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Web Typography │ 2 Table of Content
Imprint Published in January 2011 Smashing Media GmbH, Freiburg, Germany Cover Design: Ricardo Gimenes Editing: Manuela Müller Proofreading: Brian Goessling Concept: Sven Lennartz, Vitaly Friedman Founded in September 2006, Smashing Magazine delivers useful and innovative information to Web designers and developers. Smashing Magazine is a well-respected international online publication for professional Web designers and developers. Our main goal is to support the Web design community with useful and valuable articles and resources, written and created by experienced designers and developers. ISBN: 978-3-943075-07-6 Version: March 29, 2011 Smashing eBook #6│Getting the Hang of Web Typography │ 2 Table of Content Preface The Ails Of Typographic Anti-Aliasing 10 Principles For Readable Web Typography 5 Principles and Ideas of Setting Type on the Web Lessons From Swiss Style Graphic Design 8 Simple Ways to Improve Typography in Your Designs Typographic Design Patterns and Best Practices The Typography Dress Code: Principles of Choosing and Using Typefaces Best Practices of Combining Typefaces Guide to CSS Font Stacks: Techniques and Resources New Typographic Possibilities with CSS 3 Good Old @Font-Face Rule Revisted The Current Web Font Formats Review of Popular Web Font Embedding Services How to Embed Web Fonts from your Server Web Typography – Work-arounds, Tips and Tricks 10 Useful Typography Tools Glossary The Authors Smashing eBook #6│Getting the Hang of Web Typography │ 3 Preface Script is one of the oldest cultural assets. The first attempts at written expressions date back more than 5,000 years ago. From the Sumerians cuneiform writing to the invention of the Gutenberg printing press in Medieval Germany up to today՚s modern desktop publishing it՚s been a long way that has left its impact on the current use and practice of typography. -
Notes for Google Keep Mac App Download Google Keep - Notes and Lists for PC
notes for google keep mac app download Google Keep - Notes and Lists for PC. Free Download Google Keep for PC using the tutorial at BrowserCam. Even though Google Keep app is launched suitable for Google’s Android and even iOS by Google Inc.. you are able to install Google Keep on PC for MAC computer. Ever thought about how can I download Google Keep PC? Do not worry, we are going to break it down on your behalf into easy-to-implement steps. Out of a variety of paid and free Android emulators offered to PC, it’s not at all an effortless step like you imagine to search for the most effective Android emulator that functions well on your PC. To help you out we are going to highly recommend either Andy Android emulator or Bluestacks, both are unquestionably compatible with MAC and windows. Then, you should consider the suggested Operating system prerequisites to install BlueStacks or Andy on PC before downloading them. Download one of the emulators, if your Laptop or computer complies with the minimum Operating system specifications. At last, you’ll want to install the emulator that will take couple of minutes only. Mouse click on below download option to get started on downloading the Google Keep .APK on your PC for those who do not find the app on playstore. How to Install Google Keep for PC: 1. Download BlueStacks free emulator for PC making use of the download button provided inside this web site. 2. As soon as the installer finishes downloading, open it to get started with the install process. -
List of Joplin Keyboard Shortcut Keys ~ Easy Shortcuts!!
