2021-8-19 Lynda Benglis CV
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RADICAL ARCHIVES Presented by the Asian/Pacific/American Institute at NYU Curated by Mariam Ghani and Chitra Ganesh
a/p/a RADICAL ARCHIVES presented by the Asian/Pacific/American Institute at NYU curated by Mariam Ghani and Chitra Ganesh Friday, April 11 – Saturday, April 12, 2014 radicalarchives.net Co-sponsored by Asia Art Archive, Hemispheric Institute, NYU History Department, NYU Moving Image Archive Program, and NYU Archives and Public History Program. Access the Internet with NYU WiFi SSID nyuguest login guest2 password erspasta RADICAL ARCHIVES is a two-day conference organized around the notion of archiving as a radical practice, including: archives of radical politics and practices; archives that are radical in form or function; moments or contexts in which archiving in itself becomes a radical act; and considerations of how archives can be active in the present, as well as documents of the past and scripts for the future. The conference is organized around four threads of radical archival practice: Archive and Affect, or the embodied archive; Archiving Around Absence, or reading for the shadows; Archives and Ethics, or stealing from and for archives; and Archive as Constellation, or archive as method, medium, and interface. Advisory Committee Diana Taylor John Kuo Wei Tchen Peter Wosh Performances curated Helaine Gawlica (Hemispheric Institute) with assistance from Marlène Ramírez-Cancio (Hemispheric Institute) RADICAL ARCHIVES SITE MAP Friday, April 11 – Saturday, April 12 KEY 1 NYU Cantor Film Center 36 E. 8th St Restaurants Coffee & Tea 2 Asian/Pacific/American Institute at NYU 8 Washington Mews Cafetasia Cafe Nadery Oren’s 3 NYU Bobst -
Best Practices and Guidelines Digitization at Franklin Furnace Archive, Inc
Best Practices and Guidelines Digitization at Franklin Furnace Archive, Inc. Contributors: Mary Haberle and Jenny Korns Project Editor: Michael Katchen Last Updated: July 2012 Contact Us: [email protected] Digitization Best Practices 2 Table of Contents About This Document____________________________________________ 3 About the Franklin Furnace Archives ________________________________ 3 About the Archival Holdings ___________________________________________ 3 A Brief History of Digitization at Franklin Furnace___________________________ 5 Digitization Workflow Overview ___________________________________ 6 Material Selection ______________________________________________ 7 Selection Policy _____________________________________________________ 7 Selection Criteria for Photographic Images ________________________________ 7 Selection Criteria for Textual and Printed Materials _________________________ 8 Determining Chronology for 35mm Slides_________________________________ 8 Preparation of Materials ________________________________________ 11 Preparing 35mm Slides ______________________________________________ 11 Preparing Oversized Material__________________________________________ 12 Scanning Procedures ___________________________________________ 13 35mm Slides (on the Nikon film scanner) ________________________________ 13 35mm Slides (on the Epson flatbed scanner) _____________________________ 13 35mm Slide Details _________________________________________________ 14 Offset Lithography Prints_____________________________________________ -
Joseph Stalin Revolutionary, Politician, Generalissimus and Dictator
Military Despatches Vol 34 April 2020 Flip-flop Generals that switch sides Surviving the Arctic convoys 93 year WWII veteran tells his story Joseph Stalin Revolutionary, politician, Generalissimus and dictator Aarthus Air Raid RAF Mosquitos destory Gestapo headquarters For the military enthusiast CONTENTS April 2020 Page 14 Click on any video below to view How much do you know about movie theme songs? Take our quiz and find out. Hipe’s Wouter de The old South African Goede interviews former Defence Force used 28’s gang boss David a mixture of English, Williams. Afrikaans, slang and techno-speak that few