Country Joe and the Fish Together Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

Country Joe and the Fish Together Mp3, Flac, Wma Country Joe And The Fish Together mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Together Country: US Style: Rock & Roll, Psychedelic Rock MP3 version RAR size: 1538 mb FLAC version RAR size: 1196 mb WMA version RAR size: 1588 mb Rating: 4.9 Votes: 237 Other Formats: RA MP2 AUD AAC ASF APE AHX Tracklist Hide Credits Rock And Soul Music A1 Bass – Bruce*Drums – Chicken*Rhythm Guitar, Organ – David*Vocals – Joe*Vocals, Lead 6:51 Guitar – Barry*Written-By – Melton*, Barthol*, McDonald*, Cohen*, Hirsh* Susan A2 Bass – Bruce*Organ, Lead Guitar – David*Rhythm Guitar – Barry*Vocals, Drums – 3:28 Chicken*Written-By – Hirsh* Mojo Navigator A3 Bass – Bruce*Drums – Chicken*Organ, Lead Guitar – David*Vocals, Rhythm Guitar – 2:23 Barry*Written-By – Melton*, McDonald*, Denson* Bright Suburban Mr. & Mrs. Clean Machine A4 Lead Vocals, Acoustic Guitar – Barry*Percussion, Vocals – Chicken*Piano, Organ, Vocals – 2:19 David*Vocals – Bruce*Written-By – Melton*, Hirsh* Good Guys/Bad Guys Cheer And The Street Of Your Town A5 Bass – Bruce*Drums, Bells – Chicken*Organ – David*Vocals, Lead Guitar – Barry*Written- 3:39 By – Melton* B1 The Fish Moan 0:27 The Harlem Song Backing Vocals, Bass – Bruce*Backing Vocals, Percussion [Sand Blocks] – B2 4:19 Chicken*Narrator [Spoken Introduction], Lead Guitar – David*Vocals, Rap – Barry*Vocals, Rap, Acoustic Guitar [12-string] – Joe*Written-By – McDonald* Waltzing In The Moonlight B3 Bass – Bruce*Harmony Vocals, Drums, Castanets – Chicken*Lead Guitar – David*Lead 2:13 Vocals – Joe*Rhythm Guitar – Melton*Written-By – Melton*, Hirsh* Away Bounce My Bubbles B4 Bass – Bruce*Bells, Organ – David*Vocals – Chicken*Vocals, Twelve-string Guitar – 2:25 Joe*Written-By – Hirsh* Cetacean B5 Bass, Acoustic Guitar – Bruce*Drums, Vocals – Chicken*Lead Guitar – Barry*Organ, 3:38 Harpsichord – David*Vocals, Twelve-string Guitar – Joe*Written-By – Barthol* An Untitled Protest B6 2:45 Finger Cymbals – Robin McDonaldOrgan – Bruce*Vocals – Joe*Written-By – McDonald* Credits Design – Tom Waller Engineer, Effects [Special] – Ed Friedner Photography By – Jeffrey Blankfort, Sam Kingsley Producer, Liner Notes – Sam Charters* Notes Comes with lyrics insert. Other versions Category Artist Title (Format) Label Category Country Year Country Joe And The VSD-79277 Together (LP, Album) Vanguard VSD-79277 US 1968 Fish Country Joe And The Together (LP, Album, VSD-79277 Vanguard VSD-79277 Canada 1968 Fish Gat) Country Joe And The VSD-79277 Together (LP, Album) Vanguard VSD-79277 Australia 1968 Fish Country Joe & The Together (LP, Album, VSD•79277 Vanguard VSD•79277 US 1968 Fish* Uni) Country Joe & The Together (LP, Album, VSD•79277 Vanguard VSD•79277 US 1968 Fish* Uni) Related Music albums to Together by Country Joe And The Fish REO Speedwagon - The Earth A Small Man His Dog And A Chicken Gráinne Duffy - Where I Belong Country Joe And The Fish / Peter Krug / Country Joe McDonald & Grootna - Collectors Items: The First Three EPs Country Joe & The Fish - Together David Fonseca - Our Hearts Will Beat As One Big Country - And... In The Beginning Hearts And Minds - Hearts And Minds REO Speedwagon - The Earth, A Small Man, His Dog And A Chicken Barry Melton - The Fish Atlanta Rhythm Section - Atlanta Rhythm Section / Back Up Against The Wall Country Joe And The Fish - I-Feel-Like-I'm-Fixin'-To-Die Country Joe & The Fish - Electric Music For The Mind And Body.
