DOCSLIB.ORG

Download Booklet

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

9 Come down, O Love divine tristesque mentes erigit. DDD Come down, O Love divine, Musica vel ipsas arbores Seek thou this soul of mine, et horridas movet feras. RUTTER 8.557130 And visit it with thine own ardour glowing; (Music, the gift of the supreme God, O Comforter, draw near, draws men, draws gods; Within my heart appear, Music makes savage souls gentle And kindle it, thy holy flame bestowing. and uplifts sad minds. Requiem Music moves the very trees and wild beasts.) O let it freely burn, and other sacred music Till earthly passions turn Author unknown, first published 1594 To dust and ashes in its heat consuming; Choir of Clare College, Cambridge And let thy glorious light Shine ever on my sight. Two Blessings for Choir & Organ Timothy Brown And clothe me round, the while my path illuming. Let holy charity ! A Clare Benediction Mine outward vesture be, May the Lord show his mercy upon you; And lowliness become mine inner clothing; May the light of his presence be your guide: True lowliness of heart, May he guard you and uphold you; Which takes the humbler part, May his spirit be ever by your side. And o’er its own shortcomings weeps with When you sleep, may his angels watch over you; loathing. When you wake, may he fill you with his grace: May you love him and serve him all your days, Veni, Sancte Spiritus. Then in heaven may you see his face. (Come, Holy Spirit) John Rutter And so the yearning strong, With which the soul will long, @ Go forth into the world in peace Shall far outpass the power of human telling; Go forth into the world in peace; Veni, Sancte Spiritus. be of good courage; hold fast that which is good; For none can guess its grace, render to no one evil for evil; Till he become the place strengthen the faint-hearted; Wherein the Holy Spirit makes his dwelling. support the weak; Veni, Sancte Spiritus. help the afflicted; honour all people; Latin text from the Golden Sequence (13th cent.); love and serve the Lord, English text translated by R. F. Littledale rejoicing in the power of the Holy Spirit. from Bianco da Siena (d. 1434) And the blessing of God Almighty, the Father, the Son, and the Holy Ghost, 0 Musica Dei donum be upon you and remain with you for ever. Amen. Musica Dei donum optimi trahit homines, trahit deos; Book of Common Prayer, 1928, slightly adapted Musica truces mollit animos 8.557130 8 John Rutter (b. 1945) In the midst of life, we are in death: 7 Lux aeterna Requiem and other sacred music of whom may we seek for succour? I heard a voice from heaven saying unto me, Blessed are the dead who die in the Lord, During the late 1950s and early 1960s, Highgate tutorial responsibility for the undergraduates, coupled Agnus Dei, qui tollis peccata mundi, for they rest from their labours: School in North London was renowned as a fervent with the daily running of the chapel choir, here dona eis requiem. even so saith the Spirit. source of musical activity. The choir at the school was recorded, one of the first in Cambridge to mix male among the finest in Britain, often performing at the and female voices. Building on the foundations laid by I am the resurrection and the life, saith the Lord: Lux aeterna luceat eis, Domine: London Promenade Concerts and being involved in his predecessor Peter Dennison, he started the choir’s he that believeth in me, though he were dead, cum sanctis tuis in aeternum, quia pius es. landmark première performances. As a young chorister rise to international fame. This has since been fuelled yet shall he live: Requiem aeternam dona eis, Domine: there John Rutter took part in the 1963 recording of by his successor, Tim Brown, elected to the same and whosoever liveth and believeth in me et lux perpetua luceat eis. Britten’s War Requiem under the baton of the position in 1979, following Rutter’s departure to shall never die. composer; an experience which Rutter describes in concentrate on composition, after the immense success (Eternal light shine upon them, O Lord: hindsight as one where “I think we knew that we were of his Gloria, resulted in an ensuing deluge of Latin text from the Requiem Mass; with all thy saints for evermore, touching the hem of history’s garment”. It is little commissions. English texts from the Burial Service, for thy mercy‘s sake. wonder that from within this unique and bustling One of the works composed in the years following 1662 Book of Common Prayer Rest eternal grant unto them, O Lord: environment, Rutter, who counts among his the end of his tenure at Clare College is the Variations and may light perpetual shine upon them.) contemporaries at the school