Ffi$#:X",Fi Rr'- L ,Cles I a NOVEL of HARD TIMES in BEARSWAMP

Total Page:16

File Type:pdf, Size:1020Kb

Ffi$#:X ffi$#:x",fi rr'- L ,cles I A NOVEL OF HARD TIMES IN BEARSWAMP CannoLL GnMBRELL,R.F. ILLUSTRATIONSBY ELLENR. DERAMUS Delightfully humorous tales hilarious episodes. You will have many a chuckle and even laugh aloud . [at] characters [who are] larger than life yet real. JOHN E. WISHART V.P. Georgia Pacific Gorp. (Retired) Kqozu CnnoNIcLEs A NOVEL OF HARD TIM ES IN B EARSWAM P by CARROLL GAMBRELL,RF ILLUSTRATIONSBY ELLENDeRAMUS SEVG0Press . Northport,Alabama Copyright@ 1992by SEVGOPress All rightsreserued. This book, or parts thereof, must not be used or reproduced in any manner without the written permissionof the publisher.For information,write: SEVGO,lnc.,1955 22ndSt., Northport, N-35476 FIRST PRINTING: March 1992 ISBN 0-943487-37-4 PRINTEDINTHE UNITED STATES OF AMERICA SEVG0PRESS . 1955-22ndST. N0RTHPORT,A135476 To uPopu the best of all possibleFathers and to Forrest, Old Grumpy; and Erin, "ErktheTurk" who made my Father'sDay possible. And in Remembrance . I mightforget the timesshe scrubbedmy neck, tucked in my shirttail,or gaue me heck. I mightforget much she saidto me, but I will neuerforget, Mom read to me. ...and foreuer present. It ain'tthe tellin' of it;it's the doin' "1&,$nff;annon FOB CU66IT whohelped mostwhen ohe nao leasLaware All l,'lyLove and for Qobert Chnotopher CONTENTS Prologue 3 KUDZUCOVE I THETROOPS.. 13 LIVESTOCK 20 MONROESTRIKES A BARGAIN 27 PUPWOODIN'. 34 POLLY 47 FORBIDDENFRUIT 45 LIT|LEFOOT. 52 PLOTTINCCOURSES 5B TOO MAI.IYTWENTIES 65 STATEFAIR. 71 AGAMEOFCHANCE.. 79 THE PACFIYDERMPARADE. BB THE PURPLECOW GANG 95 ADDINGUP THE SCORE 102 HILDEBRANDTFORECLOSES 109 DENDYDEPOSES 118 THE PURPLECOW GANG STRIKES AGAIN 127 HI HAT CETSSMART 137 BEARSWA/v1P'SA.BURNIN' . 148 KUDZUCAVE - TIDCE'STALE. 160 TIDGEENTERTAINS. 169 GOIN'COURTIN' 782 CE'TOS TO THE CHURCHON TIME 196 Epilogue 21'.| THE KqDZU CHRONICLES Dramatis Personae MONROEPAfiERSON . Owner of Kudzu CoueTree Farm MISSBESSIE. Owner of ownerof KCTF OTISBOI-LANNON . LeaderoiBohamonclan ODISBOHANNON . Same person ROOSTERBOHANNON... Laconicolder'brother TII'IYBOHANNON . YoungestBrother, mule strons MOLLYBOHANNON . Mitri.arch of Bohannonclait HOMERGREENE . Speechlesscountg agent JOHN LITTLE,OHN. Countgforeiter usithuseak sioriach POLLYCRAKER . Otis' girlfriend and usaitress HAPPYHANK HEAD . Used caisalesman, circus coru SE-ITONASHBY . Part of cou act wlhead Ht HATHIATT. :_ OGDENHILDEBRANDT . Banker, holds Bohannonmortgage TIDGEHA/vlM . Mgsteriouslgdisappeared. tndtuldial DEPUTYCORPORAL LANCE WACENER . .'. Motorcgclecop SAivIHUNDLEY. Sheriff of Keo-"d Cornig RALEIGHGATES . Sam Hundleg'sstar depuig DENDYCARTER . Irvrtateat FCHGA CHARLIETAYLOR Anotherinmate REV.JAMES EDWARD FUZZEL ltineranteoangelist, Head of PBC CIub DOLLYMAE REILEY Maid"at FCHGA MAMIE Cook at FCHGAmother of Dolg PADDYREILEY . Bellicosebrother oy Ootig PAPAREILEY Doilg;spapZ BOLLCRENSHAW Fir. cii"S OLD SAM L-abrador(ptaged bg himseti) OLDBET . .. ..-TheMuie OLD FRED Brandt's BeilicoseBull GERTRUDE ACow u:lpurptepotka d,ots JENI'IY PremierPerfonning Pachgderm MYSTERIOUSHERMIT Who tuntsout {o be A-UenO .4i wti A._'t,/ \- ii r- - ll l1 t_ _ \.1 \o \5 \oc,e a/s/oo' r'oH$ Q rnwd FOREWORD If it weren't such an obvious work of fiction, one might assert that this is a true story. Indeed certain incidents are based on actual events,and certain placesmentioned do exist. On numerous occasionsit became necessaryto employ a little poetic license,as it were, to bridge the gap between fact and fanry. I willacknowledge it was often difficult to distinguishthe difference. Monroe, the Sage of Bearswamp, is a composite of all good Fathers with a strong resemblanceto my own, who is justly proud of having been selectedTree Farmer of the Year three times. Not bad for a youngster of 80 odd! Miss Bessieis all good Wives and Mothers. Based on actual experience,she is the only kind of Wife and Mother I know how to write about. Anyone who has ever been in or around the woods and timber businessin the South will recognize Otis-Odis and the Bohannon Clan. They have been around forever. Without them, there wouldn't be a woods business. No one on Earth works harder for their bread than those who wrest a living from the forest; and no one can laugh harder at