Judicial Astrology in Theory and Practice
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Types of Divination
Types of Divination ASTROLOGY is divination using celestial bodies: the sun, moon, planets, and stars. CARTOMANCY is fortune telling using cards such as the Tarot. CLAIRAUDIENCE is "clear hearing" of divinatory information. Parapsychologist generally regard as a form of extrasensory perception. CLAIRVOYANCE is "clear seeing" of divinatory information. Parapsychologist generally regard as a form of extrasensory perception. CRYSTALLOMANCY is divination through crystal gazing. DOWSING or DIVINING RODS are methods of divination where a forked stick is used to locate water or precious minerals. NUMEROLOGY is the numerical interpretation of numbers, dates, and the number value of letters. OCULOMANCY is divination from a person's eye. PALMISTRY is the broad field of divination and interpretation of the lines and structure of the hand. PRECOGNITION in an inner knowledge or sense of future events. PSYCHOMETRY is the faculty of gaining impressions from a physical object and its history. SCIOMANCY is divination using a spirit guide, a method generally employed by channelers. SCRYING is a general term for divination using a crystal, mirrors, bowls of water, ink, or flames to induce visions. TASSEOGRAPHY is the reading of tea leaves that remain in a tea cup once the beverage has been drunk. AEROMANCY divination from the air and sky, particularly concentrating on cloud shapes, comets, and other phenomena not normally visible in the heavens. ALECTRYOMANCY is divination whereby a bird is allowed to pick corn grains from a circle of letters. A variation is to recite letters of the alphabet noting those at which a cock crows. ALEUROMANCY is divination using "fortune cookies"; answers to questions are rolled into balls of dough and once baked are chosen at random. -
Newsletter of the Societas Magica/ No. 4
Newsletter of the Societas Magica/ No. 4 The current issue of the Newsletter is devoted mostly to the activities, collections, and publications of the Warburg Institute in London. Readers desiring further information are urged to communicate with the Institute at the following address, or to access its Website. È Warburg Institute University of London School of Advanced Study Woburn Square, London WC1H 0AB tel. (0171) 580-9663 fax (0171) 436-2852 http://www.sas.ac.uk/warburg/ È The Warburg Institute: History and Current Activities by Will F. Ryan Librarian of the Institute The Warburg Institute is part of the School of Advanced Study in the University of London, but its origins are in pre-World War II Hamburg. Its founder, Aby Warburg (1866-1929),1 was a wealthy historian of Renaissance art and civilization who developed a distinctive interdisciplinary approach to cultural history which included the history of science and religion, psychology, magic and astrology. He was the guiding spirit of a circle of distinguished scholars for whom his library and photographic collection provided a custom- built research center. In 1895 Warburg visited America and studied in particular Pueblo culture, which he regarded as still retaining a consciousness in which magic was a natural element. In his historical study of astrology he was influenced by Franz Boll (part of whose book collection is now in the Warburg library). In 1912 he delivered a now famous lecture on the symbolism of astrological imagery of the frescoes in the Palazzo Schifanoja in Ferrara; he wrote a particularly interesting article on Luther's horoscope; and he began the study of the grimoire called Picatrix, the various versions of which the Warburg Institute is gradually publishing. -
View/Download Concert Program