the composer John on an Easter theme (1983), which closes the present 6 The Lord is my shepherd Tavener and Nicholas Snowman, founder of the release. Among a rare breed of organ duets, requiring The Lord is my shepherd: English text from the Burial Service (slightly altered); Latin London Sinfonietta, began to develop speedily into the some diplomatic pedal sharing between the players, therefore can I lack nothing. text from the Requiem Mass multi-faceted musician of international repute that he this work was commissioned for the giant instrument He shall feed me in a green pasture: is today, while concurrently beginning his inextricable housed in Washington National Cathedral in the and lead me forth beside the waters of comfort. Three Anthems association with the canon of late twentieth-century United States. Based on the melody O Filii et Filiae, He shall convert my soul: choral music. found in the English Hymnal, each variation and bring me forth in the paths of righteousness, 8 Arise, shine If Highgate School served as John Rutter’s demonstrates a different array of sonorities, including for his Name‘s sake. Arise, shine; for thy light is come, initiation into the musical world, then it was his going a gentle, blues-inflected passage at the heart of the Yea, though I walk through the valley of the and the glory of the Lord is risen upon thee. up to Clare College, Cambridge, in 1964 that marked work. shadow of death, For behold, the darkness shall cover the earth, the beginning of his flourishing in that same sphere. It Rutter had already established his ability to craft I will fear no evil: and gross darkness the people: is a close relationship that has lasted almost forty years solo organ compositions of sustained interest nearly for thou art with me; but the Lord shall arise upon thee, and one that has manifested itself in several distinct ten years before in the Toccata in seven (1974), a thy rod and thy staff comfort me. and his glory shall be seen upon thee. guises. As an undergraduate reading music at the sprightly piece, the quirky 7/8 time signature of which Thou shalt prepare a table before me against them And the Gentiles shall come to thy light, college, Rutter composed the ever-popular Shepherd’s gives it its title. Commissioned for an organ album of that trouble me: and kings to the brightness of thy rising. Pipe Carol when he was only eighteen, and new works by his publishers, Oxford University Press, thou hast anointed my head with oil, Lift up thine eyes round about, and see: subsequently had it published together with several the young composer’s name appeared alongside the and my cup shall be full. all they gather themselves together, other pieces before graduating. As a postgraduate grand old men of English church music including But thy loving-kindness and mercy shall follow me they come to thee: student, he forged lasting friendships with Herbert Herbert Sumsion and William Harris. In the same year, all the days of my life: thy sons shall come from far, Howells and Sir David Willcocks, then director of Rutter had his first great international success with the and I will dwell in the house of the and thy daughters shall be nursed at thy side. music at the neighbouring King’s College, with the Gloria, a vivaciously exhilarating work for choir, Lord for ever. The sun shall be no more thy light by day; latter of whom he later collaborated on the seminal brass, organ and percussion. Little was he to know that neither for brightness shall the moon give light Carols for Choirs series that remains the mainstay a decade later this amazing feat would be achieved Psalm 23 unto thee: anthology for many parish, college and cathedral again in a composition that remains one of the most but the Lord shall be unto thee an everlasting light, choirs throughout the world. In 1975 Rutter was popular classical works in the repertoire. and thy God thy glory. appointed director of music at Clare College, his The immediate success of the Requiem (1985), Isaiah 60: 1–4, 19–20 8.557130 2 7 8.557130 Requiem 3 Pie Jesu composed in memory of John Rutter’s father, who had movement bears the same relationship to the whole as Pie Jesu Domine, died the previous year and whose initials grace the Fauré’s Libera me, in that both movements existed as 1 Requiem aeternam dona eis requiem. dedication, was nothing short of miraculous. In the first separate pieces for around ten years prior to being Requiem aeternam dona eis Domine: Pie Jesu Domine, six months after publication it received over five integrated into the fabric of the completed Requiem et lux perpetua luceat eis.
Recommended publications
  • Magnificat: Vocal Score Free

