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PCC Cat 20-21 Jan Changes-Without Highlights
PENSACOLA CHRISTIAN COLLEGER 2020 – 2021 CATA LO G PENSACOLA CHRISTIAN COLLEGE PENSACOLA 1 UNDERGRADUATE 2 – EMPOWERING CHRISTIAN LEADERS R TO INFLUENCE THE WORLD 20 CATALOG 37426101-2/20 AS Sophomores, Juniors, and Seniors, Come Experience PCC for Yourself at College Days! Nov. 18–20, 2020 • Mar. 24–26, 2021 • Apr. 7–9, 2021 Yes, you can come any time, but no other time is quite like College Days. You’ll get a glimpse of college academics as you visit classrooms and labs. You’ll find out what students are like as you stay in a resi- dence hall. You can go to special activities planned just for you. But that’s not all. Beyond that, you’ll experience chapel in the Crowne Centre, go to meals in the Four Winds or Varsity, and head to the Sports Center for rock climbing and more. That’s just a start of what you can do during College Days. When you’re done looking through these pages, you’ll know a good bit about PCC. But it’s not the same as being here! See for yourself what PCC is really like. Ask questions in person. And get a better idea if this is the next step God has for you. Find out more today at pcci.edu/CollegeDays or call 1-800-PCC-INFO, ext. 4, to reserve your spot. pcci.edu • [email protected] 1-800-PCC-INFO (722-4636) for new student admissions (850) 478-8496 for all other info. @ConnectPCC Pensacola Christian College @ConnectPCC PensacolaChristianCollege catalog available online at pcci.edu/Catalog PENSACOLA CHRISTIAN COLLEGER 1 UNDERGRADUATE 2 – 20 CATALOG CONTENTS General Information ............................... -
Impreza World Soundtrack Awards W Gandawie Stała Się Inspiracją Dla Powstania Podobnych W Całej Europie
Impreza World Soundtrack Awards w Gandawie stała się inspiracją dla powstania podobnych w całej Europie Melinda Newman Z wyjątkiem kilku najbardziej znanych nazwisk, większość kompozytorów ciężko pracuje w cieniu największych gwiazd i reżyserów filmowych. Wyjątek stanowi sześć europejskich festiwali muzyki filmowej, podczas których to oni – oraz ich muzyka – są w centrum zainteresowania i błyszczą w świetle reflektorów. Podczas tegorocznej drugiej edycji Międzynarodowego Festiwalu Muzyki Filmowej w hiszpańskiej Kordobie, rozdawanie autografów „trwało trzy godziny”, jak wspomina Mike Todd, starszy dyrektor ds. muzyki filmowej i telewizyjnej oraz nowych mediów ASCAP (Amerykańskie Stowarzyszenie Kompozytorów, Autorów i Wydawców). – Twórcy muzyki filmowej są tam traktowani jak gwiazdy rocka. Wiceprezes BMI ds. relacji z branżą filmową/telewizyjną, Doreen Ringer Ross, wspomina jak podczas jednego z festiwali kompozytor Christophera Lennertz otrzymał „owację na stojąco”, idąc do łazienki. „Dziadkiem” tych spotkań promujących kompozytorów pozostaje Flamandzki Międzynarodowy Festiwal Filmowy (znany również jako Film Fest Ghent) odbywający się w Gandawie w Belgii, którego kulminację stanowią różnorodne koncerty muzyki na żywo z udziałem zaproszonych filmowych maestro – organizowane już od 1985 roku – oraz impreza World Soundtrack Awards, zorganizowana po raz pierwszy w roku 2001. W październiku tego roku festiwal filmowy kończy 40 lat – okazja ta zostanie uczczona czterdziestoma 1-minutowymi utworami autorstwa 40 różnych kompozytorów, które zostaną odegrane na żywo. Pośród ich twórców znaleźli się zdobywcy Oskara: Mychael Danna, Dario Marianelli, Rachel Portman, Gustavo Santaolalla i Gabriel Yared. Drugim najstarszym festiwalem jest ten odbywający się w Kordobie, który przeniósł się tam w ubiegłym roku po siedmiu latach w Ubedzie. Fimucite, festiwal odbywający się na Teneryfie na Wyspach Kanaryjskich w lipcu obchodził swoją siódmą edycję. -
Rmc193chiprograml5.Pdf