Russian Special Forces outside the military could hope to under- stand. Some of the terms Features 34 were humorous, some A matter of survival were clever, while others 6 This month we continue with were downright crude. Ten generals that switched sides our look at fish and fishing for Imagine you’re a soldier heading survival. into battle under the leadership of Part of Hipe’s “On the a general who, until very recently 30 couch” series, this is an been trying very hard to kill you. interview with one of How much faith and trust would Ranks you have in a leader like that? This month we look at the author Herman Charles Army of the Republic of Viet- Bosman’s most famous 20 nam (ARVN), the South Viet- characters, Oom Schalk Social media - Soldier’s menace namese army. A taxi driver was shot Lourens. Hipe spent time in These days nearly everyone has dead in an ongoing Hanover Park, an area a smart phone, laptop or PC plagued with gang with access to the Internet and Quiz war between rival taxi to social media. -
MFTA-Annual-Report-2
LETTER FROM THE COMMISSIONER MISSION Dear Friends, MFTA It is with great pleasure that I introduce Friends of Materials for the This type of action could not have been taken without the leadership Arts’ 2019 Annual Report. of Executive Director Harriet Taub and the dedicated and MFTA is a one of a kind program that is recognized the world over hardworking staff at MFTA. Over more than 20 years Harriet has Materials for the Arts as a pioneer in creative reuse. Every year, thousands of cultural built on the foundation of her predecessors to make MFTA into organizations, artists, educators, and other cultural workers come treasured resource and leader in creative reuse and sustainability (MFTA) provides New York for free materials and leave with creative energy for their next that is it is today. She leaves an extraordinary team and organization City arts nonprofits, public Friends of the Materials for the project. This is what gives MFTA such a unique place in the hearts that is poised to continue fueling the creative life of New York and schools and city agencies and minds of New York's creative community. It is a place where serving critical needs of residents across the city. We are inspired by Arts impossible becomes possible, where discovery flourishes, and where her commitment, skill, and dedication to the mission of MFTA, and with access to free items destined for the landfill find new life. wish her well as she moves on to the next chapter. materials. In 2019, MFTA collected 1,400,000 pounds of donations valued at Friends of Materials for the Arts is $7,900,000 dollars. -
OPT 2015 Catalogue
OKANAGAN PRINT TRIENNIAL international exhibition of printmaking VERNON PUBLIC ART GALLERY OKANAGAN PRINT TRIENNIAL 2015 Vernon Public Art Gallery March 19 - May 21, 2015 Vernon Public Art Gallery 3228 - 31st Avenue, Vernon BC, V1T 2H3, Canada www.vernonpublicartgallery.com 250.545.3173 executive dorector’s Foreword The Vernon Public Art Gallery is proud to host the first international Okanagan Print Triennial (OPT) exhibition. This ambitious project was launched in 2009 as a national open juried print exhibition and expanded in 2012 to include the Americas. Wanting to highlight the important role printmaking has both in contemporary work and through historical methodologies, OPT was created to bring together the very best in current printmaking practices. This successful partnership between VPAG, the Kelowna Art Gallery and UBC Okanagan has flourished since its inception and was recognized for its regional importance by the BC Arts Council through the award of an innovations grant. Interest in this exhibition continues to grow and applications were received from 179 artists from 35 countries around the world. I would like to thank our Jurors Liz Wylie, Curator, Kelowna Art Gallery; Briar Craig, Artist and Professor of Printmaking, UBC Okanagan; Lubos Culen, Artist and Curator, Vernon Public Art Gallery for the many hours they contributed to the selection of the final 23 artists from 12 countries whose art will be exhibited at the 2015 OPT and are included in this publication. In conjunction with the OPT, the Kelowna Art Gallery will be hosting a solo exhibition for the winner of the 2012 OPT, Mitch Mitchell: For Whom You Build. -