    Magnificat: Vocal Score Free

    FREE MAGNIFICAT: VOCAL SCORE PDF John Rutter | 88 pages | 01 Aug 1991 | Oxford University Press | 9780193380370 | English, Latin | Oxford, United Kingdom Vocal Score for Rutter Magnificat : Choraline For soprano or mezzo-soprano Magnificat: Vocal Score, SATB chorus and either full orchestra or chamber orchestra. Minimum recommended string forces for the chamber ensemble are 2. This edition is a publication of Oxford University Press. Full scores, vocal scores, and instrumental parts are available on hire through Oxford University Press. Home Music scores and recordings. John Rutter Magnificat. Add to wishlist. Feedback Be the first to give feedback on this product. Proceed to purchase. Additional product information. He first came to notice as a composer during his student years; much of his early work consisted of church music and other choral pieces including Christmas carols. From —79 he was Director of Music at his alma mater, Clare College, and directed the college chapel choir in various recordings and broadcasts. Since he has divided his time between composition and conducting. Today his compositions, including such concert-length works as RequiemMagnificat Magnificat: Vocal Score, Mass of the ChildrenThe Gift of Lifeand Visions are performed around the world. His music has featured in a number of British royal Magnificat: Vocal Score, including the two most recent royal weddings. In he formed his Magnificat: Vocal Score choir the Cambridge Singers, with whom he has made numerous Magnificat: Vocal Score, and he appears regularly in several countries as guest conductor and choral ambassador. Personal details. You have to be logged in to write a feedback. Magnificat: Vocal Score questions about this work There are no questions and answers available so far or you were unable to find an answer to your specific question about this work? Then click here and send your specific questions to our Customer Services! Related products.
  • Choral Music

    Choral Music

    Choral Music Composer Editor Title Voices No of copies Bach Magnificat 38 Bach Christmas Oratorio 12 Bach Diack & Baker Coffee Cantata 34 Bach Prout Sleepers, Wake! Cantata No 140 40 Bach Elgar & Atkins St Matthew Passion 24 Beethoven Mass In C 11 Bennett Bermudas 99 ch, 5 voc Bennett R R All The King's Men 27 ch, 1 voc Bernstein West Side Story 24 Bizet Besly Carmen - Concert Version 29 Bliss Pastoral ('Lie Strewn The White Flocks') 20 Brahms Canons for Women's Voices, Op 113 36 Brahms Gipsy Songs 17 Brahms Liebeslieder - Love Song Waltzes Op 52 SSA 17 Brahms Liebeslieder - Songs of Love SATB 24 & piano score Brahms Taylor, S De B Lord, How Long Wilt Thou Forget Me 37 Britten Ceremony Of Carols SATB/harp 18 Britten Ceremony Of Carols SSA 25 Britten Ceremony Of Carols SSA 13;16;12 & 3 full Britten Friday Afternoons - Vol 1 Unison 25 & 30 Britten Friday Afternoons - Vol 2 Unison 33 Britten Psalm 150 209 ch 84 voc Britten Rejoice In The Lamb 39 Britten St Nicholas 57 Buxtehude Stockton Rejoice, Ye Christians 29 Carter, Andrew Te Deum SATB/children 40 Chappell, Herbert Daniel Jazz 38 (nos 36 - 73) Chappell, Herbert Daniel Jazz 35 (nos 1 - 35) Cole Statue for the Mayor SSA 13 Faure Rutter, John Requiem (1893 version) SATB 42 Faure Ratliffe Messe Basse SSA 17+ 1 copy Faure Ratcliffe Requiem SSA 28 Faure Ratcliffe Requiem SATB 35 Flanders & Horovitz Captain Noah And His Floating Zoo SATB 50 Flanders & Horovitz Captain Noah And His Floating Zoo Unison or SS 38 & 40 Gabrieli Woodworth Jubilate Deo 14 Gay Bainbridge, Vic Beggar's Opera 2 FS, 22
  • Grand Music Gracious Word

