Nikolay Bakharev CV

Total Page:16

File Type:pdf, Size:1020Kb

Nikolay Bakharev CV NIKOLAY BAKHAREV Born in Mikhailovka village, Siberia (Russia), 1946 SOLO EXHIBITIONS 2015 The People of Town N, Julie Saul Gallery, New York, NY 2013 Amateurs and Lovers, Julie Saul Gallery, New York, NY 2010 Public and Private, Gallery 'FotoDepartament' along with Gallery 'Photographer.ru,' Moscow, Russia 2008-2009 Public and Private, Gallery 'Photographer.ru,' Moscow, Russia 2003 Bakharevland, REGINA Gallery, Moscow, Russia Bakharev Files, Manege, Moscow, Russia 2001 Russians: Love, Desire & Obsession, 'James' Boutique, Moscow, Russia 1999 Nikolay Bakharev, Humanitarian and Political Science Centre Strategy, Moscow, Russia 1998 Nikolay Bakharev, International Photo Festival, Plovdiv, Bulgaria 1996 25 years of Soviet Landscape, Art Museum, Novokuzbetsk, Russia 1991 SovDep, Photocentre, Kemerovo, Russia Nikolay Bakharev, Canon Gallery, Amsterdam, Netherlands 1990 SovDep, Exhibition Hall Flora, Omsk, Russia GROUP EXHIBITIONS 2015 Museum Für Moderne Kunst Frankfurt Am Main, Deutsche Börse Photography Prize, Frankfurt, Germany The Photographers’ Gallery, Deutsche Börse Photography Prize, London, UK AIPAD Photography Fair, Julie Saul Gallery booth, New York, NY 2013 55th Venice Biennale, The Encyclopedic Palace, Venice, Italy The Rencontres d’Arles, Arles, France AIPAD Photography Fair, Julie Saul Gallery, New York, NY Art Paris Fair, Grinberg Gallery booth 2012 Paris Photo, Julie Saul Gallery booth Contemporary Russian Photography, FotoFest Biennial, Houston, TX Three Post-War European Photographers, Julie Saul Gallery, New York, NY Perestroika, Liberalization, and Experiementation – The Mid/Late 1980s-2010s, Winter Street Studios, Houston, TX 2011 Ostalgia, New Museum, New York, NY Paris Photo, Michael Hoppen, New York, NY 2010 Object of [Passion and] Desire, RTR (Russian Tearoom) Gallery, Paris, France Russian Photography: Historical, Modern, and Contemporary 1850-2010, Gallery Beckel-Odille-Boïcos, Paris, France Russians! Photographic Portrait 1970-2010, La Gallerie Orel Art, Paris, France 2007 Russia Miami 2007, Art Basel Miami Beach, Miami, FL 2006 Beach Photography, White Space Gallery, London, UK 2005 Universal Experience: Art, Life and the Tourist Eye, Museum of Contemporary Art, Chicago, IL 2004 Fight of Fools: Contemporary Russian Photography, Contemporary Russian Photography, White Space Gallery, London, UK Beach photography, White Space Gallery, London, UK 2002 Photoplyazh (Russian Championship of Beach Photography), Central Exhibition Hall Manezh, Moscow, Russia 2000 Siberia 2000, International Photoshowroom, Novosibirsk, Russia 1996-1997 Russia: Chronicles of Change, Southeast Museum of Photography, Daytona Beach, FL 1996 Emerging Images: contemporary Photography in Russia and Eurasia, Humanities Research Center, University of Texas, Austin, TX 1995 New Photo Art from Russia, Karlsruhe, Frankfurt, Hannover, Dusseldorf, Erten, Germany 1994 The Art of Contemporary Photography from Russia, Ukraine, Belorus, CHA (The Central House of Artist), Moscow, Russia 1993 2nd Exhibition of Russian Photographers Union, Moscow, Russia Russian Art Photography Today, International Russian-American project involving five artists, Rutgers University, New Brunswick, NJ 1991 1st Exhibition of Russian Photographers Union, Smolensk, Russia Retort, Shkola Gallery, Moscow, Russia 1989 150 Years of Photography, Central Exhibition Hall Manezh, Moscow, Russia Analytical Photography, IV Bienal, Yoshkar-Ola, Russia 1987 All-Union Photo Exhibition (dedicated to the 70 anniversary of the Great October Socialist Revolution), Moscow, Russia 1972 Svema-72, All-Union Photo Exhibition, Shostka, Ukraine COLLECTIONS Moscow House of Photography, Moscow, Russia Harry Ransom