Recommended publications
  • Hawaii Marine Night Landing Volume 28, Number 4 January 28, 1999 Island Hopping A-5 B-1
    Hawaii Marine Night Landing Volume 28, Number 4 January 28, 1999 Island Hopping A-5 B-1 . 1/3 gets ambush aining Pfc. Otto C. Pleil-Muele Combat Correspondent Hidden behind brush. Marines frOm A Company, 1st Battalion, 3rd Marine Regiment, surprised their enemy with a flurry of lead, then jumped from their hid- ing places and stormed the enemy with a fiery attack. Though the Marines were only filling target dummies full of holes, the ambush training they were getting Jan. 21 at the rifle range here was important, according to many A Co. Marines. "This training is advanced and it will help me get better in my (military occupa- tional specialty)," said Pfc. Carmine Costanzo, a rifleman with 1st Platoon, A 4 Co. '"It's going to help me know what I have to do in combat." Unlike -similar ambush exercises in the 11 past, this one featured a moving sled with target dummies that Marines aimed at res,""'''14,,''' from nearly 200 yards down range. "The whole intent was to give Marines '49411*4..'4% something to shoot- at besides pop-up tar- ill Photo by Pk. Otto C. Ploil-Muete See 1/3, A-4 Marines of A Co., 1/3, await their opponents in a practice ambush exercise at MCB Hawaii Kaneohe Bay Jan. 21. Anthrax K-Bay Marines fire vaccine heavy weapons in Japan is safe Lance Cpl. Erickson J. Barnes "Coming here allows us the opportunity to fire these Camp Fuji Correspondent Commandant of the Marine Corps weapons at greater distances and affords us to be more-effec- CAMP FUJI, Japan - Nearly freezing temperatures tive with indirect fire," said Golden.
    [Show full text]
  • Gets Taste of Fame Casualties
    Inside ROLLER HOCKEY MILITARY Doer's Profile A-8 PLAYOFFS APPRECIATION WEEK Military Appreciation Week B-1 EVENTS Sports Standings B-3 B-1 B-1 Vol. 27, No. 18 Serving the base of choice for the 21st century 14, 1998 4th Force Recon gets taste of fame Cpl. Barry Melton wanted these Marines to put their Combat Correspondent best faces forward." A Marine sniper slips into position The recon Marines developed a like a cheetah preparing to dash out scenario for Hagi and gave the best to attack his prey. With sweat trick- spin on how they would do it as a ling from his cheeks, he hears foot- unit, said GySgt. Michael Gallager, steps getting closer. the operations chief at 4th Force. As he sights in on his objective, he Hagi was treated to Marines partic- attempts to see if the enemy is with- ipating in scuba exercises, scout in his effective range of fire. snipers, a four-man jump from a However, to the Marine's surprise, CH-53D and recon Marines on he sees the intruders mean no harm patrol. at all. They just want to make him Recon Marines took Hagi through famous. a jump brief, slapped a parachute Marines from 4th Force pack on his back and let him get a Reconnaissance Company here feel for what it's like to prepare for were thrown into the limelight a jump. Thursday when Guy Hagi, a news "Any good exposure for the mili- broadcaster with KHNL Channel 8 tary is good by me," Gallager said.
