DOCSLIB.ORG

KLOS July 7Th 2013 Ringo Ernie

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
KLOS July 7Th 2013 Ringo Ernie 1 PLAYLIST July 7th 2013 1 2 Special in studio guest Barry Livingston 9AM Ringo – I’m The Greatest - Ringo `73 2 3 The Beatles – Boys – Please Please Me (Dixon-Farrell) Lead vocal: Ringo Recorded in just one take on February 11, 1963. “Boys” was drummer Ringo Starr’s first recorded lead vocal. Luther Dixon and Wes Farrell’s song was originally recorded by The Shirelles and was the b-side to their smash hit “Will You Love Me Tomorrow?” This song was usually Ringo’s contribution at The Beatles’ live performances during their North American Tour in the summer of 1964. On U.S. albums: Introducing… The Beatles - Vee-Jay LP The Early Beatles - Capitol LP Ringo – Slow Down (w/ Walsh) – Ringo 2012 9.12 BREAK The Beatles - You Won’t See Me - Rubber Soul (Lennon-McCartney) Lead vocal: Paul Written entirely by Paul. Recorded in two takes on November 11, 1965, at the final recording session for the “Rubber Soul” album. The song is notable for Paul’s melodic bass line, something new to rock and roll. Paul: “It was very Motown-flavored. It's got a James Jamerson feel. He was the Motown bass player, he was fabulous, the guy who did all those great melodic bass lines. It was him, me and Brian Wilson who were doing melodic bass lines at that time.” Beatles roadie Mal Evans is credited on the album’s back cover with playing Hammond organ on this track, but it is inaudible in the final mix. On U.S. album: Rubber Soul - Capitol LP Mark – HOT !> Ringo Starr - Don’t Hang Up – Choose Love Ringo Starr - Vocals, Drums, Organ. Chrissie Hynde - Vocals Mark Hudson - Bass, Electric guitar, Backing vocals Gary Burr - Electric guitar, Backing vocals John Amato - Saxes The Beatles - I Call Your Name - Long Tall Sally EP (Lennon-McCartney) Lead vocal: John Composed by John Lennon and originally given to Billy J. Kramer with the Dakotas to use as the b-side of another Lennon song (credited to Lennon-McCartney), “Bad to Me.” 3 4 Both songs had been recorded at Abbey Road by Kramer and band on June 27, 1963, with Paul McCartney in attendance. The Beatles’ version was recorded in seven takes on March 1, 1964. On U.S. album: The Beatles’ Second Album - Capitol LP U.K.: Non-album track (EP song) Wings – Call Me Back Again - Wings Over America ‘76 Recorded in Cincinnati, OH – May 27th. The Beatles - You Know My Name (Look Up The Number) flip of Let It Be Recorded: 17 May, 7/8 June 1967, 30 April 1969 Paul has named "You Know My Name" his favorite Beatles track due to its irregularity. The song was recorded over a two-year span, being worked on and shelved several times between 1967 and 1969. John came up with the lyric and title after seeing a postal advertisement reading, "You have their name? Look up their number." The karaoke segment was developed during the second sessions for the song, and a reference to 'A Hard Day's Night' associate producer Dennis O'Dell was added, prompting numerous calls to his home by crazed fans who chanted mindlessly "We have your name and now we've got your number", as well as drugged fans coming en masse to his doorstep wanting to live with him. Recording dates May 17, 1967 (instrumentals) June 7, 1967 (instrumentals) June 8, 1967 (instrumentals, inc. Brian Jones sax solo) June 9, 1967 (mixed into one master take) April 30, 1969 (vocals and sound effects Release dates March 6, 1970 (UK) March 11, 1970 (US) March 8, 1988 (UK & US) ( Recording notes Also features Brian Jones of the Rolling Stones on a saxophone solo Quiz…800-955-KLOS We heard a song in that last set called “Don’t Hang Up” by Ringo Starr…name the famous female guest vocalist w/ Ringo on that track? 9.42 BREAK 4 5 The Beatles - I Feel Fine- A Collection Of Oldies (Lennon-McCartney) Lead vocal: John The Beatles’ eighth single release for EMI’s Parlophone label. Recorded in nine takes on October 18, 1964. Written entirely by John Lennon. He based the guitar riff on Bobby Parker’s obscure R&B record “Watch Your Step.” The recording marked the first occasion in which guitar feedback had been deliberately incorporated into a pop song. The sound was achieved by Paul plucking a single bass string and John getting amplifier feedback from his guitar. Issued in the U.S. on November 23, 1964, and in U.K. four days later. Not included on the “Beatles For Sale” LP, which was released on December 4, 1964 in the UK. On U.S. albums: Beatles ‘65 - Capitol LP UK: Non-album single (A-side) On UK album: A Collection