George Adams & Don Pullen Album
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Zimbabwe Emergency Benefit Concert
ZIMBABWE EMERGENCY BENEFIT CONCERT in the Cathedral of St. John the Divine (112th & Amsterdam) Saturday :.February 9 • 8'pm ORGANIZED BY THE COMMITTEE TO SUPPORT THE PATRIOTIC FRONT OF ZIMBABWE all proceeds to IJO to ZAPU and ZANU PROGRAM HONORABLE JUDGE WILLIAM BOOTH MACHITO AND HIS ORCHESTRA-Featuring PAULA C. RANDALL ROBINSON-Executive Director of Transafrica BEAVER HARRIS/DON PULLEN & 3600 MUSICAL EXPERIENCE Ken Macintyre - Alto Saxophone Cameron Brown - Bass Francis Haynes - Steel Drums Ricky Ford -Tenor Saxophone CANAAN BAPTIST CHURCH OF CHRIST CONCERT CHOIR Dr. Wyatt Tee Walker - Minister Eugene Cooper - Musical Director DR. ANGIE DICKERSON-Executive Member U.S. Peace Council, Member World Peace Counci r INTERMISSION ROBERT VAN L1EROP-Mozambique Film Project ROD ROGERS DANCE COMPANY BOX 71 (1971) A study in confinement created in memory of George Jackson and the men of Attica. and dedicated to our brothers and sisters in South Africa. May their struggle win for them the right of self determination. Ori§inal Score by Sidney Smart Man Outside - Rod Rogers Man Inside - Noel Hall SOLO-Work in Progress Music by Noel Pointer Soloist - Noel Hall JIMMY OWENS-From the New York Jazz Quartet PRESENTATION TO ZANU - ZAPU ABDULLAH IBRAHIM (Dollar Brand) AND GROUP-South African Pianist and Composer SATHIMA - South African Singer Carlos Ward - Alto Saxophone Craig Harris - Trombone Alonzo Gardner - Bass Andrei Strobert - Drummer HUGH MASEKELA-South African's Premier Jazz Trumpeter Linda Tshabalala } Thandeka Agono Vocalists Thembi Mtshali Rene McLean - Saxophone Cecil Barnard - Piano Motoshiko Hino - Drums Asante - Percussron William Allen - Bass •••••••••••••••••••••••••••••• 11 •••••••••••••••••••••••••••••••••••••••••••, SPECIAL THANKS Bill Thorpe - Sound Engineer Frieda Jones - ArtWork Fay Greenbaum - Stage Manager Carl Jacobs - Sound System Jim Petosa - Cathedral St. -
Vindicating Karma: Jazz and the Black Arts Movement
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2007 Vindicating karma: jazz and the Black Arts movement/ W. S. Tkweme University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Tkweme, W. S., "Vindicating karma: jazz and the Black Arts movement/" (2007). Doctoral Dissertations 1896 - February 2014. 924. https://scholarworks.umass.edu/dissertations_1/924 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. University of Massachusetts Amherst Library Digitized by the Internet Archive in 2014 https://archive.org/details/vindicatingkarmaOOtkwe This is an authorized facsimile, made from the microfilm master copy of the original dissertation or master thesis published by UMI. The bibliographic information for this thesis is contained in UMTs Dissertation Abstracts database, the only central source for accessing almost every doctoral dissertation accepted in North America since 1861. Dissertation UMI Services From:Pro£vuest COMPANY 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Michigan 48106-1346 USA 800.521.0600 734.761.4700 web www.il.proquest.com Printed in 2007 by digital xerographic process on acid-free paper V INDICATING KARMA: JAZZ AND THE BLACK ARTS MOVEMENT A Dissertation Presented by W.S. TKWEME Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 W.E.B. -
New Yor-Uba Critical Acclaim
Michele Rosewoman and New Yor-Uba Critical Acclaim www.michelerosewoman.com Michele Rosewoman's New Yoruba, 30 Years! A Musical Celebration of Cuba in America "Dazzling tracks...startling for its balance of unfettered improvisation and undiluted Cuban folklore within a complex and often grand structure. ..stylistic swagger and spiritual heft..."" -Larry Blumenfeld, The Wall Street Journal “...two big cultural streams flowing simultaneously ...cultural multiplicity in sound taken to a reasonable extreme, where a song can still be allowed to sound logical and beautiful ...ancient and experimental at the same time, and capacious enough to include more and more.” -Ben Ratliff, The New York Times- "Absolutely one of the most exceptional records of 2013 is pianist-composer Michele Rosewoman's 30th anniversary New Yor-Uba release." -Willard Jenkins, The Independent Ear “I’m overwhelmed by good music on new recordings right now, none better than debut disc from a 30-year-old band, Michele Rosewoman’s New Yor-Uba… perhaps the most balanced presentation of jazz and Afro-Cuban folklore I’ve ever heard.” – Larry Blumenfeld on Michele Rosewoman- "The best Latin