themselvesthan thosewho eam an honestday's pay for an honestday's labor. We hope this account offends none of these folks. Honest, it was all in fun! To forestall lawsuits for libel and defamation, I wish to declare that, other than those known to history, names of characters,even fictional ones, have been changed to proiect the guilty. I would have changed the name of kudzu, too, if it would have done any good; but to paraphrasethe Bard, "Kudzu,by any other name,would be as bad . " 2 SARROI.LGAMBRELL You won't find Bearswamp on a map, but it is in the Foothills not too far from Stumphouse Mountain; sort of between coneross and Bountylancl. once a ranclof red hills and cotton; now a land of rolling hills and green forests. This story takesplace during that hansition period. Bearswampis in a region that has produced some of the prettiest girls, skinniest mules, and longest staple cotton ever known to man" It also produced a locally well known Sage whose parting adviceseeing his son off to coliege,was, "Son, stay away from po' folks and ugly women.', I have never seen an ugly woman, but the po' folks do keep cropping up. CarrollGambrell Tuscaloosa,Ala. July, 1991 PROLOG(JE It was a bright and sunny day three years before the events related in the following chapters took place. The Bohannon boys in the wagon behind Old Bet, were headed home from the cotton gin. Otis, who, for reasonsof his own also answered to "Odis," had the money in his shirt pocket from the cotton they had just sold. It was a pretty poor payday for allthe effort it took. He was thinking it would be nice to get in some other line of work with more regular paydays than farming, when Old tset shieri. "Whoa!" Otis called, hauling back on the reins. The same thing that startledOid Bet had caught his eye, too. It was sunlight reflectingfrom the dented road-pocked chrome grill of a yellow truck parked in the front of a row of vehicleslined up for public inspection on a car lot. FLAPPY IIANK'S USED CARS, the sign proclaimed. "Why Walk When Hank Will Give You A Ride! We Make Deals fror Wheels. We Trade For ANYTHING", was written in smallerletters undemeath. Tiny and Rooster dismounted and followed Otis up to the little wooden office in the center of the yard, where they were greeled by no less a personage than the Great Rider Provider himself; a grinning, gregarious Happy Hank, hand outstretched;a gesturemade from habit, with the palm up. 'Yessir! Come on in. Can I he'p you? Heah, that's right. Have a seat. Hank Head's the name. My card, gents," the dapper over-sized rouncl man in a striped suit, straw boater, bow tie ancl two-toned wing-tipped perforated pointed-toed shoeswhipped out a card and pointed it toward Odis. A stub of a cigar was forked between twcl rhinestoned fingers,and a gleaminggold tooth accentedthe broad grin that 4 CARROLLGAMBRELL seemedfrozen on his florid face. "Got tradin' on yer mind, you landed in the right place, Brothers!" Putting on his most important banker-type look, Otis said.'We ain't comin't' trade. We're hereto invest." Tiny and Rooster looked at each other and shrugged. It wasn't the first time Odis had neglectedto inform them of his plans; mostly becausehe just sort of made them up as he went along. Hank's grin got a little broader and involved the 'What're eyebrows. you figgurin' on investin' in, gents," he said, edging closer and eyeing the bulge with just the tip of a money green bill sticking out of Otis's shirt pocket. Opportunity was a thing Hank never avoided as a matter of principal. Visions of a week at the Beach began to play in his mind. '\A/e 'uz thinkin' mostly about the pupwood business," he replied, as Tiny and Rooster eyed him wiih astonishment. "l didn't know we-" Tiny started to say before Otis cut him off. "Me and my brothers here, have been menistratin' over it for quite a while, an' we're about ready to make a decision, if we can find somethingthat meetsour specs." "Odis, are you c:r-"Rooster said. 'Yep, Otis cut in, we been constipatin' on that yellow huck out there." "lt's been constipatin' me, too," Hank muttered under his breath. "How's that?" Odis said. "Oh! I said let's go see," Hank said, as he stood and they all filed out to inspectthe yellow truck. 