Humanities Research Center, University of Texas at Austin, Texas, TX Southeast Museum of Photography, Daytona Beach, FL Art Institute of Chicago, Chicago, IL Museum of Fine Arts Houston, Houston, TX The University of Chicago Booth School of Business, Chicago, IL 2 PUBLICATIONS AND REVIEWS 2015 Meyers, William, “On Photography: Nikolay Bakharev The People of Town N.” The Wall Street Journal, June 2015 Jovanovich, Alex, “Critics’ Picks, Nikolay Bakharev.” Artforum, June 2015 Forrest, Nicholas, “2015 Deutsche Börse Photography Prize Finalists in London,” Blouin ArtInfo, April 21, 2015 2013 Lincoln Center Theater Review, Issue No. 6, “Nikolay Bakharev, Fall 2013 Harper’s Magazine, September 2013 Rosenberg, Karen, “Art in Review: Nikolay Bakharev,” The New York Times, August 8, 2013 Aletti, Vince, Amateurs and Lovers: “Looking for style in some very unexpected places.” W Magazine, August 7, 2013 Woodward B., Richard, “The Revelations of Domestic Lives,” The Wall Street Journal, July 12, 2013 Discovery Award from LUMA Foundations, The Rencontres d’Arles, France 2012 Dudchenko, Vladimir, “Introduction” for Nikolay Bakharev, Gerard Fieret, and Miroslav Tichý: Three Postwar European Photographers, February 2012 “Three Postwar European Photographers,” New Yorker Magazine, March 1, 2012 Therond, Eve, “En Direct de New York,” PHOTO Magazine, February 14, 2012 2011 Cotter, Holland, “When Repression Was a Muse,” The New York Times, July 21, 2011 Asfour, Nana, “Review: ‘Ostalgia,” TimeOut New York, September 21, 2011 2009 Degot, Ekaterina, “Amateurs and Lovers: Nikolay Bakharev’s Gaze,” ARTMargins, January 22, 2009 2006 Ippolitova, Olga, “INTERVIEW: ‘Nikolay Bakharev in Conversation with Lucca Desienna,” Gomma Magazine, March 30, 2006 2001 Tchmyreva, Irina, “Nikolay Bakharev: A Portraitist of His Generation,” PHOTOGRAPHER.RU, September, 15, 2001 3 Updated 10/31/15 .
Recommended publications
  • German Documentaries 2007” Is Information for the Respective Production Companies Or Designed As a Tool and Guide for Everyone Professionally Sales Agents
    PRINT_GD07#.qxd 26.01.2007 11:14 Uhr Seite 1 Dearest readers and users of this catalogue, if we address you today not only as "readers,” but as you with the wide range of our country’s production land- "users,” this is quite intentional. As over the past ten years, scape. For this reason, each title also includes the contact the annual catalogue "german documentaries 2007” is information for the respective production companies or designed as a tool and guide for everyone professionally sales agents. In this way, we would like to not only assist involved with German documentary films. There’s plenty to you in obtaining viewing copies, but also recommend part- offer to television commissioning editors, film buyers, ners for future international co-productions. festival organizers, cultural managers, and journalists who Nearly all of the companies listed are members of the are interested in the thematic and formal variety of German "German Documentary Association” / AG DOK – the largest documentary filmmaking. professional association of independent film and television Of course, such a tool needs to be functional and easy to producers in Germany. With its initiative "german films,” use. That’s why we have tried to simplify your search for the AG DOK launched the independently produced docu- the films best suited to your needs. Our list of topics is divi- mentary in the international marketplace ten years ago. ded into fourteen catagories from "A” for "Arts” to "Y” for Today, the label is an integral part of the "german films” "Youth,” offering a wealth of topics extending far beyond sales platform, which is present not only at trade shows what is typically found at most international film markets.