jazz project in recent memory is this double-disc celebrating the 30th anniversary of pianist-vocalist Rosewoman's esoteric yet quintessentially NYC ensemble. Delightful melody, spine-tingling abstractions and a sagae sense of groove argue for Rosewoman's place among the music's brightest composer-arrangers." -Jazz Times- "Though it took her 30 years to document her groundbreaking New Yor-Uba band on record, it was worth the wait. Released in September, the exuberant “30 Years: A Musical Celebration of Cuba in America” is one of the standout albums of 2013...the album stands as a true Latin jazz milestone - a special gift from an artist determined to bring two great cultures together. -
The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters
4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBoRAh F. RUTTER, President CONCERT HALL Monday Evening, April 16, 2018, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters TODD BARKAN JOANNE BRACKEEN PAT METHENY DIANNE REEVES Jason Moran is the Kennedy Center Artistic Director for Jazz. This performance will be livestreamed online, and will be broadcast on Sirius XM Satellite Radio and WPFW 89.3 FM. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 2 THE 2018 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, Kennedy Center Artistic Director for Jazz With remarks from JANE CHU, Chairman of the National Endowment for the Arts DEBORAH F. RUTTER, President of the John F. Kennedy Center for the Performing Arts The 2018 NEA JAzz MASTERS Performances by NEA Jazz Master Eddie Palmieri and the Eddie Palmieri Sextet John Benitez Camilo Molina-Gaetán Jonathan Powell Ivan Renta Vicente “Little Johnny” Rivero Terri Lyne Carrington Nir Felder Sullivan Fortner James Francies Pasquale Grasso Gilad Hekselman Angélique Kidjo Christian McBride Camila Meza Cécile McLorin Salvant Antonio Sanchez Helen Sung Dan Wilson 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 -
Ode Info Sheet
Ode (World Premiere – 2019) Choreography: Jamar Roberts Rehearsal Associate: Marion-Skye Brooke Logan Music: Don Pullen Costume design: Jamar Roberts Lighting design: Brandon Stirling Baker Set design: Libby Stadstad A meditation on the beauty and fragility of life in a time of growing gun violence, Ode is the first in a series of three new dance works that company member Jamar Roberts is creating in his role as Ailey’s first-ever Resident Choreographer. Like his critically-acclaimed Members Don’t Get Weary (2017), this work for six dancers will feature a jazz score – Don Pullen’s “Suite (Sweet) Malcolm (Part 1 Memories and Gunshots)” – and Roberts’ own costume designs. “… a powerful and poetic exploration of the effects of gun violence…” Alvin Ailey American Dance Theater in The New York Times Jamar Roberts’ Ode. Photo by Paul Kolnik. “’Ode’ feels like another revelation for Ailey. [Robert] Battle is smart to give Roberts a platform to develop… Works such as “Ode” constitute a powerful new direction for the company.” The Washington Post “It’s delicate, daring, and heartbreaking… says something hopeful about the present and future of this company. It now has a resident choreographer with talent and guts.” The New York Times Jamar Roberts Miami native Jamar Roberts graduated from the New World School of the Arts after beginning his studies at the Dance Empire of Miami, where he continues to teach and mentor students each year. He received a fellowship to The Ailey School before becoming a member of Ailey II, Complexions Contemporary Ballet and Alvin Ailey American Dance Theater in 2002. -
Reggie Workman Working Man
APRIL 2018—ISSUE 192 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM REGGIE WORKMAN WORKING MAN JIM JONNY RICHARD EDDIE McNEELY KING WYANDS JEFFERSON Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East APRIL 2018—ISSUE 192 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : JIM Mcneely 6 by ken dryden [email protected] Andrey Henkin: [email protected] Artist Feature : JONNY KING 7 by donald elfman General Inquiries: [email protected] ON The COver : REGGIE WORKMAN 8 by john pietaro Advertising: [email protected] Encore : RICHARD WYANDS by marilyn lester Calendar: 10 [email protected] VOXNews: Lest WE Forget : EDDIE JEFFERSON 10 by ori dagan [email protected] LAbel Spotlight : MINUS ZERO by george grella US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or vOXNEWS 11 by suzanne lorge money order to the address above or email [email protected] Obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIvAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD REviews 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, Suzanne -
Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana -
Biographical Description for the Historymakers® Video Oral History with Famoudou Don Moye
Biographical Description for The HistoryMakers® Video Oral History with Famoudou Don Moye PERSON Moye, Famoudou Don Alternative Names: Famoudou Don Moye; Dougaufana Famoudou Moye; Life Dates: May 23, 1946- Place of Birth: Rochester, New York, USA Residence: Chicago, IL Occupations: Percussionist Biographical Note Drummer extraordinaire Famoudou Don Moye was born on May 23, 1946 in Rochester, New York. In high school, he began playing drums, congas and bongos and went on to formally study percussion at Wayne State University in Detroit. In 1968, Moye toured Europe with the Detroit Free Jazz Band and worked briefly in Italy for RAI (Italian Radio and Television). While abroad, Moye had the opportunity to work with Steve Lacy, Pharoah Sanders, opportunity to work with Steve Lacy, Pharoah Sanders, Sonny Sharrock, Randy Weston and Art Taylor and to collaborate extensively with Moroccan musicians. Moye joined the innovative, avant-garde quintet, the Art Ensemble of Chicago (AEC), in 1969 and he has been a permanent member ever since. Moye and the other members of AEC draw their influence from both Africa and the Caribbean, rural as well as urban spaces, from the whole spectrum of black music. Their radically experimental performances include painted faces, costumes and exotic instruments, which all contribute to their energetic improvisations. In addition to his work with AEC, Moye has been a member of The Leaders since 1984 and has recorded with the Black Artists Group, Joseph Jarman, Don Pullen, Cecil McBee, Hamiet Bluiet, Julius Hemphill, Chico Freeman and Lester Bowie’s Brass Fantasy. He also leads the Sun Percussion Summit, a group dedicated to exploring the traditions of African American percussion music. -
The Avant-Garde 15
CURRENT A HEAD ■ 407 ORNETTE COLEMAN lonely woman CECIL TAYLOR bulbs CECIL TAYLOR willisau concert, part 3 ALBERT AYLER ghosts DAVID MURRAY el matador THE AVANT-GARDE 15 Forward March T e word “avant-garde” originated in the French military to denote the advanced guard: troops sent ahead of the regular army to scout unknown territory. In English, the word was adapted to describe innovative composers, writers, painters, and other artists whose work was so pioneering that it was believed to be in the vanguard of contemporary thinking. Avant-gardism represented a movement to liberate artists from the restraints of tradition, and it often went hand-in-hand with progressive social thinking. T ose who championed avant-garde art tended to applaud social change. T ose who criticized it for rejecting prevailing standards couched their dismay in warnings against moral laxity or political anarchy. In the end, however, all art, traditional or avant-garde, must stand on its merit, inde- pendent of historic infl uences. T e art that outrages one generation often becomes the tradition and homework assignments of the next: the paintings of Paul Cézanne and Pablo Picasso, music of Gustav Mahler and Claude Debussy, and writings of Marcel Proust and James Joyce were all initially considered avant-garde. Two especially promi- nent twentieth-century avant-garde movements gathered steam in the decades follow- ing the world wars, and jazz was vital to both. Sonny Rollins combined the harmonic progressions of bop with the freedom of the avant-garde and sustained an international following. He appeared with percussionist Victor See Yuen and trombonist Clifton © HERMAN LEONARD PHOTOGRAPHY LLC/CTS IMAGES.COM Anderson at a stadium in Louisiana, 1995. -
25 Compilation
Twenty-Five in B&W: An Improviser’s Gallery Barry Thomson Abstract The Toronto-based photographer and jazz aficionado Barry Thomson has been shooting photos documenting the Toronto jazz and improvising scene for years. CSI/ECI is pleased to be able to publish a small selection from his vast archives, including short comments and recollections associated with each photo. At the 2011 Guelph Jazz Festival, Thomson and CSI Co-Editor Daniel Fischlin discussed making at least a small portion of the archive available to the general public. The following gallery hints at the rich stream of superb improvising musicians that have passed through Toronto in the last twenty-seven years or so—the earliest photos in this gallery date back to 1985. Critical Studies in Improvisation / Études critiques