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Complete Issue, Intertext Volume 4, Spring 1996
Intertext Volume 4 Issue 1 Spring 1996 Article 1 1996 Complete issue, Intertext Volume 4, Spring 1996 Follow this and additional works at: https://surface.syr.edu/intertext Part of the Education Commons, and the Nonfiction Commons Recommended Citation (1996) "Complete issue, Intertext Volume 4, Spring 1996," Intertext: Vol. 4 : Iss. 1 , Article 1. Available at: https://surface.syr.edu/intertext/vol4/iss1/1 This Article is brought to you for free and open access by SURFACE. It has been accepted for inclusion in Intertext by an authorized editor of SURFACE. For more information, please contact [email protected]. Volume IV, spring 1996 et al.: Complete issue BACKTRACKS Volume IV, spring 1996 preface || contents || contributors || editors A student publication of the Syracuse University Writing Program Editors Sergio Gregorio Amy E. Hommel Amy Krause Matt McAllister Eric Rodaman Debra Yelen Anatoly Zak Faculty Coordinator Jeanette Jeneault Technical Support George Rhinehart Special Thanks Susan Cronin Nance Hahn Louise Phelps This magazine features the work of writing studio students, and represents both the quality and the variety of writing produced in The Writing Program's undergraduate studios. It is the mission of this publication to further the primary goal of the program, to produce critically engaged writers within the academic writing community. The title refers to the interconnectedness and interdependence of all texts. Intertext, therefore, emphasizes the view that essays speak of and to one another, especially within a community context. The Writing Program is a vital, productive community in the process of many conversations, and each issue will contain glimpses into some of these. -
The Devil Is Watching You: Lynching and Southern Memory, 1940–1970
THE DEVIL IS WATCHING YOU: LYNCHING AND SOUTHERN MEMORY, 1940–1970 A Dissertation Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by MARI N. CRABTREE August 2014 ©2014 Mari N. Crabtree ii THE DEVIL IS WATCHING YOU: LYNCHING AND SOUTHERN MEMORY, 1940–1970 Mari N. Crabtree, Ph.D. Cornell University, 2014 This dissertation is a cultural history of lynching in African American and white southern memory. Mob violence had become relatively infrequent by 1940, yet it cast a long shadow over the region in the three decades that followed. By mining cultural sources, from folklore and photographs to my own interviews with the relatives of lynching victims, I uncover the ways in which memories of lynching seeped into contemporary conflicts over race and place during the long Civil Rights Era. The protest and counter-protest movements of the 1950s and 1960s garner most of the attention in discussions of racial violence during this period, but I argue that scholars must also be attentive to the memories of lynching that register on what Ralph Ellison called “the lower frequencies” to fully understand these legacies. For instance, African Americans often shielded their children from the most painful memories of local lynchings but would pass on stories about the vengeful ghosts of lynching victims to express their disgust with these unpunished crimes. By interpreting these memories through the lenses of silence, haunting, violence, and protest, I capture a broad range of legacies, from the subtle to the overt, that illustrate how and why lynching maintained its stranglehold on southern culture. -
British Films 1927 - 1939 Was Originally Produced in 1986 by BFI Library Services
Contents The contents of this PDF document can be navigated quickly by using the “bookmarks” facility. Forword.............................................................................................................................................1 Part 1: Chronology ..........................................................................................................................2 Part 2: Annual “In Production” Charts ......................................................................................47 Alphabetical Title Index ...............................................................................................................96 Part 3: Statistics...........................................................................................................................110 Films Released in the UK................................................................................................111 The Distribution of British Films...................................................................................118 British Cinema Statistics ................................................................................................120 British Studios..................................................................................................................129 British Feature Production..............................................................................................133 British Film Companies and Investment .....................................................................138 Films Certified -
The Complete Prose of Woody Allen / Woody Allen
