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NATIONAL LIFE STORIES ARTISTS' LIVES Mary Fedden Interviewed by Mel Gooding C466/05
NATIONAL LIFE STORIES ARTISTS’ LIVES Mary Fedden Interviewed by Mel Gooding C466/05 This transcript is copyright of the British Library Board. Please refer to the Oral History curators at the British Library prior to any publication or broadcast from this document. Oral History The British Library 96 Euston Road London NW1 2DB 020 7412 7404 [email protected] This transcript is accessible via the British Library’s Archival Sound Recordings website. Visit http://sounds.bl.uk for further information about the interview. © The British Library Board http://sounds.bl.uk IMPORTANT Access to this interview and transcript is for private research only. Please refer to the Oral History curators at the British Library prior to any publication or broadcast from this document. Oral History The British Library 96 Euston Road NW1 2DB 020 7412 7404 [email protected] Every effort is made to ensure the accuracy of this transcript, however no transcript is an exact translation of the spoken word, and this document is intended to be a guide to the original recording, not replace it. Should you find any errors please inform the Oral History curators ( [email protected] ) © The British Library Board http://sounds.bl.uk The British Library National Life Stories Interview Summary Sheet Title Page Ref no: C466/05/01-07 Digitised from cassette originals Collection title: Artists’ Lives Interviewee’s surname: Feddon Title: Interviewee’s forename: Mary Sex: Female Occupation: Date and place of birth: 1915 Dates of recording: 19/1/91 Location of interview: interviewee's home Name of interviewer: Mel Gooding Type of recorder: Marantz CP430 Recording format: D60 Cassette F numbers of playback cassettes: F1882-F1888 Total no. -
Press Release
PRESS RELEASE GOOD NATURE – a celebration of our planet, its beauty and its fragility and the essential part we all play in preserving it. 30 emerging and eminent artists were invited to make a new work in response to the theme. The work explores the themes of nature, our planet and the environment today. 16 September to 28 October 2017 Tuesday- Saturday 10am – 5pm CANDIDA STEVENS GALLERY Chichester West Sussex PO19 1BA Top left and clockwise: Alice Kettle, David Nash RA OBE, Michael Benson, Eileen Cooper RA OBE, Nicola Green GOOD NATURE celebrates the natural world through the observations of some of the leading artists working in the UK today who awaken our senses to the abundant beauty of our planet. They take inspiration from the warmth of the sun, the green lungs of the forests and the dark depths of the oceans, alongside all life that teems in and under them. We are reminded of the changing and fragile state of Earth and are invited to reflect on how it is necessary for all these elements to interconnect in order to exist. Highly acclaimed, environmental sculptor David Nash RA OBE shows a work created from a Holly tree, charred in his distinctive style, with an associated print. Eileen Cooper RA OBE, and this year’s curator of the RA Summer Show, includes a painting inspired by the domestic use of nature. Stephen Farthing RA makes a new print about the escapism PRESS RELEASE nature provides. Returning from highly successful exhibitions at Venice Biennale, Stephen Chambers RA takes a humorous look at manmade versus nature whilst Nicola Green makes a series of silkscreen prints in response to deforestation. -
E Ileen C Oop Er: P Ersonal S P
