Der Schatz the Treasure / Comoara
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The Treasure
42 Km Film, Les Films du Worso and Rouge International present the treasure A FILM BY CORNELIU PORUMBOIU CUZIN TOMA ADRIAN PURCARESCU CORNELIU COZMEI AND CRISTINA TOMA 42 Km Film, Les Films du Worso and Rouge International present the treasure A film by Corneliu Porumboiu Starring Cuzin Toma, Adrian Purcarescu, Corneliu Cozmei and Cristina Toma 89 min - France/Romania - 2.39 - 5.1 - 2015 International Sales Vincent Maraval & Noëmie Devide [email protected] Carole Baraton & Olivier Barbier International PR [email protected] Magali Montet [email protected] +33 6 71 63 36 16 Emilie Serres [email protected] [email protected] Delphine Mayele Silvia Simonutti +33 6 60 89 85 41 [email protected] [email protected] SYNOPSIS Costi leads a peaceful life. At night he likes to read his 6-year-old son stories, to help him sleep. Their favourite is Robin Hood. Costi sees himself as the hero - righter of wrongs and defender of the oppressed. One evening, his neighbour pays him an unexpected visit and shares a secret: there’s treasure buried in his grandparents’ garden, he’s sure of it. If Costi will hire a metal detector to help locate it, he’ll give him half of whatever they get. Sceptical at first, in the end Costi can’t resist. He’s on board. The two accomplices have one weekend to locate the loot. Despite every obstacle in their path, Costi refuses to be discouraged. For his wife and son, he’s a real hero - nothing and no one are going to stop him. CORNELIU PORUMBOIU INTERVIEW How did the film come about? Initially I’d planned to do a documentary about a director friend, Adrian Purcarescu, who was never able to finish a film he’d begun ten years earlier for lack of funding. -
Corneliu Porumboiu's the Whistlers (La
REVIEW Whistle of Change Corneliu Porumboiu’s The Whistlers (La Gomera, 2019) VOL. 95 (MAY 2019) BY ANASTASIA ELEFTHERIOU When the two main characters in Corneliu Porumboiu's new feature La Gomera set their secret meeting point at the Cinemateca de Bucarest, they find themselves watching a screening of the classic John Wayne western The Searchers. La Gomera's international English title is “The Whistlers”, and despite the evident references to the film genres of Hollywood throughout which often border on pastiche, Porumboiu’s latest pic is much more than another self-conscious European toil with the Classics (see Final Cut: Ladies and Gentlemen from 2012). Indeed, the director tries to bring his signature vision of conversational crisis to the film noir genre and mostly succeeds, the result being a suspenseful, light-hearted movie with a sombre, satirical edge. For those of us familiar with Porumboiu's work, the venture of The Whistlers will seem too soft and light compared to the kind of cinema the director has delivered for over a decade. The Whistlers tells the story of gangsters who learn a whistling language practiced on the Canary Islands called El Silbo Gomero, in order to evade police comprehension back in Bucharest. Policeman Cristi (yes, Vlad Ivanov of Police Adjective), along with his partner Alin (George Pisterneanu) and their boss Magda (Rodica Lazar) are tracking down a gang that appears to be laundering millions of euros for Spain-based gangsters using mattresses made in a factory in Bucharest. The big boss on La Gomera is Paco (Agusti Villaronga), and with the help of Kiko (Antonio Buil), a master of the whistling language, and Gilda (Catrinel Marlon), a sensitive yet professional femme fatale worthy of a Rita Hayworth, they conspire to break Gilda's boyfriend Zsolt (Sabin Tambrea) out of jail in Bucharest and make off with the hidden cash. -
Studies in Central and Eastern European Film and Literature /