    [Show full text]
  • Miroslav Tichý Kyjov, Moravia, Czech Republic
    MIROSLAV TICHÝ Kyjov, Moravia, Czech Republic. 1926-2011 Miroslav Tichy was born in 1926 in what is today the Czech Republic. After studying at the Academy of Fine Arts in Prague, he withdrew to his native city of Kyjov. At the end of the 1950’s, he gave up painting and embarked on personal journey. At the end of the 1960’s, he began taking photographs, particularly of local women, using handmade cameras he had made himself. He later added to the photos with a pencil and placed them in handmade frames, creating a style somewhere between photography and drawing. The result is a body of work with formal qualities that surprises due to its unusual nature, ignoring the rules of conventional photography. His images form an extensive oeuvre with a poetic vision of female beauty. Ivorypress inaugurated Space I with an exhibition of Tichy’s work in 2009. It was his first exhibition in Spain. SOLO EXHIBITIONS (SELECTION) 2016 Miroslav Tichý o la Celebración del Proceso Fotográfico, Museo del Romanticismo, Madrid, Spain 2015 Miroslav Tichý: Women and women, Moravian Gallery, Brno, Czech Republic Drawings and Photographs - Miroslav Tichy, Delmes & Zander, Köln, Germany Piège pour un voyeur, Galerie Christophe Gaillard, Paris, France 2014 Click Click: Raphael Danke & Miroslav Tichý, Van Horn, Dusseldorf, Germany Miroslav Tichý, WestLicht, Wien, Austria 2013 City of the Women, Zephyr, Mannheim, Germany Homage to Miroslav Tichy, Prague Biennale, Prague, Czech Republic 2012 L’Homme a la Mauvaise Caméra, Pascal Polar Gallery, Brussels, Belgium The Artist
    [Show full text]
  • Miroslav Tichý
    Contact: Communications Department 212.857.0045 [email protected] media release Miroslav Tichý On view from January 29 through May 9, 2010 Media Preview January 28, 2010 11:30 am–1:00 pm RSVP: [email protected] 212.857.0045 Miroslav Tichý, Untitled, n.d. © Tichý Ocean Foundation, Zurich “…the mistake is a part of it, it is poetry…and for that you need a bad camera.” -Miroslav Tichý “ Sometimes Tichý’s photographs remind me of candles and shadows and silhouettes, ghost stories, keyholes, Jim Morrison lyrics, white bicycles, the short story by John Cheever entitled ‘The Swimmer’ (the bathing suits)...The best art for me is when I see something and say to myself, yea, I could spend an afternoon doing that. For me, the afternoon is in Tichý’s work.” -Richard Prince The first North American museum exhibition of the photography of the mysterious and reclusive Czech artist Miroslav Tichý will be on view at the International Center of Photography (1133 Avenue of the Americas at 43rd Street) from January 29 through May 9, 2010. Now in his eighties, Tichý is a stubbornly eccentric artist, noted as much for his makeshift cardboard cameras as for his haunting and distorted images of women and landscapes, many of them taken surreptitiously. Born in Moravia in 1926, Tichý studied painting at the Academy of Fine Arts (SVU) in Prague in the years immediately following the Second World War. After Czechoslovakia’s adoption of communism in 1948, he left the Academy and turned his back on the official art world, withdrawing from mainstream society, in part as a political response to the social and cultural repressions of the regime.
