Final Cultural Resources Compliance and Monitoring Results
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Santa Susana Pass State Historic Park 22400 Devonshire Street Chatsworth, CA 91311 (818) 784-4849
Our Mission The mission of California State Parks is Santa Susana to provide for the health, inspiration and he story of Santa education of the people of California by helping T Pass to preserve the state’s extraordinary biological Susana Pass includes an diversity, protecting its most valued natural and cultural resources, and creating opportunities State Historic Park for high-quality outdoor recreation. ancient Indian hunting trail, rocks used as shelter by native people, and hair-raising stagecoach California State Parks supports equal access. Prior to arrival, visitors with disabilities who trips down Devil’s Slide. need assistance should contact the park at (818) 784-4849. This publication is available in alternate formats by contacting: CALIFORNIA STATE PARKS P.O. Box 942896 Sacramento, CA 94296-0001 For information call: (800) 777-0369 (916) 653-6995, outside the U.S. 711, TTY relay service www.parks.ca.gov Discover the many states of California.™ Santa Susana Pass State Historic Park 22400 Devonshire Street Chatsworth, CA 91311 (818) 784-4849 © 2010 California State Parks S anta Susana Pass State Historic Park— Today, descendants of these local native groups where the Simi Hills meet the Santa Susana still live in the area and have revived many of Mountains—is rich in natural and cultural their ancient traditions. significance. Its largely undisturbed landscape Santa Susana Pass contains part of a historic transportation corridor Between 1850 and 1861, Indian laborers between Missions San Buenaventura and San widened the trail over the pass to accommodate Fernando. The park’s Santa Susana Stage Road stagecoaches and flat-bottomed mud wagons. -
Digital Reconstruction of an Archaeological Site Based on the Integration of 3D Data and Historical Sources
International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences, Volume XL-5/W1, 2013 3D-ARCH 2013 - 3D Virtual Reconstruction and Visualization of Complex Architectures, 25 – 26 February 2013, Trento, Italy DIGITAL RECONSTRUCTION OF AN ARCHAEOLOGICAL SITE BASED ON THE INTEGRATION OF 3D DATA AND HISTORICAL SOURCES G. Guidi a, *, M. Russo b, D. Angheleddu a a Dept. of Mechanics, Politecnico di Milano, Italy (gabriele.guidi, davide.angheleddu)@polimi.it b Dept. of Design, Politecnico di Milano, Italy [email protected] Commission V, WG V/4 KEY WORDS: 3D survey, archaeological sites, reality based modeling, digital reconstruction, integration of methods, Cham Architecture ABSTRACT: The methodology proposed in this paper in based on an integrated approach for creating a 3D digital reconstruction of an archaeological site, using extensively the 3D documentation of the site in its current state, followed by an iterative interaction between archaeologists and digital modelers, leading to a progressive refinement of the reconstructive hypotheses. The starting point of the method is the reality-based model, which, together with ancient drawings and documents, is used for generating the first reconstructive step. Such rough approximation of a possible architectural structure can be annotated through archaeological considerations that has to be confronted with geometrical constraints, producing a reduction of the reconstructive hypotheses to a limited set, each one to be archaeologically evaluated. This refinement loop on the reconstructive choices is iterated until the result become convincing by both points of view, integrating in the best way all the available sources. The proposed method has been verified on the ruins of five temples in the My Son site, a wide archaeological area located in central Vietnam. -
Three Chumash-Style Pictograph Sites in Fernandeño Territory
THREE CHUMASH-STYLE PICTOGRAPH SITES IN FERNANDEÑO TERRITORY ALBERT KNIGHT SANTA BARBARA MUSEUM OF NATURAL HISTORY There are three significant archaeology sites in the eastern Simi Hills that have an elaborate polychrome pictograph component. Numerous additional small loci of rock art and major midden deposits that are rich in artifacts also characterize these three sites. One of these sites, the “Burro Flats” site, has the most colorful, elaborate, and well-preserved pictographs in the region south of the Santa Clara River and west of the Los Angeles Basin and the San Fernando Valley. Almost all other painted rock art in this region consists of red-only paintings. During the pre-contact era, the eastern Simi Hills/west San Fernando Valley area was inhabited by a mix of Eastern Coastal Chumash and Fernandeño. The style of the paintings at the three sites (CA-VEN-1072, VEN-149, and LAN-357) is clearly the same as that found in Chumash territory. If the quantity and the quality of rock art are good indicators, then it is probable that these three sites were some of the most important ceremonial sites for the region. An examination of these sites has the potential to help us better understand this area of cultural interaction. This article discusses the polychrome rock art at the Burro Flats site (VEN-1072), the Lake Manor site (VEN-148/149), and the Chatsworth site (LAN-357). All three of these sites are located in rock shelters in the eastern Simi Hills. The Simi Hills are mostly located in southeast Ventura County, although the eastern end is in Los Angeles County (Figure 1). -
