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Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak
Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak. by Rose Ann Ko2inski Thesis presented as a partial requirement in the Master of Arts (M.A.) in Human Development School of Graduate Studies Laurentian University Sudbury, Ontario © Rose Ann Kozinski, 2009 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 OttawaONK1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-57666-3 Our file Notre reference ISBN: 978-0-494-57666-3 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
Die Flexible Welt Der Simpsons
BACHELORARBEIT Herr Benjamin Lehmann Die flexible Welt der Simpsons 2012 Fakultät: Medien BACHELORARBEIT Die flexible Welt der Simpsons Autor: Herr Benjamin Lehmann Studiengang: Film und Fernsehen Seminargruppe: FF08w2-B Erstprüfer: Professor Peter Gottschalk Zweitprüfer: Christian Maintz (M.A.) Einreichung: Mittweida, 06.01.2012 Faculty of Media BACHELOR THESIS The flexible world of the Simpsons author: Mr. Benjamin Lehmann course of studies: Film und Fernsehen seminar group: FF08w2-B first examiner: Professor Peter Gottschalk second examiner: Christian Maintz (M.A.) submission: Mittweida, 6th January 2012 Bibliografische Angaben Lehmann, Benjamin: Die flexible Welt der Simpsons The flexible world of the Simpsons 103 Seiten, Hochschule Mittweida, University of Applied Sciences, Fakultät Medien, Bachelorarbeit, 2012 Abstract Die Simpsons sorgen seit mehr als 20 Jahren für subversive Unterhaltung im Zeichentrickformat. Die Serie verbindet realistische Themen mit dem abnormen Witz von Cartoons. Diese Flexibilität ist ein bestimmendes Element in Springfield und erstreckt sich über verschiedene Bereiche der Serie. Die flexible Welt der Simpsons wird in dieser Arbeit unter Berücksichtigung der Auswirkungen auf den Wiedersehenswert der Serie untersucht. 5 Inhaltsverzeichnis Inhaltsverzeichnis ............................................................................................. 5 Abkürzungsverzeichnis .................................................................................... 7 1 Einleitung ................................................................................................... -
The Adjective Usage and Its Relation with Gender
ADLN - PERPUSTAKAAN UNIVERSITAS AIRLANGGA CHAPTER III METHOD OF THE STUDY The third chapter explains about the method of the study. This chapter divided into four sub-chapters: research approach, population and sample, technique of data collection, technique of data analysis. 3.1. Research Approach The approach used in this research is the qualitative approach. This method of research is suitable with the purpose of study, since the writer is trying to get the data of the adjective occurrences and its relation with the gender feature. According to according to Dornyei (2007), qualitative research has the emergent research design and interpretative analysis. What is meant by emergent research design here is that qualitative research has no strict foreshadow, and the research is flexible, which means that the research may develop, advance, or processed more in the process of the research. While interpretative analysis means that the research is the result of the researcher‟s subjective point of interpretation towards the data. In this research, the characteristics of the qualitative approach stated by Dornyei (2007) are considered suitable to be used, since this research has no idea of how the characterization of each character in “The Simpsons” and the pattern of adjectives used in it, and also this research is the researcher‟s interpretation of the adjective usage in “The Simpsons” and its relation with the gender feature that may be found in it. This research tries to show the patterns and generalization of gender by using the 22 SKRIPSI THE ADJECTIVE USAGE AND ... NATHAN SETYOBAGAS A. ADLN - PERPUSTAKAAN UNIVERSITAS AIRLANGGA 23 qualitative approach on lexical items, especially the adjective used in each gender role in The Simpsons. -