    [Show full text]
  • FOR IMMEDIATE RELEASE OUTSIDER ART FAIR ANNOUNCES EXHIBITORS for ITS 27TH NEW YORK EDITION January 17 – January 20, 2019 the M
    FOR IMMEDIATE RELEASE OUTSIDER ART FAIR ANNOUNCES EXHIBITORS FOR ITS 27TH NEW YORK EDITION January 17 – January 20, 2019 The Metropolitan Pavilion, 125 West 18th Street, New York Minnie Evans, Untitled (Three faces in floral design) (detail),1967, Crayon, graphite and oil on canvas board, 22.75×27.75 in. Artwork (c) Estate off Minnie Evans. Courtesy of Cameron Art Museum, Wilmington, N.C. NEW YORK, NY, November 28, 2018 – The Outsider Art Fair, the only fair dedicated to Self-Taught Art, Art Brut and Outsider Art, is pleased to announce the exhibitor list for its 27th New York edition, taking place January 17-20, 2019 at The Metropolitan Pavilion. The fair will showcase 67 exhibitors, representing 37 cities from 7 countries, with 8 first-time galleries. This year, OAF will host two of its hallmark Curated Spaces. Good Kids: Underground Comics from China will feature zines and original drawings created by Chinese artists. Co-organized by Brett Littman (Director, Noguchi Museum, New York) and Yi Zhou (partner and curator of C5Art Gallery, Beijing), these works deal with subject matter that is scatological, sexual, puerile and anti-conformist, making the distribution and sales of these work in mainland China complicated to almost impossible. A second Curated Space will serve as homage to the late dealer Phyllis Kind. In her obituary for the New York Times, Roberta Smith made this observation: “As the first American dealer to show outsider art alongside that of contemporary artists, Ms. Kind was in many ways as important as Leo Castelli…” Curated by Raw Vision Magazine senior editor and art critic Edward M.
    [Show full text]
  • Études Photographiques, 23 | 2009 the Invention of Miroslav Tichý 2
    Études photographiques 23 | mai 2009 Politique des images / Illustration photographique The Invention of Miroslav Tichý Marc Lenot Translator: James Gussen Electronic version URL: http://journals.openedition.org/etudesphotographiques/3430 ISSN: 1777-5302 Publisher Société française de photographie Printed version Date of publication: 1 May 2009 ISBN: 9782911961236 ISSN: 1270-9050 Electronic reference Marc Lenot, « The Invention of Miroslav Tichý », Études photographiques [Online], 23 | mai 2009, Online since 13 May 2014, connection on 22 April 2019. URL : http://journals.openedition.org/ etudesphotographiques/3430 This text was automatically generated on 22 April 2019. Propriété intellectuelle The Invention of Miroslav Tichý 1 The Invention of Miroslav Tichý Marc Lenot Translation : James Gussen 1 There are sometimes unknown artists who burst on the scene and take the art world by storm; it is more usual for artists to patiently construct their careers over many years, gradually maturing as they show their work at increasingly high-visibility exhibitions, receiving recognition from the system and the marketplace little by little. Those who appear suddenly, fully mature, may, in a matter of just a few months or years, be exhibiting at the most prestigious museums under the aegis of the most renowned exhibition organizers. Leading critics and specialized journalists write about them. Their works are acquired by collectors, their prices rise and museums rush to add them to their collections. And sometimes their work survives the test of time. 2 Often such discoveries are of outsider artists – ‘brut’ – marginal, self-taught, or solitary artists who have remained unknown because of their isolation or internment.1 But there have also been revelations of artists who do not come from the world of naïve or outsider art but who have nevertheless constructed their work at a distance from the art world.
    [Show full text]
  • Separatist Currents in Moravian Fascism and National Socialism
    Fascism 2 (2013) 41–67 brill.com/fasc Separatist Currents in Moravian Fascism and National Socialism Miroslav Mareš Masaryk University - Faculty of Social Studies - Political Science Jostova 10, 639 00 Brno, Czech Republic [email protected] Abstract The article deals with separatism within Moravian fascism and National Socialism. It identifies fundamental links between ethnic nationalism and fascism, and describes the development of the ‘Moravian question’ within the context of Central European history. The separatist tenden- cies of Moravian fascism and National Socialism are examined in the context of the interwar history, the period of occupation of the Czech lands, and postwar developments, including contemporary tendencies. It also identifies similarities with and differences from some other ethno-national fascisms in Europe. The author concludes that although marginal, Moravian fascism and National Socialism have enjoyed a long existence. Keywords Moravia; fascism; National Socialism; ethnic extremism; separatism; Central Europe Introduction Since they first came into being, fascism and National Socialism have been the ideological basis of certain separatist movements. This is also true of part of the Moravian movement that has been active on the territory of today’s Czech Republic. This article identifies the basic forms in which fascism and National Socialism became intertwined with Moravian separatism, and traces their development. A comparative framework for the whole issue is also provided. The issue of separatist tendencies within Moravian fascism and National Socialism has not been analyzed by historians to the extent of fully engaging * This article was written as part of the grant project GAČR GA407/09/0100 ‘Contemporary paramilitarism in the Czech Republic in the context of transnational developmental trends of political violence in Europe.’ Translated by Štěpán Kaňa.
