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DARKWOODS MAILORDER CATALOGUE October 2016
DARKWOODS MAILORDER CATALOGUE October 2016 DARKWOODS PAGAN BLACK METAL DI STRO / LABEL [email protected] www.darkwoods.eu Next you will find a full list with all available items in our mailorder catalogue alphabetically ordered... With the exception of the respective cover, we have included all relevant information about each item, even the format, the releasing label and the reference comment... This catalogue is updated every month, so it could not reflect the latest received products or the most recent sold-out items... please use it more as a reference than an updated list of our products... CDS / MCDS / SGCDS 1349 - Beyond the Apocalypse [CD] 11.95 EUR Second smash hit of the Norwegians 1349, nine outstanding tracks of intense, very fast and absolutely brutal black metal is what they offer us with “Beyond the Apocalypse”, with Frost even more a beast behind the drum set here than in Satyricon, excellent! [Released by Candlelight] 1349 - Demonoir [CD] 11.95 EUR Fifth full-length album of this Norwegian legion, recovering in one hand the intensity and brutality of the fantastic “Hellfire” but, at the same time, continuing with the experimental and sinister side of their music introduced in their previous work, “Revelations of the Black Flame”... [Released by Indie Recordings] 1349 - Hellfire [CD] 11.95 EUR Brutal third full-length album of the Norwegians, an immense ode to the most furious, powerful and violent black metal that the deepest and flaming hell could vomit... [Released by Candlelight] 1349 - Liberation [CD] 11.95 EUR Fantastic -
Issue 148.Pmd
email: [email protected] website: nightshift.oxfordmusic.net Free every month. NIGHTSHIFT Issue 148 November Oxford’s Music Magazine 2007 Little Fish Fins are going swimmingly for Oxford’s brightest new rock sprats - interview inside NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWNEWSS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] AS HAS BEEN WIDELY Oxford, with sold-out shows by the REPORTED, RADIOHEAD likes of Witches, Half Rabbits and a released their new album, `In special Selectasound show at the Rainbows’ as a download-only Bullingdon featuring Jaberwok and album last month with fans able to Mr Shaodow. The Castle show, pay what they wanted for the entitled ‘The Small World Party’, abum. With virtually no advance organised by local Oxjam co- press or interviews to promote the ordinator Kevin Jenkins, starts at album, `In Rainbows’ was reported midday with a set from Sol Samba to have sold over 1,500,000 copies as well as buskers and street CSS return to Oxford on Tuesday 11th December with a show at the in its first week. performers. In the afternoon there is Oxford Academy, as part of a short UK tour. The Brazilian elctro-pop Nightshift readers might remember a fashion show and auction featuring stars are joined by the wonderful Metronomy (recent support to Foals) that in March this year local act clothes from Oxfam shops, with the and Joe Lean and the Jing Jang Jong. Tickets are on sale now, priced The Sad Song Co. - the prog-rock main concert at 7pm featuring sets £15, from 0844 477 2000 or online from wegottickets.com solo project of Dive Dive drummer from Cyberscribes, Mr Shaodow, Nigel Powell - offered a similar deal Brickwork Lizards and more. -
Subjectivity in American Popular Metal: Contemporary Gothic, the Body, the Grotesque, and the Child
CORE Metadata, citation and similar papers at core.ac.uk Provided by Glasgow Theses Service Subjectivity In American Popular Metal: Contemporary Gothic, The Body, The Grotesque, and The Child. Sara Ann Thomas MA (Hons) Submitted in fulfilment for the Degree of Doctor of Philosophy Faculty of Arts University of Glasgow January 2009 © Sara Thomas 2009 Abstract This thesis examines the subject in Popular American Metal music and culture during the period 1994-2004, concentrating on key artists of the period: Korn, Slipknot, Marilyn Manson, Nine Inch Nails, Tura Satana and My Ruin. Starting from the premise that the subject is consistently portrayed as being at a time of crisis, the thesis draws on textual analysis as an under appreciated approach to popular music, supplemented by theories of stardom in order to examine subjectivity. The study is situated in the context of the growing area of the contemporary gothic, and produces a model of subjectivity specific to this period: the contemporary gothic subject. This model is then used throughout to explore recurrent themes and richly symbolic elements of the music and culture: the body, pain and violence, the grotesque and the monstrous, and the figure of the child, representing a usage of the contemporary gothic that has not previously been attempted. Attention is also paid throughout to the specific late capitalist American cultural context in which the work of these artists is situated, and gives attention to the contradictions inherent in a musical form which is couched in commodity culture but which is highly invested in notions of the ‘Alternative’. In the first chapter I propose the model of the contemporary gothic subject for application to the work of Popular Metal artists of the period, drawing on established theories of the contemporary gothic and Michel Foucault’s theory of confession. -