SATURDAY APRIL 29, 2017 | 7:30 PM | ROCKEFELLER CHAPEL A TRIPTYCH: Earth, Moon, Peace Works of Augusta Read Thomas Played by Spektral Quartet and Third Coast Percussion ROCKEFELLER CHAPEL | UNIVERSITY OF CHICAGO OF UNIVERSITY 2 PROGRAM The program is performed without intermission, although there will be brief pauses for resetting the stage. You are warmly invited to a wine and cheese reception here in the Chapel after the concert, with refreshments served from the west transept. You will also find CDs on sale. RAINBOW BRIDGE TO PARADISE SELENE Moon Chariot Rituals 2016 2015 3 Russell Rolen CELLO Spektral Quartet Third Coast Percussion and CHI CHI | A TRIPTYCH: EARTH, MOON, PEACE CHI for string quartet RESOUNDING EARTH 2017 World première 2012 I CHI vital life force I INVOCATION pulse radiance II AURA atmospheres, colors, vibrations II PRAYER star dust orbits III MERIDIANS zeniths III MANTRA ceremonial time shapes IV CHAKRAS center of spiritual power in the body IV REVERIE CARILLON crystal lattice Spektral Quartet Third Coast Percussion Clara Lyon VIOLIN David Skidmore Maeve Feinberg VIOLIN Peter Martin Doyle Armbrust VIOLA Robert Dillon Russell Rolen CELLO Sean Connors ABOUT THIS CONCERT Like most works of art, tonight’s concert came into Enter Spektral Quartet (or re-enter, for this being through the confluence of flashes of desire, conversation also had begun, allegro con spirito, some snippets of conversation, and the sudden alignment of eons before). On March 7, 2015, the cosmic lights went energies sparked by the commissioning of a new work. green and we knew we had a program: Selene, to be The flash of desire came just over three years ago. -
Downbeat.Com December 2014 U.K. £3.50
£3.50 £3.50 . U.K DECEMBER 2014 DOWNBEAT.COM D O W N B E AT 79TH ANNUAL READERS POLL WINNERS | MIGUEL ZENÓN | CHICK COREA | PAT METHENY | DIANA KRALL DECEMBER 2014 DECEMBER 2014 VOLUME 81 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Art Director LoriAnne Nelson Contributing Designer Žaneta Čuntová Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Associate Kevin R. Maher Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, -
559288 Bk Wuorinen US
559373-74 bk Lincoln US 12/12/08 12:58 PM Page 16 Also available: AMERICAN CLASSICS ABRAHAM LINCOLN PORTRAITS Ives • Persichetti • Harris • Bacon Gould • McKay • Turok • Copland Nashville Symphony • Leonard Slatkin 8.559328 2 CDs 8.559373-74 16 559373-74 bk Lincoln US 12/12/08 12:58 PM Page 2 ABRAHAM LINCOLN PORTRAITS Also available: CD 1 60:54 1 Charles Ives (1874-1954): Lincoln, the Great Commoner 3:39 2 Vincent Persichetti (1915-1987): A Lincoln Address, Op. 124 13:22 3 Roy Harris (1898-1979): Abraham Lincoln Walks at Midnight 14:10 Ernst Bacon (1898-1990): Ford’s Theatre: A Few Glimpses of Easter Week, 1865 29:43 4 Preamble 1:43 5 Walt Whitman and the Dying Soldier 2:42 6 Passing Troops 2:42 7 The Telegraph Fugue (an Etude for Strings - with Timpani) 5:07 8 Moonlight on the Savannah 2:03 9 The Theatre 1:26 0 The River Queen 2:26 ! Premonitions (a duett with a hall clock) 1:51 @ Pennsylvania Avenue, April 9, 1865 3:35 # Good Friday, 1865 3:15 $ The Long Rain 1:17 % Conclusion 1:35 CD 2 51:43 1 Morton Gould (1913-1996): Lincoln Legend 16:36 George Frederick McKay (1899-1970): To a Liberator (A Lincoln Tribute) 11:18 2 Evocation 3:10 3 Choral Scene 2:49 4 March 2:06 5 Declaration 0:43 6 Epilogue 2:30 7 Paul Turok (b. 1929): Variations on an American Song: Aspects of Lincoln and Liberty, Op. 20 9:18 8 Aaron Copland (1900-1990): Lincoln Portrait 14:31 Publishers: Edwin F. -
2013 Annual Report
2013 ANNUAL REPORT The ASCAP Foundation, established in 1975, is a publicly supported charity dedicated to supporting American music creators and encouraging their development through music education and talent development programs such as: songwriting workshops, scholarships, awards, community outreach and humanitarian programs, and providing grants to other 501(c)(3) organizations engaged in educational programs for aspiring songwriters and composers. The ASCAP Foundation supports programs in all musical genres that are national and regional in scope. Over the years, The ASCAP Foundation has developed and established its own scholarships, awards and music education