Eileen Cooper: Personal Space 3–5 Swallow Street London W1B 4DE 020 7434 4319 huxleyparlour.com Cover image: Sisters, 2019 Eileen Cooper: Personal Space Introduction I am very pleased to introduce our first catalogue of paintings by Eileen Cooper RA, which contains a completely new body of work produced especially for our first exhibition together. It is a remarkable group of pictures that nods to her earliest years as a painter, while also continuing to develop the themes of identity and womanhood that she has explored throughout her career. The exhibition’s particular theme of reflective, personal space is one that seems entirely appropriate to Cooper, whose studio itself is a domestic one, set in a light filled room above the convivial family kitchen in her Brockley home. Here in this high ceilinged, paint splattered sanctuary Cooper quietly makes her pictures, bathed in the rays that flood through the tall sash windows. For many years Cooper worked alone there with her imagination, but more recently she has re-welcomed models – which has given birth to a more immediate intimacy. As one of the country’s most influential female Royal Academicians, Cooper has been a force in the British art world for many years, most recently as a much-loved Keeper of the Royal Academy Schools. In seeking models for the previous project to ours, Cooper found herself welcoming a long queue of former students and their artistic brethren, which is testimony to the esteem and friendship in which she is held. Like them, I have adored getting to know and being around Cooper, whose warmth, and energetic approach to her life and work makes for an intoxicating environment. -
Annual Report 2019/2020 Contents II President’S Foreword
Annual Report 2019/2020 Contents II President’s Foreword IV Secretary and Chief Executive’s Introduction VI Key figures IX pp. 1–63 Annual Report and Consolidated Financial Statements for the year ended 31 August 2020 XI Appendices Royal Academy of Arts Burlington House, Piccadilly, London, W1J 0BD Telephone 020 7300 8000 royalacademy.org.uk The Royal Academy of Arts is a registered charity under Registered Charity Number 1125383 Registered as a company limited by a guarantee in England and Wales under Company Number 6298947 Registered Office: Burlington House, Piccadilly, London, W1J 0BD © Royal Academy of Arts, 2020 Covering the period Portrait of Rebecca Salter PRA. Photo © Jooney Woodward. 1 September 2019 – Portrait of Axel Rüger. Photo © Cat Garcia. 31 August 2020 Contents I President’s I was so honoured to be elected as the Academy’s 27th President by my fellow Foreword Academicians in December 2019. It was a joyous occasion made even more special with the generous support of our wonderful staff, our loyal Friends, Patrons and sponsors. I wanted to take this moment to thank you all once again for your incredibly warm welcome. Of course, this has also been one of the most challenging years that the Royal Academy has ever faced, and none of us could have foreseen the events of the following months on that day in December when all of the Academicians came together for their Election Assembly. I never imagined that within months of being elected, I would be responsible for the temporary closure of the Academy on 17 March 2020 due to the coronavirus (COVID-19) pandemic. -
Eileen Cooper: Personal Space
3-5 Swallow Street, London, W1B 4DE / [email protected] Eileen Cooper: Personal Space 17 October - 16 November 2019 Huxley-Parlour Gallery, London will be exhibiting a group of 15 new paintings by Eileen Cooper RA that fuse objective drawing from life, a new part of her practice, with the instantly recognisable, passionate and imaginative works she is known for. Ruby Red, 2019 Entitled Personal Space, the focus of the exhibition is on the female figure in nurturing and intimate spaces, explored with confidence, sensitivity and awareness. Through these images, Cooper revisits and expands on themes that she has explored throughout her forty-year career, those of universal female experience, primarily fertility, sexuality and motherhood. In this latest body of work, Cooper has also incorporated images celebrating friendship, sisterhood and sense of self. Many of the images show female figures in private spaces, engaged in intimate and sometimes simple acts, including brushing or washing hair or applying make up. Cooper’s protagonists are confident, gazing stridently out at the viewer or at their own figures in the many mirrors that populate this body of work. Although not strictly representational, this latest body of work comes after an intensive year of drawing from life, a marked change in the artist’s process, after a lifetime of working directly from imagination. Cooper has skilfully blended this new part of her practise with her characteristic use of graphic, decisive line, flattened space and bold colour palette. The resulting imagery explores the powerful tension created between the universal and the particular, and of the real and the imagined. -