4",- -9--q W] GETTINGGI EVEN Si]SIDE EFFECTS COMPLETEITHE PROSE OF WOODY ALLEN Without Feathers Getting Even Side Effects WINGS BOOKS NEW YORK Without Feathers copyright © 1972, 1973, 1974, 1975 by Woody Allen. "No Kaddish for Weinstein," "Fine Times: An Oral Memoir," Examining Psychic Phenomena," "A Guide to Some of the Lesser Ballets," "The Early Essays," "Selections from the Allen Notebooks," "Lovborg's Women Considered" and "The Whore of Mensa" appeared originally in The New Yorker. "Fabulous Tales and Mythical Beasts," "The Irish Genius" and "The Scrolls" appeared originally in The New Republic. "Match Wits with Inspector Ford" appeared originally in Playboy. "A Brief, Yet Helpful, Guide to Civil Disobedience" appeared originally in The New York Times, July 15, 1972. Reprinted by permission. Getting Even copyright © 1966, 1967, 1968, 1969, 1970, 1971 by Woody Allen. All pieces appeared originally in The New Yorker except for the following: "The Discovery and Use of the Fake Ink Blot" appeared originally in Playboy; "Viva Vargas!" appeared originally in the Evergreen Review; "A Twenties Memory" appeared originally as "How I Became a Comedian" in Panorama, Chicago Daily News. "Count Dracula," "Conversations with Helmholtz" and "Mr. Big" appeared originally in this volume. Side Effects copyright © 1975, 1976, 1977, 1979, 1980 by Woody Allen. The following stories appeared originally in The New Yorker: "By Destiny Denied," "The Condemned," "The Diet," "Fabrizio's: Criticism and Response," "A Giant Step for Mankind," "The Kugelmass Episode," "Reminiscences: Places and People" and "The UFO Menace," and "Confessions of a Burglar." "Retribution" and "The Shallowest Man" appeared originally in The Kenyon Review. -
I: 29Th of May 1996 We Are at BECTU Headquarters and It's a Great
Chili Bouchier Chili Bouchier (1909-1999) was a British film actress, after working as a model for Harrods, she won a Daily Mail competition to become a film star. Her films included Shooting Stars (1927), The Return of Carole Deane (1938) and Dead Lucky (1960). I: 29th of May 1996 we are at BECTU headquarters and it’s a great honour and pleasure, a privilege to be interviewing Chilli Bouchier. Chilli welcome to, BECTU CB: Thank you very much… I: And, let’s plunge straight in. CB: Yes! I: Now, since this is the centenary here of cinema, you have been interviewed a great deal as an actress, so maybe rather than repeating your view of how things worked in the studios and some of the camera people and the technicians directors you worked with. CB: Yes I: your memories of that time CB: Right I: I don’t know if you’ve covered them previously, but anyway let’s say start CB: Not really…. Not… I go back to 1927 I: Right CB: That’s when I started in business… I: Ok, well let’s just cover the very beginning of your career which, I’ve got that you were born in Hammersmith. It’s one tiny point, without being ungallant, which is, that the books give two varying dates for your birth year CB: Oh! I: 1909 and 1910 CB: 1909 I: 1909 CB: Yes I: Some give 1910 CB: Yes I: Right CB: So, if I live to the end of the century I shall be practically in the century of I: Yes CB: Practically, All but nine. -
Here Come the Marines 1945 Download Free the Panther's Claw
here come the marines 1945 download free The Panther's Claw. The Panther's Claw is a 1942 American film directed by William Beaudine. A Producers Releasing Corporation picture. Contents. Plot Cast External links. It is a loose sequel to two Columbia Pictures films of the 1930s The Night Club Lady and The Circus Queen Murder which had featured Adolphe Menjou as Thatcher Colt. Police see Digberry climbing over a wall, out of a graveyard at one a.m. He has left a thousand dollars inside on a grave, as ordered in a letter he received. The money is now gone. They take him to headquarters. He reveals the letter came from “the Panther” and is now believed as others have had letters from the same character and Digberry meets a group of them. They all got typewritten letters demanding a thousand dollars too but unlike him they consulted the police. The group all turn out to be connected (Digberry makes wigs). Baritone, Enrico Lombardi looks to be a possible candidate so the Commissioner orders him brought in. Lombardi tries to force himself on Nina Politza and hits Digberry who intervenes, for bringing him into this affair. Nina is reported as sailing on a ship to Buenos Aires, as planned. Digberry receives a call and goes out. While out, the police are let into his apartment and try his typewriter to see if the “H” matches that on the Panther's letters and if his cat's inked paw is the same mark as on the letters. They are in both cases. -
See Fox-Trot Medley No 3 WYMAN, Addison P, SILVERY WAVES
WRUBEL & DOWNEY ZAMECNIK, J, s, NOW YOU'RE IN MY ARMS: see Fox-Trot Medley no 3 102875 LOVE COME CALLING (bId sr)--Ohman (3/26) 0574 NEOPOLITAN NIGHTS (Oh, Nights Of Splendor) ("movie WYMAN, Addison P, theme song") (wtz sr)--Maddon (11/28) 73288 SILVERY WAVES (Theme and Variations)--Pitot (6/29) 104175 REDSKIN fr "Redskin" (b1d sr)--Waldron (5/29) do: see Bulletin roll (June) ZUCCA, Mana 5887 FUGATO-HUMORESQUE (On the Theme of "Dixie")-- YELLEN & AGER see: Ager & Yellen, Zucca (5/17) 0551 IF YOU DON'T LOVE ME (ft sr)--Norstrom (9/28) 5875 SCENE DE BALLET (A Graceful Dance For Piano), op 5 (composed for MIle, Rosina Galli, the Premiere YELLEN, AGER & POLLACK Danseuse of the Metropolitan Opera House)- 713236 I WISH I HAD MY OLD GAL BACK AGAIN (wtz sr)-- Zucca (3/17) Mering & Milne (6/26) 5867 VALSE BRILLANTE, op 20--Zucca (2/17) YELLEN, BIGELOW & BATES 713028 HARD-HEARTED HANNAH, THE VAMP OF SAVANNAH fr "Innocent Eyes" ("blues" ft sr)---Baker (10/24) br 0651 do (ft)--Baker (2/25) YOUMANS, Vincent "FLYING DOWN TO RIO" 0964 Carioca (ft-rumba sr?)--Ohman & Arden (4/34) br 01181 ddo--Ohman & Arden ddo: see Rumba Medley Flying Down To Rio: see Outstanding Hits no 18 (2nd) "HIT THE DECK" 7133a9 Hallelujahl (ft sr)--Rich (7/27) br 0820 ddo--Rich (12/27) 713421 Nothing Could Be Sweeter (ft sr)--Ohman (10/27) br 0828 ddo--Ohman (1/28) 713387 Sometimes I'm Happy (ft sr)--Ohman (7/27) br 0829 ddo (ft)--Ohman (1/28) 713326 I KNOW THAT YOU KNOW fr "Oh, Pleasel" (ft sr)- Alpert (2/27) "NO, NO, NANETTE" 713015 I Want To Be Happy (ft sr)--Hess & Leith