    [Show full text]
  • Country Joe Mcdonald------3 Rivers Co-Op Natural Grocery & Deli
    OUR SPONSORS -----------------------Cover Story • Country Joe McDonald --------------------- 3 Rivers Co-op Natural Grocery & Deli ....................27 Aboite Grill ....................................................................26 Allen Co. Public Library/Rock the Plaza ....................15 Alley Sports Bar ..........................................................16 Beamer’s Sports Grill .................................................11 C2G Music Hall/Pink Droyd ........................................15 C2G Music Hall on TV .....................................................7 ‘F’ Is for Flower Power Calhoun Street Soups, Salads & Spirits ................13 Champions Sports Bar & Restaurant .....................16 By Mark Hunter website. “My father, Worden ‘Mac’ McDon- Wall Street and released on McDonald’s Rag CLASSIFIEDS ...............................................................31 ald, grew up in the little Oklahoma town of Baby label. Club Paradise ........................................................15, 18 If there’s one thing Joe McDonald Sallisaw, 100 miles from the Woody’s birth- McDonald was born in Washington, Columbia Street West ................................................14 knows about, it would be how to write a place of Okemah. My father was a farm boy D.C. in 1942 but grew up in Los Angeles. Digitracks Recording Studio .............................14, 31 good protest song. Or maybe it’s Florence and hobo like Woody. He talked about this He moved from the Los Angeles suburb of Duty’s Buckets Sports
    [Show full text]
  • Rock & Keyser Roll Final 3.13.21
    ROCK and KEYSER ROLL Music In My Life My Life In Music Dedicated to all the venues, bookers, house and stage managers, sound and lighting techs, promoters, publicists, photographers and videographers and roadies who have supported me and the bands I have represented over the past four plus decades. It is an honor and a privilege to work with so many highly talented musicians. I am filled with gratitude for the road I have traveled, and look forward to many more years of helping to bring live music to the world! Cover photo J.C. Juanis Cover lettering Mike Dolgushkin © 2021 Music has always been my passion. As a young guy I remember riding the #37 bus downtown to stop at the record store to pick up the latest albums. From my hometown of Baltimore I listened to WCAO radio Top 40 hits, and watched The Buddy Deane Dance Party every day after school. My early musical heroes were Dion, Paul Anka, Neil Sedaka, Little Eva, Ray Charles, Chubby Checker, Gene Pitney, Roy Orbison, The Four Tops and, Stevie Wonder…. My parents were also music fans. Here are few photos from back in their day…. Debbie Reynolds ? My mom My dad (dark suit) watching Eddie Fisher at Grossinger’s Resort in the Catskills circa 1958 After dinner with Harpo Marx and his wife at their Hollywood home, Harpo serenaded circa 1963 My first foray into the music world happened on my last day of 4th grade at Liberty School #64. Dr. Carlin, the music teacher, came into our classroom. He told us that next year, in 5th grade, we could be in the school orchestra.
    [Show full text]
  • Barry Melton
    Barry Melton 1 / 4 Barry Melton 2 / 4 3 / 4 Barry "The Fish" Melton, born 1947 in Brooklyn, New York City. ... Can't Stop To Boogie, Country Joe And The Fish, Dinosaurs, The Barry "The Fish" Melton Band. ... Country Joe McDonald And Barry Melton - Stereo Pop Special-92 ‎(LP, Transcription). Among many of the artists and bands that Richie profiled, there's an interview with Barry "The Fish" Melton, looking back on his work with Country Joe & The Fish .... Browse Barry 'The Fish' Melton tour dates and order tickets for upcoming concerts near you. Book with Ents24.com, the UK's biggest entertainment guide.. Barry Melton, who will play a benefit concert in Davis on Oct. 20, talks about his twin careers as a Yolo County attorney and nationally known guitarist on the .... Over fifty years ago, during the “Summer of Love” – 1967 - Barry “The Fish” Melton celebrated his 20th birthday in June 1967. A few days later, he and his band, .... Actuary is a Django auditing application designed for relatively complete event logging via Middleware and Signals. Optionally uses Celery and Mongo, or just ... Barry "The Fish" Melton (born June 14, 1947) is the co-founder (1965) and original lead guitarist of Country Joe and The Fish. Barry appears on all the Country .... BARRY MELTON is the current Southeast Region Commander for the Civil Air Patrol. Having completed his four-year term, he is prepping to " .... Guitarist Barry Melton entered music in his teens, in San Francisco, as a member of the Instant Action Jug Band, which was where he met Country Joe McDonald ...