'That's as fine a piece of equipment as I have ever seen for the money! A regular workhorse. Excellent condition. You certainly do have an eye for sound investment. It just happens I can make you a real deal on that one. That truck is a cream puff and a steal at just eight hundred dollars . cash," KUDZUCHR0NICTES 5 Happy Hank beamed, calculatingthe sizeof the bulge in Odis' pocket ought to be worth a little time at the shore. "Look kind of used up to me," Roosterput in dryly. "lt's a previously owned vehicle, sir." Hank fielded Rooster's objection smoothly. "lt was used in important War work at one time, and thai slightly off color door was part of the camouflage. A token of its reliability,you might say,"Hank noted, tastingthe salt air. True, the passengerdoor was a sort of off-orangishas the result of a home made paint job begun and abandoned by its third owner some years prior; a fact Hank had just given a 'WOCO rather imaginativenew twist.
Recommended publications
  • Complete Issue, Intertext Volume 4, Spring 1996
    Intertext Volume 4 Issue 1 Spring 1996 Article 1 1996 Complete issue, Intertext Volume 4, Spring 1996 Follow this and additional works at: https://surface.syr.edu/intertext Part of the Education Commons, and the Nonfiction Commons Recommended Citation (1996) "Complete issue, Intertext Volume 4, Spring 1996," Intertext: Vol. 4 : Iss. 1 , Article 1. Available at: https://surface.syr.edu/intertext/vol4/iss1/1 This Article is brought to you for free and open access by SURFACE. It has been accepted for inclusion in Intertext by an authorized editor of SURFACE. For more information, please contact [email protected]. Volume IV, spring 1996 et al.: Complete issue BACKTRACKS Volume IV, spring 1996 preface || contents || contributors || editors A student publication of the Syracuse University Writing Program Editors Sergio Gregorio Amy E. Hommel Amy Krause Matt McAllister Eric Rodaman Debra Yelen Anatoly Zak Faculty Coordinator Jeanette Jeneault Technical Support George Rhinehart Special Thanks Susan Cronin Nance Hahn Louise Phelps This magazine features the work of writing studio students, and represents both the quality and the variety of writing produced in The Writing Program's undergraduate studios. It is the mission of this publication to further the primary goal of the program, to produce critically engaged writers within the academic writing community. The title refers to the interconnectedness and interdependence of all texts. Intertext, therefore, emphasizes the view that essays speak of and to one another, especially within a community context. The Writing Program is a vital, productive community in the process of many conversations, and each issue will contain glimpses into some of these.
    [Show full text]
  • The Devil Is Watching You: Lynching and Southern Memory, 1940–1970
    THE DEVIL IS WATCHING YOU: LYNCHING AND SOUTHERN MEMORY, 1940–1970 A Dissertation Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by MARI N. CRABTREE August 2014 ©2014 Mari N. Crabtree ii THE DEVIL IS WATCHING YOU: LYNCHING AND SOUTHERN MEMORY, 1940–1970 Mari N. Crabtree, Ph.D. Cornell University, 2014 This dissertation is a cultural history of lynching in African American and white southern memory. Mob violence had become relatively infrequent by 1940, yet it cast a long shadow over the region in the three decades that followed. By mining cultural sources, from folklore and photographs to my own interviews with the relatives of lynching victims, I uncover the ways in which memories of lynching seeped into contemporary conflicts over race and place during the long Civil Rights Era. The protest and counter-protest movements of the 1950s and 1960s garner most of the attention in discussions of racial violence during this period, but I argue that scholars must also be attentive to the memories of lynching that register on what Ralph Ellison called “the lower frequencies” to fully understand these legacies. For instance, African Americans often shielded their children from the most painful memories of local lynchings but would pass on stories about the vengeful ghosts of lynching victims to express their disgust with these unpunished crimes. By interpreting these memories through the lenses of silence, haunting, violence, and protest, I capture a broad range of legacies, from the subtle to the overt, that illustrate how and why lynching maintained its stranglehold on southern culture.