The Evolution of Ornette Coleman's Music And
DANCING IN HIS HEAD: THE EVOLUTION OF ORNETTE COLEMAN’S MUSIC AND COMPOSITIONAL PHILOSOPHY by Nathan A. Frink B.A. Nazareth College of Rochester, 2009 M.A. University of Pittsburgh, 2012 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2016 UNIVERSITY OF PITTSBURGH THE KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Nathan A. Frink It was defended on November 16, 2015 and approved by Lawrence Glasco, PhD, Professor, History Adriana Helbig, PhD, Associate Professor, Music Matthew Rosenblum, PhD, Professor, Music Dissertation Advisor: Eric Moe, PhD, Professor, Music ii DANCING IN HIS HEAD: THE EVOLUTION OF ORNETTE COLEMAN’S MUSIC AND COMPOSITIONAL PHILOSOPHY Nathan A. Frink, PhD University of Pittsburgh, 2016 Copyright © by Nathan A. Frink 2016 iii DANCING IN HIS HEAD: THE EVOLUTION OF ORNETTE COLEMAN’S MUSIC AND COMPOSITIONAL PHILOSOPHY Nathan A. Frink, PhD University of Pittsburgh, 2016 Ornette Coleman (1930-2015) is frequently referred to as not only a great visionary in jazz music but as also the father of the jazz avant-garde movement. As such, his work has been a topic of discussion for nearly five decades among jazz theorists, musicians, scholars and aficionados. While this music was once controversial and divisive, it eventually found a wealth of supporters within the artistic community and has been incorporated into the jazz narrative and canon. Coleman’s musical practices found their greatest acceptance among the following generations of improvisers who embraced the message of “free jazz” as a natural evolution in style. -
Atlantic News Courtesy Photo — 44 in CONCERT O Milk Money (1994) Melanie Griffith
This Page © 2004 Connelly Communications, LLC, PO Box 592 Hampton, NH 03843- Contributed items and logos are © and ™ their respective owners Unauthorized reproduction 26 of this page or its contents for republication in whole or in part is strictly prohibited • For permission, call (603) 926-4557 • AN-Mark 9A-EVEN- Rev 12-16-2004 PAGE 26A | ATLANTIC NEWS | NOVEMBER 4, 2005 | VOL 31, NO 44 SEACOAST ENTERTAINMENT &ARTS | ATLANTICNEWS.COM . NOTES ANNUAL CRAFT, 11/9/05 5 PM 5:30 6 PM 6:30 7 PM 7:30 8 PM 8:30 9 PM 9:30 10 PM 10:30 11 PM 11:30 12 AM 12:30 FOOD FAIR AMONG THE BEST WBZ-4 Dr. Phil (N) News CBS The Insid- Ent. Still Yes, Dear Criminal Minds “The CSI: NY “Manhattan News Late Show With Late Late SALEM | The 10th annual New (CBS) (CC) News er (N) Tonight Standing (N) Fox” (N) (CC) Manhunt” (N) (CC) (CC) David Letterman (N) Show England Craft and Specialty Food WCVB-5 News News News ABC Wld Inside Chronicle George Freddie Lost “Abandoned” Invasion “Fish Sto- News (:35) (12:06) Jimmy Kim- (ABC) (CC) (CC) (CC) News Edition (CC) Lopez (N) (N) (CC) (N) ’ (HD) (CC) ry” (N) (CC) (CC) Nightline mel Live (N) ’ Fair will be held indoors at the Rock- WCSH-6 News ’ News ’ News ’ NBC 207 Maga- Seinfeld E-Ring “Cemetery The Apprentice: Law & Order “House News ’ The Tonight Show Late Night ingham Park Racetrack in Salem on (CBS) (CC) (CC) (CC) News zine ’ (CC) Wind” (N) (CC) Martha Stewart (N) of Cards” (CC) With Jay Leno (N) Friday through Sunday, November WHDH-7 News ’ News ’ News ’ NBC Access Extra (N) E-Ring “Cemetery The Apprentice: Law & Order “House News ’ The Tonight Show Late Night 11-13, from 10 a.m. -
06 11:22 (TV Guide).Pdf