    Grand Music Gracious Word

    Grand Music Gracious Word JULY 2012 / YEAR B Sing For Joy® is a production of St. Olaf College. by Pastor Bruce Benson, host f you look up the etymology the turns and tumbles of human society, and we of the English word chorus can all name at least a hundred reasons not to be Ior choir, you will be in- joyful. But I think it is safe to say that as long formed that it comes from the Latin chorus which as the Biblical message of grace, love, dignity, comes from the older Greek word χορός or χῶρος forgiveness is proclaimed among people there will (choros.) The Greek word originally applied to be joy, and where there is joy (if Plato is right!) a circle dance or singing dance in a circle. That there will very likely be choruses. Therefore, at makes sense. Even for a choir of singers who have least in the church, option 1) above seems far been instructed (as I was as a youth,) “Don’t move more likely. anything except your mouth!” the act of sing- ing together is really a kind of dance. The voices This is not to say that we can simply take the must learn to dance with each other. No stepping future of the church choir for granted; we cannot. on anyone else’s musical toes; let your movements But it is to say that every assembly of people complement each other. gathered around the Gospel will feel a tug not just to listen to a chorus but to be a chorus.
  • Download CD Booklet

    Download CD Booklet

    ASS of the M HILDREN Cand other sacred music by JOHN RUTTER 2 3 institution of special significance to me. I will sing with the spirit (1994) is dedicated to MASS of the CHILDREN and other sacred music another institution, the Royal School of Church Music, who requested a simple anthem to serve as a theme song for their anniversary appeal. Mass of the Children was written in late 2002 and early 2003. The occasion of its first The final three pieces on the album form a group insofar as they are all for choir without performance in February 2003 was a concert in New York’s Carnegie Hall involving orchestra and on a more demanding level chorally. Musica Dei donum (1998), which has children’s choir, adult choir, soprano and baritone soloists, and orchestra. I had always wanted an important part for solo flute, is a setting of an anonymous text first set by Lassus in 1594 to write a work combining children’s choir with adult performers, not only because I find the that speaks of the power of music to draw, to soothe, and to uplift. Originally written for the sound of children’s voices irresistible but also because I wanted to repay a debt. As a boy choir of Clare College, this piece was subsequently included in A Garland for Linda, a cycle of soprano in my school choir I had been thrilled whenever our choir took part in adult works nine choral pieces by different composers in memory of Linda McCartney. I my Best- with children’s choir parts, such as the Mahler Third Symphony and the Britten War Requiem, Beloved’s am (2000) was written for the BBC Singers and first performed by them at a con- and years later I remembered this experience and wanted to write something that would give cert in Canterbury Cathedral on the theme of the seven sacraments.
  • Requiem Mass Readings

    Requiem Mass Readings

    READINGS FOR REQUIEM MASSES ST. BERNADETTE’S PARISH BELFAST Preparation for the Requiem Mass This is the central celebration for the deceased and is similar in structure to the Sunday Mass. There are a number of areas of preparation. Readings Please choose a First Reading, a Psalm, and if desired a Second Reading from the appropriate sections. If there is music the Psalm may be sung. The priest will choose an appropriate Gospel. Those who undertake to read should genuinely be capable of proclaiming these powerful words and not likely to be overcome by the emotion of the occasion. Prayer of the Faithful As with the readings, those who undertake these prayers should be genuinely capable of doing so. Offertory The gifts of bread and wine (only) may be brought to the Altar by family members Music It is never appropriate for secular songs or music to be player as part of the Sacred Liturgy. There is a list of suitable hymns in this booklet. Homily This will principally be on the paschal mystery of death and resurrection. However the priest may also say a few words about the deceased. For this he would welcome information from the family about the deceased’s qualities in preparation for the homily. FIRST READINGS The Old Testament The Old Testament is an indispensable part of Sacred Scripture. Its books are divinely inspired and retain a permanent value, for the Old Covenant has never been revoked. Indeed, the economy of the Old Testament was deliberately so oriented that is should prepare for and declare in prophecy the coming of Christ, redeemer of all men.
  • Requiem Bulletin

