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Convenient Fictions
CONVENIENT FICTIONS: THE SCRIPT OF LESBIAN DESIRE IN THE POST-ELLEN ERA. A NEW ZEALAND PERSPECTIVE By Alison Julie Hopkins A thesis submitted to Victoria University of Wellington in fulfilment of the requirements for the degree of Doctor of Philosophy Victoria University of Wellington 2009 Acknowledgements I would like to acknowledge those people who have supported me in my endeavour to complete this thesis. In particular, I would like to thank Dr Alison Laurie and Dr Lesley Hall, for their guidance and expertise, and Dr Tony Schirato for his insights, all of which were instrumental in the completion of my study. I would also like to express my gratitude to all of those people who participated in the research, in particular Mark Pope, facilitator of the ‘School’s Out’ programme, the staff at LAGANZ, and the staff at the photographic archive of The Alexander Turnbull Library. I would also like to acknowledge the support of The Chief Censor, Bill Hastings, and The Office of Film and Literature Classification, throughout this study. Finally, I would like to thank my most ardent supporters, Virginia, Darcy, and Mo. ii Abstract Little has been published about the ascending trajectory of lesbian characters in prime-time television texts. Rarer still are analyses of lesbian fictions on New Zealand television. This study offers a robust and critical interrogation of Sapphic expression found in the New Zealand television landscape. More specifically, this thesis analyses fictional lesbian representation found in New Zealand’s prime-time, free-to-air television environment. It argues that television’s script of lesbian desire is more about illusion than inclusion, and that lesbian representation is a misnomer, both qualitatively and quantitively. -
Introduction to Women, Gender, Sexuality Studies
University of Massachusetts Amherst ScholarWorks@UMass Amherst Women, Gender, Sexuality Studies Educational Materials Women, Gender, Sexuality Studies 2017 Introduction to Women, Gender, Sexuality Studies Miliann Kang University of Massachusetts Amherst, [email protected] Donovan Lessard University of Massachusetts Amherst Laura Heston University of Massachusetts Amherst Sonny Nordmaken University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/wost_ed_materials Part of the Feminist, Gender, and Sexuality Studies Commons Kang, Miliann; Lessard, Donovan; Heston, Laura; and Nordmaken, Sonny, "Introduction to Women, Gender, Sexuality Studies" (2017). Women, Gender, Sexuality Studies Educational Materials. 1. https://doi.org/10.7275/R5QZ284K This Article is brought to you for free and open access by the Women, Gender, Sexuality Studies at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Women, Gender, Sexuality Studies Educational Materials by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. Introduction to Women, Gender, Sexuality Studies Introduction to Women, Gender, Sexuality Studies Miliann Kang, Donovan Lessard, Laura Heston, Sonny Nordmarken and Kang, Miliann UNIVERSITY OF MASSACHUSETTS AMHERST LIBRARIES AMHERST, MA Introduction to Women, Gender, Sexuality Studies by Miliann Kang, Donovan Lessard, Laura Heston, Sonny Nordmarken is licensed under a Creative Commons Attribution 4.0 International License, -
A Queer Critique of LGBT Characters and Themes in Primetime Network Television Situational Comedies
The University of Southern Mississippi The Aquila Digital Community Dissertations Fall 12-2014 The (Not So) New Normal: A Queer Critique of LGBT Characters and Themes in Primetime Network Television Situational Comedies Robert Dallas Byrd Jr. University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/dissertations Part of the Broadcast and Video Studies Commons, Critical and Cultural Studies Commons, Gender, Race, Sexuality, and Ethnicity in Communication Commons, and the Mass Communication Commons Recommended Citation Byrd, Robert Dallas Jr., "The (Not So) New Normal: A Queer Critique of LGBT Characters and Themes in Primetime Network Television Situational Comedies" (2014). Dissertations. 757. https://aquila.usm.edu/dissertations/757 This Dissertation is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Dissertations by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. The University of Southern Mississippi THE (NOT SO) NEW NORMAL: A QUEER CRITIQUE OF LGBT CHARACTERS AND THEMES IN PRIMETIME NETWORK TELEVISION SITUATIONAL COMEDIES by Robert Dallas Byrd Jr. Abstract of a Dissertation Submitted to the Graduate School of The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy December 2014 ABSTRACT THE (NOT SO) NEW NORMAL: A QUEER CRITIQUE OF LGBT CHARACTERS AND THEMES IN PRIMETIME NETWORK TELEVISION SITUATIONAL COMEDIES by Robert Dallas Byrd Jr. December 2014 This analysis of primetime situational comedies feature LGBTQ characters argues that through heteronormative and homonormative constructions of sexuality, race, gender, and class, many LGBTQ people are rendered invisible in the mainstream. -
05 Megan Sirr