Page 6 THE NORTON TELEGRAM Tuesday, November 22, 2005 Monday Evening November 28, 2005 7:00 7:30 8:00 8:30 9:00 9:30 10:00 10:30 11:00 11:30 KHGI/ABC Wife Swap Monday Night Football Jimmy K KBSH/CBS King/Que How I Met 2 1/2 Men Out of Pra CSI Miami Local Late Show Late Late KSNK/NBC Surface Las Vegas Medium Local Tonight Show Conan FOX Prison Break Prison Break Local Local Local Local Local Local Cable Channels A&E The Child Sex Trade Growing Up Gotti Airline Airline Crossing Jordan The Child Sex Trade AMC The Ref Tommy Boy The Ref ANIM Miami Animal Police Animal Precinct Miami Animal Police Miami Animal Police Animal Precinct CNN Paula Zahn Now Larry King Live Anderson Cooper Larry King Norton TV DISC Roush Racing Monster Garage American Chopper American Chopper Roush Racing DISN Disney Movie Raven Sis Bug Juice Lizzie Boy Meets Even E! THS Dr. 90210 E!ES Palms Soup ESPN Monday Night Countdown Figure Skating Sportscenter ESPN2 Big Ten Challenge Chopper Town Trucker St Hollywood Frankly FAM Blizzard Whose Lin Whose Lin 700 Club Funniest Home Video FX High Crimes Nip/Tuck That 70's That 70's HGTV Cash/Attic Dream Ho I Did! Designed Buy Me Rezoned Dime DoubleTa Cash/Attic Dream Ho HIST UFO Files Decoding The Past Battlefield Detectives Digging for the Truth UFO Files LIFE Christmas in My Hometown Crazy For Christmas Will/Grace Will/Grace Golden Girls MTV Real World Punk'd Miss Seve Room Raiders Wanted Room Rai Listings: NICK SpongeBo Drake Full Hous Full Hous Threes Threes Threes Threes Threes Threes SCI Stargate SG-1 Stargate SG-1 Stargate -
Orienting Fandom: the Discursive Production of Sports and Speculative Media Fandom in the Internet Era
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Illinois Digital Environment for Access to Learning and Scholarship Repository ORIENTING FANDOM: THE DISCURSIVE PRODUCTION OF SPORTS AND SPECULATIVE MEDIA FANDOM IN THE INTERNET ERA BY MEL STANFILL DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Communications with minors in Gender and Women’s Studies and Queer Studies in the Graduate College of the University of Illinois at Urbana-Champaign, 2015 Urbana, Illinois Doctoral Committee: Professor CL Cole, Co-Chair Associate Professor Siobhan Somerville, Co-Chair Professor Cameron McCarthy Assistant Professor Anita Chan ABSTRACT This project inquires into the constitution and consequences of the changing relationship between media industry and audiences after the Internet. Because fans have traditionally been associated with an especially participatory relationship to the object of fandom, the shift to a norm of media interactivity would seem to position the fan as the new ideal consumer; thus, I examine the extent to which fans are actually rendered ideal and in what ways in order to assess emerging norms of media reception in the Internet era. Drawing on a large archive consisting of websites for sports and speculative media companies; interviews with industry workers who produce content for fans; and film, television, web series, and news representations from 1994-2009 in a form of qualitative big data research—drawing broadly on large bodies of data but with attention to depth and texture—I look critically at how two media industries, speculative media and sports, have understood and constructed a normative idea of audiencing. -
Simpsonlar a Content Analysis of a Postmodern Animated Sitcom: the Simpsons
POSTMODERN B İR DURUM KOMED İSİ ÜZER İNE İÇER İK ANAL İZİ: SIMPSONLAR A CONTENT ANALYSIS OF A POSTMODERN ANIMATED SITCOM: THE SIMPSONS Emet GÜREL * Jale ALEM ** Özet Bu çalı şma kapsamında, animasyon durum komedisi ‘Simpsonlar’, postmodernizm olgusuyla ba ğlantılı olarak ve içerik analizi yöntemiyle ele alınmaktadır. Bu ba ğlamda öncelikle, ironi yo ğun bir komedi olan ve televizyon tarihinin önemli ba şarı öykülerinden biri olarak nitelenebilen Simpsonlar’ı di ğer çizgi filmlerden farklıla ştıran ve ayıran temel özellikler mercek altına alınmaktadır. Ardından bir ileti şim ve etkile şim ortamı olarak Simpsonlar’ın etkinli ği incelenmekte ve örnekler dahilinde ayrıntılandırılmaktadır. Anahtar Kelimeler: Postmodernizm, animasyon, çizgi film, Simpsonlar. Abstract Throughout this study, the animated sitcom, ‘The Simpsons’ is analyzed from the postmodernism perspective and content analysis research method. Within this context, an emphasis is given to the characteristics of The Simpsons, a hip-comedy and one of the important success stories in the TV history, which distinguishes it from the other animated cartoons. Later, The Simpsons’ role as a communication and an interaction medium is taken into consideration and its details are shown by giving examples. Keywords: Postmodernism, animation, animated cartoon, the Simpsons. 