    Requiem Bulletin

    We Gather to Worship God All Saints’ Day , November 1, is a day of remembrance for the saints with the New III. PIE JESU CONCERTATO ON BEECHER Andrew Fowler Testament meaning of all Christian people of every time and place. We celebrate In memory of Aubrey McLean Folks the communion of the saints as we remember the dead, both of the church Blessed Lord Jesus, grant them rest, Rest eternal, grant them, Lord, (please rise to sing at the conductor’s cue) universal and of our local congregations. Blessed Lord Jesus, grant them rest, Everlasting rest. +BENEDICTION OPENING VOLUNTARY J.S. Bach IV. SANCTUS CLOSING VOLUNTARY Vaclav Nelhybel Holy, holy, holy Lord, God of power and might, heaven and earth are full of “Fugue in E flat Major” (St. Anne) “Concertato on A Mighty Fortress Is Our God” your glory. Hosanna in the highest. Blessed is he who comes in the name of +THE SOLEMN PROCESSION (ALL RISE AS THE CROSS ENTERS THE CHURCH) the Lord. Hosanna in the highest. (PLEASE REMAIN SEATED WHILE THE CLOSING VOLUNTARY IS OFFERED) THE GREETING V. AGNUS DEI +THE SOLEMN RECESSION (PLEASE REMAIN STANDING UNTIL THE CROSS HAS PASSED) Lamb of God, who takes away the sins of the world, grant them rest. Grace to you and peace from God Lamb of God, who takes away the sins of the world, grant them rest. who is, and was, and is to come. Amen. Lamb of God, who takes away the sins of the world, grant them rest. And from Jesus Christ, the faithful witness, I am the resurrection and the life, saith the Lord; he that believeth in me, +CONGREGATION STANDING the first born of the dead, and ruler of kings on earth.
  • Download CD Booklet

    Download CD Booklet

    John Rutter writes . impressed by the ease with which we came together musically, and by coincidence I was shortly afterwards asked by a US-based record company to make an album of my church music with hen I formed the Cambridge Singers in the early 1980s as a professional mixed the Gloria as the centrepiece, so the group was assembled once again to make the recording. chamber choir with recording rather than public performance as its principal focus, The Gloria album, released in 1984, marked the recording début of the Cambridge Singers. Wthe idea was a new one, and I never dreamed that we would still be recording – albeit Its unexpected success encouraged us to continue, and the Fauré Requiem, in its hitherto with changing though still Cambridge-leaning membership – thirty years later. little-known chamber version which I had edited from the composer’s manuscript, soon The seeds of the idea were sown during my days in the late 1970s as Director of Music at followed; it won a Gramophone magazine award. Through no one’s fault, there were constraints Clare College, Cambridge. It was an exciting period of change in the choral life of Cambridge and obstacles with both the labels to which these two recordings were contracted, and it seemed University: in 1972 three of our 25 or so men’s colleges, including Clare, began to admit women like the right moment to start a new record label as a permanent home for me and the students for the first time in the university’s 750-year history.
  • Choral Music

    Choral Music

    SHOWSTOPPERS INTERNATIONAL INVITATIONAL AT DISNEYLAND@ PARK Anaheim, CA / April 17-20, 1997 KEYNOTE CHORAL FESTIVAL SERIES NASHVILLE CHORAL FESTIVAL Nashville, TN / April 17-20, 1997 KEYNOTE CHORAL FESTIVAL SERIES MANHATTAN CHORAL FESTIVAL New York, NY / May 1-4, 1997 CHILDREN IN HARMONY CHORAL FESTIVAL Orlando, FL / May 22-25, 1997 !lew! CHILDREN'S CELEBRATION SHOWSTARTERS CHORAL FESTIVAL SHO\,T CHOIR WORKSHOPS Anaheim, CA / June 26-29, 1997 Coming to an area near you ... September - November 1996 CONCERT TOURS Domestic & International/Year Round CHILDREN'S HOLIDAY CHORAL FESTIVAL AMERICA SINGS! FESTIVALS Orlando, FL / December 5-8, 1996 Los Angeles, CA / March 21-22, 1997 Orlando, FL / April 4-5, 1997 MEN OF SONG SHOWCASE Pittsburgh, PA / April 25-26, 1997 AT WALT DISNEY \VORLD@ RESORT Chicago, IL / May 9-10, 1997 Lake Buena Vista, FL February 27 - March 2, 1997 MAGIC MUSIC DAYS AT WALT DISNEY WORLD RESORT@ SHOWSTOPPERS & DISNE\'LlLND@PARK INTERNATIONAL INVITATIONAL Lake Buena Vista, FL / Anaheim, CA AT WALT DISNEY WORLD@ RESORT Year Round Lake Buena Vista, FL / March 13 -16, 1997 SHOWSTOPPERS NATIONAL --f!W- SHOW CHOIR INVITATIONAL I-= -::. --::. Chicago, IL / March 20-23, 1997 KEYNOTE ARTS ASSOCL\TES KEYNOTE ARTS ASSOCIATES COLLEGIATE 1637 E. ROBINSON ST. SHOWCASE INVITATIONAL ORLANDO, FL 32803 AT \VJ-\LT DISNEY \"X"TORLD@ RESORT Lake Buena Vista, FL / April 10-13, 1997 T407-897-8181 F407-897-8184 TOLL FREE 800-522-2213 KEYNOTE CHORAL FESTIVAL SERIES EMAIL [email protected] CHICAGO CHORAL FESTIVAL Chicago, IL / April 10-13, 1997 Official Publication of the American Choral Directors Association Volume Thirty-seven Number One AUGUST 1996 CHORALJO John Silantien Barton L.Tyner Jr.
  • [Program Notes for the Gift of Life, by Pamela Grooms] John Rutter Was Born in London in 1945 and Received His First Musical