Journal of Promotional Communications Publication details, including instructions for authors and subscription information: http://promotionalcommunications.org/index. php/pc/index Representations of Gender and Power within Luxury Goods Advertising: Generating Marginalisation of Women Megan Sirr To cite this article: Sirr, M. 2015. Representations of Gender and Power within Luxury Goods Advertising: Generating Marginalisation of Women. Journal of Promotional Communications, 3 (2): 285-294 PLEASE SCROLL DOWN FOR ARTICLE JPC makes every effort to ensure the accuracy of all the information (the “Content”) contained in the publications on our platform. However, JPC make no representations or warranties whatsoever as to the accuracy, completeness, or suitability for any purpose of the Content. Any opinions and views expressed in this publication are the opinions and views of the authors, and are not the views of or endorsed by JPC The accuracy of the Content should not be relied upon and should be independently verified with primary sources of information. JPC shall not be liable for any losses, actions, claims, proceedings, demands, costs, expenses, damages, and other liabilities whatsoever or howsoever caused arising directly or indirectly in connection with, in relation to or arising out of the use of the Content. This article may be used for research, teaching, and private study purposes. Any substantial or systematic reproduction, redistribution, reselling, loan, sub- licensing, systematic supply, or distribution in any form to anyone is expressly forbidden. Terms & Conditions of access and use can be found at: http://promotionalcommunications.org/index.php/pc/about/submissions JOURNAL OF PROMOTIONAL COMMUNICATIONS Representations of Gender within Luxury Goods Ads 285 Advertising Megan Sirr Representations of Gender and Power within Luxury Goods Advertising: Generating Marginalisation of Women The representation of gender power can be found in all areas of marketing communication but few are more prominent than the representation within luxury goods advertising. -
Media, Sport, and Sexuality
6 MEDIA, SPORT, AND SEXUALITY distribute LEARNING OBJECTIVESor Upon completion of this chapter, students will be able to . Recognize sexualized language and imagery in mass media Understand the impact sexualized media has on adolescents and children Describe representations of gays, lesbians, and transgender people in media Identify the various ways sexuality intersects with sport and sport media Explain the myriad manifestations of masculinitypost, in sports Describe the ways women’s sports opportunities have been limited Identify issues intersex and transgender athletes face in the sports world ew events capturecopy, the intersection of gender, sexuality, media, and sport more fully than the 2015 public transition of Olympic gold medalist Bruce Jenner into Caitlyn FJenner. The media campaign surrounding the entire process captivated American audiences and generated landmark levels of public awareness on what it means to be transgender.not In April 2015, Caitlyn Jenner, drew 17 million viewers when she spoke about her transition to becoming a woman in an ABC national television news interview with Diane Sawyer. It was a two-hour “20/20” interview, in which she intimately recalls the first time she Dowore a dress as an 8-year-old boy, her first attempt to transition in the 1980s with female hormones, and her fear of hurting her kids with the truth of her hidden gender identity. Caitlyn Jenner has been a public figure her entire career. In the 1976 Olympics, as Bruce Jenner, she won a gold medal in the decathlon, which carries with it the title of “world’s greatest athlete.” At this time in Jenner’s life, she represented the embodiment of the ideal Copyright ©2018 by SAGE Publications, Inc. -
The Symbolic Annihilation and Recuperation of Queer Identities in Country Music
University of Mississippi eGrove Electronic Theses and Dissertations Graduate School 2017 Object Of Your Rejection: The Symbolic Annihilation And Recuperation Of Queer Identities In Country Music Lauren Veline University of Mississippi Follow this and additional works at: https://egrove.olemiss.edu/etd Part of the Feminist, Gender, and Sexuality Studies Commons Recommended Citation Veline, Lauren, "Object Of Your Rejection: The Symbolic Annihilation And Recuperation Of Queer Identities In Country Music" (2017). Electronic Theses and Dissertations. 874. https://egrove.olemiss.edu/etd/874 This Thesis is brought to you for free and open access by the Graduate School at eGrove. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of eGrove. For more information, please contact [email protected]. OBJECT OF YOUR REJECTION: THE SYMBOLIC ANNIHILATION AND RECUPERATION OF QUEER IDENTITIES IN COUNTRY MUSIC A Thesis Presented for the Master of Arts Southern Studies The University of Mississippi Lauren Veline May 2017 Copyright © 2017 by Lauren Veline All rights reserved ABSTRACT This thesis addresses the double-marginalization of white queers living in Bible Belt communities by examining the symbolic annihilation of queer identities in country music. Bible Belt queers face unique obstacles and have different needs than queer communities elsewhere due to the cultural context of their communities. The urban-centric (“metronormative”) standards of queer identity and visibility presented in the media do not translate to their lived experiences. Moreover, while white, non-urban southerners possess a source of popular-media expression through country music, queer identities are noticeably absent. The invisibility of Bible Belt queers in the media perpetuates a cycle of hostility and sexual stigma that negatively affects queer individuals, most notably those living in the American South. -
