Globalising a Design Heritage Strategy
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Finland: Architecture and Design 2022
Finland: Architecture and Design 2022 13 SEP – 26 SEP 2022 Code: 22237 Tour Leaders Stephen Crafti Physical Ratings For 14 days, architecture and design writer Stephen Crafti charts the very latest in Finland contemporary art, architecture, furniture and fashion. Overview With architecture and design writer Stephen Crafti, explore the very best of Finland’s modernist and contemporary art, architecture, furniture and fashion in Helsinki, Jyväskylä, Seinäjoki and Turku. Begin in Finland’s capital, Helsinki visiting the Design Museum and the Museum of Finnish Architecture. Accompanied by an architect, discover Helsinki’s rich architectural history; visit Eliel Saarinen’s Central Station, the Chapel of Silence, Oodi – the new Helsinki Central Public Library, and the famous Finlandia Hall. Experience a private visit of the multi-award winning Amos Rex Art Museum, accompanied by project mastermind Asmo Jaaksi, JKMM Architects. Meet with Tuuli Sotamaa in her renowned design studio Ateljé Sotamaa. Tours of the Artek Flagship store and the Aalto House and Studio introduce us to Alvar Aalto, Finland’s most famous architect of the 20th century. At Marimekko Outlet, see some examples of world-renowned Marimekko prints. Tour the private showroom of Marita Huurinainen, famous for her ‘wave shoes’. Meet new artists at the Design Lab at the Iittala & Arabia Design Centre. View contemporary art at Didrichsen Art Museum, a seaside villa designed by Alvar Aalto’s assistant, Viljo Revell. Meet designer Harri Koskinen and learn about his internationally renowned range of products. Travel through Finnish forests to Lahti to view its wooden architecture and understand more about the relationship Finns share with wood; in Haltia, tour the award-winning Finnish Nature Centre. -
Aalto and History
Keynote - Alvar Aalto Researchers’ Network March 12th – 14th 2012, Seinäjoki and Jyväskylä, Finland Aalto and history Aino Niskanen Professor Aalto University, School of Arts, Design and Architecture Department of Architecture Finland [email protected] Publisher Alvar Aalto Museum ISSN-L 2323-6906 ISSN 2323-6906 www.alvaraalto.fi www.alvaraaltoresearch.fi Keynote - Alvar Aalto Researchers’ Network March 12th – 14th 2012, Seinäjoki and Jyväskylä, Finland www.alvaraaltoresearch.fi In the present seminar the history of Alvar Aalto’s work is being dealt with on many different levels. As an introduction, I should like to discuss Aalto’s relationship with history. Many of the presentations over the course of the seminar will no doubt take these issues further. What do we know about Aalto’s formative years as an architect? During the period he was studying at the Helsinki Institute of Technology, 1916-1921, the teaching there had a strong emphasis on history: examples from the antiquities beckoned as a foundation for everything new. (Fig 1) Fig 1. Alvar Aalto in 1916. Photo: Schildt, Göran: The Early Years, p. 75. Nevertheless, those teachers considered important by Aalto were, according to Göran Schildt, above all important as pedagogues of attitudes: Usko Nyström, who taught the history of architecture of the antiquities and Middle Ages, emphasised the values of modesty, humanity, vitality, comfort and practicality. Armas Lindgren, who taught more recent architectural history, awoke a love in Aalto for Italian Renaissance architecture and an understanding of the organic thinking of Jugend architecture.1 In the paintings he made during his youth Aalto often portrayed historically layered urban milieus. -
Aino Marsio-Aalto (Fig
Myriam López-Rodero https://doi.org/10.3986/wocrea/1/momowo1.18 Women Architects in the Shadow: Introduction Aino Marsio-Aalto (Fig. 1) was one of the most important Finnish architects of the beginning of the Aino Marsio-Aalto twentieth century. She was the professional and personal partner of Alvar Aalto from almost the beginning of their professional career in 1920 until her death in 1949. However, her work has not been extensively studied in spite of her being a key figure in modern Finnish architecture and also a key figure in the work of her husband. In the many studies about Alvar Aalto, limited credit has been awarded to Aino Marsio-Aalto and few written articles that analyse her work can be found.1 The aim of this paper is to study and bring to light the professional career of Aino Marsio-Aalto, to understand and appreciate her architecture and design and to publicise and value her work placing it justifiably within the history of modern Aino Marsio-Aalto, one of the most important Finnish architects of the beginning art, as a matter of historical justice. In the case of Aino Marsio-Aalto, the tandem with Alvar Aalto of the 20th century, was Alvar Aalto’s professional and personal partner from the was not only personal but also professional, working with him as a collaborator, co-author and start of his career until her death in 1949. But like other female partners of re- independent designer. She worked on architecture and interior design projects, preferring residential nowned architects, Marsio-Aalto worked behind the scenes. -