programs and has collaborated with other organizations to meet its objectives. We are proud of the musical greats who have chosen to establish programs in their name and the families that have memorialized loved ones’ achievements by creating and funding named programs. They include: Harold Adamson, Richard Adler, Robert Allen, Herb Alpert, Harold Arlen, Louis Armstrong, Nick Ashford, Irving Berlin, Leonard Bernstein, Freddy Bienstock, Irving Burgie, Irving Caesar, Sammy Cahn, Desmond Child, George M. Cohan, Cy Coleman, Aaron Copland, Hal David, John Denver, Duke Ellington, George and Ira Gershwin, Jay Gorney, Morton Gould, Marvin Hamlisch, W.C. Handy, Lorenz Hart, Jerry Herman, Bart Howard, Billy Joel, Quincy Jones, Leo Kaplan, Steve Kaplan, Dean Kay, Leiber & Stoller, Tania Leon, Livingston & Evans, Frederick Loewe, John LoFrumento, Henry Mancini, Johnny Mandel, Michael Masser, Joseph Meyer, Vic Mizzy, Jason Mraz, Jack Norworth, Rudy Perez, Cole Porter, Louis Prima, Jerry Ragovoy, Joe Raposo, Irwin Robinson, Mary Rodgers, Richard Rodgers, Betty Rose, David Rose, Stephen Sondheim, Jimmy Van Heusen, Paul Williams, Lucille and Jack Yellen, and others. -
CAROLS for CHRISTMAS Carols and Seasonal Readings for Christmas and Winter
Gerald Neufeld conductor Alison MacNeill accompanist CAROLS FOR CHRISTMAS Carols and Seasonal Readings for Christmas and Winter Sunday November 30, 2014 WINTER’S EVE TRIO St. George’s Anglican Church | 3:00 pm Sharlene Wallace Harp Joe Macerollo Accordion George Koller Bass concert sponsors soloist sponsors government & community support Program CAROLS FOR CHRISTMAS Carols and Seasonal Readings for Christmas and Winter Hodie . Gregorian Chant Wolcum Yole, from Ceremony of Carols . Benjamin Britten Herself a rose, who bore the Rose . Christina Rossetti Laurie McDonald, reader As dew in Aprille, from Ceremony of Carols . Benjamin Britten Birth of Jesus . Luke 2, 1–20 Scott Worsfold, reader This little Babe, from Ceremony of Carols . Benjamin Britten Interlude, from Ceremony of Carols . Benjamin Britten Greensleeves . .. Traditional Winter’s Eve Trio What Child is this . arr . John Stainer Winter’s Eve Trio, choir and audience 1. What child is this, who laid to rest 2. Why lies He in such mean estate, On Mary’s lap is sleeping? Where ox and ass are feeding? Whom angels greet with anthem sweet, Good Christian, fear: for sinners here While shepherds watch are keeping? The silent Word is pleading; This, this is Christ, the King; Nails, spear shall pierce Him through, Whom shepherds guard and angels sing; The Cross be born for me, for you; Haste, haste to bring Him laud, Hail, hail the Word made flesh, The Babe, the Son of Mary! The Babe, the Son of Mary! 3. So bring Him incense, gold, and myrrh, Come peasant, king to own Him; The King of kings salvation brings; Let loving hearts enthrone Him. -
My Fair Lady
TEACHER RESOURCE GUIDE Teacher Resource Guide by Sara Cooper LINCOLN CENTER THEATER AT THE VIVIAN BEAUMONT André Bishop Adam Siegel Producing Artistic Director Hattie K. Jutagir Managing Director Executive Director of Development & Planning in association with Nederlander Presentations, Inc. presents LERNER & LOEWE’S Book and Lyrics Music Alan Jay Lerner Frederick Loewe Adapted from George Bernard Shaw’s play and Gabriel Pascal’s motion picture “Pygmalion” with Lauren Ambrose Harry Hadden-Paton Norbert Leo Butz Diana Rigg Allan Corduner Jordan Donica Linda Mugleston Manu Narayan Cameron Adams Shereen Ahmed Kerstin Anderson Heather Botts John Treacy Egan Rebecca Eichenberger SuEllen Estey Christopher Faison Steven Trumon Gray Adam Grupper Michael Halling Joe Hart Sasha Hutchings Kate Marilley Liz McCartney Justin Lee Miller Rommel Pierre O’Choa Keven Quillon JoAnna Rhinehart Tony Roach Lance Roberts Blair Ross Christine Cornish Smith Paul Slade Smith Samantha Sturm Matt Wall Michael Williams Minami Yusui Lee Zarrett Sets Costumes Lighting Sound Michael Yeargan Catherine Zuber Donald Holder Marc Salzberg Musical Arrangements