    [Program Notes for the Gift of Life, by Pamela Grooms] John Rutter Was Born in London in 1945 and Received His First Musical

    [Program notes for The Gift of Life, by Pamela Grooms] John Rutter was born in London in 1945 and received his first musical education as a chorister at Highgate School. He went on to study music at Clare College, Cambridge, where he wrote his first published compositions and conducted his first recording while still a student. His compositional career has embraced both large and small-scale choral works, orchestral and instrumental pieces, a piano concerto, two children’s operas, music for television, and specialist writing for such groups as the Philip Jones Brass Ensemble and the King’s Singers. His larger choral works, Gloria (1974), Requiem (1985), Magnificat (1990), Psalmfest (1993) and Mass of the Children (2003) have been performed many times in Britain, North America, and a growing number of other countries. From 1975 to 1979 he was Director of Music at Clare College, whose choir he directed in a number of broadcasts and recordings. After giving up the Clare post to allow more time for composition, he formed the Cambridge Singers as a professional chamber choir primarily dedicated to recording, and he now divides his time between composition and conducting. In 1996 the Archbishop of Canterbury conferred a Lambeth Doctorate of Music upon him in recognition of his contribution to church music. He was honored in the 2007 Queen’s New Year Honours List, being awarded a CBE for services to music. (www.johnrutter.com) John Rutter’s long-awaited new major work The Gift of Life is a six-movement choral celebration of the living earth, of creation, and of life itself, offering a kaleidoscope of moods from contemplative and prayerful to majestic and inspirational.
  • CD DPS1 Compact Disc Booklet

    CD DPS1 Compact Disc Booklet

    CTP Template: CD_DPS1 COLOURS Compact Disc Booklet: Double Page Spread CYAN MAGENTA Customer SIGNUMCLASSICS YELLOW Catalogue No. SIGCD068 BLACK Job Title ALL THE ENDS OF THE EARTH Page Nos. The Abbey School Tewkesbury: +44 (0)1684 294460 [email protected] Website: www.theabbeyschool.org.uk CTP Template: CD_DPS1 COLOURS Compact Disc Booklet: Double Page Spread CYAN MAGENTA Customer SIGNUMCLASSICS YELLOW Catalogue No. SIGCD068 BLACK Job Title ALL THE ENDS OF THE EARTH Page Nos. light of the world CARLETON ETHERINGTON STEPHEN TAYLOR Carleton Etherington is Organist to Tewkesbury Abbey and The Stephen Taylor is The Abbey School Choir’s singing teacher. He is a Abbey School Choir. A prize-winning organist, he studied at the Layclerk at New College, Oxford and combines a career as a solo 1. Eternal source of light George Frederick Handel [3.40] Royal Academy of Music before being appointed Sub-organist at and consort singer with teaching commitments at Eton College and 2. Sanctus Walter Alcock [2.25] Leeds Parish Church. Carleton is Conductor of Bromsgrove Choral Cothill School. 3. Nunc Dimittis Geoffrey Burgon [3.09] Society and Musical Director of Cirencester Choral Society. 4. Light of the World John Dankworth [2.35] 5. I waited for the Lord Felix Mendelssohn [4.39] The Abbey School Choir, Tewkesbury 6. How beautiful are the feet George Frederick Handel [2.16] TREBLE ALTO BASS 7. Blessed be the God and Father Samuel Sebastian Wesley [7.44] Billy Bailey Stephen Burrows Nicholas Ashby 8. Ave Maria Franz Schubert [5.45] Silas Barke Philip Colls Andrew Hopwood David Bath Ian Harrold Adrian Hutton 9.
  • Grand Music Gracious Word