NEA-Annual-Report-1992.Pdf
N A N A L E ENT S NATIONAL ENDOWMENT FOR~THE ARTS 1992, ANNUAL REPORT NATIONAL ENDOWMENT FOR!y’THE ARTS The Federal agency that supports the Dear Mr. President: visual, literary and pe~orming arts to I have the honor to submit to you the Annual Report benefit all A mericans of the National Endowment for the Arts for the fiscal year ended September 30, 1992. Respectfully, Arts in Education Challenge &Advancement Dance Aria M. Steele Design Arts Acting Senior Deputy Chairman Expansion Arts Folk Arts International Literature The President Local Arts Agencies The White House Media Arts Washington, D.C. Museum Music April 1993 Opera-Musical Theater Presenting & Commissioning State & Regional Theater Visual Arts The Nancy Hanks Center 1100 Pennsylvania Ave. NW Washington. DC 20506 202/682-5400 6 The Arts Endowment in Brief The National Council on the Arts PROGRAMS 14 Dance 32 Design Arts 44 Expansion Arts 68 Folk Arts 82 Literature 96 Media Arts II2. Museum I46 Music I94 Opera-Musical Theater ZlO Presenting & Commissioning Theater zSZ Visual Arts ~en~ PUBLIC PARTNERSHIP z96 Arts in Education 308 Local Arts Agencies State & Regional 3z4 Underserved Communities Set-Aside POLICY, PLANNING, RESEARCH & BUDGET 338 International 346 Arts Administration Fallows 348 Research 35o Special Constituencies OVERVIEW PANELS AND FINANCIAL SUMMARIES 354 1992 Overview Panels 360 Financial Summary 36I Histos~f Authorizations and 366~redi~ At the "Parabolic Bench" outside a South Bronx school, a child discovers aspects of sound -- for instance, that it can be stopped with the wave of a hand. Sonic architects Bill & Mary Buchen designed this "Sound Playground" with help from the Design Arts Program in the form of one of the 4,141 grants that the Arts Endowment awarded in FY 1992. -
Joshua Brennan | 89 Highland Road | Brookline, MA 02445 | 303-579-5049 | Joshuabrennan.Com | [email protected] ______
Joshua Brennan | 89 Highland Road | Brookline, MA 02445 | 303-579-5049 | joshuabrennan.com | [email protected] _______________________________________________________________________________________________________ Education 2006 – 2009 MFA - Printmaking. Indiana University. Bloomington, IN 2000 – 2004 BA - Printmaking and Graphic Design. University of Wisconsin-Parkside. Kenosha, WI Teaching Experience 2013 – present Lecturer - Introduction to Printmaking. Boston University. Boston, MA 2012 – present Instructor - Printmaking Summer Studios Master’s Program. Boston University. Boston, MA 2020 Instructor - Printmaking: Layers in Conversation. Art New England/MassArt College. Boston, MA 2017 Lecturer - Screen Printing (co-taught with Lucy Kim). Boston University. Boston, MA 2014 Lecturer - Screen Printing. Boston University. Boston, MA 2008 – 2009 Instructor for Introduction to Printmaking. Indiana University. Bloomington, IN Academic + Professional Experience 2011 – present Technical Associate, Printmaking - Boston University. Boston, MA 2013 Cocurator - Digital Luminaries, Print:Mke. University of Wisconsin-Milwaukee. Milwaukee, WI 2012 Printer and Artist Assistant - Colbert Mashile. Boston University Print Project. Boston, MA 2011 + 2012 Artist Assistant - Enrique Chagoya, Boston University Print Project. Boston, MA 2007 Printer - Silkscreen Poster for Tobias Putrih/Slovenian Pavilion, Venice Biennale. Venice, Italy 2006 + 2007 Printmaking Studio Assistant - Indiana University. Bloomington, IN 2001 – 2005 Assistant Curator - Nat’l Small -
By Syaiful Garibaldi