of Beatles Oldies - Parlophone LP (1966) The Beatles - Think For Yourself - Rubber Soul (Harrison) Lead vocal: George The fifth original composition by George Harrison to be recorded by The Beatles was completed on November 8, 1965 in one take with overdubs under the working title “Won’t Be There With You.” The song features Paul playing his bass through a fuzz box to give it a distorted sound. On U.S. album: Rubber Soul - Capitol LP The Beatles - She Said She Said - Revolver (Lennon-McCartney) Lead vocal: John The rhythm track was finished in three takes on June 21, 1966, the final day of recording for “Revolver.” When the recording session started the song was untitled. The key line came from a real-life incident. On August 24, 1965, during a break in Los Angeles from their North American Tour, The Beatles rented a house on Mulholland Drive. They played host to notables such as Roger McGuinn and David Crosby of the Byrds, actors and actresses, and a bevy of beautiful women, “From Playboy, I believe,” Lennon remembered. John, high on acid, found himself in a strange conversation with actor Peter Fonda, who kept coming up to him and whispering, “I know what it’s like to be dead.” As a child, Fonda had a near-death experience after accidentally shooting himself on the stomach. The song was a last-minute addition to the “Revolver,” rehearsed and recorded on the final day of sessions when the band discovered they were one song short. McCartney recalls getting into an argument with John and leaving 5 6 the studio. He believes this is one of the only Beatle records he didn’t play on. It is assumed George played the bass in McCartney’s absence. John sings the lead vocal and plays the organ, and John and George double-tracked the backing vocals. On U.S. album: Revolver - Capitol LP The Beatles - I’ll Be Back - A Hard Day’s Night (Lennon-McCartney) Lead vocal: John Recorded in 16 takes on June 1, 1964. “I'll Be Back” was written mostly by John Lennon, and was a reworking of the chords to Del Shannon's 1961 hit “Runaway.” Beatles fans in America would have to wait five months to hear this exquisite Beatles song, one of Lennon finest compositions, because Capitol Records held it off their “Something New” album and released it on “Beatles ‘65” in December 1964. On U.S. album: Beatles ‘65 - Capitol LP John Lennon – I’m Losing You - Double Fantasy ‘80 This was another track where Cheap Trick had provided a very “Cold Turky-ish” backing track – that due to money issues between Cheap Trick management and Yoko – left them off the album for good. This version is a middle-of-the-road of sorts with the usual cast of Double Fantasy session musicians. The Beatles - Don’t Let Me Down – Naked Live (Lennon-McCartney) Lead vocal: John with Paul The Beatles’ nineteenth single release for EMI, and second on the Apple Records label. Paul McCartney – I Lost My Little Girl (Lennon/McCartney) – Unplugged ‘91 This was Paul’s first composition, written at the age of 14. An almost all John Lennon set…closing w/ Paul’s 1st song he ever wrote… News w/ special guest senior news correspondent my Mom…Dolores Carter! 6 7 NEWS HERE 10.13 BREAK The Beatles - Get Back - album version - Let It Be (Lennon-McCartney) Lead vocal: Paul Paul’s “Get Back” had been rehearsed and reworked throughout the January 1969 sessions, including over 30 takes of the song on January 27, 1969. Among those over 30 takes was the master take of the song, but it did not include the familiar coda at the end heard on the single. That coda would be recorded the following day and edited on to the January 27 master. For the album version, Phil Spector used the same January 27 “single” master performance, but added modifications to give the impression the song was recorded during the rooftop concert. Spector’s album version begins with the instrumental and vocal warm-ups from the January 27 performance as well as some sound recorded on the rooftop on January 30. At the end of the song, instead of the familiar January 28 coda, he cuts to the end of the rooftop performance, with what EMI engineers described in their notes as “cricket applause” and Paul saying, “Thanks, Mo” (to Ringo’s wife Maureen for clapping the loudest), and Lennon’s famous quote: “I’d like to say thank you on behalf of the group and ourselves. I hope we passed the audition.” The Beatles - Lady Madonna – Single / – Hey Jude-Beatles Again/ 67-70 / Past Masters II – Beatles 1 Recorded: 3/6 February 1968 The exact opposite of what was expected from them after the incredible Sgt.