Press Release 29.8.2018
Press release, 29 August 2018 Facilities for new services at Finlandia Hall to be built during renovation Plans are in place for an audio-visual exhibition, design store, and a drink bar on the roof The renovation project of Finlandia Hall will begin in 2021 according to the preliminary schedule. The project means not only restoration of existing premises but also construction of a framework for new services. Plans for the renewed Finlandia Hall include, for instance, an audio-visual exhibition and a design store. The kitchen will be modernized so the restaurant can be of service during large events and conferences in the future. Restaurant operations will be developed so that people from far away arrive at Finlandia Hall for dinner. A drink bar on the rooftop terrace is planned as a main attraction. For the area around Töölönlahti Bay, there are plans for glamping-type activity that connects Finlandia Hall more closely to the surrounding park area. Finlandia Hall is the largest and best-known event and conference centre in Finland. The building’s turnover has doubled in six years, and Finlandia Hall Ltd’s operation is profitable. – Finlandia Hall is very important for Helsinki both as an architectural landmark and as a living conference centre, which enables the arrangement of diverse events in the capital city of Finland. This is why special care must be taken of the building. Every year Finlandia Hall welcomes more than 200,000 visitors. According to one study, they spend almost €50 million per year on various experiences, shopping and services in Helsinki, says Anni Sinnemäki, the Deputy Mayor for Urban Environment. -
Aalto, His Row Houses and Their Inhabitants
Working papers - Alvar Aalto Researchers’ Network March 12th – 14th 2012, Seinäjoki and Jyväskylä, Finland Aalto, his row houses and their inhabitants Rainier Hoddé Professor Researcher at the Centre de recherche sur l’habitat - Laboratoire sur l’architecture, la ville, l’urbanisme et l’environnement (CRH-LAVUE; Unité mixte de recherche n°7218 of the Centre national de la recherche scientifique) and Professor at the Ecole nationale supérieure d’architecture de Lyon (until september 2013) and de Paris la Villette (from september 2013) [email protected] Publisher Alvar Aalto Museum ISSN-L 2323-6906 ISSN 2323-6906 www.alvaraalto.fi www.alvaraaltoresearch.fi Working papers - Alvar Aalto Researchers’ Network March 12th – 14th 2012, Seinäjoki and Jyväskylä, Finland www.alvaraaltoresearch.fi 1. Introduction: from widely recognized work to largely unknown production At a time when French society is seeking a course between collective housing, or social housing estates, which it has been partially demolishing since 2003, and detached houses, whose energy insecurity has been in the spotlight since 2010, row-houses, more commonly found in northern European countries, seem a fecund compromise and Alvar Aalto’s row houses offer avenues worth exploring: - they provide architectural answers that seem promising, such as the particularly well-known one of row houses in a fan-shaped arrangement that he invented and where meet both an aesthetic and a functional need - they show how an architect who is renowned for exceptional buildings takes on minor, more modest, programs - they are easier to inquire with the residents who live in and use them in comparison with larges publics buildings, whereas enquiries protocols are more complex. -
Aalto, His Row Houses and Their Inhabitants Rainier Hoddé
Aalto, his row houses and their inhabitants Rainier Hoddé To cite this version: Rainier Hoddé. Aalto, his row houses and their inhabitants. First Alvar Aalto research conference Alvar Aalto now: New research initiatives, 2013, Seinäjoki, Finland. halshs-01631080 HAL Id: halshs-01631080 https://halshs.archives-ouvertes.fr/halshs-01631080 Submitted on 9 Nov 2017 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Working papers - Alvar Aalto Researchers’ Network March 12th – 14th 2012, Seinäjoki and Jyväskylä, Finland Aalto, his row houses and their inhabitants Rainier Hoddé Professor Researcher at the Centre de recherche sur l’habitat - Laboratoire sur l’architecture, la ville, l’urbanisme et l’environnement (CRH-LAVUE; Unité mixte de recherche n°7218 of the Centre national de la recherche scientifique) and Professor at the Ecole nationale supérieure d’architecture de Lyon (until september 2013) and de Paris la Villette (from september 2013) [email protected] Publisher Alvar Aalto Museum ISSN-L 2323-6906 ISSN 2323-6906 www.alvaraalto.fi www.alvaraaltoresearch.fi -
Aino Marsio-Aalto (1894-1949) the Architect of Interiors and Everyday Objects to Unveil