    [Show full text]
  • Miroslav Tichy
    Miroslav Tichy BIOGRAPHY 1926 Born in Kyjov, Moravia, Czech Republic 1945–1948 Academy of Arts in Prague After studying at the Academy of Arts in Prague, Miroslav Tichý withdrew to a life in isolation in his hometown of Kyjov, Moravia, Czech Republic. In the late 1950s he quit painting and became a distinctive Diogenes-like figure. From the end of the 1960s he began to take photographs mainly of local women, in part with cameras he made by hand. He later mounted them on hand-made frames, added finishing touches in pencil, and thus moved them from photography in the direction of drawing. The result is works of strikingly unusual formal qualities, which disregard the rules of conventional photography. They constitute a large oeuvre of poetic, dreamlike views of feminine beauty in a small town under the Czechoslovak Communist régime. SOLO EXHIBITIONS 2012 Pascal Polar Gallery, Brussels, Belgium (upcoming: May-June): Moscow House of Photography 2011 SI Fest, Savignano sul Rubicone, Italy Sala Municipal de Exposiciones De San Benito, Valladolid, Spain Braunschweig University of Art, Braunschweig, Germany Wilkinson Gallery, London, Great Britain Galerie hlavního města Prahy, City Gallery Prague, Prague, Czech Republic 2010 Museum of Photography, GEM, Museum Voor Actuele Kunst, Den Haag, Netherland International Centre of Photography, N.Y.C., USA Howard Greenberg Gallery, N.Y.C., USA Robert Koch Gallery, San Francisco, USA 2009 Jiri Svestka Gallery, Berlin, Germany Gallery Elisabeth & Klaus Thoman, Innsbruck, Austria Gallery Kewenig, Palma de
    [Show full text]
  • Miroslav TICHÝ 10 Jan
    Exhibition Miroslav TICHÝ 10 jan. - 28 feb. 2015 // * opening, saturday January 10 Trap for a voyeur Text by Marc Lenot Scenography by Thibault Hazelzet and Yannick Boulot Why are we so drawn to Miroslav Tichý’s photographs ? What is it that fascinates us, that keeps us from averting our eyes, but then pursues us, haunts us in our dreams ? What is this muffled oppression that emanates from them ? Why do they give rise to an unrivaled enthusiasm, a pleasure, a wonderment ? However, these are not photographs that seek to be attractive, to draw or seduce, like so many others. For Tichý, they weren’t even meant to be shown, they were piled up on the floor, in his house, in a mess, as a simple result of his strolls, his obsessions, with no deliberate artistic intentions, they were simply created for his own satisfaction. So take a good look at them, these photographs, see how the are badl y done, under or over-exposed, blurry sometimes, often showing grease stains, spattered with dust, damaged by an excess of bromide, covered with streaks, sometimes a little mouldy (if we close our eyes, can’t we smell their bitter scent ?) ; in one of them, a fly was captured in the print, others have their cardboard frame nibbled at by mice. The image is thus invaded by parasites, ghosts, creating a second film that is inserted in our vision. Like Gianfranco Sanguinetti said, Tichý’s photographs are similar to his socialist Moravian beauties : neither waxed nor deodorized. But carefree, spontaneous, impudent, solar and, most of all, Miroslav Tichý, Sans titre, 1950 - 1980 real.
