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The 101 Most-Cited Papers from the British Medical Journal Highlight The
EUGENE GARFIELD INSTITUTEFORSCIENTIFICINFORMATION- 3501MARKETST,PHILADELPHIA,PA19104 The 101 Most-Cited Papers from the British Medical Jownd Highlight the Important Role of Epidemiology in Medicine Number 7 February 16, 1987 The British Medical Journal began pub- Medical Journal, but of these only 20 per- lishing in 1840 as the organ of the Provin- cent are eventually published.s (p. 243) The cial Medical Association (PMA), a group current editor, Stephen Leek, who authored of physiciartspracticing in the provinces out- a 1985 book on peer review in medicine,4 side England’s major cities. They had follows extensive refereeing practices (a re- banded together in 1832 to share their indi- cent review of which appears in a 1986 ar- vidual medical experiences with one another ticle in Schokwly Publishing.s) He alw sub- in much the same fashion as the metropoli- scribes to the rule promulgated by Franz tan physicians who had earlier formed their Ingelfinger, former edkor of the New En- own society and journal. The PMA”s first gland Journal of Medicine. The essence of periodical was called 7he Provincial Medi- the Ingelfinger rule is that articles submit- cal arrd Surgical Journal; in 1853 it merged ted to a journal cannot have been previous- with the Lmdon Journal of Medicine to be- ly published in, or be simultaneously sub- come the Association Medical Journal. Four mitted to, other joumals.b The British Med- years later the PMA acknowledged its grow- ical Journal is also a founding member of ing memkaship throughout Great Britain by the frstemational Committee of Medical renaming the society the British Medical Journal Editors-the Vancouver Group— Association. -
Film, Television and Video Productions Featuring Brass Bands
Film, Television and Video productions featuring brass bands Gavin Holman, October 2019 Over the years the brass bands in the UK, and elsewhere, have appeared numerous times on screen, whether in feature films or on television programmes. In most cases they are small appearances fulfilling the role of a “local” band in the background or supporting a musical event in the plot of the drama. At other times band have a more central role in the production, featuring in a documentary or being a major part of the activity (e.g. Brassed Off, or the few situation comedies with bands as their main topic). Bands have been used to provide music in various long-running television programmes, an example is the 40 or more appearances of Chalk Farm Salvation Army Band on the Christmas Blue Peter shows on BBC1. Bands have taken part in game shows, provided the backdrop for and focus of various commercial advertisements, played bands of the past in historical dramas, and more. This listing of 450 entries is a second attempt to document these appearances on the large and small screen – an original list had been part of the original Brass Band Bibliography in the IBEW, but was dropped in the early 2000s. Some overseas bands are included. Where the details of the broadcast can be determined (or remembered) these have been listed, but in some cases all that is known is that a particular band appeared on a certain show at some point in time - a little vague to say the least, but I hope that we can add detail in future as more information comes to light. -
Sean Jackson Photo: Sally Mais