    Grand Music Gracious Word

    Grand Music Gracious Word JULY 2015 / YEAR B Sing For Joy® is a production of St. Olaf College. “My grace is sufficient for you, for power is made perfect in weakness.” by Pastor Bruce Benson, host his past month I accepted an enjoyable assign- between strength — let’s call it power — and gentle- ment to serve as narrator with an all-volunteer ness in the performance of music can help us under- Tcommunity orchestra performing a composi- stand Paul’s point. We all, of course, enjoy hearing a tion for orchestra and spoken word. Needless to say, large choir or orchestra cranking up the volume and it took us more than one rehearsal to achieve a good sending music like a wave of sound washing over us. balance between orchestra and narration. Orchestra, It is exhilarating. And yet ... when that same power- voice and sound system all needed tweaking and fine- ful ensemble hushes to a barely audible pianissimo, it tuning to make music together. And each has limits. is enough to make us hold our breath. It is, to para- At the final rehearsal the conductor said, “We aren’t phrase Paul, almost as if strength (or power) is made a large enough orchestra to play as softly as I would perfect in that softness. like.” To be sure, there is a difference between gentleness and At first that sounds strange. It is certainly counter- weakness, at least in the way we normally use those intuitive. Shouldn’t it be more, not less, difficult for a words. But perhaps just as often, “weakness” is a label large ensemble to play sensitive pianissimo sections? given inappropriately to gentleness.
  • Dedication of the and at Mepkin Abbey

    Dedication of the and at Mepkin Abbey

    Durufle Requiem Choir at Mepkin Abbey Dedication of the Joseph Flummerfelt, Conductor; Robert Taylor, Choir Preparer; Scott Bennett, organ; Jennifer Luiken, Mezzo-Soprano ST. FRANCIS RETREAT CENTER SOPRANO Kiri Taylor ALTO TENOR BASS Kori Miller Chelsea Loew Robert Taylor B.J. Bennett and Courtney Cappel LaQuiavia Alsten Josh Overby Art Bumgardner Cat Richmond Sophia Zimmermann Justin Watkins D.J. Meyer Carina Gerscovich Melissa Spaulding Brian Ross Zack Smith FR. FRANCIS KLINE MEMORIAL CHAPEL Cameron Ulmer Andrea Horath Will Royall Patrick Henry Tatiana Hoover Christina Demos Joe Ford Lee Lingle Cherise Sickles Savannah Shelby Steven Spaulding Brandon Webb at Mepkin Abbey Patricia Cooney Clare Elich Josh Avant Joseph Tan Christy King Jessica Angus Ricky Roberts Barry Goldsmith Taylor Hill Samantha Hord Gage Baxter Jocelyn Moratska Curtis Worthington Sam Mazzolla A Gaelic Blessing by John Rutter Todd N. Monsell, Director; Jessica Minahan White, Accompanist The Treblemakers Choir of Porter Gaud School Camille Acevedo Catherine Gibson Gavin Milligan Manning Snyder Hanah Bergman Hunter Horn Brinkley Norton Lili Stock Conolly Burgess Julia Jones Mary Elizabeth Salley Courtenay White NaDaia Daniels Caroline Kilborn Michael Shipman Savannah Winther George Easter Kaitlyn Martin Elizabeth Snyder Widman Woodhull Aidan Worthington Sunday, August 25, 2013 3 O'Clock PM Mepkin Abbey Moncks Corner, South Carolina CHARLES MESSERSMITH (Clarinet) received his Bachelor of Music from the Cleveland Institute of Music PROGRAM and his Master of Music degree from the San Francisco Conservatory of Music. After graduation, he became the Principal Clarinet of the Augusta Symphony and performed there for four years. In 1998, he was appointed by national auditions to the Second Clarinet position with the Charleston Symphony, and in 2005 to the Principal Olivier Messiaen The Quartet For the End of Time Clarinet position.