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Cinematography Name: __________________________________ Period: __________ Total: __________ / 50 You may use imdb.com to retrieve the following information. (5 points) Film Title: ________________________________ Year of Release: ____________ Director: _________________________________ Cinematographer: _______________________ Framing the Shot—SHOT TYPES Extreme Long Shot (ELS or establishing shot), Long Shot (LS), Medium Long Shot (MLS or American Shot), Medium Shot (MS), Close-up (CU), Medium Close-up (MCU), Extreme Close-up (XCU or ECU), Two-shot, or Three-shot. (10 points) Shot Type Description of Shot Analysis of Shot (what does the cinematographer/director hope to accomplish?) Deep Space, Shallow Space, Deep-focus, Rule of thirds, 180° Rule (5 points) Shot Type Description of Shot Analysis of Shot (what does the cinematographer/director hope to accomplish?) Eye-level Shot, High Angle, Low Angle, Dutch Angle (or oblique), Aerial View (or bird’s eye) (5 points) Shot Type Description of Shot Analysis of Shot (what does the cinematographer/director hope to accomplish?) Cinematography Pan Shot, Tilt Shot, Dolly Shot, Tracking Shot, Zoom, Crane Shot (5 points) Shot Type Description of Shot Analysis of Shot (what does the cinematographer/director hope to accomplish?) Omniscient POV, Single Character’s POV, Group POV Discuss the point of view. Is the POV subjective or objective? Is the POV neutral or from particular vantage points? Provide specific examples from the film. (5 points) Discuss of the speed of the film or the duration of take(s). Where and when was this technique used? What did the moment look like? What was the effect? (5 points) Critique the cinematography. What was working? What wasn’t? Did it ever become distracting? Or did it enrich and support the narrative or mood of the film? Draft a short paragraph to respond. (10 points) .

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Mla Style Guide for Bibliographical Citations
American School of Valencia Library MLA STYLE GUIDE FOR BIBLIOGRAPHICAL CITATIONS Used primarily for: Liberal Arts and Humanities. Some general things to know: MLA calls the list of bibliographical citations at the end of a paper the “Works Cited” page, and not a bibliography. Also, like APA, MLA style does not use bibliographical footnotes, favoring instead in-text citations. Footnotes and endnotes are only used for the purposes of authorial commentary. For full entries, titles of books are italicized*, and in-text citations tend to be as brief as possible. See some common examples below. If you don’t see an example that fits the kind of source you have, consult an MLA style guide in the Library, or ask the Librarian. Every line after the first is indented in the full citation. And remember, pay close attention to the examples. Punctuation is very important. * (This reflects a change made in 2009. All information provided in this document is based on the 7th edition of the MLA Handbook for Writers of Research Papers, available in the Library) For all examples below, the information following “Works Cited:” is what goes into your Works Cited page. The information following “In-Text:” is what goes at the end of your sentence that includes a citation. A BOOK: Author’s last name, First name. Title of the book. City: Publisher, year. Medium (Print). (Example) Works Cited: Smith, John G. When citation is almost too much fun. Trenton: Nice People Publications, 2007. Print. In-Text: (Smith 13) or (13) *if it’s obvious in the sentence’s context that you’re talking about Smith+ or (Smith, Citation 9-13) [to differentiate from another book written by the same Smith in your Works Cited] [If a book has more than one author, invert the names of the first author, but keep the remaining author names as they are.
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_____________________________________________________________________________________ Newsletter – January 2020 Women’s Suffrage Film Series Saturdays at 2:00 pm on January 18, January 25, and February 1, 2020 The three -part Women’s Suffrage Film Series is co- sponsored by the Bennington Branch of AAUW, the Bennington Free Library, and the Bennington Center for the Performing Arts – Home of Oldcastle Theatre. Three Saturday afternoon screenings, followed by discussions, will trace the American women’s suffrage movement from just after the Civil War through the ratification of the 19th Amendment in 1920. All programs will begin at 2:00 pm and are free and open to the public. Not for Ourselves Alone (Part Two) will be shown on January 18 at Oldcastle Theatre. This documentary by Ken Burns sets the stage for the series through an intimate, loving and sometimes fiery portrayal of the suffrage movement’s “miracle partnership” between Elizabeth Cady Stanton and Susan B. Anthony. A discussion will follow the film. Also at Oldcastle Theatre, Suffragettes in the Silent Cinema will be shown on January 25. Following the movement into the "modern age,” this documentary— which contains clips from a variety of silent films—is a time capsule from the dawn of women's suffrage as a mass movement. It looks at how the new medium of film was used for messaging by anti-suffragists and suffragists alike. Director, historian and novelist Kay Sloan will introduce the film via Skype; the discussion afterwards will be led by Jyotika Virdi, professor of Cinema Studies at the University of Windsor in Ontario. (continued on page 2) Page 1 of 3 We switch to the Bennington Free Library on February 1 for Iron Jawed Angels, a feature film by Katja von Garnier.
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Cinematography Name: ______Period: ______Total: ______/ 50 You May Use Imdb.Com to Retrieve the Following Information

Cinematography Name: Period: Total: __/ 50 You May Use Imdb.Com to Retrieve the Following Information