Load more

Recommended publications
  • Song Played by the Beatles at the Cavern Club 1961-1963
    PLAYLIST JUNE 10th 2012 This week’s show (and playlist) is a bit different. We will be spinning ONLY songs performed by The Beatles at The Cavern Club between the years 1961-1963. Hope ya dig it! Next Sunday (Fathers Day) Three hours of ALL McCartney music (with & without the Beatles) HOUR 1 SONG PLAYED BY THE BEATLES AT THE CAVERN CLUB 1961-1963 A Taste Of Honey (Paul) – PLEASE PLEASE ME 1963 Ain't She Sweet (John) – ANTHOLOGY 1 1994 Anna (John) – PLEASE PLEASE ME Baby It's You (John) – ANTHOLOGY 1 1994 Besame Mucho (Paul) – ANTHOLOGY 1Boys (Ringo) 2.14 Voice BREAK Chains (George) – PLEASE PLEASE ME Clarabella (Paul) – LIVE AT THE BBC 1995 Don't Ever Change (George/Paul) – LIVE AT THE BBC Glad All Over (George) – LIVE AT THE BBC Hello Little Girl (John) – ANTHOLOGY 1 RINGO - Hey Baby (Ringo) ROTOGRAVURE 1976 2.41 Voice BREAK Hippy Hippy Shake (Paul) – LIVE AT THE BBC Honeymoon Song (Paul) – LIVE AT THE BBC I Call Your Name (John) PAST MASTERS ----------------- I Forgot To Remember To Forget (George) – LIVE AT THE BBC I'm Gonna Sit Right Down And Cry (John)– LIVE AT THE BBC Johnny B.Goode (John) – LIVE AT THE BBC Kansas City (Paul) – LIVE AT THE BBC Keep Your Hands Off My Baby (John) – LIVE AT THE BBC Lend Me Your Comb (John) – ANTHOLOGY 1 Like Dreamers Do (Paul) – ANTHOLOGY 1 2.33 Voice BREAK Long Tall Sally (Paul) ) – ANTHOLOGY 1 Love Of The Loved (Paul) Decca TAPES 1962 Lucille (Paul) Wings Glasgow LIVE 1979 Matchbox (Paul `93) SOUNDCHECK Memphis (John) Decca TAPES Money (John) – Sweden RADIO 1 LIVE 1963 Mr.
    [Show full text]
  • KLOS March 17Th 2013
    1 1 2 PLAYLIST MARCH 17TH 2013 9AM Good morning Apple Scruffs! George Harrison – Apple Scruffs - All Things Must Pass ‘70 2 3 This was a salute to the girls (and sometimes boys) who stood vigil at Apple, Abbey Road and anyplace a Fab was to likely to be. Upon recording the tune, George invited the “Apple Scruffs,” into the studio to have a listen. The Beatles – Sun King - Abbey Road Recorded w/ Mean Mr. Mustard as one song on July 24th 1969. Lennon in Playboy interview of 1980…”That’s a piece of garbage I had around”. Many parts of Pink Floyd’s Dark Side of the Moon sound very much inspired by that piece of garbage. Lennon 1.00 The Beatles – Mean Mr. Mustard - Abbey Road Recorded July 24th. Written in India as we heard on the White LP demos from Esher. When the band is playing it during the Let It Be sessions Pam was then a Shirley. Lennon 1.00 The Beatles - Her Majesty – Abbey Road Recorded July 2, 1969. Originally fit between” Mean Mr. Mustard” and “Polythene Pam” McCartney 1.00 The Beatles – Polythene Pam - Abbey Road Recorded July 25th w/ “She Came in Through The Bathroom Window “. The only Beatles song inspired by a woman in New Jersey who dressed in polythene (but not jack boots or kilts). Written in India, demoed for the White LP. Lennon 1.00 The Beatles – She Came In Through The Bathroom Window - Abbey Road Recorded July 25th 1969. Written while in NYC to announce Apple. Based on a true story about some Scruffs breaking into Paul house at St.
    [Show full text]
  • Songs by Artist
    Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S.
    [Show full text]
  • John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
    THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums.