Christmas in Medieval England Saturday, December 19, 2009 at 8 pm First Church in Cambridge, Congregational Christmas in Medieval England Saturday, December 19, 2009 at 8 pm First Church in Cambridge, Congregational I. Advent Veni, veni, Emanuel | ac & men hymn, 13th-century French? II. Annunciation Angelus ad virginem | dt bpe 13th-century monophonic song, Arundel MS / text by Philippe the Chancellor? (d. 1236) Gabriel fram Heven-King | pd ss bpe Cotton fragments (14th century) Gaude virgo salutata / Gaude virgo singularis isorhythmic motet for Annunciation John Dunstaple (d. 1453) Hayl, Mary, ful of grace Trinity roll (early 15th century) Gloria (Old Hall MS, no. 21) | jm ms ss gb pg Leonel Power (d. 1445) Ther is no rose of swych vertu | dt mb pg bpe Trinity roll Ibo michi ad montem mirre | gp jm ms Power III. Christmas Eve Veni redemptor gencium hymn for first Vespers of the Nativity on Christmas Eve, Sarum plainchant text by St Ambrose (c. 340-97) intermission IV. Christmas Dominus dixit ad me Introit for the Mass at Cock-Crow on Christmas Day, Sarum plainchant Nowel: Owt of your slepe aryse | dt pd gp Selden MS (15th century) Gloria (Old Hall MS, no. 27) | mn gp pd / jm ss / mb ms Blue Heron Pycard (?fl. 1410-20) Pamela Dellal | pd ss mb bpe Ecce, quod natura Martin Near Selden MS Gerrod Pagenkopf Missa Veterem hominem: Sanctus Daniela Tošić anonymous English, c. 1440 Ave rex angelorum | mn mb ac Michael Barrett Egerton MS (15th century) Allen Combs Jason McStoots Missa Veterem hominem: Agnus dei Steven Soph Nowel syng we bothe al and som Mark Sprinkle Trinity roll Glenn Billingsley Paul Guttry Barbara Poeschl-Edrich, Gothic harp Scott Metcalfe,director Pre-concert talk by Daniel Donoghue, Professor of English, Harvard University sponsored by the Cambridge Society for Early Music Blue Heron Renaissance Choir, Inc. -
DIVINATION SYSTEMS Written by Nicole Yalsovac Additional Sections Contributed by Sean Michael Smith and Christine Breese, D.D
DIVINATION SYSTEMS Written by Nicole Yalsovac Additional sections contributed by Sean Michael Smith and Christine Breese, D.D. Ph.D. Introduction Nichole Yalsovac Prophetic revelation, or Divination, dates back to the earliest known times of human existence. The oldest of all Chinese texts, the I Ching, is a divination system older than recorded history. James Legge says in his translation of I Ching: Book Of Changes (1996), “The desire to seek answers and to predict the future is as old as civilization itself.” Mankind has always had a desire to know what the future holds. Evidence shows that methods of divination, also known as fortune telling, were used by the ancient Egyptians, Chinese, Babylonians and the Sumerians (who resided in what is now Iraq) as early as six‐thousand years ago. Divination was originally a device of royalty and has often been an essential part of religion and medicine. Significant leaders and royalty often employed priests, doctors, soothsayers and astrologers as advisers and consultants on what the future held. Every civilization has held a belief in at least some type of divination. The point of divination in the ancient world was to ascertain the will of the gods. In fact, divination is so called because it is assumed to be a gift of the divine, a gift from the gods. This gift of obtaining knowledge of the unknown uses a wide range of tools and an enormous variety of techniques, as we will see in this course. No matter which method is used, the most imperative aspect is the interpretation and presentation of what is seen. -
As Above, So Below. Astrology and the Inquisition in Seventeenth-Century New Spain
Department of History and Civilization As Above, So Below. Astrology and the Inquisition in Seventeenth-Century New Spain Ana Avalos Thesis submitted for assessment with a view to obtaining the degree of Doctor of History and Civilization of the European University Institute Florence, February 2007 EUROPEAN UNIVERSITY INSTITUTE Department of History and Civilization As Above, So Below. Astrology and the Inquisition in Seventeenth-Century New Spain Ana Avalos Thesis submitted for assessment with a view to obtaining the degree of Doctor of History and Civilization of the European University Institute Examining Board: Prof. Peter Becker, Johannes-Kepler-Universität Linz Institut für Neuere Geschichte und Zeitgeschichte (Supervisor) Prof. Víctor Navarro Brotons, Istituto de Historia de la Ciencia y Documentación “López Piñero” (External Supervisor) Prof. Antonella Romano, European University Institute Prof. Perla Chinchilla Pawling, Universidad Iberoamericana © 2007, Ana Avalos No part of this thesis may be copied, reproduced or transmitted without prior permission of the author A Bernardo y Lupita. ‘That which is above is like that which is below and that which is below is like that which is above, to achieve the wonders of the one thing…’ Hermes Trismegistus Contents Acknowledgements 4 Abbreviations 5 Introduction 6 1. The place of astrology in the history of the Scientific Revolution 7 2. The place of astrology in the history of the Inquisition 13 3. Astrology and the Inquisition in seventeenth-century New Spain 17 Chapter 1. Early Modern Astrology: a Question of Discipline? 