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9 Come down, O Love divine tristesque mentes erigit. DDD Come down, O Love divine, Musica vel ipsas arbores Seek thou this soul of mine, et horridas movet feras. RUTTER 8.557130 And visit it with thine own ardour glowing; (Music, the gift of the supreme God, O Comforter, draw near, draws men, draws gods; Within my heart appear, Music makes savage souls gentle And kindle it, thy holy flame bestowing. and uplifts sad minds. Requiem Music moves the very trees and wild beasts.) O let it freely burn, and other sacred music Till earthly passions turn Author unknown, first published 1594 To dust and ashes in its heat consuming; Choir of Clare College, Cambridge And let thy glorious light Shine ever on my sight. Two Blessings for Choir & Organ Timothy Brown And clothe me round, the while my path illuming. Let holy charity ! A Clare Benediction Mine outward vesture be, May the Lord show his mercy upon you; And lowliness become mine inner clothing; May the light of his presence be your guide: True lowliness of heart, May he guard you and uphold you; Which takes the humbler part, May his spirit be ever by your side. And o’er its own shortcomings weeps with When you sleep, may his angels watch over you; loathing. When you wake, may he fill you with his grace: May you love him and serve him all your days, Veni, Sancte Spiritus. Then in heaven may you see his face. (Come, Holy Spirit) John Rutter And so the yearning strong, With which the soul will long, @ Go forth into the world in peace Shall far outpass the power of human telling; Go forth into the world in peace; Veni, Sancte Spiritus. be of good courage; hold fast that which is good; For none can guess its grace, render to no one evil for evil; Till he become the place strengthen the faint-hearted; Wherein the Holy Spirit makes his dwelling. support the weak; Veni, Sancte Spiritus. help the afflicted; honour all people; Latin text from the Golden Sequence (13th cent.); love and serve the Lord, English text translated by R. F. Littledale rejoicing in the power of the Holy Spirit. from Bianco da Siena (d. 1434) And the blessing of God Almighty, the Father, the Son, and the Holy Ghost, 0 Musica Dei donum be upon you and remain with you for ever. Amen. Musica Dei donum optimi trahit homines, trahit deos; Book of Common Prayer, 1928, slightly adapted Musica truces mollit animos 8.557130 8 John Rutter (b. 1945) In the midst of life, we are in death: 7 Lux aeterna Requiem and other sacred music of whom may we seek for succour? I heard a voice from heaven saying unto me, Blessed are the dead who die in the Lord, During the late 1950s and early 1960s, Highgate tutorial responsibility for the undergraduates, coupled Agnus Dei, qui tollis peccata mundi, for they rest from their labours: School in North London was renowned as a fervent with the daily running of the chapel choir, here dona eis requiem. even so saith the Spirit. source of musical activity. The choir at the school was recorded, one of the first in Cambridge to mix male among the finest in Britain, often performing at the and female voices. Building on the foundations laid by I am the resurrection and the life, saith the Lord: Lux aeterna luceat eis, Domine: London Promenade Concerts and being involved in his predecessor Peter Dennison, he started the choir’s he that believeth in me, though he were dead, cum sanctis tuis in aeternum, quia pius es. landmark première performances. As a young chorister rise to international fame. This has since been fuelled yet shall he live: Requiem aeternam dona eis, Domine: there John Rutter took part in the 1963 recording of by his successor, Tim Brown, elected to the same and whosoever liveth and believeth in me et lux perpetua luceat eis. Britten’s War Requiem under the baton of the position in 1979, following Rutter’s departure to shall never die. composer; an experience which Rutter describes in concentrate on composition, after the immense success (Eternal light shine upon them, O Lord: hindsight as one where “I think we knew that we were of his Gloria, resulted in an ensuing deluge of Latin text from the Requiem Mass; with all thy saints for evermore, touching the hem of history’s garment”. It is little commissions. English texts from the Burial Service, for thy mercy‘s sake. wonder that from within this unique and bustling One of the works composed in the years following 1662 Book of Common Prayer Rest eternal grant unto them, O Lord: environment, Rutter, who counts among his the end of his tenure at Clare College is the Variations and may light perpetual shine upon them.) contemporaries