8/4/2021 List of Joplin Keyboard Shortcut Keys ~ Easy Shortcuts!! Shortcut Buzz Menu List Of Joplin Keyboard Shortcut Keys ~ Easy Shortcuts!! August 3, 2021 by Martha Jonas Joplin: It is a free and open-source note-taking software. It can sync notes with online services including Dropbox, OneDrive, Nextcloud, or a network location. Joplin supports end-to-end encryption and has applications for Windows, macOS, Linux, Android, iOS, and more. In this article, we will guide you to learn about the List of Joplin Keyboard Shortcut Keys. Let’s get into this article.!! Joplin Logo Last updated on Aug 03, 2021. Download Joplin Shortcuts Ofine Study Here: Joplin.pdf File menu shortcuts: Shortcut Function Ctrl + N Helps for new note. https://shortcutbuzz.com/list-of-joplin-keyboard-shortcut-keys-easy-shortcuts/ 1/7 8/4/2021 List of Joplin Keyboard Shortcut Keys ~ Easy Shortcuts!! Shortcut Function Ctrl + T This key is used for a new to-do. Ctrl + P It is used to print. Ctrl + Q Use this key to quit. Edit menu shortcuts: Shortcut Function Ctrl + C It is used to copy. Ctrl + X This shortcut key will cut. Ctrl + V Helps to paste. Ctrl + A It is used to select all. Ctrl + B Use this key to bold. Ctrl + I Helps for italic. Ctrl + K It is used for links. Ctrl + ` This shortcut key will be used for code. https://shortcutbuzz.com/list-of-joplin-keyboard-shortcut-keys-easy-shortcuts/ 2/7 8/4/2021 List of Joplin Keyboard Shortcut Keys ~ Easy Shortcuts!! Shortcut Function Ctrl + Shift + T Helps to insert the date. -
General Solution to UI Automation
Loong: General Solution to UI Automation TECHNICAL REPORT TR-2013-002E Yingjun Li , Nagappan Alagappan Loong: General Solution to UI Automation Abstract We have two different solutions for UI automation. First one is based on accessibility technology, such as LDTP [1]. Second one is based on image comparison technology such as Sikuli [2]. Both of them have serious shortcomings. Accessibility technology cannot recognize and operate all UI controls. Image comparison technology contains too many flaws and hard-coded factors which make it not robust or adequate for UI automation. The principles of the two technologies are so different with each other. This means it is possible that we use accessibility technology to overcome shortcomings of image comparison technology and vice versa. In this paper, we integrate accessibility technology with image comparison technology at the API level. I use LDTP and Sikuli to demonstrate the integration. Firstly, our integration overcomes respective shortcomings of the two technologies; Secondly, the integration provides new automation features. The integration is named Loong. It is a general solution to UI automation because it not only solves problems but also provides new automation features to meet various requirements from different teams. 1. Introduction I use LDTP to represent LDTP (Linux), Cobra (Windows) and PyATOM (Mac OS X) because they are all based on accessibility technology and provide same APIs. If UI controls are standard - provided by operating system and have accessibility enabled), accessibility technology such as LDTP is a good choice to recognize and operate them. However, LDTP cannot recognize and operate controls which do not have accessibility enabled. -
“The Art and Tradition of Typography” by Greg Hitchcock @Fontblog
The Art and Tradition of Typography - fontblog - Site Home - MSDN Blogs 8/28/10 5:33 PM The Art and Tradition of Typography FontBlog 25 Jun 2010 6:31 PM 5 The Art and Tradition of Typography For over 25 years Microsoft has been very focused on the development of type and type technologies. In order to fully understand the technical foundations of typography in Windows, a brief overview of some of the highlights of “typographic engineering” from the past 500 years can add some useful insight. Now, by referring to 500 years of type, there is a clear reference to Johannes Gutenberg and his involvement in the development of moveable metal type in Europe. Although much of this discussion is centered on the development of type and typography for Latin based scripts, there is an equivalent rich history of other type scripts throughout the world, and I’ll attempt to make reference to these throughout this article. The craftsmen who created the type for printing presses were part engineer and part artisan, and had many technical challenges to solve. The first step in creating a piece of lead type involves the process of punchcutting. This process involves carving a three dimensional image (in reverse) of each character of the font into the end of a steel punch—a different image and a separate punch for each font’s size. The characters at different sizes were not typically scaled clones of other sizes; instead each size had its own attributes for the font, based on the size at which the reader would view the text. -
Higher Quality 2D Text Rendering