8 Redefining Zorro: Hispanicising the Swashbuckling Hero
Redefining Zorro: Hispanicising the Swashbuckling Hero Victoria Kearley Introduction Such did the theatrical trailer for The Mask of Zorro (Campbell, 1998) proclaim of Antonio Banderas’s performance as the masked adventurer, promising the viewer a sexier and more daring vision of Zorro than they had ever seen before. This paper considers this new image of Zorro and the way in which an iconic figure of modern popular culture was redefined through the performance of Banderas, and the influence of his contemporary star persona, as he became the first Hispanic actor ever to play Zorro in a major Hollywood production. It is my argument that Banderas’s Zorro, transformed from bandit Alejandro Murrieta into the masked hero over the course of the film’s narrative, is necessarily altered from previous incarnations in line with existing Hollywood images of Hispanic masculinity when he is played by a Hispanic actor. I will begin with a short introduction to the screen history of Zorro as a character and outline the action- adventure hero archetype of which he is a prime example. The main body of my argument is organised around a discussion of the employment of three of Hollywood’s most prevalent and enduring Hispanic male types, as defined by Latino film scholar, Charles Ramirez Berg, before concluding with a consideration of how these ultimately serve to redefine the character. Who is Zorro? Zorro was originally created by pulp fiction writer, Johnston McCulley, in 1919 and first immortalised on screen by Douglas Fairbanks in The Mark of Zorro (Niblo, 1920) just a year later. -
BACKGROUND ENVIRONMENTAL REPORT Existing Conditions | January 2020
Thousand Oaks BACKGROUND ENVIRONMENTAL REPORT Existing Conditions | January 2020 EXISTING CONDITIONS REPORT: BACKGROUND ENVIRONMENTAL Age, including mastodon, ground sloth, and saber-toothed cat CHAPTER 1: CULTURAL (City of Thousand Oaks 2011). RESOURCES Native American Era The earliest inhabitants of Southern California were transient hunters visiting the region approximately 12,000 B.C.E., who were the cultural ancestors of the Chumash. Evidence of significant and Cultural Setting continuous habitation of the Conejo Valley region began around The cultural history of the City of Thousand Oaks and the 5,500 B.C.E. Specifically, during the Millingstone (5,500 B.C.E – surrounding Conejo Valley can be divided in to three major eras: 1,500 B.C.E.) and the Intermediate (1,500 B.C.E. – 500 C.E.) Native-American, Spanish-Mexican, and Anglo-American. periods, the Conejo Valley experienced a year-round stable Remnants from these unique eras exist in the region as a diverse population of an estimated 400-600 people. During this time, range of tribal, archaeological and architectural resources. The people typically lived in largely open sites along water courses Conejo Valley served as an integral part of the larger Chumash and in caves and rock shelters; however, a number of site types territory that extended from the coast and Channel Islands to have been discovered, including permanent villages, semi- include Santa Barbara, most of Ventura, parts of San Luis Obispo, permanent seasonal stations, hunting camps and gathering Kern and Los Angeles Counties. The late 18th and early 19th localities focused on plant resources (City of Thousand Oaks 2011). -
Mitigating the Curation Crisis of the 21St Century
A California Case Study on Procedures to Reassemble and Reevaluate Archaeological Artifact Processing: Mitigating the Curation Crisis of the 21st Century By Allysha A. Leonard Senior Thesis Advisor: Tsim Schneider Submitted to the Department of Anthropology University of California Santa Cruz Santa Cruz, CA 95060 3/20/19 In partial fulfillment of the requirements for the degree of Bachelor’s in Anthropology Table of Contents Table of Contents ............................................................................................................................ 2 I. Abstract ........................................................................................................................................ 3 II. Introduction ................................................................................................................................ 6 Background in Under Processing: Lack of Analysis .................................................................. 8 Background in Over Processing: Artifact Hoarding and Lack of Ethical Deaccessioning ........ 9 Defining Waste and Defects in the Artifact Process ................................................................. 16 Defining Lean Systems and Kaizen Waste Improvement Strategies ........................................ 17 III. Methods and Case Studies ...................................................................................................... 21 A “A Reality Check” — Field Lab and CRM Experience: Sesnon House, Cabrillo College, Soquel, CA ............................................................................................................................... -