CONTACT ZONES STUDIES IN CENTRAL AND EASTERN EUROPEAN FILM AND LITERATURE /. A BIANNUAL ONLINE JOURNAL MASCULINITY RELOADED. SUBVERTING DISCOURSES OF AUTHORITY IN CONTEMPORARY EASTERN EUROPEAN AND RUSSIAN CINEMA ATMOSPHERIC ADAPTATION AS CULTURAL TRANSLATION (ÁDÁM BODOR – GÁBOR FERENCZI: THE POSSIBILITIES OF MAKING FRIENDS, 2007) THIS IS NOT MAGRITTE. CORNELIU PORUMBOIU’S THEORY OF REPRESENTATION FALSE GODS. SUPERHERO MYTHS AND GRAPHIC STORYTELLING IN CONTEMPORARY EASTERN EUROPEAN CINEMA MYTH AND STYLISTIC EXCESS: MOMENTS OF SLIPPAGE IN CONTEMPORARY SERBIAN CINEMA CONTENTS Editor’s Introduction HAJNAL KIRÁLY: Masculinity Reloaded. Subverting Discourses of Authority in Contemporary Eastern European and Russian Cinema Articles MÓNIKA DÁNÉL: Atmospheric Adaptation as Cultural Translation (Ádám Bodor – Gábor Ferenczi: The Possibilities of Making Friends, 2007) ZSOLT GYENGE: This is Not Magritte. Corneliu Porumboiu’s Theory of Representation BENCE KRÁNICZ: False Gods. Superhero Myths and Graphic Storytelling in Contemporary Eastern European Cinema VIVIEN MAGYAR: Myth and Stylistic Excess: Moments of Slippage in Contempo- rary Serbian Cinema Book Review HAJNAL KIRÁLY: Screened Books. A Possible Hungarian Film History (Gábor Gelencsér: Forgatott könyvek) Conference Report GYÖRGY KALMÁR: Report on “Masculinity and the Metropolis: An Interdisicipli- nary Conference on Art History, Film and Literature” Editorial Board: Mónika Dánél (Eötvös Loránd University) András Hlavacska (Eötvös Loránd University, PhD student) Hajnal Király (Eötvös Loránd University) -
Gateville Group
.com 24-28 OCTOBER 2019 FRAGMENTS OF TRUTH THE 15th ROMANIAN FILM FESTIVAL 15th Romanian Film Festival in London FRAGMENTS OF TRUTH 24 – 28 OCTOBER 2019 Thursday 24 October, 6.20pm Friday 25 October, 6.45pm Saturday 26 October, 3.30pm The Whistlers/La Gomera Infinite Football Lemonade Director: Corneliu Porumboiu (UK premiere) (UK premiere) Followed by Q&A with film director Director: Corneliu Porumboiu Director: Ioana Uricaru Followed by Q&A with director Ioana Corneliu Porumboiu and artistic Followed by Q&A with director director Arantxa Etcheverria Corneliu Porumboiu. Uricaru (on Skype) and actor Dylan Porumboiu. Hosted by festival director Ramona Smith. Hosted by film writer Ian Haydn Smith. Mitrica and author Mike Phillips. Hosted by festival director Ramona 2019 | Romania-France-Germany | 2018 | Romania | Documentary | 70 min Mitrica and author Mike Phillips. Comedy, Crime | 97 min 2018 | Romania | Drama | 88 min Sunday 27 October, 5.00pm Monday 28 October, 6.15pm All films are in Romanian with English One Step Behind the Moromete Family: subtitles. Seraphim On the Edge of Time The screenings take place at: (UK premiere) (UK premiere) Curzon Soho (99 Shaftesbury Avenue, Director: Daniel Sandu Director: Stere Gulea London W1D 5DY) Followed by Q&A with lead actor Vlad Followed by Q&A with director Stere Nearest tube: Leicester Square; Ivanov. Gulea. Piccadilly Circus Hosted by festival director Ramona Hosted by film writer Ian Haydn Smith. Tickets: Mitrica and author Mike Phillips. 2018 | Romania | Drama | 110 min http://www.curzoncinemas.com/rff 2017 | Romania | Drama | 150 min Dear film lovers & friends, enter into a dialogue with their audiences. -
W Kinach 4 Czerwca LA GOMERA W Kinach 4 Czerwca
LA GOMERA w kinach 4 czerwca OPIS FILMU Nieprzewidywalna, rozpędzona, stale zmieniająca gatunkowe przebrania mieszankę kryminału, komedii, heist movie i westernu, garścią błyskotliwych „La Gomera” kluczy i myli scenariuszowe tropy, niczym wyjątkowo sprytny zbieg. nawiązań do filmów noir. Zresztą to właśnie kobiety pociągają za sznurki tej Kryminalna komedia w reżyserii Corneliu Porumboiu zaskakuje pomysłowością, nietypowej opowieści o policjantach i złodziejach. bawi absurdalnym humorem, a przede wszystkim dowodzi, że każdy, kto traktuje „La Gomera” sprytnie buduje komedię o cynicznym policjancie uwikłanym siebie śmiertelnie poważnie, jest po prostu śmieszny. w podwójną (czy tylko?) grę, używając do tego licznych nawiązań. Mistrz rumuńskiej Nowej Fali zabiera nas więc na wakacje od powagi, A przy tym kojarząca się z serią „Ocean’s”, brawurowo żonglujący cytatami i to nie byle gdzie, bo na Gomerę, jedną z Wysp Kanaryjskich. To tu przypływa z arcydzieł Hitchcocka, Hawksa i Forda; odsyłający do „Gildy” z Ritą Hayworth, skorumpowany, ponury gliniarz z Bukaresztu (Vlad Ivanov), by nauczyć się sekretnego ale i słynnych obrazów Edwarda Hoppera; film Porumboiu jest pochwałą własnego lokalnego języka gwizdów, el silbo. Dzięki niemu Cristi może dogadywać się języka. Takiego, którym można opowiadać o świecie bez uciekania się do klisz, z mafią i planować porwanie, gwiżdżąc na policyjne podsłuchy. Nauczycielami i w którym humor obnaża dętą powagę wszelkich struktur i instytucji – czy będzie Rumuna zostają tutejszy gangster i tajemnicza, ciemnowłosa