Mark Kretschmann Dissertation Final Document W Changes
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Daft Punk Collectible Sales Skyrocket After Breakup: 'I Could've Made
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayFEBRUARY 25, 2021 Page 1 of 37 Leader; Travis Denning Makes History INSIDE Daft Punk Collectible Sales Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville), debutsSkyrocket at No. 1 on Billboard’s lion audience After impressions, Breakup: up 16%). Top Country• Spotify Albums Takes onchart dated April 18. In its first week (ending April 9), it earned$1.3B 46,000 in equivalentDebt album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cording• Taylor to Nielsen Swift Music/MRCFiles Data. ‘I Could’veand total Made Country Airplay No.$100,000’ 1 as “Catch” (Big Machine Label Group) ascends SouthsideHer Own marks Lawsuit Hunt’s in second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chartEscalating and fourth Theme top 10. It follows freshman LP BY STEVE KNOPPER Young’s first of six chart entries, “Sleep With- MontevalloPark, which Battle arrived at the summit in No - out You,” reached No. 2 in December 2016. He vember 2014 and reigned for nine weeks. To date, followed with the multiweek No. 1s “In Case You In the 24 hours following Daft Punk’s breakup Thomas, who figured out how to build the helmets Montevallo• Mumford has andearned Sons’ 3.9 million units, with 1.4 Didn’t Know” (two weeks, June 2017), “Like I Loved millionBen in Lovettalbum sales. -
A Tent of Blue and Souls in Pain
COPYRIGHT AND CITATION CONSIDERATIONS FOR THIS THESIS/ DISSERTATION o Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. o NonCommercial — You may not use the material for commercial purposes. o ShareAlike — If you remix, transform, or build upon the material, you must distribute your contributions under the same license as the original. How to cite this thesis Surname, Initial(s). (2012) Title of the thesis or dissertation. PhD. (Chemistry)/ M.Sc. (Physics)/ M.A. (Philosophy)/M.Com. (Finance) etc. [Unpublished]: University of Johannesburg. Retrieved from: https://ujdigispace.uj.ac.za (Accessed: Date). (i) A TENT OF BLUE AND SOULS IN PAIN CREATIVE RESPONSES TO PRISON EXPERIENCE WITH EMPHASIS UPON EXISTENTIAL AND AUTOBIOGRAPIDCAL ELEMENTS WITHIN SELECTED SOUTH AFRICAN PRISON WRITINGS by ROSEMARY ANNE FOLLI DISSERTATION submitted in fulfilment of the requirements of the degree of MASTER OF ARTS in ENGLISH in the FACULTY OF ARTS of the RAND AFRIKAANS UNIVERSITY MAY 1994 Supervisors: MR DIGBY RICCI MS IRMGARD SCHOPEN PROFESSOR ALEX POTTER (ii) DEDICATION This dissertation is dedicated to my dearfriend The Honourable Mr Justice Richard Goldstone Ceaseless Campaigner in the Cause of Justice and Rights for Political Prisoners Detained Without Trial (iii) ACKNOWLEDGEMENTS I wish to express my thanks to my supervisors, Ms Irmgard Schopenand Mr Digby Ricci. Unfortunately for me, but most fortunately for her, Ms Schopen left to take up a Fullbright Scholarship in the United States while I was in the middle of this project. -
Artist Song Title N/A Swedish National Anthem 411 Dumb 702 I Still Love
Artist Song Title N/A Swedish National Anthem 411 Dumb 702 I Still Love You 911 A Little Bit More 911 All I Want Is You 911 How Do You Want Me To Love You 911 Party People (Friday Night) 911 Private Number 911 The Journey 911 More Than A Woman 1927 Compulsory Hero 1927 If I Could 1927 That's When I Think Of You Ariana Grande Dangerous Woman "Weird Al" Yankovic Ebay "Weird Al" Yankovic Men In Brown "Weird Al" Yankovic Eat It "Weird Al" Yankovic White & Nerdy *NSYNC Bye Bye Bye *NSYNC (God Must Have Spent) A Little More Time On You *NSYNC I'll Never Stop *NSYNC It's Gonna Be Me *NSYNC No Strings Attached *NSYNC Pop *NSYNC Tearin' Up My Heart *NSYNC That's When I'll Stop Loving You *NSYNC This I Promise You *NSYNC You Drive