John P. Harrington Papers 1907-1959
THE PAPERS OF John Peabody Harringtan IN THE Smithsonian Institution 1907-1957 VOLUME SEVEN A GUIDE TO THE FIELD NOTES: NATIVE AMERICAN HISTORY, LANGUAGE, AND CULTURE OF MEXICO/CENTRAL AMERICA/ SOUTH AMERICA I:DITRD Br Elaine L. Mills KRAUS INTER AJ 10 L Pl BLIC 110 Di ision of Kraus-Thom Jl )r 1lI1.allon LUl11tcd THE PAPERS OF John Peabody Harringtan IN THE Smithsonian Institution 1907-1957 VOLUME SEVEN A GUIDE TO THE FIELD NOTES: Native American History, Language, and Culture of Mexico/Central America/South America Prepared in the National Anthropological Archives Department ofAnthropology National Museum ofNatural History Washington, D.C. THE PAPERS OF John Peabody Harringtan IN THE Smithsonian Institution 1907-1957 VOLUME SEVEN A GUIDE TO THE FIELD NOTES: Native American History, Language, and Culture of Mexico/Central America/South America EDITED BY Elaine L. Mills KRAUS INTERNATIONAL PUBLICATIONS A Division of Kraus-Thomson Organization Limited White Plains, N.Y. © Copyright The Smithsonian Institution 1988 All rights reserved. No part ofthis work covered by the copyright hereon may be reproduced or used in any form or by any means-graphic, electronic, or mechanical, including photocopying, recording or taping, information storage and retrieval systems-without written permission ofthe publisher. First Printing Printed in the United States of America §TM The paper in this publication meets the minimum requirements of American National Standard for Information Science- Permanence of Papers for Contents Printed Library Materials, ANSI Z39.48-1984. Library ofCongress Cataloging-in-Publication Data INTRODUCTION VII / V1/l Harrington, John Peabody. Scope and Content ofthis Publication VII / vu The papers ofJohn Peabody Harrington in the Smithsonian Institution, 1907 -1957. -
The Licit and the Illicit in Archaeological and Heritage Discourses
CHALLENGING THE DICHOTOMY EDIT ED BY LES FIELD CRISTÓBAL GNeccO JOE WATKINS CHALLENGING THE DICHOTOMY • The Licit and the Illicit in Archaeological and Heritage Discourses TUCSON The University of Arizona Press www.uapress.arizona.edu © 2016 by The Arizona Board of Regents Open-access edition published 2020 ISBN-13: 978-0-8165-3130-1 (cloth) ISBN-13: 978-0-8165-4169-0 (open-access e-book) The text of this book is licensed under the Creative Commons Atrribution- NonCommercial-NoDerivsatives 4.0 (CC BY-NC-ND 4.0), which means that the text may be used for non-commercial purposes, provided credit is given to the author. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. Cover designed by Leigh McDonald Publication of this book is made possible in part by the Wenner-Gren Foundation. Library of Congress Cataloging-in-Publication Data Names: Field, Les W., editor. | Gnecco, Cristóbal, editor. | Watkins, Joe, 1951– editor. Title: Challenging the dichotomy : the licit and the illicit in archaeological and heritage discourses / edited by Les Field, Cristóbal Gnecco, and Joe Watkins. Description: Tucson : The University of Arizona Press, 2016. | Includes bibliographical references and index. Identifiers: LCCN 2016007488 | ISBN 9780816531301 (cloth : alk. paper) Subjects: LCSH: Archaeology. | Archaeology and state. | Cultural property—Protection. Classification: LCC CC65 .C47 2016 | DDC 930.1—dc23 LC record available at https:// lccn.loc.gov/2016007488 An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high quality books Open Access for the public good. -
STAGECOACH TRAIL Original Stagecoach Trail Until 1895
CHATSWORTH PAST & PRESENT improved grade road south through Conjeo with newer, By Ann Vincent March 2010 more comfortable wagons. However, the Simi Land and Water Company continued to take passengers over the THE STAGECOACH TRAIL original Stagecoach Trail until 1895. When we think Santa Susana Pass, most of us In 1895 the Chatsworth Grade Road was locally think of the Santa Susana Pass Road that runs built…with yes, a usable grade that wound through the just south of the 118 freeway. Most only use it now pass, cut into the hill sides. This made it possible for when the freeway is backed up, however it is only one of goods and produce to easily make it through the pass. a series of historic roads used over time to cross from Chatsworth to Simi Valley. 1895 Chatsworth Grade Road The Santa Susana Pass was first used by the Indians. During the Spanish Colonial Period, the original El Camino Real followed a coastal route from The remains of this road can still be seen south of the San Diego to San Francisco. The first mission was San existing Santa Susana Pass Road and is included in the Diego de Alcala, founded in 1769. Upon completion of Santa Susana State Historic Park property. the 17th of 21 missions at San Fernando Rey de Espana In 1904 the railroad’s successful completion of in 1797, an inland route through the Santa Susana Pass the Montalvo Cutoff with three tunnels through the hills was established. Travelers would go from the San of Simi and Chatsworth, connected railroad travel and Fernando Mission to the Simi House, built in 1793, and transportation of goods through the pass to and from Los then on to Mission San Buenaventura, built in 1782. -