Quiet These Paintings Are…
Quiet These Paintings Are… The Function of Slowness in Doom Metal Styles M Selim Yavuz, Leeds Beckett University [email protected] ‘From a purely musical point of view, the morbid pace and soaring lead guitar tones versus a crunchy, low rhythm tone; oh, the contrasts! A rhythm feels infinitely more powerful and driving to me at 65bpm than at 220bpm. ’ ‘I adore the weeping guitar lines, the slow rhythms... so slow that one can think and feel and stay away from the everyday life.’ ’There are so many interesting elements to consider [in the music of My Dying Bride, Paradise Lost, and Anathema], one of them is […] the hopelessness they create with such slow and heavy arrangements, the slow riffing […].’ ‘I love a slower/mid groove and tempo rather that the franticness of thrash, which I find to be boring and without dimension.’ Thergothon Stream from the Heavens (1994) ‘Who Rides the Astral Wings’ Catacombs In Depths of R’lyeh (2006) ‘In Depths of R’lyeh’ Mourning Beloveth The Sullen Sulcus (2002) ’Narcissistic Funeral’ Shape of Despair Angels of Distress (2001) ‘Quiet These Paintings Are…’ Painfully, into life, to die. My Dying Bride Like Gods of the Sun (1996) ‘For My Fallen Angel’ The Funeral Orchestra Feeding the AByss (2003) ‘Feeding the Abyss’ We must feed. You must heed. Feeding the abyss. Mournful Congregation The Dawning of Mournful Hymns (2002) ‘Remembrance of the Transcending Moon’ Anathema Pentecost III (1995) ‘They Die’ All tears, restrained for years Their grief is confined Which destroys my mind An ode to their plight is this dirge Some yearn for lugubrious silence Serenity in the image of the coffins Shall life renew these bodies of a truth? All death will he annul, all tears assuage? Fill the void veins of life, again with youth And wash with an immortal water, age They die. -
Locating Experiential Richness in Doom Metal
UC San Diego UC San Diego Electronic Theses and Dissertations Title Locating experiential richness in doom metal Permalink https://escholarship.org/uc/item/7bq7387s Author Piper, Jonathan Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, SAN DIEGO LOCATING EXPERIENTIAL RICHNESS IN DOOM METAL A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Music by Jonathan Nicholas Piper Committee in charge: Professor Nancy Guy, Chair Professor Anthony Burr, Co-Chair Professor Ricardo Dominguez Professor Eun-Young Jung Professor Katharina Rosenberger 2013 Copyright Jonathan Nicholas Piper, 2013 All rights reserved. The Dissertation of Jonathan Nicholas Piper is approved, and it is acceptable in quality and form for publication on microfilm and electronically: Co-Chair Chair University of California, San Diego 2013 iii DEDICATION To Eleanor and Chris, Sophia and Spiros. iv TABLE OF CONTENTS Signature Page........................................................................................................ iii Dedication............................................................................................................... iv Table of Contents.................................................................................................... v List of Figures......................................................................................................... vii Acknowledgements............................................................................................... -
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City Research Online City, University of London Institutional Repository Citation: Grant, P. (2017). The First World War in Popular Music since 1958. In: Einhaus, A. and Baxter, I. (Eds.), The Edinburgh Companion to the First World War and the Arts. (pp. 216-229). Edinburgh University Press. ISBN 9781474401630 This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/16363/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] 13 The First World War in Popular Music since 1958 Peter Grant Introduction ince 1958 there have been over 1,400 newly composed songs ‘about’ the First SWorld War in the different genres of popular music with numbers increasing signifi cantly since the new millennium. By this I mean songs where the infl uence of the war is discernible, whether directly or through ‘signifi ers’ or references, in the title or lyrics. -
