS 7 PREVIEW Activation Evaluations VERSION Miller Lite Bar 75 American Express Experience State Farm #HERETOHELP PARTICIPATION RANKING 5 2016 6 7 2016 3 5 ENHANCEMENT RANKING PARTICIPATION Entered exhibit Saw from outside Did not see ACTIONS TAKEN (among those who entered) Purchased Miller Lite Used charging stations Received State Farm merchandise Relaxed with friends or family Received bandana Used charging stations Puchased other beverages Saw giant armadillo craft Learned about State Farm causes and volunteering Looked at can display on wall Visited Cardmember area Relaxed with friends or family (upstairs) Used complimentary wi-fi Used tablets to scan posters Registered for ACL Cashless on wall Wrote on What’s Your Jam wall Took “boomerang” photo Watched stage performance with bat wings Received Miller Lite Received flag craft Assembled musician travel kit merchandise Received bandage or Visited member desk emergency supply Received embroidery service Used lockers EXTENT ENHANCED EVENT EXPERIENCE (among those who entered) Greatly enhanced Somewhat enhanced Did not enhance MORE LIKELY TO PURCHASE THAN BEFORE THE EVENT (among those who entered) Miller preferred brand All who entered State Farm customers Other preferred brand Other customers CONFIDENTIAL For paid subscribers only. Unauthorized duplication or sharing strictly prohibited. ENIGMA INDEPENDENT EVENT AUDITS 8 PREVIEW Activation Evaluations VERSION Honda Rebel motorcycle Homeaway UpsideDown House Aviator Nation Store PARTICIPATION RANKING 8 9 10 ENHANCEMENT RANKING PARTICIPATION Entered exhibit Saw from outside Did not see ACTIONS TAKEN (among those who entered) Took upsidedown photo Looked at Aviator Nation Looked at Honda Rebel merchandise Used photo kiosk Received branded Spoke with representative merchandise Received branded Registered at entrance Purchased Aviator Nation merchandise merchandise Received photo via email or text EXTENT ENHANCED EVENT EXPERIENCE (among those who entered) Greatly enhanced Somewhat enhanced Did not enhance MORE LIKELY TO PURCHASE THAN BEFORE THE EVENT (among those who entered) All who entered Locals All who entered Non-locals CONFIDENTIAL For paid subscribers only. Unauthorized duplication or sharing strictly prohibited. ENIGMA INDEPENDENT EVENT AUDITS 9 PREVIEW Beverage Consumption VERSION Pre-drinking Purchased at event Average daily Average daily Type of liquor or spirits consumed most Beverages consumed on-site Percentage consumption Percentage consumption (among those who consumed liquor or spirits) consumed at event consumed at event (among consumers) (among consumers) Free water from stations 61% 65% Beer 16% Bottled or boxed water 11% Wine or wine drinks 9% 6% Soda 5% Liquor or spirits 5% Juice 2% 4% Energy drinks 2% Coffee or coffee drinks 0% Other beverages 1% 0% 4% 9% Pre-drinking Purchased at event CONFIDENTIAL For paid subscribers only. Unauthorized duplication or sharing strictly prohibited. ENIGMA INDEPENDENT EVENT AUDITS 10 PREVIEW Product Ownership and Use VERSION
Load more

Recommended publications
  • AC/DC You Shook Me All Night Long Adele Rolling in the Deep Al Green
    AC/DC You Shook Me All Night Long Adele Rolling in the Deep Al Green Let's Stay Together Alabama Dixieland Delight Alan Jackson It's Five O'Clock Somewhere Alex Claire Too Close Alice in Chains No Excuses America Lonely People Sister Golden Hair American Authors The Best Day of My Life Avicii Hey Brother Bad Company Feel Like Making Love Can't Get Enough of Your Love Bastille Pompeii Ben Harper Steal My Kisses Bill Withers Ain't No Sunshine Lean on Me Billy Joel You May Be Right Don't Ask Me Why Just the Way You Are Only the Good Die Young Still Rock and Roll to Me Captain Jack Blake Shelton Boys 'Round Here God Gave Me You Bob Dylan Tangled Up in Blue The Man in Me To Make You Feel My Love You Belong to Me Knocking on Heaven's Door Don't Think Twice Bob Marley and the Wailers One Love Three Little Birds Bob Seger Old Time Rock & Roll Night Moves Turn the Page Bobby Darin Beyond the Sea Bon Jovi Dead or Alive Living on a Prayer You Give Love a Bad Name Brad Paisley She's Everything Bruce Springsteen Glory Days Bruno Mars Locked Out of Heaven Marry You Treasure Bryan Adams Summer of '69 Cat Stevens Wild World If You Want to Sing Out CCR Bad Moon Rising Down on the Corner Have You Ever Seen the Rain Looking Out My Backdoor Midnight Special Cee Lo Green Forget You Charlie Pride Kiss an Angel Good Morning Cheap Trick I Want You to Want Me Christina Perri A Thousand Years Counting Crows Mr.