24 1.1. The astrological tradition 27 1.2. Astrological practice 32 1.3. Astrology and medicine in the New World 41 1.4. -
Antwerps Collegium Musicum 20 September 2013 Programma Ars Nova (& Subtilior) Antwerps Collegium Musicum O.L.V
Ars nova (& subtilior) Antwerps Collegium Musicum 20 september 2013 programma Ars Nova (& Subtilior) Antwerps Collegium Musicum o.l.v. Willem Ceuleers sopraan: Frieda Vermeulen, Hilde De Bleser mezzosopraan: Brenda Blokland, Lut Cox, Heleen Rouwenhorst, Gertie Lindemans, Floor Coomans alt: Vera Stessel, Els Caremans, Lieve Wuyts bariton: Manfred Halsema, Patrick Mollet, Marc Van Driessen bas: Herman Moelants, Piet Van Steenbergen, Willem Ceuleers vedel: Piet Van Steenbergen rebec: Veerle Roggeman trombone, trompette de ménestrel: Koen Becu pommer: Walter Bosmans blokfluit: Lisbeth Wolfs, Veronica Joris Isoritmische motetten (dames en instrumenten) / Gregoriaans (heren) 1. PRIMORDIUM - Kyrie (Gregoriaans, uit de ‘Missa in Festis B. Mariae Virginis I – Cum jubilo’) - Gloria (Anoniem, Messe de Tournai De ‘mis van Doornik’ is geschreven voor de wekelijkse mis voor Onze Lieve Vrouw, op 4 mei 1349 ingevoerd in de kathedraal van Doornik. - Inviolata (Gregoriaans) Het Inviolata werd vanaf 1356 tussen Kerst en Maria-Lichtmis & tussen Pasen en Pinksteren voor het altaar van Onze Lieve Vrouw gezongen tijdens de dagelijkse processie. Op klankrijke wijze wordt de Maria aangeroepen. Inviolata, integra, et casta es Maria, [geen vertaling…] quae es effecta fulgida caeli porta. Naast u en is er gene, O Mater alma Christi carissima, o Onbevlekt’ allene suscipe pia laudum praeconia. o Moedermaagd, Nostra ut pura pectora sint et corpora, die Jezus draagt: quae nunc flagitant devota corda et ora. gebenedijd zijt gij. Tua per precata dulcisona, Naast u en is er gene nobis concedas veniam per saecula. van zond' en schulden vrij o Onbevlekt’ allene, O benigna, o regina, o Maria, pleit nu ook mij quae sola inviolata permansisti. van schuld en zonden vrij. -
Bent/Klugseder: Ein Liber Cantus Aus Dem Veneto
Klugseder_Text_2.indd 1 23.07.12 16:13 Klugseder_Text_2.indd 2 23.07.12 16:13 Ein Liber cantus aus dem Veneto (um 1440) Fragmente in der Bayerischen Staatsbibliothek München und der Österreichischen Nationalbibliothek Wien A Veneto Liber cantus (c. 1440) Fragments in the Bayerische Staatsbibliothek Munich and the Österreichische Nationalbibliothek Vienna Margaret Bent – Robert Klugseder Reichert Verlag Wiesbaden 2012 Klugseder_Text_2.indd 3 31.07.12 09:24 Gefördert durch den Fond zur Förderung der wissenschaftlichen Forschung (FWF). Sponsored by the Austrian Science Fund (FWF). Mit Unterstützung der Bayerischen Staatsbibliothek München und der Österreichischen Nationalbibliothek Wien. Bibliografische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über http://dnb.d-nb.de abrufbar. Gedruckt auf säurefreiem Papier (alterungsbeständig – pH7, neutral) © 2012 Dr. Ludwig Reichert Verlag Wiesbaden ISBN: 978-3-89500-762-0 www.reichert-verlag.de Das Werk einschließlich aller seiner Teile ist urheberrechtlich geschützt. Jede Verwertung außerhalb der engen Grenzen des Urheberrechtsgesetzes ist ohne Zustimmung des Verlages unzulässig und strafbar. Das gilt insbe- sondere für Vervielfältigungen, Übersetzungen, Mikroverfilmungen und die Einspeicherung und Verarbeitung in elektronischen Systemen. Druck: Memminger MedienCentrum AG Printed in Germany Klugseder_Text_2.indd 4 23.07.12 16:13 Gefördert durch den Fond zur Förderung der wissenschaftlichen Forschung (FWF). for David Hiley Sponsored by the Austrian Science Fund (FWF). Mit Unterstützung der Bayerischen Staatsbibliothek München und der Österreichischen Nationalbibliothek Wien. Bibliografische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über http://dnb.d-nb.de abrufbar. -