2000 | Sveriges Största Musiktidning
GROOVE Nummer 7 • 2000 | Sveriges största musiktidning Erasure Hammerfall Timbuktu Type O Negative At the Drive-In Kim Gordon och grabbarna gör nedslag i Skåne Steve von Till • Bob Log III • Spiller • Peter Kvint • Morgan • Downset • Svenson Ansvarig utgivare & recensionsansvarig Groove Ledare Per Lundberg Gonzalez-Bravo, 7 • 2000 [email protected] Chefredaktör Allas ögon Gary Andersson, [email protected] Bildredaktör Johannes Giotas, [email protected] riktas hit Layout Henrik Strömberg Redigering I mitten av november kommer all världens musikkändisar Gary Andersson, Henrik Strömberg Svenson sid. 4 att dricka champagne i Stockholm då den sjunde MTV Europe Music Awards går av stapeln. Kalaset föregås av en Annonser Per Lundberg G.B. Downset sid. 5 vecka med liveframträdanden där den svenska branschen Distribution spänner musklerna, uppspelta musiker kommer att trängas Fyra frågor till... sid. 5 Karin Stenmar, Miriam Fumarola på alla caféer och klubbar innanför tullarna. ”Fläsksvålar och tvålkoppar” sid. 5 Förhoppningsvis föds en del schysst musik också. Web Michael Stooss Morgan sid. 6 Annars är det väl just festandet och galans tittarsiffror som är mest i fokus. I en så krogtillvänd bransch är ju en Grooveredaktion ”Tobak i öronen” sid. 6 gala egentligen bara en anledning att få umgås via alkohol Gary Andersson Type O Negative sid. 7 och samtidigt ge erkännande till ett antal (redan framgångs- Olof Berghe rika) artister. En direktsänd, sponsrad och rejält hypad fir- Josefin Claesson ”Det kallas locked grooves” sid. 8 mafest således. Niclas Ekström Steve von Till sid. 10 En snarlik händelse i mindre skala arrangeras över en Jonas Elgemark helg i början av februari nästa år i Göteborg då Sveriges Mattias Elgemark At The Drive-In sid. -
City Research Online
City Research Online City, University of London Institutional Repository Citation: Grant, P. (2017). From Brel to Black Metal: The First World War in Popular Music and Music Videos. In: Cohen, D. and Higbee, D. (Eds.), Teaching Representations of the First World War. (pp. 284-292). USA: Modern Language Association. ISBN 9781603293044 This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/18018/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] 1 Options for Teaching Representations of World War One “From Brel to Black Metal: The First World War in Popular Music and Music Videos” Most people’s idea of a First World War song is probably ‘Pack Up Your Troubles’ or ‘Over There’ but since the late 1950s there have been around 500 newly composed songs featuring the War in one form or another. -
Usa Product Catalog Esp · Lt D · Xtone 2006 Usa Product Catalog Esp · Ltd · Xtone
2006 USA PRODUCT CATALOG ESP · LT D · XTONE 2006 USA PRODUCT CATALOG ESP · LTD · XTONE ESP CUSTOM SHOP. 4-5. EC SERIES GUITARS MH SERIES GUITARS EC SERIES BASSES EC-500. 38 MH-400. 52. EC-404. .66 ESP CUSTOM SERIES EC-400.w/emg. 38 MH-250. .52 EC-254. 67. EC-400.w/seymour.duncan. 38 MH-100QM. .53 Viper.Custom. 7 EC-400AT. 39. MH-50. 53. Eclipse.Custom. 7 EC-200QM .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. ...39 F SERIES BASSES HORIZON.CUSTOM. 7 F-404FM. 66 EC-100QM. 39. MHNT SERIES GUITARS EC-50. 39. F-255FM. 67. MH-400NT. 54. F-254FM. 67. ESP STANDARD SERIES MHB-400. 54. F-104. .67 Viper. .8 MH-250NT. 55 Eclipse-II. 8 VIPER SERIES GUITARS VIPER-500. 40. MH-100QMNT. 55 ECLIPSE-II.VB. 9 MH-50NT. 55 Viper-400.w/seymour.duncan. 40. B SERIES BASSES ECLIPSE-II.FM. 9 B-500. 68 Viper-400.w/emg. 41. Horizon-NT.II. 10 VB-400. 41. B-405. 68 M-II.neck-thru. 10. AX SERIES GUITARS Viper.407. 42 B-404. 69. m-ii.w/emg. .11 AX-400. .56 Viper-200FM. 42 B-255. 70. m-ii.w/seymour.duncan. 11. AX-250. 57. B-254. 70. Viper-100FM. .43 AX-50. 57. VIPER-50. 43. B-208. 69. B-206. 69. SIGNATURE SERIES B-155. 71 James.HetFIeld.–.Metallica. .12-13 HYBRID-400 .. .. .. .. .. .. .. .. .. .. .. .. .. .. 56 B-154. 71 Kirk.Hammett.–.Metallica. 14-15. F SERIES GUITARS F-500. 44. B-55. 71. Dave.Mustaine.–.Megadeth. 16-17. F-400FM. 44. -
The Guns Don't Work