Me Crazy *NSYNC I Want You Back *NSYNC Feat. Nelly Girlfriend £1 Fish Man One Pound Fish 101 Dalmations Cruella DeVil 10cc Donna 10cc Dreadlock Holiday 10cc I'm Mandy 10cc I'm Not In Love 10cc Rubber Bullets 10cc The Things We Do For Love 10cc Wall Street Shuffle 10cc Don't Turn Me Away 10cc Feel The Love 10cc Food For Thought 10cc Good Morning Judge 10cc Life Is A Minestrone 10cc One Two Five 10cc People In Love 10cc Silly Love 10cc Woman In Love 1910 Fruitgum Co. Simon Says 1999 Man United Squad Lift It High (All About Belief) 2 Evisa Oh La La La 2 Pac Feat. Dr. Dre California Love 2 Unlimited No Limit 21st Century Girls 21st Century Girls 2nd Baptist Church (Lauren James Camey) Rise Up 2Pac Dear Mama 2Pac Changes 2Pac & Notorious B.I.G. -
Herman Charles Bosman's Treatment of Race Relations in Mafeking Road
liERitfinIM CHARLES 1303W- M 93 VIREanfillERTY OF RaCE IRIELaTOONS IM HAG EKfinge ROAD RHORTaa RIMMLWHIER90 Wing-OMB& RA Gkr_D) n[Fma AA IMZ URNIWEERZITIFY Zusbunfigged fin parefiall ganfigfififineng og gThe regenfirenvengs gOF Ove degree a Has car ofd Allls fin Me sadojecg og Engfifth .Ei Me Rand Agrfikaans UnfiVISFSilgy 2000 STRACT This mini-dissertation deals with Herman Charles Bosman's depiction of racial prejudice among the different racial groups in South Africa in the period of the 1930s and 40s. The overarching issue of the narrator's racism forms the focus of discussion. Oom Schalk Lourens's storytelling techniques are a matter of cardinal importance that colours the entire interpretation of Mafeking Road. The introductory section of this study provides some biographical details about the author himself. This is followed by an exploration of Bosman's treatment of race and racial issues in three stories. Bosman's exploration of race relations involving blacks, Indians, whites as well as other minority groups is a reflection of his genuine concern for South Africa's future society as a whole. In the course of this study a brief analysis is also made of the author's portrayal of female characters. In the conclusion Bosman's overall achievement in terms of the major theme, race relations, is assessed. It is argued that the overt racism of Bosman's narrator Oom Schalk Lourens cannot be ascribed to the author himself; that it is the case, rather, that the author manipulates his narrator to achieve an ironic effect. In the final analysis, Bosman is critical of the racist attitudes his characters display, but his method is to satirise and debunk these attitudes gently and obliquely. -
SOUL ASYLUM Biography by Arthur Levy
SOUL ASYLUM biography by Arthur Levy “It’s a crazy mixed up world out there, Someone’s always got a gun and it’s all about money You live with loneliness, or you live with somebody who’s crazy It’s just a crazy mixed up world …” (“Crazy Mixed Up World”) Chapter 1. Every Cloud Has One Renewed and revitalized, Soul Asylum founders Dave Pirner and Dan Murphy return to rock’s front line with THE SILVER LINING, their first new studio release since 1998’s Candy From a Stranger. That album inadvertently kicked off a seven-year sabbatical for the group, which telescoped into the death of bassist Karl Mueller in June 2005, the other founding member of the triumvirate that has steered Soul Asylum through rock’s white water for the past two decades plus. The re-emergence of the group on THE SILVER LINING is as much a reaffirmation of Soul Asylum’s commitment to the music as it is a dedication to Karl, who worked and played on the album right up until the end. They were joined in the studio by not-so-new heavyweight Minneapolis drummer Michael Bland (who has played with everyone from Paul Westerberg to Prince). The band is now complemented by Tommy Stinson on bass, a member of fellow Twin Cities band the Replacements since age 13, and a pal of Dan’s since he was in high school and Tommy in junior high. Tommy was the only friend that Karl could endorse to replace himself in the band. This hard-driving lineup was introduced for the first time in October 2005, when they played sold-out showcase dates at First Avenue in Minneapolis and the Bowery Ballroom in New York – within three days. -