Dance Arrangements Robert Russell Bennett & Phil Lang Trude Rittmann Mindich Chair Casting Hair & Wigs Production Stage Manager Musical Theater Associate Producer Telsey + Company Tom Watson Jennifer Rae Moore Ira Weitzman General Manager Production Manager Director of Marketing General Press Agent Jessica Niebanck Paul Smithyman Linda Mason Ross Philip Rinaldi Music Direction Ted Sperling Choreography Christopher Gattelli Directed by Bartlett Sher The Jerome L. Greene Foundation is the Lead Sponsor of MY FAIR LADY. Major support is also generously provided by: The Blanche and Irving Laurie Foundation • Florence Kaufman The New York Community Trust - Mary P. Oenslager Foundation Fund • The Ted & Mary Jo Shen Charitable Gift Fund The Bernard Gersten LCT Productions Fund • The Peter Jay Sharp Foundation’s Special Fund for LCT with additional support from the National Endowment for the Arts. -
2012 the Shepherd School of Music Presents
Celebrate Rice RICE UNIVERSITY CENTENNIAL CELEBRATION 1912-2012 The Shepherd School of Music presents Shepherd School Symphony Orchestra Larry Rachleff, music director jon kimura parker, piano featuring the world premiere of William Bolcom’s Ninth Symphony october 11, 12, and 14, 2012 7:30 p.m., stude concert hall Celebrate Rice Over a century ago, William Marsh Rice laid out a vision to provide the city of Houston with a tuition-free Institute for the Advancement of Literature, Science and Art. That vision came to fruition on October 12, 1912, as Rice Institute held its opening ceremonies. Thus began its journey from a bold little university on the edge of a prairie to the world renowned institution we cel- ebrate today. The Shepherd School of Music proudly presents this perfor- mance as part of our Centennial Concert Series in honor of Rice’s 100th birthday. PROGRAM Maskarade Overture Carl Nielsen (1865-1931) Ninth Symphony (2011: World Premiere) William Bolcom (A short symphony in one movement) (b. 1938) Rhapsody on a Theme of Paganini, Sergei Rachmaninoff Op. 43 (1873-1943) Jon Kimura Parker, piano INTERMISSION Symphony No. 2 in D Major, Op. 43 Jean Sibelius Allegretto (1865-1957) Tempo Andante, ma rubato Vivacissimo Finale. Allegro moderato The reverberative acoustics of Stude Concert Hall magnify the slightest sound made by the audience. Your care and courtesy will be appreciated. The taking of photographs and use of recording equipment are prohibited. SHEPHERD SCHOOL SYMPHONY ORCHESTRA Larry Rachleff, music director Violin I Viola -
Mellissa Hughes SOPRANO
SOPRANO Mellissa Hughes “A magnetic presence” – THE NEW YORK TIMES “A dazzling diva adept at old and new music” – TIME OUT NEW YORK “note-perfect...by turns coolly composed and legitimately frightening” – Pitchfork “Riveting” – THE NEW YORKER “Haunting and beautiful” – Feast of Music “I actually wasn't prepared for the strength of her physical performance…” – THE AWL “A postclassical siren” – TIME OUT NEW YORK Photo: Mark Hughes “Mellissa Hughes ratcheted the work to a wild, intoxicating pitch.” -- THE WASHINGTON POST “indispensable to New York’s new-music ecosystem.” – THE NEW YORK TIMES Hailed by The New York Times as “ a versatile, charismatic soprano endowed with brilliant technique and superlative stage instincts…indispensable to New York’s new-music ecosystem” MELLISSA HUGHES enjoys a busy career in both contemporary and early music. A dedicated interpreter of living composers, Hughes has worked closely with Julia Wolfe, Michael Gordon, David Lang, Steve Reich, Neil Rolnick, and has premiered works by David T. Little, Missy Mazzoli, Ted Hearne, Caleb Burhans, Christopher Cerrone, Jacob Cooper, and Frederick Rzewski, among others. In the classical concert hall she has performed Mozart’s Vespers and Requiem under the baton of Sir Neville Marriner, Handel’s Dixit Dominus with Sir David Willcocks, and the role of Dido under the direction of Andrew Lawrence King. Equally at home in front of a rock band, Hughes has received widespread acclaim in