1st Floor 37 Great Queen Street London WC2B 5AA t +44 (0)20 7831 4450 e [email protected] Sean Jackson Photo: Sally Mais Appearance: White Greater London, England, United Location: Kingdom Other: Equity Cardiff, Wales, United Kingdom Eye Colour: Blue Height: 5'9" (175cm) Hair Colour: Dark Brown Weight: 10st. 8lb. (67kg) Voice Quality: Clear Playing Age: 51 - 60 years Voice Character: Direct Television Television, The Businessman, The Innocents, TI Productions, Jamie Donoughue Television, Gualberto, Da Vinci's Demons (Season 2), DVDS2 Ltd, Charles Sturridge/Peter Hoar Television, Cameron Roper, Silent Witness, BBC, Richard Clark Television, Matt, The Fear, World Productions & Channel 4, Michael Samuels Television, Gualberto, Da Vinci's Demons (Season 1), Tonto Films, Jamie Payne Television, Duty Constable, Waking the Dead, BBC, Richard Standeven Television, Special Branch Officer, No Bananas, BBC Television, Robert Tronson Television, Police Sergeant James, Soldier Soldier VI, Central Television, Graham Moore Television, Reg, Eastenders, BBC Television, Jo Johnson Stage 2019, Stage, Fabien Muller/Theo Marber, Mephisto (A Rhapsody), Gate Theatre London, Kirsty Housley 2019, Stage, Bob Brodie, Eden, Hampstead Theatre, Matthew Xia 2018, Stage, Peter Walsh/Evans/Miss Pam/Sir William Bradshaw, Mrs Dalloway, Arcola & Forward Arena, Thomas Bailey Stage, Lennox, Macbeth, Theatre Severn, Loveday Ingram Stage, Piggy, The Hook, Royal & Derngate Northampton/Liverpool Everyman, James Dacre Stage, Gerard of Ridefort/Napoleon, Holy Warriors, Shakespeare's -
Mike Robertson
ROAR House, 46 Charlo2e Street, London W1T 2GS 0207 4275681 [email protected] www.colekitchenn.com twi8er.com/ColeKitchenn facebook.com/ColeKitchenn MIKE ROBERTSON LIGHTING DESIGNER 2007 Olivier Award Winner, 2010 Whatsonstage Award nominee DEAR WORLD Charing Cross Theatre Dir: Gillian Lynne VOLCANO (World Premiere) Vaudeville Theatre West End/Tour Dir: Roy Marsden DRY ROT UK Tour Dir: Ron Aldridge FRAGILE/THE FATHER Belgrade Theatre, Coventry Dir: Joe Harmston MURDER ON THE NILE Theatre Royal Windsor/Tour Dir: Joe Harmston FUNNY PECULIAR UK Tour Dir: Bob Tomson THIRD FLOOR Trafalgar Studios for Sally Humphreys Dir: Russell Labey ABOUT BILL Landor Theatre Dir: Charlotte Westenra COMPANY Southwark Playhouse Dir: Joe Fredericks BY JEEVES Landor Theatre Dir: Nick Bagnall OEDIPUS Nottingham/Edinburgh Festival 2011 Dir: Giles Croft VERDICT UK Tour/Bill Kenwright Ltd Diir: Joe Harmston LARK RISE TO CANDLEFORD No.1 National Tour for Bill Kenwright Dir: Joe Harmston CAROLINE O'CONNOR: THE SHOWGIRL WITHIN, LYNDA CARTER: AT LAST all at Garrick Theatre, West-End FRANCES RUFFELLE: BENEATH THE DRESS, JASON ROBERT BROWN CONCERT for Speckulation Entertainment BIBLICAL TALES New End Theatre Dir: Steven Berkoff BILLY LIAR West Yorkshire Playhouse Dir: Nick Bagnall WOLFBOY Trafalgar Studios Dir: Russell Labey EDUCATING RITA Watermill Theatre, Newbury Dir: Jamie Glover ON THE WATERFRONT Theatre Royal, Haymarket/World Tour Dir: Steven Berkoff Nottingham Playhouse/Edinburgh *2010 Whatsonstage Award nomination: Best Lighting Design WOLFBOY George Square -
Lesley Sharp and the Alternative Geographies of Northern English Stardom
This is a repository copy of Lesley sharp and the alternative geographies of northern english stardom. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/95675/ Version: Accepted Version Article: Forrest, D. and Johnson, B. (2016) Lesley sharp and the alternative geographies of northern english stardom. Journal of Popular Television, 4 (2). pp. 199-212. ISSN 2046-9861 https://doi.org/10.1386/jptv.4.2.199_1 Reuse Unless indicated otherwise, fulltext items are protected by copyright with all rights reserved. The copyright exception in section 29 of the Copyright, Designs and Patents Act 1988 allows the making of a single copy solely for the purpose of non-commercial research or private study within the limits of fair dealing. The publisher or other rights-holder may allow further reproduction and re-use of this version - refer to the White Rose Research Online record for this item. Where records identify the publisher as the copyright holder, users can verify any specific terms of use on the publisher’s website. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Lesley Sharp and the alternative geographies of Northern English Stardom David Forrest, University of Sheffield Beth Johnson, University of Leeds Abstract Historically, ‘North’ (of England) is a byword for narratives of economic depression, post-industrialism and bleak and claustrophobic representations of space and landscape. -