Ma Fille De Ans Pourrait Le Faire
CONTEMPORAINMA FILLE DE ANS POURRAIT LE FAIRE L’ARTBRISONS LES MURS ET LES CLICHÉS Rencontrez 10 artistes - Visitez 100 lieux Découvrez une ville différemment ateliershenrydougier.com AFFICHE_10_100_A3_MA_FILLE_V3.indd 1 24/01/2020 15:06 TISTES10 100LIX UN LIVRE + UN GUIDE Le livre – 2 préfaciers évoquent la scène artistique de la ville depuis 50 ans – 10 artistes racontent leur travail, leurs RTITE inspirations et leur rapport à la ville 10 Londres Le guide Visite guidée de 100 lieux clés de la ville + classés par quartier et par discipline, cartes à l'appui 100LIX Michèle Fajtmann Préfaces de Hannah Barry et Daniel Rachel AU CŒUR DE LA CRÉATION CONTEMPORAINE AU CŒUR DE LA CRÉATION SOM- Créée en 2014, la maison dédition les ateliers henry dougier souhaite « raconter » la société contemporaine dans le monde, en donnant la parole aujourdhui à des témoins souvent invisibles et inaudibles : peuples, régions, métiers, catégories sociales ou générationnelles parlent ici de leurs valeurs, de leur mémoire, MAIRE de leur imaginaire, de leur créativité. Notre objectif : briser les murs et les clichés. Avant-propos de l’auteure 6-9 Préface de Daniel Rachel 10-13 Préface de Hannah Barry 14-17 Entretiens avec 10 artistes 18-97 Portraits de 100 lieux clés 98-155 + cartographie par quartier Index des 100 lieux 156-159 01. ENTRE TIE20.NS Eileen Cooper 28. Akram Khan 36. Anna Meredith 44. Yinka Ilori 52. Mary Katrantzou AVEC 60. Ben Eine 68. Amanda Levete 76. Conrad Shawcross 84. Gillian Wearing RTITE10 92. Simon McBurney | Entretien avec Eileen Cooper | 20 21 ileen Cooper grandit à Glossop. -
Eileen Cooper Showing Off Eileen Cooper Showing Off 2011 Working with Eileen Cooper Over a Combined Period of Twenty Three Years Has Been an Adventure
Eileen Cooper Showing Off Eileen Cooper Showing Off 2011 Working with Eileen Cooper over a combined period of twenty three years has been an adventure. Above all, it has been a pleasurable and rewarding experience, marked by firm friendship, and based on mutual professional trust and respect. During that time, London has become a global art world hub and the number of contemporary art galleries today is more than double that in 1988, when Cooper had her first exhibition at the Benjamin Rhodes Gallery in New Burlington Place. She has been represented by Art First since 1997 and we are very pleased to present her first solo exhibition in the new Art First space in Fitzrovia, at the moment when she takes up her post as Keeper of the Royal Academy. This is a notable appointment in its own right, but it is also an historical break-through because Cooper is the first woman Officer ever to be elected since Sir Joshua Reynolds founded the Academy in 1768. We would like to congratulate Eileen Cooper on her achievement, and to thank her for the many introductions to young graduates whom she has taught, as well as other artists we have been delighted to work with. Cooper has been generous towards her peers over the decades and strongly supportive of those starting out in their careers. In this spirit she brings to the Keepership an exciting fresh focus, and we both look forward to the years to come. Clare Cooper and Benjamin Rhodes Directors, Art First September 2011 The Idealist 2011, pencil on paper, 70.5 x 50 cm Jeanette Winterson was the Speaker at the This brooding business and the hinted horrors of numbness and indifference. -
Eileen Cooper RA