Race, Gender, and Sexuality in Orange Is the New Black
Minnesota State University, Mankato Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato All Graduate Theses, Dissertations, and Other Graduate Theses, Dissertations, and Other Capstone Projects Capstone Projects 2015 Representing Us All? Race, Gender, and Sexuality in Orange Is the New Black Michael Robert Chavez Minnesota State University - Mankato Follow this and additional works at: https://cornerstone.lib.mnsu.edu/etds Part of the Gender and Sexuality Commons, Race and Ethnicity Commons, Television Commons, and the Women's Studies Commons Recommended Citation Chaves, M. R. (2015). Representing Us All? Race, Gender, and Sexuality in Orange Is the New Black [Master’s thesis, Minnesota State University, Mankato]. Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. https://cornerstone.lib.mnsu.edu/etds/422/ This Thesis is brought to you for free and open access by the Graduate Theses, Dissertations, and Other Capstone Projects at Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. It has been accepted for inclusion in All Graduate Theses, Dissertations, and Other Capstone Projects by an authorized administrator of Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. Representing Us All? Race, Gender, and Sexuality in Orange Is the New Black By Michael Chavez A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Masters of Science In Gender and Women’s Studies Minnesota State University, Mankato Mankato, Minnesota May 2015 Representing Us All? Race, Gender, and Sexuality in Orange Is the New Black Michael Chavez This thesis has been examined and approved by the following members of the student’s committee. -
TALKING to GAYMERS: QUESTIONING IDENTITY, COMMUNITY and MEDIA REPRESENTATION Adrienne Shaw Temple University
WESTMINSTER PAPERS VOLUME 9 ISSUE 1 / OCTOBER 2012 TALKING TO GAYMERS: QUESTIONING IDENTITY, COMMUNITY AND MEDIA REPRESENTATION Adrienne Shaw Temple University KUANG, W.-C. and C.-S. Lin (2011) ‘Enter the base of Angry Birds’, Business Weekly 1235: 122–9. With few exceptions, lesbian, gay, bisexual, transgender and LUHMANN, N. (1984) Soziale Systeme. Grundriss einer allgemeinen Theorie, queer (LGBTQ) individuals are generally ignored in the realm of Frankfurt am Main: Suhrkamp. digital games. This ethnography of members of an online gay gamer, or LUHMANN, N. (1985) ‘Society, meaning, religion: based on self-reference’, gaymer, community allowed me to better understand their thoughts on LGBTQ Sociological Analysis 46(1): 5–20. representation in games, as well as the construction of the gaymer community. How gaymer identities are constructed, how this community is formed, and how LUHMANN, N. (1993) Risk: A Sociological Theory, New York: Aldine de Gruyter. its members discuss the representation of LGBTQ individuals in video games are discussed here. Gaymer identity was found to be more complex than the simple LUHMANN, N. (1995) Social Systems, Stanford, CA: Stanford University Press. ‘homosexual gamer’ defi nition often used implies. Finding a space to express PARSONS, T. (1962). Toward a General Theory of Action, New York: Harper and this identity was much more important to members than the invisibility of LGBTQ Row. individuals in video game texts. The relative importance of in-game representation was tied to the context of play. The political implications of these fi ndings are TAKAHASHI, D. (2011a) ‘Apple and Android are now dominating mobile game discussed in the conclusion of this article. -
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DOCUMENT RESUME ED 332 242 CS 507 449 AUTHOR KielWasser, Alfred P.; Wolf, Michelle A, TITLE The Sound (and Sight) of Silence: Notes on Television and the Communication Ecology of Adolescent Homosexuality. PUB DATE Feb 91 NOTE 65p.; Paper presented a the Annual Meeting of the Western States Communication Association (Phoenix, AZ, February 15-19, 1991). PUS TYPE Speeches/Conference Papers (150) -- Viewpoints (Opinion/Position Papers, Essays, etc.) (120) EDRS PRICE MF01/PC03 Plus Postage. DESCRIPTORS *Adolescents; *Communication Research; *Homosexuality; *Mass Media Effects; Mass Media Use; Popular Culture; Programing (Broadcast); *Research Needs; Social Attitudes; Subcultures; *Television IDENTIFIERS Marginality; Spiral of Silence Theory ABSTRACT Gay and lesbian adolescents are marginalized at many levels. Their needs and interests are slighted in the balance of advocacy work that purports a concern for the welfare of minority children. Their presence is overlooked in studies of youth and the mass media. Their existence is excluded from American popular culture. The symbolic annihilation of gay and lesbian youth exhibited by television in the extreme (and by most mass media in general) contributes to a dysfunctional isolation that is supported by the mutually reinforcing invisibility of homosexual adolescents on the television screen and in the real world. Such invisibility and isolation can be examined through a spiral of silence process, which outlines the reciprocal communication-based conditions through which the oppression of gay and lesbian youth is achieved. The social-psychological mechanism of the spiral of silence also partially accounts for the inefficacy of oppositional interpretive practices for disruptIng pluralistic ignorance in this case; the reldtive ability of gay and lesbian youths to actually subvert dominant meanings, in an empowering way, is called into question.