en improvisation, Vol 8, No 1 (2012) Dewey Redman: 1998 @ East 85th St. Club, Toronto Dewey was always a quiet, smiling, easy-going individual. Critical Studies in Improvisation / Études critiques en improvisation, Vol 8, No 1 (2012) Hamiet Bluiett: 1998 @ Toronto Jazz Festival One of the best baritone saxophonists still playing today, Hamiet is a wonderfully strong and soulful player. He always takes his time and plays out of a deep, spiritual place. A man of few words, he lets his music do the talking. Critical Studies in Improvisation / Études critiques en improvisation, Vol 8, No 1 (2012) Evan Parker: 1995 @ The Rivoli Club, Toronto Another quiet man whose paying is as explosive as Coltrane—a true force of nature. Critical Studies in Improvisation / Études critiques en improvisation, Vol 8, No 1 (2012) Kenny Wheeler: 1993 @ The Senator Club, Toronto Kenny is a beautiful lyrical player on trumpet, flugelhorn, and cornet. -
Jazz Collection: George Adams
Jazz Collection: George Adams Dienstag, 29. April 2014, 21.00 - 22.00 Uhr Samstag, 03. Mai 2014, 22.00 - 24.00 Uhr (Zweitsendung) Seine Improvisationen sind expressiv und explosiv, dann wieder spielt er fast wie im Swingzeitalter - und seine Stücke sind äusserst melodiös. In George Adams versöhnen sich die Gegensätze wie im Märchen Fuchs und Hase. Sein Sound war ebenso körperlich wie sein ganzes Spiel, dazu seine nach hinten geneigte Postur, die Augen, von denen man oft nur das Weisse sah: George Adams spielte das Saxophon so kraftvoll und bestimmt, dass ihm auch die Lehrjahre in der Band des unberechenbaren Charles Mingus nichts anhaben konnten. Im Gegenteil: Sie kanalisierten seine Kräfte und brachten sie so sehr auf den Punkt, dass er mit seiner eigenen Band erfolgreich viele Platten einspielen und auch noch auftreten konnte, als er den Kampf gegen den Krebs im Grunde schon verloren hatte. Schon als Teenager weggeblasen von George Adams Saxophonspiel und -sound wurde der Zürcher Saxophonist Omri Ziegele – er ist Gast von Jodok Hess. Redaktion: Jodok Hess George Adams: Paradise Space Shuttle ( 1978) CD Timeless Records Track 1: Intentions Charles Mingus: Mingus Moves (1973) CD Atlantic Track 2: Opus 4 George Adams: Melodic Excursions (1982) CD Timeless Track 2: God Has Smiled On Me George Adams-Don Pullen Quartet: City Gates (1983) CD Timeless Track 5: City Gates Phalanx: Got Something Good For You (1985) CD Moers Music Track 4: A Night Out Track 1: Upside Down Phalanx: In Touch (1988) CD DIW Track 5: Look ans See Bonustracks – nur in der Samstagsausgabe George Adams: Paradise Space Shuttle ( 1978) CD Timeless Records Track 3 : Send In The Clowns Gil Evans & The Monday Night Orchestra: Live at Sweet Basil CD Gramavision Track 3: Orange Was the Color of Her Dress George Adams / Don Pullen: Decisions CD Timeless Records Track 1: Trees and Grass and Thangs Phalanx : Original Phalanx CD DIW Track 7: Playground Charles Mingus Orchestra: Charles Mingus. -
Suggested Listening - Jazz Artists 1
SUGGESTED LISTENING - JAZZ ARTISTS 1. TRUMPET - Nat Adderley, Louis Armstrong, Chet Baker, Terrance Blanchard, Lester, Bowie, Randy Brecker, Clifford Brown, Don Cherry, Buck Clayton, Johnny Coles, Miles Davis, Kevin Dean, Kenny Dorham, Dave Douglas, Harry Edison, Roy Eldridge, Art Farmer, Dizzy Gillespie, Bobby Hackett, Tim Hagans, Roy Hargrove, Phillip Harper,Tom Harrell, Eddie Henderson, Terumaso Hino, Freddie Hubbard, Ingrid Jensen, Thad Jones, Booker Little, Joe Magnarelli, John McNeil, Wynton Marsalis, John Marshall, Blue Mitchell, Lee Morgan, Fats Navarro, Nicholas Payton, Barry Ries, Wallace Roney, Jim Rotondi, Carl Saunders, Woody Shaw, Bobby Shew, John Swana, Clark Terry, Scott Wendholt, Kenny Wheeler 2. SOPRANO SAX - Sidney Bechet, Jane Ira Bloom, John Coltrane, Joe Farrell, Steve Grossman, Christine Jensen, David Liebman, Steve Lacy, Chris Potter, Wayne Shorter 3. ALTO SAX - Cannonball Adderley, Craig Bailey, Gary Bartz, Arthur Blythe, Richie Cole, Ornette Coleman, Steve Coleman, Paul Desmond, Eric Dolphy, Lou Donaldson, Paquito D’Rivera, Kenny Garrett, Herb Geller, Bunky Green, Jimmy Greene, Antonio Hart, John Jenkins, Christine Jensen, Eric Kloss, Lee Konitz, Charlie Mariano, Jackie McLean, Roscoe Mitchell, Frank Morgan, Lanny Morgan, Lennie Niehaus, Greg Osby, Charlie Parker, Art Pepper, Bud Shank, Steve Slagel, Jim Snidero, James Spaulding, Sonny Stitt, Bobby Watson, Steve Wilson, Phil Woods, John Zorn 4. TENOR SAX - George Adams, Eric Alexander, Gene Ammons, Bob Berg, Jerry Bergonzi, Don Braden, Michael Brecker, Gary Campbell,