Eileen Cooper RA Born 1953 in Glossop, near Manchester Lives and works in London Education 1974-1977 MA Printmaking, Royal College of Art, London 1971-1974 BA Fine Art, Goldsmith’s College, London Solo Exhibitions 2015 Royal Academy of Arts, Tennant Room (forthcoming) 2013 Edge to Edge, Art First, London 2012 Aldeburgh Beach, South Lookout Project 2011 Showing Off, Art First, London 2010 Collages, Sir Hugh Casson Room, Royal Academy, London New Work, Arts Club, London 2009 Dreams of Elsewhere, Art First, London Crosscurrent, Brook Gallery, Budleigh Salterton 2008 Crossing, Art First Projects, London Taking Stock: The Printmaking Of Eileen Cooper RA, Clifford Chance, London & The Cornerstone Gallery, Liverpool Hope University 2007 Deeper Water, Art First, London 2006 An Encore: Eileen Cooper, Art First Projects, London 2005 Time of Your Life, Art First London 2004 Subject Matter – Paintings Drawings & Prints, Glasgow Print Studio 2003 Eileen Cooper, 50, Art First London Eileen Cooper at 50, A Celebration, Art First New York 2002 Passions: New Work on Paper, Art First, London Passions, Art First, New York 2000 Raw Material: Eileen Cooper at Dulwich Picture Gallery, London Raw Material Part II, Art First, London Homecoming – The Prints Of Eileen Cooper, Clifford Chance, London 1999 Second Skin: Eileen Cooper in the 80s and 90s, touring to Wolverhampton, Nottingham and Eastbourne 1998 Open Secrets, Art First, London 1998 Graphic Work, Bridport Arts Centre, Dorset 1997 Graphic Works, The Gallery In Cork Street with Benjamin Rhodes, London -
B O H U N G a L L E R Y
B O H U N G A L L E R Y * * * P R E S S R E L E A S E * * * MARY FEDDEN: A Centenary Celebration of Major Works Royal Academy Paintings, Drawings, Collages and Early Lithographs 7th November – 28th November To celebrate Bohun Gallery’s long and personal association with one of Britain’s best-loved artists, the Henley on Thames gallery will be celebrating Mary Fedden’s Centenary with a major show of her very finest work including Royal Academy paintings, drawings, collages and the first survey of her early lithographs. Many of the paintings have not been seen since their first appearance at Royal Academy Summer shows which presents an exciting opportunity for Modern British collectors. These reappearing works also offer the new generation of Fedden collectors the chance to get a much clearer and broader idea of Fedden’s artistic development and diversity. Mary Fedden first exhibited her work at Bohun Gallery in Henley on Thames in 1984. Patricia Jordan Evans recalls “It was Elisabeth Frink who introduced me to Mary Fedden nearly 35 years ago. From the start there was a rapport between us and we enjoyed a warm friendship until her death in 2012”. Mary and her artist husband, Julian Trevelyan RA, regularly exhibited their paintings at the Henley on Thames gallery which offered collectors outside London the opportunity to discover Fedden’s work. Her paintings were much sort after from the start for their unique artistry and attractiveness. Patricia recalls how she regularly discovered collectors camped out overnight on Bohun’s doorstep, ensuring that they were first through the door at the Private View - “Private views for Mary were always absolutely packed with friends and admirers. -
Individual Entries on the Register Can Be Easily Accessed Using the Links to People on the Right Hand Side
Individual entries on the register can be easily accessed using the links to people on the right hand side. Katy Ackrill Museum Assistant, Swindon Museum and Art Gallery Rhian Addison Curator, The Whitworth Art Gallery Alternatively please press ‘CTRL-F’ on a PC or ‘command-F’ on a Mac to search the register using key terms. Kate Anderson Senior Curator, National Galleries Scotland Dr Thomas Ardill Museum Of London The following lists of key terms may be of use: Rina Arya Reader in Visual Communication, University of Wolverhampton Period Medium Genre 16th and 17th century Books; Portraiture; Industrial Revolution; Dr Kate Aspinall Independent art historian/writer British art; Costume; Landscape; Modernism; Katy Barrett Curator of Art Collections, The Science Museum Documents; History painting; Neoclassicm; James Beighton Curator 18th century British art; Drawing; Still