1. Giri ş Her alanda köklü de ğişimlerin ya şandı ğı günümüz dünyasında, masalların tahtını çizgi filmlere bıraktı ğı ve çizgi filmlerin hedef kitlesinin her geçen gün daha da geni şledi ği görülebilmektedir. Tür bazında ele alındı ğında çocuklarla özde şle ştirilen çizgi filmler, ya şanan de ğişim ve dönü şüm sürecine ko şut olarak, çocukları yalnızca bir araç olarak kabul etmekte ve yeti şkinleri hedeflemektedir. Bilgisayar teknolojisinin geli şmesi, anlatım ile olay örgüsünün geçmi şe kıyasla daha karma şık bir niteli ğe bürünmesi ve iletilerin yeti şkin anlam düzeyine daha uygun olması, çizgi filmlerin çocuk dünyasına özgü bir ürün olmaktan çıkması ve yeti şkin dünyası ile ili şkilendirilmesi sonucunu do ğurmaktadır. -
Day Day One August 21
Thursday Day One August 21 2p 8:30p 9:9:9: "Life on the Fast Lane" :2222: :22"Itchy and Scratchy and Marge" 2:30p 9p :0110: :01"Homer's Night Out" :3223: :32"Bart Gets Hit by a Car" 3p 9:30p :1111: :11"The Crêpes of Wrath" :4224: :42"One Fish, Two Fish, Blowfish, Blue Fish" 3:30p :2112: :21"Krusty Gets Busted" 10p :5225: :52"The Way We Was" 4p :3113: :31"Some Enchanted Evening" 10:30p :6226: :62"Homer vs. Lisa and the 8th Commandment" Season 2: 1990 -1991 Season 1: 1989 -1990 11p 4:30p 10a :4114: :41"Bart Gets an 'F'" :7227: :72"Principal Charming" 1:1:1: "Simpsons Roasting on an Open Fire" 11:30p 5p 10:30a :5115: :51"Simpson and Delilah" :8228: :82"Oh Brother, Where Art Thou?" 2:2:2: "Bart the Genius" 5:30p 11a :6116: :61"Treehouse of Horror" 3:3:3: "Homer's Odyssey" 6p 11:30a :7117: :71"Two Cars in Every Garage and Three Eyes on Every Fish" 4:4:4: "There's No Disgrace Like Home" 12p 6:30p 5:5:5: "Bart the General" :8118: :81"Dancin' Homer" 12:30p 7p 6:6:6: "Moaning Lisa" :9119: :91"Dead Putting Society" 1p 7:30p 7:7:7: "The Call of the Simpsons" :0220: :02"Bart vs. Thanksgiving" 1:30p 8p 8:8:8: "The Telltale Head" :1221: :12"Bart the Daredevil" Friday Day Two August 22 6a 1p 5p Season 2: 1990 -1991 (cont'd) 414141:41 ::: "Like Father, Like Clown" 555555:55 ::: "Colonel Homer" 636363:63 ::: "Lisa the Beauty Queen" 12a 292929:29 ::: "Bart's Dog Gets an "F"" 6:30a 1:30p 5:30p 424242:42 ::: "Treehouse of Horror II" 565656:56 ::: "Black Widower" 646464:64 ::: "Treehouse of Horror III" 12:30a 303030:30 ::: "Old Money" 7a 2p 6p 434343:43 ::: -
EVERYDAY! All Sp@Eiato Subject to Availability
Inside today! Breeze Newspapers is proud to be a part of our region's , Read : our new p^int facility and how your commu- nity newspaper is set to grow. \ I IV •. I" \ I1 I W /OLUME 44, NUMBER-35 / : WEEK OF OCTOBER 21 - 27, 2OO5 Up close and ehum i6s '"«-'.'-- * . - ' - -.-•'• (jsp TKJr^uu>j«flkMr i" IMEJ£*»JS*>I^S*> Jllil> IvU ViiW 6MI ClflsH I "Ml M ^IS-HUJMfetlME!! '- ' ^^^^^^^ZS^ 1 1/4 Pound Maine Lobster served with Served with baked Idaho potato ©pen Man - Sat @11 am Sunday IsSOam corn on the cob, French Fries, & Coleslaw'?-Vgg|. & corn on the cob 2330 Palm Rldg© Rd. Sanibel Island (whil^wKiiosnnnhfie suppliess lastlasr)t - -^ 37 Items-©B the "Considter the KicnV menu, \.< ;•;, ; t-. >.._./•'.•-%.;' EVERYDAY! All sp@eiato subject to availability. :--'-->.• ,. •- -;. -'». •-. Master Card, Visa, Discover Credit Cards Accepted Su nday 9:00 -12:00 noon , Served with French Fries & corn on the cob ^—UK. .