    [Show full text]
  • America's Changing Mirror: How Popular Music Reflects Public
    AMERICA’S CHANGING MIRROR: HOW POPULAR MUSIC REFLECTS PUBLIC OPINION DURING WARTIME by Christina Tomlinson Campbell University Faculty Mentor Jaclyn Stanke Campbell University Entertainment is always a national asset. Invaluable in times of peace, it is indispensable in wartime. All those who are working in the entertainment industry are building and maintaining national morale both on the battlefront and on the home front. 1 Franklin D. Roosevelt, June 12, 1943 Whether or not we admit it, societies change in wartime. It is safe to say that after every war in America’s history, society undergoes large changes or embraces new mores, depending on the extent to which war has affected the nation. Some of the “smaller wars” in our history, like the Mexican-American War or the Spanish-American War, have left little traces of change that scarcely venture beyond some territorial adjustments and honorable mentions in our textbooks. Other wars have had profound effects in their aftermath or began as a result of a 1 Telegram to the National Conference of the Entertainment Industry for War Activities, quoted in John Bush Jones, The Songs that Fought the War: Popular Music and the Home Front, 1939-1945 (Lebanon, NH: University Press of New England, 2006), 31. catastrophic event: World War I, World War II, Vietnam, and the current wars in the Middle East. These major conflicts create changes in society that are experienced in the long term, whether expressed in new legislation, changed social customs, or new ways of thinking about government. While some of these large social shifts may be easy to spot, such as the GI Bill or the baby boom phenomenon in the 1940s and 1950s, it is also interesting to consider the changed ways of thinking in modern societies as a result of war and the degree to which information is filtered.
    [Show full text]
  • HMH-463 Comes Home
    Hawaii Marine HMT-301 Volume 28, Number 11 March 18, 1999 Volleyball A-5 B-1 HMH-463 comes home Cpl. Barry Melton Combat Correspondent Marines from Marine Heavy Helicopter Squadron 463 returned home to Kaneohe Bay March 7 after participating in two combined-arms exer- cises at Marine Corps Air Ground Combat Center Twentynine Palms, Calif. Training at 29 Palms gave the Marines an opportunity to work with F/A18 fighter attack aircraft; CH-46, CH-53E and UH-1 helicopters, and the chance to perform as a Marine Air Ground Task Force by training with the infantry, said Sgt. Maj. Art Taylor, HMH-463 sergeant major. Flying at 29 Palms also offered the Marines new challenges, said Taylor, as they had to overcome desert sand and cold and windy condi- tions. "It was a lot of good training for our Marines," said Taylor. "We have a lot of young guys who have never been anywhere, so this was a good time for them to get off the island and work with other units." "We don't deploy, so CAX is a way to build our combat strategy," said 1st. Lt. Scott Volkert, schedule writer and ground training officer with HMH-463. "It's a goddway to improve our combat readiness." "They handled themselves as Marines and they took care of the mis- sion," Taylor added. "Nobody got hurt and we all came back." According to Taylor, the Marines performed with excellence during Photo by Lance Cpl. David Salazar their time in California. Lance Cpl. Eric Hiemstra, an ordnance technician with HMH-463 repairs a CH-53D after returning from CAX.