Architectoni.ca © [2016], Copyright CCAAS Fátima Pombo et.al. , Architectoni.ca 2016, Online 4, 46-59 Aino Marsio-Aalto (1894-1949) the Architect of Interiors and Everyday Objects to Unveil Fátima Pombo1*, Pauliina Rumbin2 1Guest Professor of Department of Architecture, University of Leuven, Belgium and Member of Research Institute for Design, Media and Culture, University of Aveiro and University of Porto, Portugal E-mail: [email protected], *corresponding author. 2Engineer-Architect, University of Leuven, Belgium. Abstract Despite the remarkable success achieved during her lifetime, the Finnish architect and designer Aino Marsio- Aalto (1894-1949) is still poorly addressed in interior design history as a talent on her own and therefore independent of her husband’s praised architectural achievements. Besides the fact that both worked together in a common office and in many common projects till her death, it is not yet completed the research that will allow to acknowledge which was her participation in the corpus of work produced during the Aaltos partnership. If that endeavour will have ever a satisfactory response is also yet a doubt. Our perspective stems from the framework present in all of Aino Marsio-Aalto’s projects from which we construe a statement: based on the simplicity of forms, flawless quality of materials and practical view about dwelling Aino entices a feeling for fruition home in a soft, comfortable and natural atmosphere. With this paper we intend also to draw the attention to Aino Marsio-Aalto as an architect with a clear interest for ‘interiors’ which achievements deserve to be considered an excellent contribution to affirm the Nordic interpretation of modernism. -
Alvar Aalto's Industrial Architecture 1929-1951
i Four Cardinalities: Alvar Aalto’s Industrial Architecture 1929-1951 Andrew Metcalf A thesis submitted for the degree of Doctor of Philosophy in Architecture University of Canberra 2019 iii Abstract This thesis examines the interwar industrial work of the renown Finnish architect and designer Alvar Aalto (1898–1976) and its significance in an interpretation of his work. Despite their number, size and importance to the Aalto corpus, the industrial buildings and their relationship with the other well-known works in his design portfolio, have received limited treatment in architectural scholarship despite their obvious relevance. Set against the historical backdrop of modern industrial architecture, this thesis examines a selection of eight different interwar Alvar Aalto industrial buildings in the context of the architect’s coeval, well-documented non-industrial work and the development of his mature architectural style. The study posits that four cardinal architectural design tropes in Aalto’s architecture are observable in the 1930s industrial works often before they were evident in his architecture more broadly. Each of these four cardinalities adds extra material to the interpretation of Aalto’s work. Another inference is that Aalto’s factory architecture is important to the general history of modern industrial architecture through its contribution to an architectural aesthetic wherein industrial buildings manifested architectural tendencies beyond the merely utilitarian. The thesis comprises five chapters which sequentially introduce and problematise the study, and then position Aalto with reference to the extant literature including his own writing. This is followed by a contextualisation of his industrial work in relation to the history of modern industrial architecture in the century from the 1830s. -
24 Villa Mairea
VILLA MAIREA 24 Alvar Aalto Scott Poole Alvar and Aino Aalto, Villa Mairea, living room with Aino Aalto and Maire Gullichsen, Noormarkku, Finland, 1939.* The Companions to the History of Architecture, Volume IV, Twentieth-Century Architecture. Edited by David Leatherbarrow and Alexander Eisenschmidt. © 2017 John Wiley & Sons, Inc. Published 2017 by John Wiley & Sons, Inc. As late as 1927, at a time when modernism was making bold advances in the centers of European culture, Alvar and Aino Aalto were designing neoclassical buildings and handcrafted furniture in an array of historical styles in Jyväskylä.1 A small city in the countryside of central Finland, Jyväskylä was far from Turku and Helsinki, the cultural centers of a country that was already on the periphery of European civilization. There was little out of the ordinary in the Aaltos’ work.2 It was com- petent, conventional in its style and appropriate for its place. Looking forward from this point in time, the prospect that a modern masterpiece would emerge from their office seemed unlikely, let alone inevitable.3 Yet, looking back from 1939, the year the Villa Mairea was completed, the trajectory seems clearer. In fact, by early 1938, Alvar Aalto’s exhibit at the Museum of Modern Art (MoMA) in New York was announced in a press release: “The Exhibition of Furniture and Architecture by Alvar Aalto presents the first American survey of the work of the Finnish architect, who is recognized as one of the most important and original modern architects and furniture designers of the past -