Science Applications International Corporation Carpinteria, California
FROM THE STONE AGE TO THE SPACE AGE: SANTA SUSANA FIELD LABORATORY CULTURAL HISTORY STEPHEN BRYNE Science Applications International Corporation Carpinteria, California A number of prehistoric sites, including rock shelters, pictograph sites, occupation sites, and isolated artifacts, have been documented on Santa Susana Field Laboratory property. During the nineteenth century, the property was ranch and cattle land. Later, western movies were shot among the large sandstone outcrops. In the 1950s and 1960s, Rocketdyne developed rocket engines here. The Atlas, Thor, Jupiter, Apollo, and Saturn rocket systems were powered by massive Rocketdyne engines. Today, the lab is jointly owned by Boeing, the Department of Energy, and NASA. The lab is currently being closed, and cleanup efforts are under way. The Santa Susana Field Laboratory (SSFL) is located 30 mi. (48 km) northwest of downtown Los Angeles, California, in the southeast corner of Ventura County. The site is located approximately 7 mi. (11 km) northwest from the community of Canoga Park. Sage Ranch, part of the Santa Monica Mountains Conservancy, is adjacent to part of the northern boundary, and the community of Bell Canyon is along the entire southern boundary. SSFL occupies approximately 2,850 acres of hilly terrain, with approximately 700 ft. of topographic relief near the crest of the Simi Hills. The Simi Hills are bordered on the east by the San Fernando Valley and to the north by the Simi Valley. The facility is divided into four administrative areas (Figure 1). Areas I and III are owned and operated by Boeing. Area II and a 42-acre portion of Area I are owned by the federal government and are administered by NASA. -
AAA2021 Session Themes V2
SESSION THEMES After Archaeology in Practice: Student Research in Archaeology and Cultural Heritage Management An extraordinary and excitingly diverse range of research topics are pursued by students in archaeology and cultural heritage management and with the advent of covid-19, students have engaged with history, science and culture in ways we haven’t even begun to fully explore. Disseminating your research results to an audience of archaeologists at Australia’s annual conference was a huge hit at the 2019 AAA Conference on the Gold Coast and by request we propose to run a student-led and focussed session for the 2021 AAA conference. This session focusses on student research and provides an opportunity to speak alongside a group of your peers in a safe moderated space. We support and encourage student researchers at all levels to present a paper on their research in any area of archaeology and cultural heritage management from national and international contexts. Presenting in this forum allows you to develop important skills at communicating your research results. Presentations will be a maximum of 10-15minutes with 5 minutes for questions. Archaeological Science Collaborations: The ARCAS Network Session Archaeological science has become an integral part of Australian archaeology, with advancements in technologies allowing new types of data and/or higher resolution data to be produced. These data underpin detailed and nuanced interpretations of past human behaviour and contribute to understanding how people lived on Country. Archaeological science, with its foundations in western science, can play an important role in reconciliation and truth telling, especially when combined with the traditional knowledges of First Nation people. -
New Orleans Nostalgia "Zorro Rides Again" Ned Hémard Copyright 2007
N EW ORLEANS NOSTALGIA Remembering New Orleans History, Culture and Traditions By Ned Hémard Zorro Rides Again In 1937, New Orleans became the first city in the United States to be provided funding under the Wagner Act. Contracts for the St. Thomas and Magnolia housing projects were the first signed by FDR under Senator Robert Wagner’s legislation, and with it the Housing Authority of New Orleans (HANO) was created. A young LBJ was one of the principal authors of the Housing Act of 1937, and he saw to it that the first three grants were announced in alphabetical order (with Austin being mentioned before New Orleans and New York). Also that year, New Orleans saw the founding of a new carnival organization, the Knights of Hermes (which continues to charm the city with its annual parade). Hermes, HANO and housing were the talk of the town, and Hitler was the talk of the nation. For those who wanted some form of escapism, there was always the local movie house. Among numerous neighborhood theatres, there was the Bell, the Cortez, the Casino and the Carrollton (which had been rebuilt the year before). Or perhaps one visited the Imperial on Hagan Avenue (Jefferson Davis Parkway today) followed by a stop at the Parkway Bakery (also on Hagan … then as today). 1937 produced great films like Frank Capra’s “Lost Horizon”, the Marx Brothers in “A Day at the Races”, “Stella Dallas”, “Topper” and “The Awful Truth”. In addition to these classics were the serial Westerns from Republic, and 1937’s “Zorro Rides Again” was one of these twelve-chapter runs.