    [Show full text]
  • Download the Paper (PDF)
    WWW.VIRUSBULLETIN.COM/CONFERENCE 2019 LONDON 2 – 4 October 2019 EXPLORING EMOTET, AN ELABORATE EVERYDAY ENIGMA Luca Nagy Sophos, Hungary [email protected] ABSTRACT Based on Sophos detection numbers, the Emotet trojan is the most widespread malware family in the wild. Since its appearance more than fi ve years ago, it has been – and remains – the most notorious and costly active malware. Emotet owes its reputation to its constant state of evolution and change. The malware’s rapid advancement helps support its highly sophisticated operation. This paper will discuss the reverse engineering of its components, as well as the capabilities and features of Emotet: a detailed overview of its multi-layered operation, starting with the spam lure, the malicious attachments (and their evolution), and the malware executable itself, from its highly sophisticated packer to its C2 server communications. Emotet is well known for its modular architecture, its worm-like propagation, and its highly skilled persistence techniques. The recent versions spread rapidly using multiple methods. Besides its ability to spread by brute forcing using its own password lists, it can also harvest email addresses and email content from victims, then spread through spam. Its diverse module list hides different malicious intentions, such as information stealing, including credentials from web browsers or email clients; spreading capabilities; and delivering other malware including ransomware and other banking trojans. We will dissect the background operations of the payload modules. We will also present statistics from Sophos about Emotet’s global reach. A BRIEF HISTORY OF EMOTET The fi rst Emotet sample we detected popped up on 26 May 2014.
    [Show full text]
  • Slang in American and British Hip-Hop/Rap Song Lyrics
    LEXICON Volume 5, Number 1, April 2018, 84-94 Slang in American and British Hip-Hop/Rap Song Lyrics Tessa Zelyana Hidayat*, Rio Rini Diah Moehkardi Universitas Gadjah Mada, Indonesia *Email: [email protected] ABSTRACT This research examines semantic changes and also the associative patterns of slang, focusing primarily on common topics, i.e., people and drugs. The data were slang terms taken from the lyrics of hip-hop/rap songs sung by four singers, two from the U.S.A and two from the U.K. A total of 105 slang terms were found, 45 of which belong to the people category and 16 to the drugs category in the American hip-hop/rap song lyrics, and in the British hip-hop/rap song lyrics, 26 of which belong to the people category and 18 to the drugs category. Bitch and nigga were found to be the most frequently used slang terms in the people category. In terms of semantic changes, broadening, amelioration, and narrowing were found, and in terms of associative patterns, effect, appearance, way of consuming, constituent, and container associative patterns were found. In addition, a new associative pattern was found, i.e., place of origin. Keywords: associative patterns, people and drugs slang, semantic change, slang. mislead people outside their group. Then, the INTRODUCTION usage of Cant began to slowly develop. Larger “This party is just unreal!” Imagine a person groups started to talk Cant in their daily life. It saying this sentence in the biggest New Year’s Eve was even used for entertainment purposes, such as party in his/her town, with the largest crowd, the in literature.