Experimental Housing
corpus -experimental housing- diploma thesis Tetsujiro Kyuma Aalto University School of Arts, Design and Architecture Department of Architecture 2015 corpus [kˈɔːpəs] Latin [1] From Proto-Indo-European *krep - ("body") 1. body, substance, material 2. the felsh of an animal's body 3. a lifeless body, corpse 4. the trunk or shaft of something 5. a frame, body, system, structure, community, corporation 6. (fi guratively) the wood under the bark of a tree 7. (Medieval) a collection of writings by a single author or addressing a certain topic [2] Author: Tetsujiro Kyuma Title of thesis: corpus -experimental housing- Date: 12.5.2015 Department: Department of Architecture Academic chair: Building Technology Chair code: A-09 Supervisor: Professor Antti-Matti Siikala Drawing Panels: 7 Models: 1 Number of pages (report + annexes) 56 + 10 Language: English Keywords: caly, clay block, masonry, housing, Otaniemi, access corridor Abstract This is an experiment to build a three-storey extension to the existing three-storey housing in Otaniemi using thermal clay block masonry structure. Burnt clay is one of the oldest and most used materials in human history. Its use in architecture has been developed through the course of time. It started from monumental masonry structure in Mesopotamia and developed further in Roman era thanks to the invention of arch structure. The evolution of masonry structure reached its peak in Gothic architecture. After the Gothic period, the evolution of masonry structure almost stopped. It was Gaudí who succeeded in developing masonry structure further, eventually continued by Dieste. The use of burnt clay changed radically when wall and facade became free from structure in modernist architecture. -
Vitra Design Museum Ins
Vitra Design Exhibition Alvar Aalto. Second Nature Museum Designer Alvar Aalto Title Church in Muurame, Finland, Interior Subtitle Signatur: Alvar Aalto-26 Year: 1926 -1929 Exh. dim: 53 x 40,5 cm Pack. dim: 53 x 40,5 cm Material - Technique Coal on tracing paper cat. # 101.00.01-E Inv. # 0FI-1052 Lender Alvar Aalto Museum Ins. value: EUR 10.000 Crate # Designer Alvar Aalto Title Church in Muurame, Finland Subtitle Year: 1926 -1929 Exh. dim: 69,5 x 51 cm Pack. dim: Material - Technique Coal on paper cat. # 101.00.02-E Inv. # 0FI-1050 Lender Alvar Aalto Museum Ins. value: EUR 10.000 Crate # Designer Alvar Aalto Title Church of Toivakka, Finland, elevation Subtitle Signatur: Alvar Aalto. Dipl. arkkitehti toukok. (May) 1923. Year: 1923 Exh. dim: 27,5 x 74 cm Pack. dim: Material - Technique Graphite on tracing paper cat. # 101.00.03-E Inv. # 0FI-1049 Lender Alvar Aalto Museum Ins. value: EUR 7.000 Crate # Designer Alvar Aalto Title Church in Jämsä, Finland, aisle Subtitle Year: 1925 Exh. dim: 51 x 37 cm Pack. dim: Material - Technique cat. # 101.00.04-E Inv. # 0FI-1045 Lender Alvar Aalto Museum Ins. value: EUR 10.000 Crate # 104 Annex en RPa 06.11.2014 1/84 Vitra Design Exhibition Alvar Aalto. Second Nature Museum Designer Alvar Aalto Title Chuch in Jämsä, Finland, portal Subtitle Year: 1925 Exh. dim: 51 x 37 cm Pack. dim: Material - Technique graphite on cardboard cat. # 101.00.05-E Inv. # 0FI-1044 Lender Alvar Aalto Museum Ins. value: EUR 10.000 Crate # Designer Alvar Aalto Title Church in Jämsä, Finland, Interior and exterior perspective Subtitle Year: 1925 Exh. -
Download Download
DIGITAL BRAND EXPERIENCE IN THE CONTEXT OF CULTURAL HERITAGE – A PILOT SUDY Arja Lemmetyinen1; Lenita Nieminen2; Abstract The aim of this case study is to explore whether, and if so how, digitalization adds value to the perceived brand experience. We interviewed four people for this pilot study, two of them representing the provider side of the brand, the Alvar Aalto cultural route and two representing the prospective visitors to one of the destinations along the route, the Ironworks Village in Kauttua, in Finland, with its two sites, the Terrace House and the Jokisauna. Many of the benefits of the digitalization of the brand were discussed through reflections on the empirical accounts of the informants that included the brand equity dimensions: brand awareness, brand associations, brand quality, loyalty and prospective digital value. A forthcoming study will focus on the digitalization stage of the brand and the perceptions of prospective visitors will be gathered more widely by way of a survey instrument. Key Words: brand experience, cultural route, digital brand, Alvar Aalto JEL classification: Z10 Introduction The aim of this pilot case study is to explore, in the context of cultural heritage, whether and how digitalization adds value to the perceived brand experience. The study presents a route around cultural heritage sites consisting of individual buildings in Finland and globally designed by the world famous Finnish architect, Alvar Aalto, a pioneer of modern architecture and design. Aalto incorporated the principals of user-friendly,