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Statistical Yearbook 2019
STATISTICAL YEARBOOK 2019 Welcome to the 2019 BFI Statistical Yearbook. Compiled by the Research and Statistics Unit, this Yearbook presents the most comprehensive picture of film in the UK and the performance of British films abroad during 2018. This publication is one of the ways the BFI delivers on its commitment to evidence-based policy for film. We hope you enjoy this Yearbook and find it useful. 3 The BFI is the lead organisation for film in the UK. Founded in 1933, it is a registered charity governed by Royal Charter. In 2011, it was given additional responsibilities, becoming a Government arm’s-length body and distributor of Lottery funds for film, widening its strategic focus. The BFI now combines a cultural, creative and industrial role. The role brings together activities including the BFI National Archive, distribution, cultural programming, publishing and festivals with Lottery investment for film production, distribution, education, audience development, and market intelligence and research. The BFI Board of Governors is chaired by Josh Berger. We want to ensure that there are no barriers to accessing our publications. If you, or someone you know, would like a large print version of this report, please contact: Research and Statistics Unit British Film Institute 21 Stephen Street London W1T 1LN Email: [email protected] T: +44 (0)20 7173 3248 www.bfi.org.uk/statistics The British Film Institute is registered in England as a charity, number 287780. Registered address: 21 Stephen Street London W1T 1LN 4 Contents Film at the cinema -
This Action Thriller Futuristic Historic Romantic Black Comedy Will Redefine Cinema As We Know It
..... this action thriller futuristic historic romantic black comedy will redefine cinema as we know it ..... XX 200-6 KODAK X GOLD 200-6 OO 200-6 KODAK O 1 2 GOLD 200-6 science-fiction (The Quiet Earth) while because he's produced some of the Meet the Feebles, while Philip Ivey composer for both action (Pitch Black, but the leading lady for this film, to Temuera Morrison, Robbie Magasiva, graduated from standing-in for Xena beaches or Wellywood's close DIRECTOR also spending time working on sequels best films to come out of this country, COSTUME (Out of the Blue, No. 2) is just Daredevil) and drama (The Basketball give it a certain edginess, has to be Alan Dale, and Rena Owen, with Lucy to stunt-doubling for Kill Bill's The proximity to green and blue screens, Twenty years ago, this would have (Fortress 2, Under Siege 2) in but because he's so damn brilliant. Trelise Cooper, Karen Walker and beginning to carve out a career as a Diaries, Strange Days). His almost 90 Kerry Fox, who starred in Shallow Grave Lawless, the late great Kevin Smith Bride, even scoring a speaking role in but there really is no doubt that the been an extremely short list. This Hollywood. But his CV pales in The Lovely Bones? Once PJ's finished Denise L'Estrange-Corbet might production designer after working as credits, dating back to 1989 chiller with Ewan McGregor and will next be and Nathaniel Lees as playing- Quentin Tarantino's Death Proof. South Island's mix of mountains, vast comes down to what kind of film you comparison to Donaldson who has with them, they'll be bloody gorgeous! dominate the catwalks, but with an art director on The Lord of the Dead Calm, make him the go-to guy seen in New Zealand thriller The against-type baddies. -
Film Reviews Jonathan Lighter
Film Reviews Jonathan Lighter Lebanon (2009) he timeless figure of the raw recruit overpowered by the shock of battle first attracted the full gaze of literary attention in Crane’s Red Badge of Courage (1894- T 95). Generations of Americans eventually came to recognize Private Henry Fleming as the key fictional image of a young American soldier: confused, unprepared, and pretty much alone. But despite Crane’s pervasive ironies and his successful refutation of genteel literary treatments of warfare, The Red Badge can nonetheless be read as endorsing battle as a ticket to manhood and self-confidence. Not so the First World War verse of Lieutenant Wilfred Owen. Owen’s antiheroic, almost revolutionary poems introduced an enduring new archetype: the young soldier as a guileless victim, meaninglessly sacrificed to the vanity of civilians and politicians. Written, though not published during the war, Owen’s “Strange Meeting,” “The Parable of the Old Man and the Young,” and “Anthem for Doomed Youth,” especially, exemplify his judgment. Owen, a decorated officer who once described himself as a “pacifist with a very seared conscience,” portrays soldiers as young, helpless, innocent, and ill- starred. On the German side, the same theme pervades novelist Erich Maria Remarque’s All Quiet on the Western Front (1928): Lewis Milestone’s film adaptation (1930) is often ranked among the best war movies of all time. Unlike Crane, neither Owen nor Remarque detected in warfare any redeeming value; and by the late twentieth century, general revulsion of the educated against war solicited a wide acceptance of this sympathetic image among Western War, Literature & the Arts: an international journal of the humanities / Volume 32 / 2020 civilians—incomplete and sentimental as it is. -
