BSS Mazagine August 2015
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What Is Performance Philosophy? Staging a New Field
What is Performance Philosophy? Staging a new field University of Surrey, Guildford, UK 11-13th April 2013 Co-organized by Laura Cull (University of Surrey) Eve Katsouraki (University of East London) Dan Watt (Loughborough University) Kindly sponsored by the University of Surrey, Loughborough University, University of East London & the practice.research.unit at Kingston University Schedule 3 Schedule with Abstracts 20 Biographies 79 General Information 99 Map 103 What is Performance Philosophy? Schedule Thursday 11th April 8.30-9 Registration and morning coffee on Lower Concourse 9-9.15 Opening Remarks: Laura Cull, Dan Watt, Eve Katsouraki Griffiths Lecture Theatre 9.15-10 1st Plenary: Bojana Kunst Griffiths Lecture Theatre “The Politics of Semblance: Performance Philosophy” 10-10.15 Respondent: Efrosini Protopapa 10.15-10.45 Q&A 10.45- 11 Coffee break on Lower Concourse 11-1 PARALLEL SESSIONS no. 1 Panel 1. Philosophies of ‘Performance Philosophy’ Griffiths Lecture Theatre 1. Jim Hamilton Title: Performance and Philosophy Chair: Laura Cull 2. Tasoula Kallenou & Edward Spence Volunteer assistant: Title: The Polarity of Performance, Theatre & Philosophy tbc 3. Edward Spence Title: Philosophy Plays: the Theatre of Philosophy 4. Daniel Meyer-Dinkgrafe Title: Performance and Philosophy as Experience Panel 2. New Philosophies of Music Lecture Theatre B 1. Aaron J. Yarmel Title: Musical Performances of Platonist Types Chair: Tomas McAuley 2. Jenny Judge Volunteer assistant: Title: How should philosophers approach normativity in musical tbc performance? 3 3. Catarina Leite Domenici Title: Challenging old paradigms: A dialogical ethics of musical performance 4. Charlotte De Mille Title: Towards Opera without Organs Panel 3. Phenomenology and Performance [Studies] Lecture Theatre E 1. -
Microbiologytoday
microbiologytoday vol34|aug07 quarterly magazine of the society for general microbiology food and water viruses in water fruit and veg that make you sick rapid molecular detection probiotics the aesthetic microbe badgers and bovine tb contents vol34(3) regular features 102 News 132 Schoolzone 140 Reviews 107 Addresses 134 Gradline 130 Meetings 138 Hot off the press other items 119 Micro shorts 142 Obituaries articles 108 Viruses in water: the 124 Science in the fight against imaginative in pursuit of water-borne disease the fugitive Joan Rose Science has produced some powerful tools to ensure our Peter Wyn-Jones water is safe. With political support, these could be used to Persistent viruses in drinking and recreational water may prevent contamination with faecal pathogens and eradicate cause many outbreaks of disease, but proving it is difficult. some major diseases. 112 Fruits and vegetables that make you sick: 126 The aesthetic microbe: what’s going on? ProkaryArt and EukaryArt Robert Mandrell Simon Park The safety of some salad crops has come into Microbes have served both as an inspiration question following several recent outbreaks of for artists and as a canvas for their creations for disease. centuries. The boundaries between microbiology and art are becoming increasingly blurred. 116 Rapid molecular detection of food- and water-borne Comment: diseases 144 Bovine TB and badgers Anja Boisen Cheap, disposable devices to spot pathogens could soon be Chris Cheeseman used by producers to improve the safety of food and water. The findings of an independent, extensive field experiment to determine the effect of badger culling on bovine TB have just been announced. -
Bridging the Gap