    [Show full text]
  • Grouplove/51765840/1?Loc=Interstitialskip
    December 9, 2011 http://www.usatoday.com/life/music/ontheverge/story/2011-12-06/on-the-verge-with-indie-rock-group-grouplove/51765840/1?loc=interstitialskip Grouplove grew out of friendship By Korina Lopez, USA TODAY Group love, indeed: This Los Angeles-based quintet certainly lives up to its name. "We never planned to be a band. We were friends first and we just love being together," says lead singer Christian Zucconi. "Grouplove grew organically from that love." Their debut album, with the tongue-in-cheek title Never Trust a Happy Song, is quickly spreading the love, too. Their sweet and savory mix of jangly, upbeat melodies, Zucconi's anguished howl and keyboardist Hannah Hooper's coquettish backup vocals have been making the rounds in indie rock circles and on the charts. Joyful, noisy single Colours peaked at No. 12 on USA TODAY's alternative chart. Another track, Tongue Tied, lassoed the new iPod Touch commercial, which ran during the Grammy nominations concert and has continued since Thanksgiving. Add Grouplove's lock as the opening band for Young the Giant's tour in March and April, and it's no wonder they're so lovey-dovey. Happy accidents: Zucconi wasn't always this upbeat. "Before Grouplove, I was in other bands, but the timing never seemed right," he says. "I'd wake up every day depressed, I spent so many years miserable doing music. But it's wonderful now how we overcame everything together. It's funny that Grouplove is such a happy band." The band members met each other in 2008 at an artist commune in Crete.
    [Show full text]
  • 1. Summer Rain by Carl Thomas 2. Kiss Kiss by Chris Brown Feat T Pain 3
    1. Summer Rain By Carl Thomas 2. Kiss Kiss By Chris Brown feat T Pain 3. You Know What's Up By Donell Jones 4. I Believe By Fantasia By Rhythm and Blues 5. Pyramids (Explicit) By Frank Ocean 6. Under The Sea By The Little Mermaid 7. Do What It Do By Jamie Foxx 8. Slow Jamz By Twista feat. Kanye West And Jamie Foxx 9. Calling All Hearts By DJ Cassidy Feat. Robin Thicke & Jessie J 10. I'd Really Love To See You Tonight By England Dan & John Ford Coley 11. I Wanna Be Loved By Eric Benet 12. Where Does The Love Go By Eric Benet with Yvonne Catterfeld 13. Freek'n You By Jodeci By Rhythm and Blues 14. If You Think You're Lonely Now By K-Ci Hailey Of Jodeci 15. All The Things (Your Man Don't Do) By Joe 16. All Or Nothing By JOE By Rhythm and Blues 17. Do It Like A Dude By Jessie J 18. Make You Sweat By Keith Sweat 19. Forever, For Always, For Love By Luther Vandros 20. The Glow Of Love By Luther Vandross 21. Nobody But You By Mary J. Blige 22. I'm Going Down By Mary J Blige 23. I Like By Montell Jordan Feat. Slick Rick 24. If You Don't Know Me By Now By Patti LaBelle 25. There's A Winner In You By Patti LaBelle 26. When A Woman's Fed Up By R. Kelly 27. I Like By Shanice 28. Hot Sugar - Tamar Braxton - Rhythm and Blues3005 (clean) by Childish Gambino 29.
    [Show full text]
  • The ENIGMA Data Clearinghouse: a Platform for Rigorous Self-Validated Data Modeling and Integrative, Reproducible Data Analysis
    The ENIGMA Data Clearinghouse: A platform for rigorous self-validated data modeling and integrative, reproducible data analysis John-Marc Chandonia*,1 ([email protected]), Pavel S. Novichov*,1, Adam P. Arkin, and Paul D. Adams1,2 1Lawrence Berkeley National Lab, Berkeley; 2University of California at Berkeley; *co-first authors http://enigma.lbl.gov Project Goals: ENIGMA (Ecosystems and Networks Integrated with Genes and Molecular Assemblies) uses a systems biology approach to understand the interaction between microbial communities and the ecosystems that they inhabit. To link genetic, ecological, and environmental factors to the structure and function of microbial communities, ENIGMA integrates and develops laboratory, field, and computational methods. One of the Grand Challenges of data science is to facilitate knowledge discovery by enabling datasets to be readily analyzable both by humans and by machine learning algorithms. In 2016, a diverse group of stakeholders formalized a concise and measurable set of principles, called FAIR, to increase the utility of datasets for the purpose of knowledge discovery. The four principles of FAIR are Findability, Accessibility, Interoperability, and Reusability. Findability means that data are assigned stable identifiers, and properly indexed. Accessibility means the data are easily retrievable by people authorized to have access. Interoperability means the data are clearly documented using a formal language, in order to facilitate integrated analyses that span multiple datasets. Reusability means the data are documented sufficiently well that it may be used by other people than those who originally generated it, and that the provenance of all data is clear. The latter two principles are particularly challenging, yet critical to achieve, for organizations such as ENIGMA that draw conclusions based on highly integrative analyses of many types of data generated by multiple labs.