Song Catalogue February 2020 Artist Title 2 States Mast Magan 2 States Locha E Ulfat 2 Unlimited No Limit 2Pac Dear Mama 2Pac Changes 2Pac & Notorious B.I.G
Song Catalogue February 2020 Artist Title 2 States Mast Magan 2 States Locha_E_Ulfat 2 Unlimited No Limit 2Pac Dear Mama 2Pac Changes 2Pac & Notorious B.I.G. Runnin' (Trying To Live) 2Pac Feat. Dr. Dre California Love 3 Doors Down Kryptonite 3Oh!3 Feat. Katy Perry Starstrukk 3T Anything 4 Non Blondes What's Up 5 Seconds of Summer Youngblood 5 Seconds of Summer She's Kinda Hot 5 Seconds of Summer She Looks So Perfect 5 Seconds of Summer Hey Everybody 5 Seconds of Summer Good Girls 5 Seconds of Summer Girls Talk Boys 5 Seconds of Summer Don't Stop 5 Seconds of Summer Amnesia 5 Seconds of Summer (Feat. Julia Michaels) Lie to Me 5ive When The Lights Go Out 5ive We Will Rock You 5ive Let's Dance 5ive Keep On Movin' 5ive If Ya Getting Down 5ive Got The Feelin' 5ive Everybody Get Up 6LACK Feat. J Cole Pretty Little Fears 7Б Молодые ветра 10cc The Things We Do For Love 10cc Rubber Bullets 10cc I'm Not In Love 10cc I'm Mandy Fly Me 10cc Dreadlock Holiday 10cc Donna 30 Seconds To Mars The Kill 30 Seconds To Mars Rescue Me 30 Seconds To Mars Kings And Queens 30 Seconds To Mars From Yesterday 50 Cent Just A Lil Bit 50 Cent In Da Club 50 Cent Candy Shop 50 Cent Feat. Eminem & Adam Levine My Life 50 Cent Feat. Snoop Dogg and Young Jeezy Major Distribution 101 Dalmatians (Disney) Cruella De Vil 883 Nord Sud Ovest Est 911 A Little Bit More 1910 Fruitgum Company Simon Says 1927 If I Could "Weird Al" Yankovic Men In Brown "Weird Al" Yankovic Ebay "Weird Al" Yankovic Canadian Idiot A Bugs Life The Time Of Your Life A Chorus Line (Musical) What I Did For Love A Chorus Line (Musical) One A Chorus Line (Musical) Nothing A Goofy Movie After Today A Great Big World Feat. -
“Which Way Nigeria?”
J EAN-CHRISTOPHE S ERVANT “Which way Nigeria?” MUSIC UNDER THREAT: A QUESTION OF MONEY, MORALITY, SELF-CENSORSHIP AND THE SHARIA “WHICH WAY NIGERIA?” Music under Threat: A Question of Money, Morality, Self-Censorship and the Sharia by JEAN-CHRISTOPHE SERVANT Published by Freemuse Editor in Chief: Marie Korpe Translated from French by Daniel Brown ISSN 1601-2127 Layout: Sigrún Gudbrandsdóttir Cover illustration: Ali Bature Printed in Denmark 2003 by Handy-Print © Freemuse 2003 The views in the report do not necessarily represent the views of Freemuse. Report no. 04/2003 Freemuse Wilders Plads 8 H · 1403 Copenhagen K. · Denmark tel: +45 32 69 89 20 · fax: +45 32 69 89 01 e-mail: [email protected] web: www.freemuse.org OTHER PUBLICATIONS BY FREEMUSE: 1st World Conference on Music and Censorship (2001, ISBN: 87-988163-0-6) “Can you stop the birds singing?” – The Censorship of Music in Afghanistan, by John Baily (2001, ISSN: 1601-2127) “A Little Bit Special” – Censorship and the Gypsy Musicians of Romania, by Garth Cartwright (2001, ISSN: 1601-2127) Playing With Fire – Fear and Self-Censorship in Zimbabwean Music, by Banning Eyre (2001, ISSN: 1601-2127) TABLE OF CONTENTS PREFACE 5 ABSTRACT 7 5 CASE STUDY: FEMI KUTI - ABOUT THE AUTHOR 8 the banning of "Bang, Bang, Bang" MAP 9 5.1 Biography of Femi Kuti 56 INTRODUCTION 11 5.1.1 NBC vs. Femi Kuti 59 1 THE YEARS OF DEMOCRAZY: 6 GANGSTA RAP AND MAKOSSA 1999-2002 15 6.1 High moral grounds versus 65 the "Music of the Devil" 2 GENERAL BACKGROUND ON NIGERIA 2.1 Religion 17 7 SHARIAPHRENIA 2.2 -
The First Three Thresholds