Life; Neo-Romanticism; Decorative/ applied arts; Sporting art; New English Art Club; Geoffrey Bertram The Barns-Graham Charitable Trust, (Chairman), Bertram Arts, (Owner) 19th century British art; Furniture; Genre painting; New Sculpture; Installation; Marine painting; Norwich School; Sara Bevan Curator, Imperial War Museum London 20th century 1900-1945 Miniatures; Topography & Performance art; Gemma Brace Head of Programmes and Exhibitions Curator, Royal West of England Academy British art; Painting; mapmaking; Pop Art; Dr Christina Bradstreet Director of Career Services, Sotheby's Institute of Art Pastel; Caricature & satire; Popular Art; 20th century post-1945 Performance; -
Eileen Cooper
Eileen Cooper Galerie MIRO Praha 1 2 EILEEN COOPER Between the Lines | Mezi řádky MIRO Gallery Prague | Galerie MIRO Praha 3 EILEEN COOPER Eileen Cooper was born in 1953 in the northern English town of Glossop. Today Glossop is a part of the eastern edge of Greater Manchester. Even further east the town is bordered by the characteristic, almost barren landscape of the Pennines. The surroundings and natural landscape will are only suggestions, only symbols in the artist’s paintings. After studying art at Ashton-under-Lyne College, Goldsmiths College and the Royal College of Art, she settled in London. She focused on crafts, printmaking and painting. In the 1980s she was a part-time instructor at several schools in England. Starting in 1994 she taught at the Royal College of Art in London. Following her election as Keeper of the Royal Academy in 2010, she became the first woman in the role since the Academy was established in 1768. It seems that Eileen Cooper’s paintings and drawings always conceal a story, or at least capture a certain moment or feeling. The story is perhaps just one – the artist’s entire life thus far. Of course, they are not illustrations of events that occurred in her lifetime; reality is blended with and supplemented by Eileen Cooper’s imagination and symbolism. Especially in the beginning, the expressiveness of the figure is emphasised through monumentality. Sometimes it barely fits in the picture, and parts of the figure are in fact outside the frame. The motifs are not anecdotal, but rather allegoric, simultaneously both personal and universal. -
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2020 CELEBRATING 800 YEARS OF SPIRIT AND ENDEAVOUR, Salisbury Cathedral, Salisbury. Texts by Sandy Nairne and Jacquiline Cresswell. 2019 OBJECTS OF WONDER: BRITISH SCULPTURE FROM THE TATE COLLECTION 1950S -PRESENT. Deutsche Bank AG, Frankfurt, Germany A COOL BREEZE. Galerie Rudolfinum, Prague, Czech Republic. Text by Petr Nedoma. LESS IS MORE. Museum Voorlinden, Wassenar. Texts by Suzanne Swarts, Aaf Brandt Corstius, Rafael Rozendaal and Witeke van Zeil. 2018 WOHIN DAS AUGE REICHT: NEUE EINBLICKE IN DIE SAMMLUNG WÜRTH. Swiridoff, Künzelsau, Germany. Sean Rainbird et al. BIENALLE INTERNATIONALE SAINT-PAUL DE VENCE. Editions DEL'ART, Saint-Paul de Vence, France. Text by Loic Deltour. SUTRA. Sadler's Wells, London. Author unknown. 2017 RODIN, LE LIVRE DU CENTENAIRE, Les éditions Rmn-Grand Palais, Paris, France. VERSUS RODIN, Art Gallery of New South Wales, Sydney Australia. Texts by Tony Magnusson, Lisa Slade, Leigh Robb et al BLICKACHSEN 9, Wienand Verlag, Cologne, Germany. Oliver Kaeppelin et al. EUROVISIONS: CONTEMPORARY ART FROM THE GOLDBERG COLLECTION, National Art School, Sydney, Australia. Texts by Judith Blackhall (ed.) et al. GOLEM: AVATAR D'UNE LEGENDE D'ARGILE, Éditions Hazan / Musée d'art et d'histoire du Judaïsme, Paris. Texts by Ada Ackerman et al. INTUITION, AsaMer, Gent, Belgium. Text by Margaret Iverson et al. FOLKESTONE TRIENNIAL 2017. Creative Foundation, Folkestone, England. Text by Lewis Biggs ARTISTS WORKING FROM LIFE. Royal Academy of Arts, London. Texts by Martin Gayford et al. WOW! THE HEIDI HORTEN COLLECTION, WOW! The Heidi Horten Collection, Vienna, Austria. Husslein-Arco et al. GOLEM: AVATAR D'UNE LEGENDE D'ARGILE, Éditions Hazan / Musée d'art et d'histoire du Judaïsme, Paris.