    [Show full text]
  • MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
    MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division
    [Show full text]
  • Grime + Gentrification
    GRIME + GENTRIFICATION In London the streets have a voice, multiple actually, afro beats, drill, Lily Allen, the sounds of the city are just as diverse but unapologetically London as the people who live here, but my sound runs at 140 bpm. When I close my eyes and imagine London I see tower blocks, the concrete isn’t harsh, it’s warm from the sun bouncing off it, almost comforting, council estates are a community, I hear grime, it’s not the prettiest of sounds but when you’ve been raised on it, it’s home. “Grime is not garage Grime is not jungle Grime is not hip-hop and Grime is not ragga. Grime is a mix between all of these with strong, hard hitting lyrics. It's the inner city music scene of London. And is also a lot to do with representing the place you live or have grown up in.” - Olly Thakes, Urban ​ Dictionary Or at least that’s what Urban Dictionary user Olly Thake had to say on the matter back in 2006, and honestly, I couldn’t have put it better myself. Although I personally trust a geezer off of Urban Dictionary more than an out of touch journalist or Good Morning Britain to define what grime is, I understand that Urban Dictionary may not be the most reliable source due to its liberal attitude to users uploading their own definitions with very little screening and that Mr Thake’s definition may also leave you with more questions than answers about what grime actually is and how it came to be.
    [Show full text]
  • Cruz's Cell Phone Content and Internet Searches
    11/8/2018 Cruz’s Cell Phone Content and Internet Searches Special Agent Randy Camp Special Agent Chuck Massucci Sergeant John Suess 1 Cruz’s Cell Phone Content and Internet Searches • Phone contents prior to February 01, 2018 • Phone contents from February 01 – 14 • Phone content and Cruz’s travels on February 14 • Nikolas Cruz’s weapons • Excerpts from interview with Snead family • James - Father • Kimberly - Mother • Jameson “JT” – friend of Cruz 2 1 11/8/2018 Nikolas Cruz’s Cell Phone Data without a timestamp or prior to February 01, 2018 3 Cruz’s Cell Phone – Searches • November 14, 2017: • “shooting people massacre” • November 15, 2017: • “rape caught on video” • “armed robber gets shot buy every customer” 4 2 11/8/2018 Cruz’s Cell Phone – Notes December 30, 2017 at 10:27 pm “Control your breathing and trigger pull. Your the one who sights in the rifle for yourself.adjust the scope to your shooting ability. Keep that adjustment every time.you have to shoot to yourself only to one self.my trigger squeeze is my ones ability.samething every time.” 5 Cruz’s Cell Phone – Notes January 20, 2018 at 5:58 pm “basketball court full of Targets still thinking of ways to kill people” 6 3 11/8/2018 Cruz’s Cell Phone – Notes January 21, 2018 at 3:35 pm “My life is a mess idk what to do anymore. Everyday I get even more agitated at everyone cause my life is unfair. Everything and everyone is happy except for me I want to kill people but I don't know how I can do it.