    [Show full text]
  • Miroslav Tichý
    GIANFRANCO SANGUINETTI MIROSLAV TICHÝ GIANFRANCO SANGUINETTI MIROSLAV TICHÝ Les Formes du Vrai Forms of Truth Gianfranco Sanguinetti MIROSLAV TICHÝ LES FORMES DU VRAI Conception et texte : Gianfranco Sanguinetti Traduction tchèque : Michala Marková Photographies pages 4, 8, 14, 30, 44 : Daniel Šperl Photographie page 240 : Jana Hebnarová Reproductions : KANT Conception graphique : Vladimír Vimr Redaction : Richard Škvařil Imprimerie : PB tisk Příbram Cette édition paraît à l’occasion de l’exposition « Miroslav Tichy – Les Formes du Vrai » présentée à la Galerie de la Ville de Prague (GHMP) entre le 15 decembre 2010 et le 6 mars 2011 Première édition Publié par le Editions KANT, Prague, 2011 [email protected] www.kant-books.cz Gianfranco Sanguinetti MIROSLAV TICHÝ FORMS OF TRUTH Conception and text: Gianfranco Sanguinetti Translation Czech: Michala Marková Czech-English translation: Richard Drury Photographies pages 4, 8, 14, 30, 44 : Daniel Šperl Photography page 240 : Jana Hebnarová Reproduction KANT Graphic design: Vladimír Vimr Copy editing: Richard Škvařil Printed by: PB tisk Příbram This book is published on the occasion of the exhibition “Miroslav Tichý – Forms of Truth” held at the City Gallery Prague (GHMP), 15 December 2010 – 6 March 2011. First edition Published by KANT Prague, 2011 [email protected] www.kant-books.cz Also available through D.A.P. / Distributed Art Publishers, 155 Sixth Avenue, New York, N.Y. 10013, USA, Tel. ++1(212) 627 1999. All rights reserved. No part of this publication may be reproduced or utilized
    [Show full text]
  • Miroslav Tichy / Art Brut /Outsider
    STR TICHY.pdf 1 17-11-29 11:34 C M Y CM MY CY CMY K BUNtoWNIK REBEL MAŁGORZATA SZAEFER MAŁGORZATA SZAEFER Miroslav Tichý – Tarzan na emeryturze, samuraj, atomista, ob- Miroslav Tichý – a Tarzan retired, a samurai, an atomist, an ob- serwator, wyznawca chaosu, voyeurysta, anarchista. Film „Mi- server, an adherent of chaos, a voyeur, an anarchist. Roman roslav Tichý. Tarzan Retired” Romana Buxbauma jest kopalnią Buxbaum’s film “Miroslav Tichý. Tarzan Retired” is an abundant bezkompromisowych wypowiedzi outsidera. „Ja w ogóle nie source of the outsider’s uncompromising statements. “I don’t 1 istnieję. Ja jestem narzędziem. Narzędziem poznania być exist at all. I’m a tool. A tool of perception perhaps.” These 1 może.” Słowa te w pełni oddają outsiderską naturę artysty, w words perfectly convey the artist’s outsider nature in which con- której świadomość przekracza granicę tego, co podświado- sciousness transcends the border of the unconscious. It bears me. Jest ona związana z nieodgadnionym czasem, z życiem, relation to inscrutable time, life, mathematics, chaos. “Can you z matematyką, chaosem. „Wiesz czym jest życie?” - pyta. tell me what life is?” – he asks. “Define it!” And he concludes: „Zdefiniuj to!” I konkluduje: „Każde poznanie jest ograniczo- “Every knowledge is limited. Now apply this to the numbers. ne. Teraz dopasuj to do liczb. Jaka jest największa liczba, What is the highest number and what is the lowest? We re- jaka najmniejsza? Poznajemy tylko to co możemy i co cognise only that which we can, and want to, recognise.” chcemy poznać.” To matematyczne dociekanie znikomo- A mathematical investigation into the insignificance of the uni- ści uniwersum.