at the school the composer John on an Easter theme (1983), which closes the present 6 The Lord is my shepherd Tavener and Nicholas Snowman, founder of the release. Among a rare breed of organ duets, requiring The Lord is my shepherd: English text from the Burial Service (slightly altered); Latin London Sinfonietta, began to develop speedily into the some diplomatic pedal sharing between the players, therefore can I lack nothing. text from the Requiem Mass multi-faceted musician of international repute that he this work was commissioned for the giant instrument He shall feed me in a green pasture: is today, while concurrently beginning his inextricable housed in Washington National Cathedral in the and lead me forth beside the waters of comfort. Three Anthems association with the canon of late twentieth-century United States. Based on the melody O Filii et Filiae, He shall convert my soul: choral music. found in the English Hymnal, each variation and bring me forth in the paths of righteousness, 8 Arise, shine If Highgate School served as John Rutter’s demonstrates a different array of sonorities, including for his Name‘s sake. Arise, shine; for thy light is come, initiation into the musical world, then it was his going a gentle, blues-inflected passage at the heart of the Yea, though I walk through the valley of the and the glory of the Lord is risen upon thee. up to Clare College, Cambridge, in 1964 that marked work. shadow of death, For behold, the darkness shall cover the earth, the beginning of his flourishing in that same sphere. It Rutter had already established his ability to craft I will fear no evil: and gross darkness the people: is a close relationship that has lasted almost forty years solo organ compositions of sustained interest nearly for thou art with me; but the Lord shall arise upon thee, and one that has manifested itself in several distinct ten years before in the Toccata in seven (1974), a thy rod and thy staff comfort me. and his glory shall be seen upon thee. guises. As an undergraduate reading music at the sprightly piece, the quirky 7/8 time signature of which Thou shalt prepare a table before me against them And the Gentiles shall come to thy light, college, Rutter composed the ever-popular Shepherd’s gives it its title. Commissioned for an organ album of that trouble me: and kings to the brightness of thy rising. Pipe Carol when he was only eighteen, and new works by his publishers, Oxford University Press, thou hast anointed my head with oil, Lift up thine eyes round about, and see: subsequently had it published together with several the young composer’s name appeared alongside the and my cup shall be full. all they gather themselves together, other pieces before graduating. As a postgraduate grand old men of English church music including But thy loving-kindness and mercy shall follow me they come to thee: student, he forged lasting friendships with Herbert Herbert Sumsion and William Harris. In the same year, all the days of my life: thy sons shall come from far, Howells and Sir David Willcocks, then director of Rutter had his first great international success with the and I will dwell in the house of the and thy daughters shall be nursed at thy side. music at the neighbouring King’s College, with the Gloria, a vivaciously exhilarating work for choir, Lord for ever. The sun shall be no more thy light by day; latter of whom he later collaborated on the seminal brass, organ and percussion. Little was he to know that neither for brightness shall the moon give light Carols for Choirs series that remains the mainstay a decade later this amazing feat would be achieved Psalm 23 unto thee: anthology for many parish, college and cathedral again in a composition that remains one of the most but the Lord shall be unto thee an everlasting light, choirs throughout the world. In 1975 Rutter was popular classical works in the repertoire. and thy God thy glory. appointed director of music at Clare College, his The immediate success of the Requiem (1985), Isaiah 60: 1–4, 19–20 8.557130 2 7 8.557130 Requiem 3 Pie Jesu composed in memory of John Rutter’s father, who had movement bears the same relationship to the whole as Pie Jesu Domine, died the previous year and whose initials grace the Fauré’s Libera me, in that both movements existed as 1 Requiem aeternam dona eis requiem. dedication, was nothing short of miraculous. In the first separate pieces for around ten years prior to being Requiem aeternam dona eis Domine: Pie Jesu Domine, six months after publication it received over five integrated into the fabric of the completed Requiem et lux perpetua luceat eis.