By Syaiful Garibaldi Cover: #10 (detail) (2014), Acrylic and mushroom spore print, 132 x 226 cm (52 x 89 in.) This page: #4 (detail) (2014), Acrylic on paper, 105 x 150 cm (41 3/10 x 59 1/10 in.) By Syaiful Garibaldi Syaiful Aulia Garibaldi was born in 1985 in Jakarta, Indonesia. He obtained a Bachelor of Arts from Institut Teknologi Bandung (ITB) and currently works in Bandung, Indonesia. Syaiful, or fondly known as Tepu, started off as a student of agriculture in university before pursuing experimental fine arts where he applies his scientific background to create a conceptual foundation for his art. Tepu’s works show a remarkably strong vision of art that collides with science in a graceful manner. His creation of an immersive environment sparks from his interest in the networked and interconnected nature of ecologies, and the SYAIFUL GARIBALDI evocative power of microorganisms as symbols of death and decay, as well as life. An infusion of art and science transcends through Tepu’s work and gives way to a new gateway of knowledge, which is illuminated within his prints and installations. Tepu has participated in several exhibitions in Indonesia and abroad. His recent exhibitions include Regnum Fungi (2012), Padi Artground, Bandung, Indonesia; Pressing, Videoinsight® Center (2013), Turin, Italy; Trick or Truth (2012), Fang Gallery, Jakarta, Indonesia; Design Art: Renegotiating Boundaries (2012), Lawangwangi, Bandung, Indonesia; and Hybrid Project: The Butterfly Effect (2011), Barli Museum, Bandung, Indonesia. In 2013, he was awarded Best Artworks at Bandung Contemporary Art Awards #3. Syaiful Aulia Garibaldi is a Bandung-based artist who is best known patterns traced by the movement of bacteria in the Petri dish formed the for his unique practice of using fungi in his artworks. -
Professor Anthony Ortega Education: University of Colorado, Boulder, Colorado, Master of Fine Arts, May, 1995 Rocky Mountain
Professor Anthony Ortega Education: University of Colorado, Boulder, Colorado, Master of Fine Arts, May, 1995 Rocky Mountain School of Art, Denver, Colorado Associate of Arts, Fine Art, August, 1982 University of Colorado, Boulder, Colorado, Bachelor of Arts Commercial Spanish, Certificate in Latin American Studies, August, 1980 Employment: Professor, Department of Fine and Performing Arts, Regis University, Denver, CO August 2018, to present Associate Professor, Department of Fine and Performing Arts, Regis University, Denver, CO, August 2010, to July 2018 Assistant Professor, Department of Fine and Performing Arts, Regis University, Denver, CO, August 2004, to July 2010 Selected Exhibitions: 2020 "528.0 Regional Juried Printmaking Exhibition" Arvada Center for the Arts and Humanities, Arvada, CO January 16 – March 29, "Imprint: Print Educators of Colorado", Arvada Center for the Arts and Humanities, Arvada, CO January 16 – March 29, 2019 "Pertenecer: Chicanx Artists on Belonging" at the Colorado Springs Fine Art Center Museum, Colorado Springs, CO, November 23, 2019 -June 28, 2020. “Para Mi Pueblo: Chicana/o Murals of Colorado”, McNichols Events Center, Denver, CO, September 21- December 22, invitational exhibition “Cuba”, Robert Anderson Gallery, Denver, CO, September 4 –November 2, group exhibition “Subversive”, Studio 107-B, Taos, NM, August 31 – September, invitational exhibition “Lowbrow Lexicon”, 7th Annual Lowbrow & Pop-Surrealism exhibit, Greg Moon Art, Taos, NM, August 15, - September 7, invitational exhibition “Lights Out/On”, -
Franklin Furnace Fund Application Guidelines 2020-2021
Franklin Furnace Fund Application Guidelines 2020-2021 Application Deadline Extended: FRIDAY, MAY 1, 2020 11:59 PM FRANKLIN FURNACE FUND APPLICATION GUIDELINES, 2020-2021 " Table of Contents Program Description .....................................................................................................................3 Award Terms .................................................................................................................................3 How to Prepare Your Application...................................................................................................4 Applicant Eligibility ........................................................................................................................5 Application Components ...............................................................................................................6 