Zara Burdett

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ZARA BURDETT +447900245937/+16464292802 [email protected] US/UK citizenship EDUCATION • New York University, College of Arts and Science - BA History (2009) • Yale University Summer School, Yale School of Drama • South Hampstead High School, London, UK PERSONAL PROJECTS AND AWARDS • Co-Writer/Producer/Director - Still Life: The Life and Work of Tony Judt (documentary short) in association with BBC Storyville • Writer, Producer and Director - Hands (short film) budget £15,000 - Winner “Best Director of a Short Film”, Madrid International Film Festival 2016 • Writer, Producer and Director – Maneater (short film) budget £20,000 • Writer - Papa John (feature-length screenplay) WORK EXPERIENCE 2015 – 2017: Isle of Dogs (dir. Wes Anderson; Scott Rudin Productions, Indian Paintbrush, American Empirical Pictures) • Assistant to Jeremy Dawson (Producer) 2015: Mediterranea (dir. Jonas Carpignano; Audax Films, Tree House Pictures), Calabria, Italy • First Assistant Director (Second Unit) 2015: Chemical Pink (dir. Scott Coffey; Protozoa Pictures, Inc.), Los Angeles/New York • Development Executive/Producer (dormant) 2015: Lesley Beastall Casting • Casting Assistant for Commercials/Music Videos (Orangina, Direct Line Insurance, David Guetta) 2012 – 2014: Darren Aronofsky/Protozoa Pictures Inc., New York • Creative Executive • Producer: The Noah Art Show: Fountains of the Deep – Visions of Noah and the Flood • Assistant to Scott Franklin (Producer) NOAH (dir. Darren Aronofsky; Paramount Pictures/New Regency/Protozoa) • Office Manager 2010 - 2011: Storyville Films/Bloomberg Television, New York • Researcher: Risk Takers (Bloomberg Television) 2009 - 2010: Black Swan (dir. Darren Aronofsky; Fox Searchlight/Cross Creek Pictures/Protozoa Pictures, Inc.), New York • Paperwork Production Assistant to Joe Reidy (AD Department) • Part-Time Set Assistant to Mr. Aronofsky 2009: Rachel Weisz, London • Personal Assistant: A Streetcar Named Desire (Donmar Warehouse) • Script reader 2008: Goldcrest Films, New York • Script reader for Nick Quested 2008: Origin Pictures, London • Assistant to David Thompson • Development Intern 2009 – 2011: Professor Tony Judt, Director of Erich Maria Remarque Institute, NYU, New York • Research Assistant: Ill Fares the Land (Penguin) LANGUAGES Italian (intermediate), French (beginner) I.T SKILLS Quickbooks, Final Cut Pro, Final Draft, File Maker Pro, Microsoft Office, Adobe Acrobat, Adobe Photoshop .

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Jigsaw: Torture Porn Rebooted? Steve Jones After a Seven-Year Hiatus
Originally published in: Bacon, S. (ed.) Horror: A Companion. Oxford: Peter Lang, 2019. This version © Steve Jones 2018 Jigsaw: Torture Porn Rebooted? Steve Jones After a seven-year hiatus, ‘just when you thought it was safe to go back to the cinema for Halloween’ (Croot 2017), the Saw franchise returned. Critics overwhelming disapproved of franchise’s reinvigoration, and much of that dissention centred around a label that is synonymous with Saw: ‘torture porn’. Numerous critics pegged the original Saw (2004) as torture porn’s prototype (see Lidz 2009, Canberra Times 2008). Accordingly, critics such as Lee (2017) characterised Jigsaw’s release as heralding an unwelcome ‘torture porn comeback’. This chapter will investigate the legitimacy of this concern in order to determine what ‘torture porn’ is and means in the Jigsaw era. ‘Torture porn’ originates in press discourse. The term was coined by David Edelstein (2006), but its implied meanings were entrenched by its proliferation within journalistic film criticism (for a detailed discussion of the label’s development and its implied meanings, see Jones 2013). On examining the films brought together within the press discourse, it becomes apparent that ‘torture porn’ is applied to narratives made after 2003 that centralise abduction, imprisonment, and torture. These films focus on protagonists’ fear and/or pain, encoding the latter in a manner that seeks to ‘inspire trepidation, tension, or revulsion for the audience’ (Jones 2013, 8). The press discourse was not principally designed to delineate a subgenre however. Rather, it allowed critics to disparage popular horror movies. Torture porn films – according to their detractors – are comprised of violence without sufficient narrative or character development (see McCartney 2007, Slotek 2009).