Middlebrow Feminism in Classic British Detective Fiction
Crime Files Series General Editor: Clive Bloom Since its invention in the nineteenth century, detective fiction has never been more popular. In novels, short stories, films, radio, television and now in computer games, private detectives and psychopaths, prim poisoners and overworked cops, tommy gun gangsters and cocaine criminals are the very stuff of modern imagination, and their creators one mainstay of popular consciousness. Crime Files is a ground-breaking series offering scholars, students and discerning readers a comprehensive set of guides to the world of crime and detective fiction. Every aspect of crime writing, detective fiction, gangster movie, true-crime exposé, police procedural and post-colonial investigation is explored through clear and informative texts offering comprehensive coverage and theoretical sophistication. Published titles include: Maurizio Ascari A COUNTER-HISTORY OF CRIME FICTION Supernatural, Gothic, Sensational Hans Bertens and Theo D’haen CONTEMPORARY AMERICAN CRIME FICTION Anita Biressi CRIME, FEAR AND THE LAW IN TRUE CRIME STORIES Ed Christian (editor) THE POST-COLONIAL DETECTIVE Paul Cobley THE AMERICAN THRILLER Generic Innovation and Social Change in the 1970s Michael Cook NARRATIVES OF ENCLOSURE IN DETECTIVE FICTION The Locked Room Mystery Barry Forshaw DEATH IN A COLD CLIMATE A Guide to Scandinavian Crime Fiction Barry Forshaw BRITISH CRIME FILM Subverting the Social Order Emelyne Godfrey MASCULINITY, CRIME AND SELF-DEFENCE IN VICTORIAN LITERATURE Emelyne Godfrey FEMININITY, CRIME AND SELF-DEFENCE -
The Late Scholar
The Late Scholar 99871444760866871444760866 TheThe LateLate ScholarScholar (820h).indd(820h).indd i 009/10/20139/10/2013 115:01:235:01:23 By Jill Paton Walsh The Attenbury Emeralds By Jill Paton Walsh and Dorothy L. Sayers A Presumption of Death By Dorothy L. Sayers and Jill Paton Walsh Thrones, Dominations Imogen Quy detective stories by Jill Paton Walsh The Wyndham Case A Piece of Justice Debts of Dishonour The Bad Quarto Detective stories by Dorothy L. Sayers Busman’s Honeymoon Clouds of Witness The Documents in the Case (with Robert Eustace) Five Red Herrings Gaudy Night Hangman’s Holiday Have His Carcase In the Teeth of the Evidence Lord Peter Views the Body Murder Must Advertise The Nine Tailors Striding Folly Strong Poison Unnatural Death The Unpleasantness at the Bellona Club Whose Body? 99871444760866871444760866 TheThe LateLate ScholarScholar (820h).indd(820h).indd iiii 009/10/20139/10/2013 115:01:235:01:23 JILL PATON WALSH The Late Scholar Based on the characters of Dorothy L. Sayers 99871444760866871444760866 TheThe LateLate ScholarScholar (820h).indd(820h).indd iiiiii 009/10/20139/10/2013 115:01:235:01:23 First published in 2013 by Hodder & Stoughton An Hachette UK company 1 Copyright © 2013 by Jill Paton Walsh and the Trustees of Anthony Fleming, deceased The right of Jill Paton Walsh to be identifi ed as the Author of the Work has been asserted by her in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means without the prior written permission of the publisher, nor be otherwise circulated in any form of binding or cover other than that in which it is published and without a similar condition being imposed on the subsequent purchaser. -
Cannes Booklet
“I will take The Ring,” he said, “though i do not know the way.” --J.R.R. Tolkien,THE LORD OF THE RINGS INTRODUCTION TO THE LORD OF THE RINGS ማ4 ሞ TAKING ON TOLKIEN:PETER JACKSON BRINGS THE FANTASY TO LIFE ማ6 ሞ MANY CULTURES OF THE RING:THE CAST AND CHARACTERS ማ9 ሞ IMAGINING MIDDLE–EARTH:THE DESIGN ማ14 ሞ WETA GETS TO WORK ማ17 ሞ MIDDLE–EARTH DOWN UNDER:NEW ZEALAND ማ19 ሞ FROM HOBBITS TO ELVES:THE COSTUMES AND MAKE-UP ማ21 ሞ BREAKING DIGITAL GROUND:SPECIAL EFFECTS ማ23 ሞ INTO THE RING’S EVIL:STUNTS AND ACTION ማ24 ሞ THE CAST OF CHARACTERS ማ25 ሞ THE FILMMAKERS ማ29 ሞ One ring to rule them all. One ring to find them. One ring to bring them all And in the darkness bind them. For decades, four decades the words above have for cinema technology to I NTRODUCTION ignited imaginations and shaped reach the necessary level of the dreams of more then 100 million sophistication to bring them to life. readers around the globe. They were Such a vast project would require no first read in 1954, when J.R.R. Tolkien’s less than a visionary to mastermind it. The Fellowship of the Ring, the first volume in That visionary is Peter Jackson, who has his towering three-part epic, The Lord of the embarked upon an unprecedented feat to make Rings, was published. ¶ Tolkien’s work was to have three motion pictures simultaneously in order to a profound effect on generations of readers, defining capture Tolkien’s soaring epic in its entirety. -