    [Show full text]
  • 2011 MTV Video Music Awards”
    Here are the nominees for the “2011 MTV Video Music Awards”: VIDEO OF THE YEAR Adele Tyler, The Creator Title: Rolling In The Deep Title: Yonkers Album: 21 Album: Goblin Director: Sam Brown Director: Wolf Haley Label: XL/Columbia Label: XL Recordings Production Company: Flynn Production Company: Happy Place Producer: Hannah Chandler Producer: Tara Razavi Katy Perry Bruno Mars Title: Firework Title: Grenade Album: Teenage Dream Album: Doo-Wops and Hooligans Director: Dave Meyers Director: Nabil Elderkin Label: Capitol Label: Elektra Production Company: Radical Media Production Company: Little Minx/RSA Producers: Robert Bray, Danny Lockwood Producer: Anne Johnson Beastie Boys Title: Make Some Noise Album: Hot Sauce Committee Part Two Director: Adam Yauch Label: Capitol Records Production Company: Directors Bureau Producer: Samantha Storr BEST FEMALE VIDEO Adele Katy Perry Title: Rolling In The Deep Title: Firework Album: 21 Album: Teenage Dream Director: Sam Brown Director: Dave Meyers Label: XL/Columbia Label: Capitol Production Company: Flynn Production Company: Radical Media Producers: Hannah Chandler Producers: Robert Bray, Danny Lockwood Beyonce Nicki Minaj Title: Run The World (Girls) Title: Super Bass Album: 4 Album: Pink Friday Director: Francis Lawrence Director: Sanaa Hamri Label: Parkwood Entertainment/Columbia Label: Young Money/Cash Money Records Production Company: DNA Production Company: 305 Films Producer: Justin Diener Producers: Kimberly S. Stuckwisch, Michelle Larkin & Keith "KB" Brown Lady GaGa Title: Born This Way Album: Born This Way Director: Nick Knight, Haus of Gaga Label: Streamline/Interscope/Konlive Production Company: Factory Films, Ltd. Producers: Nicole Ehrlich, Steven Johnson BEST MALE VIDEO Cee Lo Green Eminem feat. Rihanna Title: F*** You Title: Love The Way You Lie Album: The Lady Killer Album: Recovery Director: Matt Stawski Director: Joseph Kahn Label: Elektra Label: Aftermath Records Production Company: Refused TV Production Company: H.S.I.
    [Show full text]
  • Foregrounding Female Agency in the Dance Culture of Nigeria
    WHAT I DO WHEN I DANCE: FOREGROUNDING FEMALE AGENCY IN THE DANCE CULTURE OF NIGERIA Oladoyin Abiona A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2021 Committee: Angela Nelson, Advisor Jeremy Wallach Rahdika Gajjala © 2021 Oladoyin Abiona All Rights Reserved iii ABSTRACT Angela Nelson, Advisor Scholarship on female representations in hip hop has been predominantly premised on the sexualization of the female body. By focusing mainly on this singular aspect of the genre, we reduce the whole essence of womanhood in the industry to such interpretations. The limited scope of such discussions deprives the women of opportunities to tell their own stories of what they do when they dance. Seeing the cultural significance of dance as a form of popular culture in the Nigerian context, this essay, from a feminist perspective, closes this gap by engaging in a qualitative exploration of the lives of three female dancers in Nigeria telling their stories through dance. They are Kaffayat Oluwatoyin Shafau (Kaffy), Odumewu Debbie (Debbiepinkie), and Usiwo Orezinena Jane (Janemena). Exploring their social media archives, interviews granted to TV stations and a published autobiography “Alajoota” by Kaffy, this essay contextualizes and complicates the interpretations of sexualization in the Nigerian hip hop dance industry. Through dance Nigerian women performers are able to negotiate the heavily male-dominated hip hop scene. For them, dance is a coping strategy, a profession, a space for redefining self and embracing sexuality and femininity, and a form of youthful identity and inclusion.
    [Show full text]
  • Haam Annual Report 2013
    PHOTO BY BRENDA LADD PHOTOGRAPHY HAAM ANNUAL REPORT 2013 www.myhaam.org Dear Friends of HAAM: The year 2013 brought many changes to the health care landscape in our nation, our community and to the Health Alliance for Austin Musicians (HAAM). But through it all, HAAM’s core values and mission remained rock solid. We love Austin. We love live music. And we love what HAAM does for Austin’s musicians. Two major changes affected HAAM in 2013. First, the Affordable Care Act (ACA) began to take effect—opening new doors for many HAAM members to obtain health insurance. Although some people thought that the ACA might reduce the need for HAAM, nothing could be further from the truth. Because Texas did not follow many other states and expand its Medicaid eligibility, more than 60% of current HAAM members still need HAAM to access affordable health care. Additionally, the ACA does not usually provide the dental, vision, hearing and other health care services that are currently available to HAAM members. The second major change for HAAM in 2013 was the departure of our much loved, longtime executive director, Carolyn Schwarz, who deftly guided the organization for eight years. We wish her well and welcome Reenie Collins to our team as executive director. A native Austinite with deep roots in the health care and non-profit community, Reenie is passionate about HAAM and its mission. Reenie has a long-standing history with the HAAM family and actually worked as a health care consultant to our founder Robin Shivers in 2005 when HAAM was being formed.
    [Show full text]