    [Show full text]
  • MUSIC 351: Psychedelic Rock of the 1960S Spring 2015, T 7:00–9:40 P.M., ENS-280
    MUSIC 351: Psychedelic Rock of the 1960s Spring 2015, T 7:00–9:40 p.m., ENS-280 Instructor: Eric Smigel ([email protected]) M-235, office hours: Mondays & Tuesdays, 3:00–4:00 p.m. This is a lecture class that surveys psychedelic rock music and culture of the 1960s. Psychedelic music played an important role in the development of rock music as a predominant art form during one of the most formative decades in American history. Emerging along with the powerful counterculture of hippies in the mid-1960s, psychedelic rock reflects key elements of the “Love Generation,” including the peace movement, the sexual revolution, the pervasive use of recreational drugs (especially marijuana and LSD), and the growing awareness of Eastern philosophy. The main centers of countercultural activity—the Haight-Ashbury district of San Francisco and the London Underground—drew a high volume of media exposure, resulting in the famous “Summer of Love” and culminating in popular music festivals in Monterey, Woodstock, and Altamont. Students in this course will examine the music and lyrics of a selection of representative songs by The Grateful Dead, The Jefferson Airplane, Big Brother and the Holding Company, The Beatles, Pink Floyd, The Jimi Hendrix Experience, and other bands closely associated with the burgeoning psychedelic scene. Students will also consult primary source material—including interviews with several of the musicians, influential literature of the period, and essays by key figures of the movement—in order to gain insight into the social, political,
    [Show full text]
  • Playlist in 1969, Yale University Admitted Its First Women Undergraduates, Thus Ending 268 Years As an All-Male College
    YALE NEEDS WOMEN Playlist In 1969, Yale University admitted its first women undergraduates, thus ending 268 years as an all-male college. Yale Needs Women (Sourcebooks, 2019) tells their story. Here is the playlist to go with it: 22 songs released between 1969 and 1972, plus a two-song prelude from 1967. A quick scan will show that male performers outnumber women on this playlist, perhaps an odd choice given the Yale Needs Women title. It’s a reflection of the times, however. The music industry needed women too. You can find this playlist on Spotify. Search anne.g.perkins, or use this link: https://open.spotify.com/playlist/4aXLc1veNkKCMqCWd0biKE To find out more about Yale Needs Women and the first women undergraduates at Yale, go to yaleneedswomen.com. Many thanks to Rick High, Lily and Mac Perkins-High, and David and Ginger Kendall for their help in creating this playlist. Sources for the liner notes below are at the end. PRELUDE: 1967 1. Aretha Franklin, RESPECT. Aretha Franklin was the first woman ever inducted into the Rock and Roll Hall of Fame, and “Respect” was her first song to hit #1. She was twenty-five years old, six years into an abusive marriage that she would end in 1969, a black woman in a nation where that status meant double discrimination. “All I’m askin’ is for a little respect.” 2. Country Joe and The Fish, I-FEEL-LIKE-I’M-FIXIN’-TO-DIE RAG. Released in November 1967, the I-Feel-Like-I’m-Fixin’-To-Die Rag became one of the country’s most popular Vietnam War protest songs, particularly after its performance at Woodstock in August 1969.
    [Show full text]
  • Musical Images of the Vietnam War
    DOCUMENT RESUME ED 325 431 SO 030 221 AUTHOR Chilcoat, George W.; Vocke, David E. TITLE MusicEl Images of the Vietnam War. PUB DATE Nov 86 NOTE 30p.; Paper presented at the Annual Meeting of the National Council for the Social Studies (Orlando, FL, November 19, 1988). PUB TYPE Speeches/Conference Papers (150) -- Guides - Classroom Use - Guides (For Teachers) (052) EDRS PRICE MF01/PCO2 Plus Postage. DESCRIPTORS Class Activities; Creative Teaching; Creativity; Curriculum Enrichment; *Drama; *Educational Strategies; High Schools; *History Instrvr'tion; Instructional Materials; Modern History; *Music; Social History; Social Studies; Songs; *United States History; *Vietnam War ABSTRACT Teaciling the Vietnam War in high school history courses is a challenge to the instructor, and study that relies only on textbooks may neglect the controversy surrounding the War and the issues that faced the nation. This v.per discusses how to use songs about the Vietnam War as an instr,.ctional tool to investigate the role of songs during the War and to serve as a stimulus tc study the controversies surrounding the War. Students are challenged to investigate the various perspectives presented these songs and to examine devices utilized within lyrics to support the views they present. Titles and categories of songs that either censured the inhumanity of wars in general and the Vietnam War specifically, or portrayed support for the War in Indochina are included. (NL) *******************************************************************. ** Reproductions supplied by EDRS are the best that can te made from the original document. ******************************x**************************************** Musical Images of the Vietnam War U S DEPARTMENT OF EDUCATION O.f K e of Edvcahonal Research and Impro.ertent EDUCATIONAL RESOURCES INFORMATION CENTER IER ".