FIRST PAGES the fi rst three thresholds 10 chr85611_ch01_010-031.indd 10 08/03/13 10:11 PM FIRST PAGES chapter 1 The Universe, Stars, and New Chemical Elements Seeing the Big Picture 13.7 to 4.6 Billion Years Ago What do we mean by “thresholds” in big history? And why are these turning points so important? Why does the appearance of the universe count as the fi rst threshold? What existed after that threshold that did not exist before? If you wanted to persuade someone that the big bang was a true story of the origin of the universe, what evidence would you give? Why does the emergence of stars count as the second threshold of increasing complexity? Why does the emergence of new elements in dying stars count as the third threshold of increasing complexity? 11 chr85611_ch01_010-031.indd 11 08/03/13 10:11 PM FIRST PAGES to “point a fi nger at the moon” in the Buddhist metaphor. Threshold 1: Big Bang Cosmology Notice how this phrase invites curiosity. It’s mysterious and the Origin of the Universe like the cosmos itself because, though we can understand a lot, we can never fully understand everything. That’s why The formation of the universe counts as our fi rst threshold people always use complex, poetic, and metaphorical lan- because, as far as we know, that moment saw the origin of guage when they try to explain things as mysterious as the everything around us. It is the beginning of the history of origin of the universe. -
The Disambiguation of the English Verbs Send and Open : a Study Based on the Object Oriented Method
Title: The disambiguation of the english verbs send and open : a study based on the object oriented method Author: Anna Drzazga Citation style: Drzazga Anna. (2012). The disambiguation of the english verbs send and open : a study based on the object oriented method. Praca doktorska. Katowice : Uniwersytet Śląski University of Silesia THE DISAMBIGUATION OF THE ENGLISH VERBS SEND and OPEN - A STUDY BASED ON THE OBJECT ORIENTED METHOD Anna Drzazga Advisor: Prof. dr hab. Wiesław Banyś Katowice, 2012 Uniwersytet Śląski DEZAMBIGUIZACJA ANGIELSKICH CZASOWNIKÓW OPEN i SEND W RAMACH UJĘCIA ZORIENTOWANEGO OBIEKTOWO Anna Drzazga Praca napisana pod kierunkiem: Prof. zw. dr hab. Wiesława Banysia Katowice, 2012 CONTENTS INTRODUCTION...............................................................................................................................4 1. Selected modern theories of lexical semantic analysis.......................................................... 8 1.1 .The Meaning-Text Theory and the Explanatory Combinatory Dictionary..................... 8 1.2. James Pustejovsky’s Generative Lexicon and Frame Semantics..................................... 39 1.3. The Object Oriented Approach proposed by Wiesław Banyś...........................................61 1.3.1. Application of the Object Oriented Approach to the disambiguation of verbs 76 2. Some of the available analyses of the English causative verbs and the presentation of causativity in the WordNet............................................................................................................ -
Board of Trustees Meetings
THE BAGPIPE FRIDAY, OCTOBER 9, 2015 14049 SCENIC HIGHWAY, LOOKOUT MOUNTAIN, GA 30750 VOLUME 62.3 Meet Neely Goree Highschool Ref Assaulted Caracal Album Review Mountain Affair Review I’m A Christian, But We’ve got a replacement for Sam Highschool football players were They actually have a track called The Editor-In-Chief’s sister got We know you read Buzzfeed, Guthrie, and she can do cross- ordered to tackle a ref. Drama “Bang That.” third. Also, some other people but are you reading between the words without using Google. ensues. placed. lines? Page 3 Page 4 Page 5 Page 6 Page 7 CAMPUS PREVIEW BOARD OF WEEKEND TRUSTEES by AnnaKatherine Clarke On Oct. 1-3, between 160- 170 high schoolers came to MEETINGS preview Covenant College this past Campus Preview by Zach Jones Weekend—a lower atten- dance than previous years. The Covenant College Despite the lower turn- Board of Trustees—look- out, Director