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Master Class with Douglas Trumbull: Selected Filmography 1 the Higher Learning Staff Curate Digital Resource Packages to Complem
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View Peter's Resume
Peter Lawson Jones SAG-AFTRA · AEA Height: 6’0” 216.408.7878 Weight: 175 lbs. [email protected] Eyes: brown www.peterlawsonjones.com Hair: shaved or black/gray FILM/TELEVISION/VIDEO/COMMERCIALS Chicago Fire, Episode 904, Funny What Things Guest Star NBCUniversal Remind Us (2021) Judas and the Black Messiah (2021) Principal Warner Brothers White Boy Rick (2018) Principal LBI Productions/Protozoa Pictures/Studio 8 Alex Cross (2012) Principal Lionsgate/Summit Entertainment Detroit 1-8-7, Episode 113, Road to Nowhere (2011) Co-Star ABC Studios/FTP Productions, LLC Life Milestones, Marathon Petroleum Corporation Principal Performer Farm League Commercial (2020) Rain, Kia Motors of North America LeBron James Principal Performer Reset Commercial (2017) Starve (2014) Supporting P2 Films The Assassin’s Code (2018) Principal Serious Stooges Films, LLC The Umbrella Man (2014) Principal GSquared Pictures/Point Park University/ Mindset Productions Crshd (2019) Principal ESC Productions LLC 25 Hill (2011) Principal teamcherokee productions Gearheads (2016) Principal Uncork’d Entertainment Heartland (2020) Principal Heartland, LLC Robbie 3.0 (2011) Lead (voice-over) University of Southern California School of Cinematic Arts If the River Was Whiskey (2012) Principal The Scripps College of Communications at Ohio University How to Change the World (2016)* Supporting Blurry Dude Media Group All Eyes on Emma (2017) Lead Alchemy Point Stokes: An American Dream (2009) Narrator PBS/WVIZ * 2016 Indie
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PRODUKTIONSBOLAG Sverige
Uppdaterad 2012-10-23 (Svenska produktionsbolag och organisationer) B R A N S C H K O N T A K T E N SVERIGE__________________________ Tegelviksgatan 77 116 47 Stockholm PRODUKTIONSBOLAG Sverige Tel 070-7177670 Producent: Anne Ingvar Bolag som sysslar med långfilmsproduktion för bio E-post: [email protected] och/eller TV-produktion. Det bästa sättet att skapa Mobil 070-7177670 kontakt är att ringa först och höra om de tar emot manus. I Sverige och övriga Skandinavien behövs ATMO MEDIA NETWORK inte representation i form av agent eller manager. Götgatan 9 Men å andra sidan krävs att du är lite driven för att 116 46 Stockholm få ditt manus läst. Med andra ord: sälj dig själv. Ge Tel +46 (0)8 462 26 90 inte upp. Ligg på konstant. Producent: Kristina Åberg Producent: Kristina Åberg ACNE FILM [email protected] Lilla Nygatan 23 Telefon +46 (0)8 4622690 111 28 Stockholm Mobil +46 (0)70 768 31 33 Tel: 08-555 799 00 Filmer: Metropia, Gitmo, E-post: [email protected] Webbsida: http://www.acne.se/film AUTO IMAGES [email protected] Jakob Nilsgatan 19 Producent: Richard Björlin 211 21 Malmö [email protected] Tel: 040–661 01 60 Mobil 0736-999906 [email protected] Filmer: Bitchkram (2012), Känn ingen sorg (2013) www.autoimages.se Producent: Kristina Åberg ACTION FILM [email protected] Kungsholmsgatan 9 Telefon +46 (0)8 4622690 112 27 STOCKHOLM Mobil +46 (0)70 768 31 33 Tel: 08-673 28 38 E-post: [email protected] BOB FILM SWEDEN Webb: http://www.actionfilm.se/ Hökens gata 10 Anders Jacobsson Mobil 0708-15 33 25 11646 STOCKHOLM Hendrik Wadling Mobil 0705-33 80 16 Tel: 08-556 930 90 Ove Valeskog Mobil 0707-31 47 73 Webb: www.bobfilm.se Producenter: Jan Blomgren ANAGRAM FILMPRODUKTION [email protected] Lilla Fiskaregatan 5 Anna Croneman 222 22 Lund [email protected] Tel 046-159750 Mobil 070-5928168 Producent: Martin Persson Malin Nevander, utvecklingsansvarig [email protected] Karolina Heimburg, produktionschef Mobil 070-7710291 Filmer: Flimmer, Bröderna Hårdrock, Bröllopsfotografen, I skuggan av värmen, Ping- ANNE INGVAR FILM pongkingen, Lilla spöket Laban.
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Venezia-74A.Pdf
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A Film by Lance Oppenheim 83 Minutes | U.S.A
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JESSICA BRUNETTO EDITOR (917) 399-7766 [email protected]
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The 2020 Investor Day Programming Fact Sheet
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Sherlock Gnomes”
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National Area Standards Agreement Signatory List As of April 1, 2017 1
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