    [Show full text]
  • Jan. 24, 1970 – Mike Bloomfield & Nick Gravenites
    Jan. 24, 1970 – Mike Bloomfield & Nick Gravenites – 750 Vallejo In North Beach, SF “The Jam” Mike Bloomfield and friends at Fillmore West - January 30-31-Feb. 1-2, 1970? Feb. 11, 1970 -- Fillmore West -- Benefit for Magic Sam featuring: Butterfield Blues Band / Mike Bloomfield & Friends / Elvin Bishop Group / Charlie Musselwhite / Nick Gravenites Feb. 28, 1970 – Mike Bloomfield, Keystone Korner, SF March 19, 1970 – Elvin Bishop Group plays Keystone Korner , SF Bloomfield was supposed to show for a jam. Did he? March 27,28, 1970 – Mike Bloomfield and Nick Gravenites, Keystone Korner ***** MICHAEL BLOOMFIELD AND FRIENDS 1970. Feb. 27. Eagles Auditorium, Seattle 1. “Wine” (8.00) This is the encore from Seattle added on the bootleg as a “filler”! The rest is from Long Beach Auditorium Apr. 8, 1971. 1970 1 – CDR “JAMES COTTON W/MIKE BLOOMFIELD AND FRIENDS” Bootleg 578 ***** JANIS JOPLIN AND THE BUTTERFIELD BLUES BAND 1970. Mar. 28. Columbia Studio D, Hollywood, CA Janis Joplin, vocals - Paul Butterfield, hca - Mike Bloomfield, guitar - Mark Naftalin, organ - Rod Hicks, bass - George Davidson, drums - Gene Dinwiddle, soprano sax, tenor sax - Trevor Lawrence, baritone sax - Steve Madaio, trumpet 1. “One Night Stand” (Version 1) (3.01) 2. “One Night Stand” (Version 2) wrong speed 1982 1 – LP “FAREWELL SONG” CBS 32793 (NL) 1992 1 – CD “FAREWELL SONG” COLUMBIA 484458 2 (US) ?? 2 – CD-3 BOX SET CBS ***** SAM LAY 1970 Producer Nick Gravenites (and Michael Bloomfield) Sam Lay, dr, vocals - Michael Bloomfield, guitar - Bob Jones, dr – bass ? – hca ? – piano ? – organ ? Probably all of The Butterfield Blues Band is playing. Mark Naftalin, Barry Goldberg, Paul Butterfield 1.
    [Show full text]
  • Music, Culture, and the Rise and Fall of the Haight Ashbury Counterculture
    Zaroff 1 A Moment in the Sun: Music, Culture, and the Rise and Fall of the Haight Ashbury Counterculture Samuel Zaroff Honors Thesis Submitted to the Department of History, Georgetown University Advisor: Professor Maurice Jackson Honors Program Chairs: Professor Katherine Benton-Cohen and Professor Alison Games 6 May 2019 Zaroff 2 Table of Contents Introduction 4 Historiography 8 Chapter I: Defining the Counterculture 15 Protesting Without Protest 20 ​ Cultural Exoticism in the Haight 24 ​ Chapter II: The Music of the Haight Ashbury 43 Musical Exoticism: Jefferson Airplane’s “White Rabbit” 44 ​ Assimilating African American Musical Culture: Big Brother and the Holding Company’s “Summertime” 48 ​ Music, Drugs, and Hendrix: “Purple Haze” 52 ​ Protesting Vietnam: Country Joe and the Fish’s “I-Feel-Like-I’m Fixin’-to-Die-Rag” 59 ​ Folk, Nature, and the Grateful Dead: “Morning Dew” and the Irony of Technology 62 ​ Chapter III: The End of the Counterculture 67 Overpopulation 67 ​ Commercialization 72 ​ Hard Drugs 74 ​ Death of the Hippie Ceremony 76 ​ “I Know You Rider”: Music of the End of the Counterculture 80 ​ Violence: The Altamont Speedway Free Festival 85 ​ Conclusion 90 Appendix 92 Bibliography 94 Zaroff 3 Acknowledgements Thank you, Professor Benton-Cohen and Professor Jackson, for your guidance on this thesis. Thank you, Mom, Dad, Leo, Eliza, Roxanne, Daniela, Ruby, and Boo for supporting me throughout. Lastly, thank you Antine and Uncle Rich for your wisdom and music. I give permission to Lauinger Library to make this thesis available to the public. Zaroff 4 Introduction From 1964 to 1967, the Haight Ashbury district of San Francisco experienced one of the most significant and short-lived cultural moments of twentieth century America.
    [Show full text]