Journal of Computer Graphics Techniques Vol. 2, No. 1, 2013 Higher Quality 2D Text Rendering http://jcgt.org Higher Quality 2D Text Rendering Nicolas P. Rougier INRIA No hinting Native hinting Auto hinting Vertical hinting Figure 1. When displaying text on low-resolution devices (DPI < 150), one typically has to decide if one wants to respect the pixel grid (e.g., Cleartype technology / Microsoft / native hinting) for crisp rendering or, to privilege glyph shapes (Quartz technology / Apple / no hinting) at the cost of blurring. There is, however, a third way that may combine the best of the two technologies (vertical hinting). Abstract Even though text is pervasive in most 3D applications, there is surprisingly no native sup- port for text rendering in OpenGL. To cope with this absence, Mark Kilgard introduced the use of texture fonts [Kilgard 1997]. This technique is well known and widely used and en- sures both good performances and a decent quality in most situations. However, the quality may degrade strongly in orthographic mode (screen space) due to pixelation effects at large sizes and to legibility problems at small sizes due to incorrect hinting and positioning of glyphs. In this paper, we consider font-texture rendering to develop methods to ensure the highest quality in orthographic mode. The method used allows for both the accurate render- ing and positioning of any glyph on the screen. While the method is compatible with complex shaping and/or layout (e.g., the Arabic alphabet), these specific cases are not studied in this article. 50 Journal of Computer Graphics Techniques Vol. -
Font Hinting Techniques and the Importance of Applying These Techniques for High-Quality Display of Fonts on the Output Device Screen
Faculty of Technical Sciences - Graphic Engineering and Design Preliminary report UDK: 655.24:655.262 Font hinting techniques and the importance of applying these techniques for high-quality display of fonts on the output device screen Banjanin Bojan1, Nedeljkovic Uroš1 1University of Novi Sad, Faculty of Technical Sciences, Department of Graphic engineering and design, Trg Dositeja Obradovica 6, 21000 Novi Sad, Serbia, Corresponding author: Banjanin Bojan Email: [email protected] Abstract: In the era of contemporary and rapid way of life and with advancing digital technology, the display of electronic content on different types of portable devices becomes a part of everyday life. Whether it is on the screen of a Tab- let PC, mobile phone or e-book reader, the font needs to be designed in such a way that the displayed message is received and understood as easy and efficiently as possible. When it comes to digital font, intended for display on screen, it is necessary to take into account the properties of the output device and font size to be used. Since the text is intended for display on small screens (especially in case of portable devices), the used font should be adapted to such conditions, namely, it should be designed so as to be readable and legible even at small sizes and at different resolutions of the device. The integral part of contemporary outline fonts are additional instructions on how rasterizer is to render letters at lower resolutions and lower font sizes. These instructions are known as hints, or hint mechanisms, and the process of defining these instructions is called hinting. -
Introduction What a Long, Strange Trip It's Been
Introduction What a Long, Strange Trip It’s Been Introducing Fontographer How to get the most out of your Fontographer materials Before you begin by David Berlow They say that good things come in small packages. When it comes to Fontographer, this has never been so true. In 1985, I was working at Bitstream designing type on a large proprietary font design system. For those of you who don’t know what this means, I’ll tell you. Large means it wouldn’t fit on a desktop because it was larger than a desk. We had workstations that were about six feet wide by six feet deep by four feet tall, with a 19" vector-monitor, a mouse with four or five buttons, and a keyboard with a few dozen extra keys. If you must know, this was trucktop publishing. Proprietary means that we developed the software and some of the hardware ourselves so no one else could use it, and there were only two or three engineers in the world who knew how to make changes, additions or fixes to the software and this happened quite infrequently and very slowly. In addition, proofing the fonts required a series of conversions, and mastery of a typesetting command language about as friendly as Kanji. Into this world, one day, came two visitors from somewhere down south. They carried a little box that, because it was so small, I thought was surely a kitchen appliance, a toaster or blender perhaps. But when they plugged it in there seemed to be type drawing going on inside of the little box. -
An Analysis of the State of Electron Security in the Wild Bachelor’S Thesis
An Analysis of the State of Electron Security in the Wild Bachelor’s Thesis Benjamin Altpeter August 1, 2020 supervised by Prof. Dr. Martin Johns Declaration of Authorship I hereby declare that the thesis submitted is my own unaided work. All direct or indirect sources used are acknowledged as references. I am aware that the thesis in digital form can be examined for the use of unauthorized aid and in order to determine whether the thesis as a whole or parts incorporated in it may be deemed as plagiarism. For the comparison of my work with existing sources I agree that it shall be entered in a database. Further rights of reproduction and usage, however, are not granted here. This paper was not previously presented to another examination board and has not been published. Braunschweig, on August 1, 2020 Benjamin Altpeter Contents 1. Introduction 6 2. Background 8 2.1. Electron Architecture ....................................... 8 2.2. A Basic App ............................................ 8 3. Electron Attack Vectors 11 3.1. Attack Vectors Shared with Web Applications .......................... 11 3.1.1. OWASP Top Ten ...................................... 11 3.1.2. Additional Attack Vectors ................................. 16 3.2. Attack Vectors Specific to Electron ................................ 17 3.2.1. Not Enabling Security Features .............................. 18 3.2.2. Opening URLs with shell.openExternal() ........................ 20 3.2.3. Missing Permission Request Handlers .......................... 21 3.2.4. Insecure Protocol Handlers ................................ 22 3.2.5. Introducing Privileged APIs to the Window Object ................... 22 3.3. Differences in Exploitation Compared to the Browser ...................... 23 4. Documented Vulnerabilities in Electron Applications 24 4.1. XSS and RCE in Leanote Desktop ............................... -