Music in the Renaissance Objectives Renaissance Themes
2/9/2017 Music in the Renaissance objectives • two aspects of Renaissance music • Nuper rosarum flores: – “old‐fashioned” isorhythmic motet – symbolism Renaissance themes • back to the ancients • back to nature 1 2/9/2017 Giotto, Ognissanti madonna (1310) Michelangelo, David (1504) 2 2/9/2017 Renaissance themes • back to the ancients – music theory • back to nature – 3rds & 6ths – text setting fall of the Eastern (Byzantine) Empire • 1265 • 1355 • 1450 • Christian scholars flee to Italy • no modern transcriptions of ancient Greek music until 1581 Guillaume Du Fay and Pope Eugenius IV 3 2/9/2017 Cathedral of Florence (3/25/1436) Pantheon, Rome 27 CE Du Fay, Nuper rosarum flores I. The harsh winter [of the Hebraic Law] III. Therefore, sweet parent Having past, roses, And daughter of your son, A recent papal gift, God, virgin of virgins, perpetually adorn To you your devoted The Temple of the grandest structure Populace of Florence petitions Piously and devoutly dedicated That whoever begs for something To you, heavenly Virgin. With pure spirit and body II. Today the vicar IV. Through your intercession Of Jesus Christ and successor And the merits Of Peter, Eugenius, Of your son, their lord, This same most enormous Temple Owing to His carnal torment, With sacred hands It may be worthy to receive And holy oils Gracious benefits and Has deigned to consecrate. Forgiveness of sins. Amen. Guillaume Du Fay, Nuper rosarum flores (1436) [score] • Isorhythmic motet – tenor: Terribilis est locus iste • From mass used to consecrate churches – canon 4 2/9/2017 Tenor voice = Guillaume Du Fay, Nuper rosarum flores (1436) • Isorhythmic motet – tenor: Terribilis est locus iste • From mass used to consecrate churches – canon • Symbolic proportions – 6:4:2:3 – text = 4 x 7 1 Kings 6, vv. -
Paradisi Porte Hans Memling's Angelic Concert
Paradisi Porte Hans Memling's Angelic Concert Tiburtina Ensemble · Barbora Kabátková Oltremontano Antwerpen Wim Becu Paradisi Porte Hans Memling's Angelic Concert Friendly supported by the Flemish Community Co-production with AMUZ, KMSKA, CmB Tiburtina Ensemble Barbora Kabátková Recorded at AMUZ, Antwerpen (Belgium), on 8-10 December 2020 Oltremontano Antwerpen Recording producer: Jo Cops Executive producer: Wim Becu (Oltremontano), Michael Sawall (note 1 music gmbh) Wim Becu Cover picture: “God the Father with singing and music making angels” by Hans Memling. Collection Koninklijk Museum voor Schone Kunsten, Antwerpen Belgium Layout & booklet editor: Joachim Berenbold Translations: Joachim Berenbold (Deutsch), Pierre Elie Mamou (français), Anna Moens (Nederlands) Photos (Cover, booklet: cover, p 9, 13, 17): Rik Klein Gotink Artist photo (p 21): Miel Pieters CD made in The Netherlands + © 2021 note 1 music gmbh 1 PROSA Ave Maria gracia plena Graduale Brugge, 1506 4:41 vocal ensemble, harp, psaltery 2 Fuga duo[rum] temp[orum] GUILLAUME DUFAY 1397-1474 2:18 vocal ensemble, claretas (Gloria ad modum tubae – Trent Ms 90) 3 HYMNUS Proles de caelo set by C. Vicens after GUILLAUME DUFAY 2:38 organetto, psaltery, harp [ALK] 4 INTROITUS In excelso throno Graduale Brugge, 1506 1:59 Tiburtina Ensemble solo voice [KB], psaltery Barbora Kabátková, Ivana Bilej Brouková, 5 BASSE DANSE Paradisi porte set by Andrew Lawrence-King 1:02 Hana Blažíková [solo in 8], Daniela Čermáková, harp [ALK] Anna Chadimová Havlíková, Kamila Mazalová chant 6 SEQUENTIA Alma -
The Universal Principles and the Metamorphic Technique : the Keys to Healing and Enlightenment Pdf, Epub, Ebook