Marlina the Murderer in Four Acts
JANUARY 2019 MARLINA THE MURDERER IN FOUR ACTS “velveteen glamour and brilliant programming...” (The Guardian) “possibly Britain’s most beautiful cinema..” (BBC) JANUARY 2019 • ISSUE 166 www.therexberkhamsted.com 01442 877759 Mon-Sat 10.30-6.30pm Sun 4.30-5.30pm All-embracing, inclusive, diverse, International. More to come from somewhere else… ith no time for no doubt continue to be. posing as arty, So we will pro-actively go Wholy or worthy, we out and find them. These are are netting the best and most to be included in among the interesting new films from general popular releases, Europe and other countries which will also include CONTENTS throughout the year now documentaries and other there are more available to us interesting independent Films At A Glance 16-17 than has been for months. releases. So watch out for Rants & Pants 27 We will continue this until them and come. You will they dry up again. We are be surprised BOX OFFICE: 01442 877759 aware to have severely how diverse, neglected world cinema in exciting and Mon to Sat 10.30-6.30 2018, purely because the beautiful they Sun 4.30-5.30 releases available to us in the are, even the UK have been scarce and will brutal ones. SEAT PRICES Circle £9.50 FILMS OF THE MONTH Concessions/ABL £8.00 Back Row £8.00 Table £11.50 Concessions/ABL £10.00 Royal Box Seat (Seats 6) £13.00 Whole Royal Box £73.00 Matinees - Upstairs £5, Downstairs £6.50, Royal Box £10 Disabled and flat access: through the gate on High Street (right of apartments) Shoplifters (Japan) Dogman (Italy) Mon 7th 7.30pm, Tue 8th 2pm Mon 14th 7.30pm See page 13 See page 18 Director: James Hannaway 01442 877999 Advertising: Chloe Butler THE FOOD AND DRINK AND 01442 877999 Artwork: Demiurge Design ROCK AND ROLL TOUR 01296 668739 The Rex Tickets on sale 1 February. -
Lord Peter Wimsey As Wounded Healer in the Novels of Dorothy L
Volume 14 Number 4 Article 3 Summer 7-15-1988 "All Nerves and Nose": Lord Peter Wimsey as Wounded Healer in the Novels of Dorothy L. Sayers Nancy-Lou Patterson Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Patterson, Nancy-Lou (1988) ""All Nerves and Nose": Lord Peter Wimsey as Wounded Healer in the Novels of Dorothy L. Sayers," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 14 : No. 4 , Article 3. Available at: https://dc.swosu.edu/mythlore/vol14/iss4/3 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Finds parallels in the life of Lord Peter Wimsey (as delineated in Sayers’s novels) to the shamanistic journey. In particular, Lord Peter’s war experiences have made him a type of Wounded Healer. -
00:00:05 Elliott Kalan Host the Movie That Will Make You R
00:00:00 Dan McCoy Host On this episode we discuss—Mortal Engines! 00:00:05 Elliott Kalan Host The movie that will make you realize—cities that roll around on tank treads and harpoon other cities and then eat those cities? Are kinda boring. 00:00:13 Music Music Light, up-tempo, electric guitar with synth instruments. 00:00:40 Dan Host Hey, everyone, and welcome to The Flop House! I’m Dan McCoy. 00:00:43 Stuart Host Oh, hey there, Dan McCoy! I’m Stuart Wellingtown! Wellington 00:00:46 Elliott Host Hey there, Dan McCoy and Stuart Wellingtown! It’s me—Elliott Kalan! And I’m joined today by a very special guest: Brendan, say hi! 00:00:53 Brendan Guest Hi! I’m Brendan Hay! Hay 00:00:53 Elliott Host This is Brendan Hay. Uh, he’s the showrunner of the Netflix Animated Series Harvey Girls Forever. Third season is out now? 00:00:59 Brendan Guest Uh, yes! 00:01:01 Elliott Host And he is also, y’know, a great friend of ours! 00:01:03 Brendan Guest Aww! 00:01:04 Elliott Host He’s been a long-time friend of mine, uh, he was one of my groomsmen, and he has a boatload of stories from when he was the head writer of Star Wars: Detours, a Star Wars animated cartoon that never aired. [Dan laughs.] 00:01:15 Brendan Guest And never will! 00:01:16 Elliott Host We’re not here to talk about that, are we? 00:01:18 Brendan Guest I mean, we can, but I think Mortal Engines is far more fascinating. -
West of Memphis