Learning a Stroke-Based Representation for Fonts
Volume 0 (1981), Number 0 pp. 1–13 COMPUTER GRAPHICS forum Learning A Stroke-Based Representation for Fonts Elena Balashova1, Amit H. Bermano1, Vladimir G. Kim2, Stephen DiVerdi2, Aaron Hertzmann2, Thomas Funkhouser1 1Princeton University 2Adobe Research Examples: Consistency: Manifold Learning: Retrieval: ] Completion: Interpolation: Figure 1: We learn style variations from existing typeface collections by representing them using a consistent parameterization, and projecting onto a low dimensional manifold. We start with a set of glyph examples that are not consistently parameterized, and use our fitting method to produce a part-based template parametrization consistent across same glyphs. We project the parametrization features into a low dimensional manifold and thus produce a missing-data-aware generative model. The resulting manifold can be used for exploratory applications to understand collections of fonts: topology-aware font retrieval, completion, and interpolation. Abstract Designing fonts and typefaces is a difficult process for both beginner and expert typographers. Existing workflows require the designer to create every glyph, while adhering to many loosely defined design suggestions to achieve an aesthetically appealing and coherent character set. This process can be significantly simplified by exploiting the similar structure character glyphs present across different fonts and the shared stylistic elements within the same font. To capture these correlations we propose learning a stroke-based font representation from a collection of existing typefaces. To enable this, we develop a stroke-based geometric model for glyphs, a fitting procedure to re-parametrize arbitrary fonts to our representation. We demonstrate the effectiveness of our model through a manifold learning technique that estimates a low- dimensional font space. -
Joplin Application
Publication Date: February 3, 2021 Episode No: 173 The Best Note Taking App for Small Businesses | Joplin Application As you all know I am a big fan of Notion application, but I hate using it for note taking or as my To-Do List. I was referred to the Joplin application by one of my viewers (Thanks Meyer’s Family). So, I thought I would test drive this application and provide you with my thoughts on its usefulness. What am I looking for? I really had to sit down and think about what I wanted in a note taking and to-do list application. Let’s face the fact that I normally would just go try an application and if I liked it great, if not then I would continue on with my search. But to be honest each of us has to figure out exactly what we are looking for in an application. First and foremost, I want an application that does not cost me any money. You can call me cheap or frugal if you like but I am tired of monthly or yearly subscriptions. The next requirement is that the application has to work across all my devices. I use Macs, iPad, iPhone and Windows based machines. It must work seamlessly across all these devices. Requirement number three it that it must be easy to use. If I have to watch a dozen YouTube videos on it then I am going to give up on the application. The fourth requirement is control over where the data is stored. -
(12) Patent Application Publication (10) Pub. No.: US 2007/01394.15 A1 Stamm Et Al
US 20070139415A1 (19) United States (12) Patent Application Publication (10) Pub. No.: US 2007/01394.15 A1 Stamm et al. (43) Pub. Date: Jun. 21, 2007 (54) STROKE CONTRAST IN FONT HINTING Publication Classification (51) Int. Cl. (75) Inventors: Beat Stamm, Redmond, WA (US); G06T II/00 (2006.01) Gregory Hitchcock, Woodinville, WA (52) U.S. Cl. .............................................................. 345/472 (US); Michael J. Duggan, Kirkland, (57) ABSTRACT WA (US) Stroke contrast is preserved for a range of font sizes and display resolutions using programmatic constraints or Correspondence Address: "hints'. One implementation of a “font hinting approach MCROSOFT CORPORATION enforces a regularization of stroke weights such that stroke ONE MCROSOFT WAY contrast is preserved for font sizes and display resolutions REDMOND, WA 98052-6399 (US) Sufficient to render it. Font hinting instructions determine a stroke contrast threshold, which may be used to decide whether to preserve or omit stroke contrast when rendering (73) Assignee: Microsoft Corporation, Redmond, WA the glyph. In one implementation, the stroke contrast thresh old is based on one or more stroke contrast relationships (21) Appl. No.: 11/311.946 associated with the typeface. In other implementations, the stroke contrast threshold is based on a minimum size thresh (22) Filed: Dec. 19, 2005 old or lowercase? uppercase stroke contrast relationships. | | | | | | | | | | | | | | TTTTTTTTTTTTTTTTTTTTT 104 TT III TTL T 10s HEE I T Font Hinting Module 100 TTT Patent Application Publication Jun. 21, 2007 Sheet 1 of 5 US 2007/01394.15 A1 H s g I C.RRR-. 3 s O O s cy) . Hu . C w-d c O C m s S JS TN H Patent Application Publication Jun.