    [Show full text]
  • British Films 1927 - 1939 Was Originally Produced in 1986 by BFI Library Services
    Contents The contents of this PDF document can be navigated quickly by using the “bookmarks” facility. Forword.............................................................................................................................................1 Part 1: Chronology ..........................................................................................................................2 Part 2: Annual “In Production” Charts ......................................................................................47 Alphabetical Title Index ...............................................................................................................96 Part 3: Statistics...........................................................................................................................110 Films Released in the UK................................................................................................111 The Distribution of British Films...................................................................................118 British Cinema Statistics ................................................................................................120 British Studios..................................................................................................................129 British Feature Production..............................................................................................133 British Film Companies and Investment .....................................................................138 Films Certified
    [Show full text]
  • The Complete Prose of Woody Allen / Woody Allen
    4",- -9--q W] GETTINGGI EVEN Si]SIDE EFFECTS COMPLETEITHE PROSE OF WOODY ALLEN Without Feathers Getting Even Side Effects WINGS BOOKS NEW YORK Without Feathers copyright © 1972, 1973, 1974, 1975 by Woody Allen. "No Kaddish for Weinstein," "Fine Times: An Oral Memoir," Examining Psychic Phenomena," "A Guide to Some of the Lesser Ballets," "The Early Essays," "Selections from the Allen Notebooks," "Lovborg's Women Considered" and "The Whore of Mensa" appeared originally in The New Yorker. "Fabulous Tales and Mythical Beasts," "The Irish Genius" and "The Scrolls" appeared originally in The New Republic. "Match Wits with Inspector Ford" appeared originally in Playboy. "A Brief, Yet Helpful, Guide to Civil Disobedience" appeared originally in The New York Times, July 15, 1972. Reprinted by permission. Getting Even copyright © 1966, 1967, 1968, 1969, 1970, 1971 by Woody Allen. All pieces appeared originally in The New Yorker except for the following: "The Discovery and Use of the Fake Ink Blot" appeared originally in Playboy; "Viva Vargas!" appeared originally in the Evergreen Review; "A Twenties Memory" appeared originally as "How I Became a Comedian" in Panorama, Chicago Daily News. "Count Dracula," "Conversations with Helmholtz" and "Mr. Big" appeared originally in this volume. Side Effects copyright © 1975, 1976, 1977, 1979, 1980 by Woody Allen. The following stories appeared originally in The New Yorker: "By Destiny Denied," "The Condemned," "The Diet," "Fabrizio's: Criticism and Response," "A Giant Step for Mankind," "The Kugelmass Episode," "Reminiscences: Places and People" and "The UFO Menace," and "Confessions of a Burglar." "Retribution" and "The Shallowest Man" appeared originally in The Kenyon Review.
    [Show full text]
  • I: 29Th of May 1996 We Are at BECTU Headquarters and It's a Great
    Chili Bouchier Chili Bouchier (1909-1999) was a British film actress, after working as a model for Harrods, she won a Daily Mail competition to become a film star. Her films included Shooting Stars (1927), The Return of Carole Deane (1938) and Dead Lucky (1960). I: 29th of May 1996 we are at BECTU headquarters and it’s a great honour and pleasure, a privilege to be interviewing Chilli Bouchier. Chilli welcome to, BECTU CB: Thank you very much… I: And, let’s plunge straight in. CB: Yes! I: Now, since this is the centenary here of cinema, you have been interviewed a great deal as an actress, so maybe rather than repeating your view of how things worked in the studios and some of the camera people and the technicians directors you worked with. CB: Yes I: your memories of that time CB: Right I: I don’t know if you’ve covered them previously, but anyway let’s say start CB: Not really…. Not… I go back to 1927 I: Right CB: That’s when I started in business… I: Ok, well let’s just cover the very beginning of your career which, I’ve got that you were born in Hammersmith. It’s one tiny point, without being ungallant, which is, that the books give two varying dates for your birth year CB: Oh! I: 1909 and 1910 CB: 1909 I: 1909 CB: Yes I: Some give 1910 CB: Yes I: Right CB: So, if I live to the end of the century I shall be practically in the century of I: Yes CB: Practically, All but nine.