    [Show full text]
  • Separatist Currents in Moravian Fascism and National Socialism
    Fascism 2 (2013) 41–67 brill.com/fasc Separatist Currents in Moravian Fascism and National Socialism Miroslav Mareš Masaryk University - Faculty of Social Studies - Political Science Jostova 10, 639 00 Brno, Czech Republic [email protected] Abstract The article deals with separatism within Moravian fascism and National Socialism. It identifies fundamental links between ethnic nationalism and fascism, and describes the development of the ‘Moravian question’ within the context of Central European history. The separatist tenden- cies of Moravian fascism and National Socialism are examined in the context of the interwar history, the period of occupation of the Czech lands, and postwar developments, including contemporary tendencies. It also identifies similarities with and differences from some other ethno-national fascisms in Europe. The author concludes that although marginal, Moravian fascism and National Socialism have enjoyed a long existence. Keywords Moravia; fascism; National Socialism; ethnic extremism; separatism; Central Europe Introduction Since they first came into being, fascism and National Socialism have been the ideological basis of certain separatist movements. This is also true of part of the Moravian movement that has been active on the territory of today’s Czech Republic. This article identifies the basic forms in which fascism and National Socialism became intertwined with Moravian separatism, and traces their development. A comparative framework for the whole issue is also provided. The issue of separatist tendencies within Moravian fascism and National Socialism has not been analyzed by historians to the extent of fully engaging * This article was written as part of the grant project GAČR GA407/09/0100 ‘Contemporary paramilitarism in the Czech Republic in the context of transnational developmental trends of political violence in Europe.’ Translated by Štěpán Kaňa.
    [Show full text]
  • Preview of the Visual Arts | November 2006
    CALENDAR OF OPENINGS - PG 79 GALLERY INDEX - PG 75 THE GALLERY GUIDE ALBERTA ■ BRITISH COLUMBIA ■ OREGON ■ WASHINGTON November/December/January 2006/07 www.preview-art.com Ben Van Netten Degrees of Transition Nov 9-26, 2006 Opening Reception: Thursday Nov 9, 6:30-8:30 pm Port Renfrew, 54 x 36 Inches oil on canvas on concave support Bruce Woycik Segue Nov 30-Dec 17, 2006 Opening Reception: Thursday Nov 30, 6:30-8:30 pm Lost in the 50's, 30 x 30 Inches oil on canvas the dark Dystopia Jan 11-28, 2007 Opening Reception: Thursday Jan 11, 6:30-8:30 pm Umbilical and the Drain, 23 x 26 Inches acrylic on panel FORT ST. JOHN BRITISH ALBERTA COLUMBIA PRINCE GEORGE EDMONTON QUEEN CHARLOTTE MCBRIDE ISLANDS WEST NORTH DEEP COVE WELLS VANCOUVER VANCOUVER BURNABY PORT MOODY NEW WESTMINSTER COQUITLAM VANCOUVER MISSION RICHMOND SURREY MAPLE RIDGE CHILLIWACK DELTA FORT LANGLEY ABBOTSFORD TSAWWASSEN WHITE ROCK WILLIAMS LAKE 100 MILE HOUSE CALGARY SALMON ARM BANFF SILVER STAR MOUNTAIN KAMLOOPS VERNON CAMPBELL RIVER KASLO WHISTLER KELOWNA COURTENAY COMOX MEDICINE HAT UNION BAY SUMMERLAND NELSON LETHBRIDGE SUNSHINE COAST VANCOUVER, BC PENTICTON CASTLEGAR PARKSVILLE OSOYOOS OLIVER TOFINO NANAIMO CHILLIWACK GRAND FORKS GULF ISLANDS DUNCAN BELLINGHAM SHAWNIGAN LAKE EASTSOUND SAANICH/SIDNEY ORCAS ISLAND LAKE COWICHAN SOOKE LA CONNER VICTORIA FRIDAY HARBOR, SAN JUAN ISLAND PORT LANGLEY ANGELES KIRKLAND SPOKANE SEATTLE BELLEVUE TACOMA OLYMPIA WASHINGTON ASTORIA SEASIDE LONGVIEW CANNON BEACH GOLDENDALE PORTLAND MCMINVILLE SHERIDAN SALEM PACIFIC CITY OREGON EUGENE ASHLAND 6 PREVIEW COVER: Alessandro Papetti, Madrid (2006), detail, oil on linen [Buschlen Mowatt Gallery, Vancouver BC, Nov 1-30] ALBERTA Vol.
    [Show full text]