- ' , 2 • Week of October 21 - 27, 2005 • Islander ,i-'-f ***; -*,*« Due to Hurricane Wilma SAVE ON LEADING PF>-.-" / — "'• • BaileyFest Introducing the Demi Dose™ Pill Splitter has been postponed. A new dale will be announced. TM PILL SPL TTER > SAFE > ".: ; DemiDose™ half-splits many high-priced brand name prescription medications, and does so with to accuracy. DemiDose™ features different pill beds for different pill sizes within particular families of medication. It is more accurate for more medications than any other splitter on the market today. The Doctor who designed DemiDose™ made it safe and easy to use even for individuals with tremor disorders or visual impairments. -
DECLARATION of Jane Sunderland in Support of Request For
Columbia Pictures Industries Inc v. Bunnell Doc. 373 Att. 1 Exhibit 1 Twentieth Century Fox Film Corporation Motion Pictures 28 DAYS LATER 28 WEEKS LATER ALIEN 3 Alien vs. Predator ANASTASIA Anna And The King (1999) AQUAMARINE Banger Sisters, The Battle For The Planet Of The Apes Beach, The Beauty and the Geek BECAUSE OF WINN-DIXIE BEDAZZLED BEE SEASON BEHIND ENEMY LINES Bend It Like Beckham Beneath The Planet Of The Apes BIG MOMMA'S HOUSE BIG MOMMA'S HOUSE 2 BLACK KNIGHT Black Knight, The Brokedown Palace BROKEN ARROW Broken Arrow (1996) BROKEN LIZARD'S CLUB DREAD BROWN SUGAR BULWORTH CAST AWAY CATCH THAT KID CHAIN REACTION CHASING PAPI CHEAPER BY THE DOZEN CHEAPER BY THE DOZEN 2 Clearing, The CLEOPATRA COMEBACKS, THE Commando Conquest Of The Planet Of The Apes COURAGE UNDER FIRE DAREDEVIL DATE MOVIE 4 Dockets.Justia.com DAY AFTER TOMORROW, THE DECK THE HALLS Deep End, The DEVIL WEARS PRADA, THE DIE HARD DIE HARD 2 DIE HARD WITH A VENGEANCE DODGEBALL: A TRUE UNDERDOG STORY DOWN PERISCOPE DOWN WITH LOVE DRIVE ME CRAZY DRUMLINE DUDE, WHERE'S MY CAR? Edge, The EDWARD SCISSORHANDS ELEKTRA Entrapment EPIC MOVIE ERAGON Escape From The Planet Of The Apes Everyone's Hero Family Stone, The FANTASTIC FOUR FAST FOOD NATION FAT ALBERT FEVER PITCH Fight Club, The FIREHOUSE DOG First $20 Million, The FIRST DAUGHTER FLICKA Flight 93 Flight of the Phoenix, The Fly, The FROM HELL Full Monty, The Garage Days GARDEN STATE GARFIELD GARFIELD A TAIL OF TWO KITTIES GRANDMA'S BOY Great Expectations (1998) HERE ON EARTH HIDE AND SEEK HIGH CRIMES 5 HILLS HAVE -
City Demonstrates Hurricane Readiness
-PL* OK WEEK OF JUI_Y 14 -:20, 2005 SANIBEL & CAPTIVA, FLORIDA VOLUME:32 NUMBER 29 20 PAGES 75 CENTS City demonstrates hurricane readiness By GARY PHILLIPS updated weather forecast, reporting that [email protected] the category 4 hurricane at that time was 350 miles south of Sanibel. He said the Hurricane Dennis thankfully passed us storm was projected to pass in the gulf by, leaving us with nothing more than a approximately 150 miles west of Sanibel, weekend which was more rainy than a prediction that later proved to be true. usual. But the City of Sanibel leaders and Tomlinson advised that although a direct staff were ready if Dennis had followed hit was not predicted here, the passing the path of last August's Hurricane storm system would still bring unusually Charley. heavy rains. With Dennis still south of Cuba on "Based on that projection, we have not Friday, July 8, the Sanibel City Council recommended any mandatory evacuations held a special meeting to inform the pub- and we will continue to monitor the lic of what to expect during the following storm's progress," he said. hours. City Manager Judie Zimomra Zimomra said all city vehicles had spoke to the council. been fully fueled, utility and emergency "We're going to advise you of the cur- workers had been put on alert, heavy rent weather conditions to the best that equipment and lighter tools such as chain- we're aware of them. We're going to bring saws had been prepared for debris clear- council up to speed on the precautions the ing.