Bridging the Gap PRESENTING – CONNECTING – NETWORKING – COLLABORATING Doctoral College Conference 2019 Tuesday 9 July and Wednesday 10 July Austin Pearce Building For more information please contact us: [email protected] CONFERENCE Welcome Information TO BRIDGING THE GAP 2019 To help the conference run as smoothly as Keeping it environment friendly Bridging the Gap is this year’s Doctoral College And everything in between. Twelve of possible, please be aware of the following: A two day conference can produce up to Conference at the University of Surrey. We these will be presented by international • We want you to enjoy the conference and 2850 kg of waste and we want to make a are especially pleased to have 18 international students from around the globe. get to everything that interests you, so we serious effort to reduce this. presenters joining us this year, courtesy of • 24 poster presentations covering have allowed an extra 5 minutes between generous sponsorship from Santander. topics like the experiences of women Our aim this year is to make this year’s the oral presentations to give you time to international education, blocking the conference as sustainable and eco- friendly This year’s conference is a jam-packed move rooms if you need to. entry of the cold sore virus, the effects as possible. event! Each contribution to the program • Welcome address and keynote speakers of quantum coherence in light harvesting has been carefully selected to support the are in Room 1. We have taken the following steps to help systems and the role of adrenergic conference theme of Bridging the Gap, in • Posters and refreshments are in Room 3 achieve this goal: signalling in promoting T-cell senescence. -
IGRC Conference 18Th - 23Rd March 2016
IGRC Conference 18th - 23rd March 2016 Abstracts and Biographies SATURDAY 19th MARCH 2016 Session 1 – 9.00 am to 10.30 am Papers in TB18 Benjamin Bruant (IGRC, University of Surrey) Andrès Segovia’s collaboration with Mario Castelnuovo-Tedesco (MCT): Case study - Passacaglia opus 180 The Passacaglia, opus 180, was composed by Mario Castelnuovo-Tedesco in 1956 and is dedicated to Andrès Segovia, who never played or recorded it. The score was published in 1970 by Berben, a publishing house which had never previously worked with Andrès Segovia. The score was revised and fingered in 1968 by the guitarist and musicologist Angelo Gilardino. We can therefore question if Segovia had any influence on the piece, during the compositional, editing or publication process. When the immediate answer would seem to be that Segovia’s influence on the piece is limited or even non-existent, the newly discovered correspondences between the composer and the guitarist refute this hypothesis. This case study, based on analysis of the manuscript score as well as study of the correspondences between Segovia and MCT, aims to define the role of Segovia in the compositional process, to question the value of the publication of the Passacaglia and to assess the importance of historical information contained in the MCT/Segovia correspondences. Born in Le Havre (France), Benjamin Bruant began his musical study at the age of seven in his hometown. After getting a bachelor degree in Physics, he moved to Paris in order to improve his music knowledge. He studied with Pedro Ibanez at the Conservatoire Nationale de Region of Paris for three years. -
Acoustic Resonance in Contemporary Guitar Writing 1
Impact case study (REF3b) Institution: University of Surrey Unit of Assessment: UOA 35 Music, Drama, Dance and Performing Arts Title of case study: Acoustic Resonance in Contemporary Guitar Writing 1. Summary of the impact (indicative maximum 100 words) The University of Surrey has established the International Guitar Research Centre, led by Prof. Steve Goss and Dr. Milton Mermikides, a central strand of which experiments with the innovative use of acoustic resonance. Practice-based research outcomes (compositions) have created impact as artworks, having been recorded on Deutsche Grammophon, EMI, Telarc, Naxos, and Virgin Classics. CD sales emerging from the project are in excess of 200,000. The compositions have been performed internationally by the Royal Philharmonic Orchestra and Barcelona Symphony Orchestra. The new techniques developed at Surrey are utilised by renowned musicians, such as John Williams, Xuefei Yang, Andrew Lloyd Webber, David Russell, and Miloš Karadaglić. 2. Underpinning research (indicative maximum 500 words) A key element of Surrey’s International Guitar Research Centre’s work explores innovative approaches to the use of acoustic resonance in writing for guitar. The research dates back to 2003 and from its start integrated partnerships with national and international collaborators in music and composition studies, such as Jonathan Leathwood, Denver University; Michael Partington, University of Washington; Xuefei Yang, EMI Classics; Craig Ogden, Royal Northern College of Music. It took its departure from exploring new techniques and approaches to playing the guitar (such as composing a piece for two guitars to be played simultaneously by one player) and developing new notational strategies to clarify the musical intentions. -