Prime Suspect
Contents Acknowledgments...................................................vi Introduction: Locating the Evidence of a ‘TV Classic’.....1 1 Investigating the Evolution of Prime Suspect ...........12 2 It’s a Fair Cop: Women and TV Crime Drama.............29 3 Reimagining Realism: Murder, Forensics and the Body in Prime Suspect..............................68 Conclusion: ‘I got what I wanted. I got my job’: Tennison Takes a Bow .........................................94 Notes.................................................................115 Resources...........................................................119 Credits...............................................................120 Index .................................................................129 1 Investigating the Evolution of Prime Suspect There is a tradition within British television history of approaching our 12 most celebrated shows and series as ‘belonging’ to the creative vision of one or two individuals. Typically, such an approach has elevated a (largely male) pantheon of screenwriters to auteur status. There is undeniably something romantic and appealing about this methodology which perpetuates the myth of ‘the great artist’ and brings this cachet to bear on a medium often looked down upon as the poor relation of cinema. And yet television production is in fact a highly collaborative creative endeavour, one best understood as evolving within a whole web of connected social and historical contexts. This includes the aspirations and talents of individuals but also the needs of the industry at any one time, as well as its textual and generic histories. It is with this latter approach in mind that this chapter discusses some of the creative forces, generic conventions and other contexts that were central to how the series came to be made. From writer Lynda La Plante to police consultant Jackie Malton and Tennison’s fictional predecessors, together these interests form the ‘back story’ to Prime Suspect. -
Chaucer Auctions Internet Only
Chaucer Auctions Internet Only . Autograph Auction Entertainment, Military, Sport & Aviation . Started Mar 06, 2015 10am GMT United Kingdom Lot Description Air Cdre Alan Deere DSO DFC WW2 fighter ace signed Mosquito Aircraft Museum cover MAM8 Tiger Moth. Flown and signed by the 1 pilot and owner. Good condition Grp Capt John Cunningham DSO DFC the top nightfighter ace of WW2 and later Comet test pilot signed Mosquito Aircraft Museum 2 DeHaviland DH110 cover flown by Sea Vixen and also signed by the two pilots. Good condition Richard Attenborough signed 463 467 Australian RAF squadrons cover flown by QANTUS 747 Also signed by Sqn Ldr Sneller AFC. 3 Scarce variety. Good condition Sir Bernard Lovell signed RAF Medmenham 25th ann Inspectorate of Radio Service cover, flown by RAF Argosy, only 253 were issued. 4 Good condition AVM Sir Harold Mick Martin DFC the famous 617 Sqn Dambuster Raid pilot signed 1981 Leonard Cheshire homes cover flown by 5 Lancaster. Good condition Rear Admiral Sandy Woodward signed RAF The Task Force to the Falkland Islands cover RAF(AC)4, flown by Hercules. He was the 6 Task Force commander in the War. Good condition 7 Ricky Wilson signed 10 x 8 colour photo, lead singer of Kaiser Chiefs and one of the judges on the TV show The Voice. Good condition 8 Vin Diesel signed 10 x 8 colour action photo from Fast & Furious. Good condition 9 Jayne Torvil1 & Christopher Dean signed white card. Good condition 10 Felix Baumgartner signed stunning 10 x 8 colour photo of his recent World record parachute jump from space. -
The District Messenger