of Admis- ing to reevaluate the sions Scott Schindler still college’s policy on Ad- seemed confident because missions, Federal Fund- of the unusually high num- ing & Human Sexuali- ber of seniors. ty, Strategic Plan, and lowing the opening session cuss fiscal responsibility The Student Devel- on Thursday morning, the and integrity, approve the opment Committee meet “We have 114 se- more—returns to Look- niors and 48 juniors. On av- out Mountain Oct. 7 for Board of Trustees sepa- receipt of select contribu- in Kresge 201 to review rate into seven commit- tions, review plans and reports from the Chaplain erage, about 27-40% of the its fall meeting. -
All Audio Songs by Artist
ALL AUDIO SONGS BY ARTIST ARTIST TRACK NAME 1814 INSOMNIA 1814 MORNING STAR 1814 MY DEAR FRIEND 1814 LET JAH FIRE BURN 1814 4 UNUNINI 1814 JAH RYDEM 1814 GET UP 1814 LET MY PEOPLE GO 1814 JAH RASTAFARI 1814 WHAKAHONOHONO 1814 SHACKLED 2 PAC CALIFORNIA LOVE 20 FINGERS SHORT SHORT MAN 28 DAYS RIP IT UP 3 DOORS DOWN KRYPTONITE 3 DOORS DOWN HERE WITHOUT YOU 3 JAYS IN MY EYES 3 JAYS FEELING IT TOO 3 THE HARDWAY ITS ON 360 FT GOSSLING BOYS LIKE YOU 360 FT JOSH PYKE THROW IT AWAY 3OH!3 STARSTRUKK ALBUM VERSION 3OH!3 DOUBLE VISION 3OH!3 DONT TRUST ME 3OH!3 AND KESHA MY FIRST KISS 4 NON BLONDES OLD MR HEFFER 4 NON BLONDES TRAIN 4 NON BLONDES PLEASANTLY BLUE 4 NON BLONDES NO PLACE LIKE HOME 4 NON BLONDES DRIFTING 4 NON BLONDES CALLING ALL THE PEOPLE 4 NON BLONDES WHATS UP 4 NON BLONDES SUPERFLY 4 NON BLONDES SPACEMAN 4 NON BLONDES MORPHINE AND CHOCOLATE 4 NON BLONDES DEAR MR PRESIDENT 48 MAY NERVOUS WRECK 48 MAY LEATHER AND TATTOOS 48 MAY INTO THE SUN 48 MAY BIGSHOCK 48 MAY HOME BY 2 5 SECONDS OF SUMMER GOOD GIRLS 5 SECONDS OF SUMMER EVERYTHING I DIDNT SAY 5 SECONDS OF SUMMER DONT STOP 5 SECONDS OF SUMMER AMNESIA 5 SECONDS OF SUMMER SHE LOOKS SO PERFECT 5 SECONDS OF SUMMER KISS ME KISS ME 50 CENT CANDY SHOP 50 CENT WINDOW SHOPPER 50 CENT IN DA CLUB 50 CENT JUST A LIL BIT 50 CENT 21 QUESTIONS 50 CENT AND JUSTIN TIMBERLAKE AYO TECHNOLOGY 6400 CREW HUSTLERS REVENGE 98 DEGREES GIVE ME JUST ONE NIGHT A GREAT BIG WORLD FT CHRISTINA AGUILERA SAY SOMETHING A HA THE ALWAYS SHINES ON TV A HA THE LIVING DAYLIGHTS A LIGHTER SHADE OF BROWN ON A SUNDAY AFTERNOON -
Thesis Hum 2002 Hayden S (1).Pdf
The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes only. Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University of Cape Town Dancing the Tiekiedraai: A Socio-historic Approach to Bosman's Bushveld Narratives Susan Hayden Submitted in fulfilment of the requirements for the degree of UniversityMaster of of Arts Cape Town University of Cape Town 2002 This work has not been previously submitted in whole, or in part, for the award of any degree. It is my own work. Each significant contribution to, and quotation in, this dissertation from the work, or works, of other people has been attributed, and has been cited and referenced. Signature Date: 20 January 2002 Svtsa~~ tta~ ~~ ~\ Acknowledgements The financial assistance of the Centre for Science and Development (HSCR, South Africa) towards this research is hereby acknowledged. Opinions expressed and conclusions arrived at are those of the author and are not necessarily to be attributed to the Centre for Science Development. The financial assistance of the University of Cape Town's University Research Scholarships is also acknowledged and appreciated. Heartfelt thanks goes to my supervisor, Kelwyn Sole, for his patience, insights, suggestions and guidance. e Town This thesis is dedicated to the following people with love and appreciation: My father, Errol, for his quiet support and unwavering integrity My mother, Lorraine, for her generosity, humoury and of warmth Cap My beloved sister, Catherine, intellect, poet andit dark side of me and Danish Per who accepted no excuses ands bribed me until it was finished.