    [Show full text]
  • Here Come the Marines 1945 Download Free the Panther's Claw
    here come the marines 1945 download free The Panther's Claw. The Panther's Claw is a 1942 American film directed by William Beaudine. A Producers Releasing Corporation picture. Contents. Plot Cast External links. It is a loose sequel to two Columbia Pictures films of the 1930s The Night Club Lady and The Circus Queen Murder which had featured Adolphe Menjou as Thatcher Colt. Police see Digberry climbing over a wall, out of a graveyard at one a.m. He has left a thousand dollars inside on a grave, as ordered in a letter he received. The money is now gone. They take him to headquarters. He reveals the letter came from “the Panther” and is now believed as others have had letters from the same character and Digberry meets a group of them. They all got typewritten letters demanding a thousand dollars too but unlike him they consulted the police. The group all turn out to be connected (Digberry makes wigs). Baritone, Enrico Lombardi looks to be a possible candidate so the Commissioner orders him brought in. Lombardi tries to force himself on Nina Politza and hits Digberry who intervenes, for bringing him into this affair. Nina is reported as sailing on a ship to Buenos Aires, as planned. Digberry receives a call and goes out. While out, the police are let into his apartment and try his typewriter to see if the “H” matches that on the Panther's letters and if his cat's inked paw is the same mark as on the letters. They are in both cases.
    [Show full text]
  • See Fox-Trot Medley No 3 WYMAN, Addison P, SILVERY WAVES
    WRUBEL & DOWNEY ZAMECNIK, J, s, NOW YOU'RE IN MY ARMS: see Fox-Trot Medley no 3 102875 LOVE COME CALLING (bId sr)--Ohman (3/26) 0574 NEOPOLITAN NIGHTS (Oh, Nights Of Splendor) ("movie WYMAN, Addison P, theme song") (wtz sr)--Maddon (11/28) 73288 SILVERY WAVES (Theme and Variations)--Pitot (6/29) 104175 REDSKIN fr "Redskin" (b1d sr)--Waldron (5/29) do: see Bulletin roll (June) ZUCCA, Mana 5887 FUGATO-HUMORESQUE (On the Theme of "Dixie")-- YELLEN & AGER see: Ager & Yellen, Zucca (5/17) 0551 IF YOU DON'T LOVE ME (ft sr)--Norstrom (9/28) 5875 SCENE DE BALLET (A Graceful Dance For Piano), op 5 (composed for MIle, Rosina Galli, the Premiere YELLEN, AGER & POLLACK Danseuse of the Metropolitan Opera House)-­ 713236 I WISH I HAD MY OLD GAL BACK AGAIN (wtz sr)-- Zucca (3/17) Mering & Milne (6/26) 5867 VALSE BRILLANTE, op 20--Zucca (2/17) YELLEN, BIGELOW & BATES 713028 HARD-HEARTED HANNAH, THE VAMP OF SAVANNAH fr "Innocent Eyes" ("blues" ft sr)---Baker (10/24) br 0651 do (ft)--Baker (2/25) YOUMANS, Vincent "FLYING DOWN TO RIO" 0964 Carioca (ft-rumba sr?)--Ohman & Arden (4/34) br 01181 ddo--Ohman & Arden ddo: see Rumba Medley Flying Down To Rio: see Outstanding Hits no 18 (2nd) "HIT THE DECK" 7133a9 Hallelujahl (ft sr)--Rich (7/27) br 0820 ddo--Rich (12/27) 713421 Nothing Could Be Sweeter (ft sr)--Ohman (10/27) br 0828 ddo--Ohman (1/28) 713387 Sometimes I'm Happy (ft sr)--Ohman (7/27) br 0829 ddo (ft)--Ohman (1/28) 713326 I KNOW THAT YOU KNOW fr "Oh, Pleasel" (ft sr)-­ Alpert (2/27) "NO, NO, NANETTE" 713015 I Want To Be Happy (ft sr)--Hess & Leith
    [Show full text]