her role as lead vocalist of Newspeak, an amplified alt-classical band, and for her work with Missy Mazzoli’s Victoire. In the 2013/14 season, Hughes continues touring with John Zorn for Zorn@60 celebrations, singing his “Madrigals” and “Earthspirit” in Jerusalem, Paris and at Alice Tully Hall in New York (having sung the works last season in Montreal, Ghent, Warsaw, at the Barbican in London, and at the Guggenheim New York.) She also stars in Jonathan Berger’s double bill opera, Visitations, in a Beth Morrison Production/HERE production for Protoype 2014 at Roulette, led by Christopher Rountree. -
Harp Seattle 2018 Booklet WEB ONLY.Pub
General Information for HARP SEATTLE 2018 About Harp Seattle Rental Harps Harp Seattle is a three-day festival at Dusty Strings Music Once you register, you can indicate on your registration Store & School in Seattle, WA for harpers of all levels to form if you would like to rent a harp, and if so, what kind. participate in an event that has been part of the folk harp We will contact you a month before the event to set up community for over a decade. Seasoned performers pre- your rental. Availability is first-come-first-served. sent workshops created to enhance the skills and knowledge of players at all levels so there’s something for everyone. Refund Policy You may cancel your registration for a full refund less a Location $25 administrative fee through September 5 th , 2018. You All workshops, concerts, and happenings take place at may cancel your registration for a 50% refund less a $25 Dusty Strings Music Store & School, 3406 Fremont Avenue administrative fee through October 1 st , 2016. No refunds N, Seattle, except for the tour of the manufacturing facility, are available for partial attendance or for cancellations which is located at 3450 16 th Avenue W in the Interbay made after October 1 st . All workshops, presenters, and neighborhood. See page 12 for directions and parking times are subject to change. information for both locations. Harp Valet Registration Harp valets are ready to assist you with dropping off your Registration includes an all-access pass to the weekend’s harp on Friday morning, October 5 th and picking it up on workshops, concerts, and happenings. -
MTO 22.4: Gotham, Pitch Properties of the Pedal Harp
Volume 22, Number 4, December 2016 Copyright © 2016 Society for Music Theory Pitch Properties of the Pedal Harp, with an Interactive Guide * Mark R. H. Gotham and Iain A. D. Gunn KEYWORDS: harp, pitch, pitch-class set theory, composition, analysis ABSTRACT: This article is aimed at two groups of readers. First, we present an interactive guide to pitch on the pedal harp for anyone wishing to teach or learn about harp pedaling and its associated pitch possibilities. We originally created this in response to a pedagogical need for such a resource in the teaching of composition and orchestration. Secondly, for composers and theorists seeking a more comprehensive understanding of what can be done on this unique instrument, we present a range of empirical-theoretical observations about the properties and prevalence of pitch structures on the pedal harp and the routes among them. This is particularly relevant to those interested in extended-tonal and atonal repertoires. A concluding section discusses prospective theoretical developments and analytical applications. 1 of 21 Received June 2016 I. Introduction [1.1] Most instruments have a relatively clear pitch universe: some have easy access to continuous pitch (unfretted string instruments, voices, the trombone), others are constrained by the 12-tone chromatic scale (most keyboards), and still others are limited to notes of the diatonic or pentatonic scales (many non-Western-orchestral members of the xylophone family). The pedal harp, by contrast, falls somewhere between those last two categories: it is organized around a diatonic configuration, but can reach all 12 notes of the chromatic scale, and most (but not all) pitch-class sets.