THE DISTRICT MESSENGER THE NEWSLETTER OF THE SHERLOCK HOLMES SOCIETY OF LONDON ROGER JOHNSON, 210 RAINSFORD ROAD, CHELMSFORD CM1 2PD no. 101 6th September 1990 ThanksThanks toto allall whowho entered entered our our little little CentenaryCentenary CompetitionsCompetitions - andand thanks especiallyespecially toto thosethose who sowho generously so generously donated donated prizes. prizes . MilesMiles TubbTubb provided what II consider to bebe thethe best captionbest caption (see left).( see Toleft) him . Togoes him the goes bumper the bumper "Dr Watson"Dr Watson Special" Special issue" issue of THEof THE MUSGRAVE MUSGRAVE PAPERS,PAPERS , courtesycourtesy o off thethe Northern Musgraves. Musgraves. This Thiscopy copyis signed is signed by Jeremy by Jeremy Paul, Paul,Bert BertCoules Coules & as & asmany many other other contributors contributors as Ias could I could get get hold hold of of. PeterPeter J.J. CrupeCrupe camecame closeclose with "I CAN TELL YOU DIDN'T USE YOUR DEODORANT "I CAN TELL YOU DIDN 'T USE YOUR DEODORANT AGAIN AGAIN THIS MORNING!" THIS MORNING !" - but Miles got there first. - but Miles got there first . Other captions that made me smile were: Other captions that made me smile were : "ARE YOU SURE THIS IS A CURE FOR TENNIS " " ELBOW?"ARE YOU SURE THIS IS A CURE FOR TENNIS ELBOW? " "AA STILLSTILL CONVALESCENTCONVALESCENT DR WATSON DR WATSON FINDS THE FINDS THESTRENGTH STRENGTH TO REMONSTRATE TO REMONSTRATE WITH HIS NEW WITH FLATMATE HIS NEWSHERLOCK FLATMATE HOLMES UPON SHERLOCK LEARNING HOLMES THE TRUE UPON FATE OF LEARNINGHIS BULL PUP. THE" TRUE FATE OF HIS BULL PUP" "THIS"THIS ISIS HOW I IFINALLY FINALLY DEFEATED DEFEATED MORIARTY, MORI- ARTY,WATSON: WATSON: WITH ONE WITHOF MRS ONE HUDSON OF' SMRS ROCK HUDSON'S CAKES !” ROCK CAKES!"; IT WAS THEN THAT FARQUARSON REALISED "YOU 'RE SUPPOSED TO HIT ME ON THE LEFT SIDE OF "YOU'RE SUPPOSED TO HIT ME ON THE LEFT - THE HEAD, YOU FOOL !" HIS UNDER ARM DEODORANT WAS NO LONGER SIDE OF THE HEAD, YOU FOOL!"; WORKING. -
Cambridge Companion Crime Fiction
This page intentionally left blank The Cambridge Companion to Crime Fiction The Cambridge Companion to Crime Fiction covers British and American crime fiction from the eighteenth century to the end of the twentieth. As well as discussing the ‘detective’ fiction of writers like Arthur Conan Doyle, Agatha Christie and Raymond Chandler, it considers other kinds of fiction where crime plays a substantial part, such as the thriller and spy fiction. It also includes chapters on the treatment of crime in eighteenth-century literature, French and Victorian fiction, women and black detectives, crime in film and on TV, police fiction and postmodernist uses of the detective form. The collection, by an international team of established specialists, offers students invaluable reference material including a chronology and guides to further reading. The volume aims to ensure that its readers will be grounded in the history of crime fiction and its critical reception. THE CAMBRIDGE COMPANION TO CRIME FICTION MARTIN PRIESTMAN cambridge university press Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, São Paulo Cambridge University Press The Edinburgh Building, Cambridge cb2 2ru,UK Published in the United States of America by Cambridge University Press, New York www.cambridge.org Informationonthistitle:www.cambridge.org/9780521803991 © Cambridge University Press 2003 This publication is in copyright. Subject to statutory exception and to the provision of relevant collective licensing agreements, no reproduction of any part may take place without the -
CILLA a New Three-Part Drama for ITV
CILLA A new three-part drama for ITV Press Release .................................................................................................................... Pages 2-3 Foreword by Executive Producer and Writer, Jeff Pope ................................................... Pages 4-5 Character Biographies ..................................................................................................... Pages 6-11 Sheridan Smith is Cilla ................................................................................................. Pages 12-15* Aneurin Barnard is Bobby ............................................................................................. Pages 16-20 Ed Stoppard is Brian Epstein ......................................................................................... Pages 21-24 Melanie Hill is Big Cilla .................................................................................................. Pages 25-27 John Henshaw is John White ........................................................................................ Pages 28-30 Synopses ....................................................................................................................... Pages 31-32 Cast and Production Credits ............................................................................................... Page 33 *Please note that Sheridan Smith’s quotes are to only be used as part of a wider feature on the show and not written as a one-to-one profile or cover opportunity. 1 CILLA Acclaimed writer Jeff Pope -
Melanie Hill
MELANIE HILL Theatre: Nativities Madge Max Roberts Live Theatre Company Inheritance Los Lisa Goldman Live Theatre Company Maggie's End Suzy Ed Waugh Shaw Theatre Tongue Of A Bird Dessa Peter Gill Almeida Cardiff East Shirley Peter Gill Royal National I Have Been Here Before Sally Pratt Marianne Elliott Royal Exchange Bread Aveline Dominion Theatre Dominion Theatre Women Beware Women Isabella Bill Gaskill Royal Court Fire In The Lake Mrs tyrrell John Blanmore Newcastle Playhouse Who Killed Hilda Murrell Journalist Julia Schofield Newcastle Playhouse Breezeblock Park Sandra Chris Hayes Derby Playhouse Dirty Linen Miss Gotobed Stephen Barry Redgrave, Farnham Deathtrap Myra Stephen Barry Redgrave, Farnham Twelfth Night Viola Stephen Barry Redgrave, Farnham Selfish Shellfish Urchin Stephen Barry Redgrave, Farnham Educating Rita Rita Stephen Barry British American Theatre Television: Coronation Street Cathy Matthews Various Granada The Syndicate Julie Kay Mellor B B C After Hours Liz Matthews Craig Cash Jellylegs Hebburn Christine Jonathan Gershfield Channel X North Waterloo Road Maggie Watson Jonathan Fox- Bassett Shed Productions Cilla Big Cilla Paul Whittington I T V Studios Hebburn Christine Jonathan Gershfield B B C Merlin Mary Howden Justin Molotnikov Shine Production The Body Farm Nicole Henderson David Drury B B C Candy Cabs Stella Minkie Spiro Splash Media Joe Maddison's War Selina Patrick Collarton Mammoth Screen The Thick Of It Julie Price Armando Iannuci B B C Holby City Kathy Hewitt James Larkin B B C Rather You Than Me Ruth John -
Viewed Almost 2 Million Webpages on Our Site During 2015
OCD-UK Annual Report for the year ended 31st December 2015. OCD-UK changing perceptions OCD-UK Changing Perceptions OCD-UK are proud to have been serving people affected by Obsessive-Compulsive Disorder since 2004, raising awareness and changing perceptions about recovery. Our work creates a legacy that continues to inspire many, for the benefit of all those with OCD. OCD-UK OUR LEGACY OUR UNIQUENESS OUR PLEDGE AND VALUES includes being the first We want to continue to be Our pledge is to serve all those dedicated OCD charity to: innovative in the way we work who suffer because of the for people affected by Obsessive impact of Obsessive-Compulsive Host days out for children P Compulsive Disorder. disorder. with OCD. Our values include: P Create minimum standards These are just some of the ways for independent support that OCD-UK is unique in being a Dedicated to hosting groups to adhere to. dedicated OCD charity that: P awareness campaigns that P First mental health charity Is completely service-user focus on the message, rather to speak out vociferously P led, run by OCD sufferers, for than ourselves. about Channel 4’s Obsessive sufferers. Compulsive Cleaners. P Transparent and honest in P Publishes the only our service reporting to our P To develop use of virtual dedicated OCD magazine members. technology to involve Compulsive Reading made volunteers from all over the available for members. P To continue to be the whole of the UK. voice for people with OCD, Delivers events all across the and to be vocal about Become full time (Mon-Fri) P UK.