Mongrel Media Presents WEST OF MEMPHIS A film by Amy Berg (146 min., USA, 2012) Language: English Official Selection Sundance Film Festival 2012 Toronto Film Festival 2012 Distribution Publicity Bonne Smith Star PR 1028 Queen Street West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1H6 Fax: 416-488-8438 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html WEST OF MEMPHIS Synopsis A new documentary written and directed by Academy Award nominated filmmaker, Amy Berg (DELIVER US FROM EVIL) and produced by first time filmmakers Damien Echols and Lorri Davis, in collaboration with the multiple Academy Award winning team of Peter Jackson and Fran Walsh, WEST OF MEMPHIS tells the untold story behind an extraordinary and desperate fight to bring the truth to light; a fight to stop the State of Arkansas from killing an innocent man. Starting with a searing examination of the police investigation into the 1993 murders of three, eight year old boys Christopher Byers, Steven Branch and Michael Moore in the small town of West Memphis, Arkansas, the film goes on to uncover new evidence surrounding the arrest and conviction of the other three victims of this shocking crime – Damien Echols, Jason Baldwin and Jessie Misskelley. All three were teenagers when they became the target of the police investigation; all three went on to lose 18 years of their lives - imprisoned for crimes they did not commit. How the documentary came to be, is in itself a key part of the story of Damien Echols’ fight to save his own life. -
Diplomova Prace.Pdf
Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Marcela Nejezchlebová Brezánska Harriet Vane: The “New Young Woman” in Dorothy L. Sayers’s Novels Master‟s Diploma Thesis Supervisor: PhDr. Lidia Kyzlinková, CSc., M.Litt. 2010 1 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. 2 I would like to thank to my supervisor, PhDr. Lidia Kyzlinková, CSs., M.Litt. for her patience, valuable advice and help. I also want to express my thanks for her assistance in recommending some significant sources for the purpose of this thesis. 3 Table of Contents 1. Introduction ........................................................................................................... 5 2. Sayers‟s Background ............................................................................................ 8 2.1 Sayers‟s Life and Work ........................................................................................ 8 2.2 On the Genre ....................................................................................................... 14 2.3 Pro-Feminist and Feminist Attitudes and Writings, Sayers, Wollstonecraft and Others: Towards Education of Women ........................................................ 22 3. Strong Poison ...................................................................................................... 34 3.1 Harriet‟s Rational Approach to Love ................................................................. -
Peter Jackson María Seijo-Richart, [email protected]
Review of The Bloomsbury Companions to Contemporary Film-makers: Peter Jackson María Seijo-Richart, [email protected] Volume 5.2 (2016) | ISSN 2158-8724 (online) | DOI 10.5195/cinej.2016.152 | http://cinej.pitt.edu Book Review Alfio Leotta, The Bloomsbury Companions to Contemporary Film-makers: Peter Jackson, London: Bloomsbury Academic, 2016. xi + 285 pp. ISBN 9781623566531, $134.99 (Hbk) New articles in this journal are licensed under a Creative Commons Attribution 4.0 United States License. This journal is published by the University Library System of the University of Pittsburgh as part of its D-Scribe Digital Publishing Program and is cosponsored by the University of Pittsburgh Press. Review of The Bloomsbury Companions to Contemporary Film-makers: Peter Jackson Alfio Leotta’s new book aims to analyse Peter Jackson as “auteur”, his double status of New Zealand and global filmmaker, and how his work has contributed to put his homeland on the map. This promising premise is marred by an unsatisfactory, fragmentary structure, which gives the impression that the book was completed hastily. It has four chapters, followed by a dictionary-like mishmash (“A-Z Films/ Themes/ Key Concepts”). Some sentences appear twice. Leotta introduces people and films (i.e. Andy Serkis, the mockumentary Forgotten Silver), apparently forgetting they had a whole section devoted to them previously in the book. In contrast to the excessive times he repeats personal details (i.e. the fact that Costa Botes introduced Jackson and his partner Fran Walsh), some information relevant to the discussion (i.e. the production companies owned by Jackson) is sparsely mentioned.