WESSEX PAPER FEBRUARY.1 19/2/01 5:15 pm Page 1 21st February - 14th March ELECTION FRENZY - MEET THE ELITE - ELECTION FRENZY - MEET THE ELITE Saturday 17th February saw the launch of the student radio station SURGE on to the new frequency 87.7 FM. Transmitting on 1287 AM for several years, Southampton University’s Radio from Glen Eyre has become a popular choice amongst the residents of the Glen Eyre complex. The extension of the license to FM status for a special trial period of one month offers the opportunity for all the students based at the University to listen to, or even work on SURGE. SURGE staff and regular DJs have been Haden and Anna (pictured above) working hard over the last few months proudly wore their promotional SURGE with the support of the Student’s Union, T-shirts around the university campuses to ensure that the FM switchover will be and the city centre throughout the week. smooth and successful. Station Manager In his official capacity as SURGE Lex Nichol summed up the view of the Webmaster, Haden enthusiastically whole station when he commented: “The proclaimed his opinion the FM launch: SURGE staff have all put a lot of work “Apart from increasing my pulling into this project - I believe that we’ll get power, it gives us the opportunity to as much out of this as the listeners will.” transmit to a much wider arena. Working at SURGE is great fun, and the new The build-up to the launch began in force schedule features a varied and exciting at the beginning of the new semester, line-up which is sure to appeal to all.” with a poster campaign around the Students’ Union, swiftly followed by an SURGE is also online. -
Masscddg1035 Pivotal
Untitled Document Page 1 of 1 Amen – self-titled (expanded) - added - September 11th, 2007 Reviewer: Ruben Mosqueda 5/5 Amen came around at a time when Roadrunner Records began to shed their death and thrash metal image. Those two subgenres were what built the Roadrunner house, and it was shocking that they started to move away from their bread and butter. Unlike Slipknot, Amen was the real deal. Amen was punk rock, and not the pre-packaged sterile shit you buy at a mall. Casey Chaos was full of piss and vinegar. On Amen you get him at his best. Everything came together nicely on Amen. The production is raw and abrasive as it should be. The only knocks that these guys had against them at the time was that they had Ross Robinson produce them, who was also responsible for introducing Korn to us (gee, thanks), and the fact that they had novelty band Ugly Kid Joe’s drummer Shannon Larkin, who proved on this album that he could play hard. Mayo's and Fig’s riffs are unbelievable. I never thought punk in 1999 could be this against the grain, given the soft (i.e. Green Day and Blink 182) direction that so called punk was heading. The standout tracks on Amen are “Drive,” “Down Human,” and what went on to become their signature track, “Coma America.” How about the artwork? That was scandalous. Amen should have been huge, and the people at Metal Mind seem to agree as they have issued an expanded, gold pressed, limited edition of this criminally underrated debut album. -
ROCK N ROLL EXPERIENCE - July / August 2008
ROCK N ROLL EXPERIENCE - July / August 2008 http://www.angelfire.com/rock/e4/july2008.html Search: nmlkji The Web nmlkj Angelfire Report Abuse « Previous | Top 100 | Next » share: del.icio.us | digg | reddit | furl | facebook the AND rolling AND stones Ads by Google ROCK N ROLL EXPERIENCE - July / August 2008 Rock N Roll Experience - July / August 2008 Features ROCK N ROLL EXPERIENCE! for this issue Review of the 7/28/08 JET BLACK STARE show Review of the 7/25/08 Warped Tour + an Interview with TAT!! Review of the 7/16/08 Warped Tour! Review of the 7/2/08 & 7/03/08 KITTIE/DOPE concert! Review of the 6/17/08 The Veronica’s show! Review of the 6/16/08 Donita Sparks show! Review of the 5/18/08 Type O Negative show! ‘ello f**kers....welcome to the July / August 2008 page! Review of the 5/15/08 Scum The Summer is here, the weather outside is nice & warm, & life is of the Earth pretty freakin’ good in the world of Rock N Roll Experience! We’ve 1 of 29 8/4/2008 1:32 PM ROCK N ROLL EXPERIENCE - July / August 2008 http://www.angelfire.com/rock/e4/july2008.html concert! got tons o’ new reviews, tons o’ exclusive pics, show reviews, & there’s some major stuff heading your way very soon...trust me, it Review of the pays to be a loyal Rock N Roll Experience reader! 5/10/08 Arch Enemy show! I know that some readers will say, why in the hell did you decide to cover The Veronica’s? They are a freakin’ pop band, & you know An Interview what...the honest reason is, we LOVE to expose new music to our with Kerli! readers, we’re ALL about good music & in all honesty, The Veronica’s are a pop band, BUT, they are alot of fun, they have a Review of the killer, high energy rock band & guess who their drummer is?? None 5/9/08 of than Mr.