THE UNIVERSAL PRINCIPLES AND THE METAMORPHIC TECHNIQUE : THE KEYS TO HEALING AND ENLIGHTENMENT PDF, EPUB, EBOOK Gaston Saint-Pierre | 308 pages | 01 Aug 2004 | John Hunt Publishing | 9781903816608 | English | New Alresford, United Kingdom The Universal Principles and the Metamorphic Technique : The Keys to Healing and Enlightenment PDF Book This is because we have a very specific type of consciousness, a self reflecting consciousness, in other words we are aware that we are aware. This is what is needed to navigate this time of so much uncertainty, trusting that we are needed, we have been preparing for this time, strengthening ourselves through the struggles we have been experiencing. Her influential article, The Astrology of , has been widely acclaimed and can be found on her web-site: www. In fact the earth gives nothing to the seed, it is the roots of the plant that takes what it needs from the earth and it does that in accordance with its absolute necessity. It is simply passed from the reiki teacher to the student. She has also published two books and an astrological game. The purification catharsis of the Inner castles. She gives consultations, runs cours-es and workshops and organizes the programme of talks for the Brighton ad Hove astrology circle which she founded. Forms of scrying include hydromancy, in which the practitioner looks at water, and mirror-gazing. In what is essentially a prequel to Knights of the Round Table, Arthur has been appointed by the Roman Empire to defeat a bloodthirsty Saxon conqueror and his army, which is a dozen times the size of Arthur's own. -
A List of Other Psychic Arts
List of Psychic Arts - Compiled by Gary L. Wimmer - www.garywimmer.com/psychic PSYCHIC ART DEFINITION 1 Abacomancy The art of foretelling future events by the observation of patterns of dust 2 Aeromancy Divination from the air and sky, cloud patterns, comets and other phenomena not normally visible in the sky 3 Alchemy Transmutation, dissolving or combining of base metals to form gold though chemical or supernatural processes 4 Alectryomancy Divination by means of a bird picking grains of corn from a circle of letters 5 Aleuromancy Divination with flour and baked goods such as fortune cookies 6 Alomancy A form of divination by using salt 7 Alphitomancy Divination using barley or cakes digestible by persons with a clear conscience but are unpleasant to others 8 Amniomancy Divination by using a caul or membrane which sometimes envelopes a child's head at birth 9 Anthropomancy Divination using human entrails, often from human sacrifices 10 Anththroposcopy Divination by observing facial features 11 Apantomancy Divination of an object, but usually an animal, which presents itself by chance 12 Arithmancy Divination by numbers 13 Aromatherapy Holistic health practice of seeking to heal certain diseases or illnesses by inhaling scented steam or fragrances 14 Ashagalomancy A system of divination of casting small bones or dice, also known as Astraglomancy or Astragyromancy 15 Astrology Ancient system of divination based on the position of the planets and the Zodiac 16 Augury Divination by studying the behaviour and flights of birds 17 Aura reading -
Course Title Credit MUHL M306 History of Western Art Music I 3 Credits
Course Title Credit MUHL M306 History of Western Art Music I 3 credits Fall semester 2019 What’s going on here? The guy on the left who’s gesturing—who is he? (You probably don’t know his name, but what can you tell about him?) What’s the guy on the right doing? And what’s up with that bird?? Stay tuned! (image from the Hartker Antiphoner, Abbey of St-Gall, Cod. Sang. 390, copied c. 990-1000; http://www.e- codices.unifr.ch/en/csg/0390/13/medium ) Classes MWF 9:30-10:20 (section 001) or 11:30-12:20 (section 002), CM 204g Bulletin description This course is the first part of a two-semester survey of western art music, this semester covering music and ideas about music from antiquity to the mid-eighteenth century. Where relevant, we will consider influences on western art music from other cultures and styles. Prerequisites MUTH M103 (Theory II) and MUHL M106 (Introduction to Music Literature), or permission of instructor. Note that both Theory III and History I are prerequisites for History II, so students in this class should have completed or be concurrently enrolled in Theory III, and students who have not passed Theory III may not take History II in the spring. If you have any questions, please ask. Course objectives and learning outcomes This class will cover western art music composed before c. 1750. We will consider not only the history of musical style, but also as appropriate how music was composed, performed, transmitted, and used as part of broader culture.