Project Title ...................................................................................................................................6 Contact Information ...............................................................................................................6 Proposal Information..............................................................................................................6 Video Samples.......................................................................................................................7 Images ...................................................................................................................................8 -
University of Copenhagen
Hvorfor gik Danmark i krig? Kosovo og Afghanistan Mariager, Rasmus Mølgaard; Wivel, Anders Publication date: 2019 Document version Også kaldet Forlagets PDF Citation for published version (APA): Mariager, R. M., & Wivel, A. (red.) (2019). Hvorfor gik Danmark i krig? Kosovo og Afghanistan. Download date: 09. apr.. 2020 HVORFOR GIK DANMARK I KRIG? Kosovo og Afghanistan Kosovo og Afghanistan 2 Redigeret af Rasmus Mariager og Anders Wivel Hvorfor gik Danmark i krig? Kosovo og Afghanistan Bind 2 Rasmus Mariager og Anders Wivel (red.) Forord Dette bind er skrevet af Mikkel Runge Olesen samt Sanne Aagaard Jensen og Jakob Linnet Schmidt. Olesen har skrevet fremstillingen ”Pest eller kolera. En analyse af beslutningsprocessen bag det danske militære engagement i Koso- vo 1998-1999”. Jensen og Schmidt har skrevet ”Med hele vejen. En analyse af beslutningsprocessen bag det danske militære engage- ment i Afghanistan i 2001”. Forskerne har haft uhindret adgang til relevant kildemateriale beroende i blandt andet Udenrigsministeriets, Statsministeriets, Forsvarsministeriets og Værnsfælles Forsvarskommandos arkiver. Desuden har forskerne indsamlet og anvendt et omfattende kil- demateriale af ikke-statslig proveniens, herunder har forskerne anvendt materiale fra privatarkiver og foretaget interviews med politikere og embedsmænd. For en oversigt over fremstillingernes materialegrundlag henvises til de enkelte analyser. Undersøgelserne udgør en del af grundlaget for udredningen Hvor- for gik Danmark i krig? Rasmus Mariager Anders Wivel Forskningsleder -
LYNDA BENGLIS Curriculum Vitae
THOMAS BRAMBILLA LYNDA BENGLIS Curriculum Vitae Thomas Brambilla S.r.l. | Via Casalino 25, 24121, Bergamo, Italy Capitale Sociale Euro 10.000,00 I.V. | C.F. 04333390161 | VAT. IT04333390161 Ph (+39) 035 24 74 18 | e-mail: [email protected] | www.thomasbrambilla.com THOMAS BRAMBILLA Lynda Benglis (1941), lives and works in New York, Santa Fe and Ahmedabad, India. Selected solo exhibitions 2021 Lynda Benglis, Nasher Sculpture Center, Dallas, USA. Lynda Benglis, National Gallery of Art, Washington, D.C., USA. 2020 Lynda Benglis: Early Works 1967-1979, Cheim & Read, New York, USA. Lynda Benglis: Early Works 1967-1979, Ortuzar Projects, New York, USA. Lynda Benglis: Ceramics & Sparkle Sculptures, Xavier Hufkens, Brussels, Belgium. Lynda Benglis, National Gallery of Art, Washington, D.C., USA. Lynda Benglis: Hills and Clouds, Pace Gallery, New York, USA. 2019 Lynda Benglis: Spettri, Thomas Dane Gallery, Naples, Italy. Lynda Benglis: In the Realm of the Senses, Museum of Cycladic Art, Athens, Greece. Lynda Benglis: Elephant Necklace, Ogden Museum of Southern Art, Louisiana, New Orleans, USA. Lynda Benglis, Pace Gallery, Palo Alto, California, USA. Lynda Benglis: Over Air, Locks Gallery, Philadelphia, USA. Lynda Benglis: Bird’s Nest, The Harwood Museum of Art, University of New Mexico, Taos, USA. 2018 Lynda Benglis, Paula Cooper Gallery, New York. Lynda Benglis: Sparkle Plenty, ADAA: The Art Show, Park Avenue Armory, New York. Lynda Benglis, Locks Gallery, Philadelphia, Pennsylvania. 2017 Lynda Benglis, Blum & Poe, Los Angeles, California. 2016 Benglis and the Baroque, Thomas Brambilla gallery, Bergamo, Italy. Lynda Benglis: Secrets, Bergen Assembly, KODE Art Museums of Bergen, Bergen, Norway. Lynda Benglis, Cheim & Read, New York.