New Dramaturgy Katalin Trencsényi Is a London-Based Dramaturg
New Dramaturgy Katalin Trencsényi is a London-based dramaturg. She gained her PhD at the Eötvös Loránd University, Budapest, Hungary. As a freelance dramaturg, she has worked with the National Theatre, the Royal Court Theatre, Deafinitely Theatre, Corali Dance Company and Company of Angels among others. From 2010 to 2012 she served as president of the Dramaturgs’ Network. For her research on contemporary dramaturgical practices, she was a recipient of the Literary Managers and Dramaturgs of the Americas’ Dramaturg Driven Grant. Bernadette Cochrane is a lecturer, dramaturg and director based in both Australia and the United Kingdom. She completed her PhD at the University of Queensland. As a freelance director and dramaturg she has worked for several independent companies in both Australia and the United Kingdom. She co-convenes the Translation, Adaptation and Dramaturgy Working Group of the International Federation of Theatre Research and edited a special issue of Journal of Adaptation in Film and Performance which focused on the work of the IFTR’s Translation, Adaptation and Dramaturgy Working Group (2011, Vol. 4 No. 3). This book was supported by: Also available from Bloomsbury Methuen Drama Affective Performance and Cognitive Science Edited by Nicola Shaughnessy Postdramatic Theatre and the Political Edited by Karen Jürs-Munby, Jerome Carroll and Steve Giles Theatre in Pieces Edited by Anna Furse Theatre in the Expanded Field Alan Read New Dramaturgy International Perspectives on Theory and Practice Edited by Katalin Trencsényi and Bernadette Cochrane LONDON • NEW DELHI • NEW YORK • SYDNEY Bloomsbury Methuen Drama An imprint of Bloomsbury Publishing Plc 50 Bedford Square 1385 Broadway London New York WC1B 3DP NY 10018 UK USA www.bloomsbury.com Bloomsbury is a registered trade mark of Bloomsbury Publishing Plc First published 2014 © Bloomsbury Methuen Drama, 2014 All rights reserved. -
Spring | Summer 2015
SPRING | SUMMER 2015 MUSIC DANCE THEATRE FILM LECTURES VISUAL ARTS FESTIVALS SURREY.AC.UK/ARTS Rahel Vonmoos Double Bill For event details see page 29 Contents Calendar at a glance page 4 Programme of events pages 6-39 Exhibitions and Installations pages 40-49 Classes & Workshops pages 50-51 Booking information page 52 Map of University venues page 54 Welcome I have great pleasure in introducing our Spring and Summer programme for the School of Arts at the University of Surrey. Professional visiting artists and speakers feature alongside student performers. Collaboration is at the heart of our programming and many events cross variously between music, dance, theatre, film and digital media. You will find a broad range of events scheduled – from musicals to contemporary dance and theatre; lectures, seminars and symposia to a programme of concerts in venues across Guildford; and a series of films on campus and exhibitions and installations in the Lewis Elton Gallery. In March we look forward to the biennial Guildford International Music Festival – highlights this year include Alfred Brendel and Sir Richard Stilgoe, Tenebrae and the Cavaleri Quartet alongisde the Mugenkyo Taiko Drummers, Ian McMillan and a wide range of events presented in association with our Cultural Partners at venues across Guildford. An introduction is included here, with full details listed in a separate brochure or on the website at www.surrey.ac.uk/arts. Please take time to browse through the programme and do check the website for further details. I very much look forward to welcoming you to our events – both on and off campus.