    [Show full text]
  • Download Press Release As PDF File
    For Immediate Release MUSIC ICONS: THE BEATLES IN LIVERPOOL THURSDAY, MAY 9, 2019 THE RAREST BEATLES RECORD IN THE WORLD-JOHN LENNON’S PERSONAL “YESTERDAY AND TODAY” BUTCHER ALBUM PROTOTYPE, A BEATLES SIGNED BASEBALL FROM THEIR FINAL U.S. CONCERT, JOHN LENNON’S AND RINGO STARR’S TITTENHURST PARK DOOR, JOHN LENNON’S SIGNED GUITAR STRAP AND MORE WILL ROCK THE BEATLES MEMORABILIA AUCTION EVENT OF THE SEASON Julien’s Auctions and The Beatles Story Bring Back “Memorabilia Day” Friday, May 10 in Spectacular Two-Day Beatlemania Event Los Angeles, California – (March 21, 2019) – Julien’s Auctions, the world-record breaking auction house, has announced that MUSIC ICONS: THE BEATLES IN LIVERPOOL, their annual auction extravaganza of the Fab Four’s most iconic and historic memorabilia to take place on Thursday, May 9 live for the first time at The Beatles Story Museum in Liverpool, UK, the birthplace of The Beatles and online at juliensauctions.com. (photo left to right: John Lennon’s guitar strap, John Lennon’s Yesterday and Today butcher album prototype and a baseball signed by The Beatles). In addition Julien’s Auctions will partner once again with The Beatles Story to bring their Beatles and Merseybeat “Memorabilia Day” back home to Liverpool on Friday, May 10th 2019 (12-8pm GMT) for a spectacular two-day Beatlemania event. Fans and collectors are invited to bring in their Beatles memorabilia to have appraised by the experts for free at The Beatles Story’s Fab4 Cafe on the Royal Albert Dock. The Beatles are the foremost and most influential music band of all time that were a phenomenon upon their arrival on the music scene in Liverpool in 1960 and changed pop culture forever with their music, style and innovations which continue to reverberate within millions of artists and fans worldwide today.
    [Show full text]
  • The Beatles in Context Edited by Kenneth Womack Frontmatter More Information
    Cambridge University Press 978-1-108-41911-6 — The Beatles in Context Edited by Kenneth Womack Frontmatter More Information THE BEATLES IN CONTEXT Since their first performances in 1960, the Beatles’ cultural influence grew in unparalleled ways. From Liverpool to Beatlemania, and from Dance Halls to Abbey Road Studios and the digital age, the band’s impact exploded during their heyday, and has endured in the decades following their disbandment. Beatles’ fashion and celebrity culture, politics, psychedelia and the Summer of Love, all highlight different aspects of the band’s complex relationship with the world around them. With a wide range of short, snapshot chapters, The Beatles in Context brings together key themes in which to better explore the Beatles’ lives and work and understand their cultural legacy, focusing on the people and places central to the Beatles’ careers, the visual media that contributed to their enduring success, and the culture and politics of their time. kenneth womack is Dean of the Wayne D. McMurray School of Humanities and Social Sciences at Monmouth University, where he also serves as Professor of English. He is the author or editor of numerous books, including Long and Winding Roads (2007), Cambridge Companion to the Beatles (2009), and The Beatles Encyclopedia (2014). More recently, he is the author of a two-volume biography of Beatles producer George Martin, including Maximum Volume: The Life of Beatles Producer George Martin (The Early Years, 1926–1966) and Sound Pictures: The Life of Beatles Producer George Martin (The Later Years, 1966–2016). © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-108-41911-6 — The Beatles in Context Edited by Kenneth Womack Frontmatter More Information composers in context Understanding and appreciation of musical works is greatly enhanced by knowledge of the context within which their composers lived and worked.
    [Show full text]
  • Call Me Back Again
    Call me back again. New York: Wm. A. Pond & Co., 1884 https://digital.library.wisc.edu/1711.dl/KL7HZYLPQYI2I83 http://rightsstatements.org/vocab/NKC/1.0/ The libraries provide public access to a wide range of material, including online exhibits, digitized collections, archival finding aids, our catalog, online articles, and a growing range of materials in many media. When possible, we provide rights information in catalog records, finding aids, and other metadata that accompanies collections or items. However, it is always the user's obligation to evaluate copyright and rights issues in light of their own use. 728 State Street | Madison, Wisconsin 53706 | library.wisc.edu THE BEAUTIFUL MELODY OF = COLLEEN DHAS MACHREE, 5 “MY OWN SWEET DARLING!’’ ™ MOUNTAIN TOP, LUZERNE CO. PA ; a 4 : : $ ae SONG AND CHORUS. | MUSIC BY ; : J | | FANNIE BEANE. 4 { - J f : SUNG WITH GREAT SUCCESS BY 4 ¥ : | 4 Pas CHAUNCEY OLCOTT y | a *.“EMERSON’S ALL-STAR MINSTRELS.*,* os t is = ARRANGED BY { | JEROME. 4 | MARCH. WALTZ. SCHOTTISCHE. By PRATT. GUITAR.—Vocal and Instrumental.—By DE JANON. 4 V Se : NEW YORK: FREDERICK BLUME, 25 union sovare. a _ BOSTON: NEW YORK: PHILADELPHIA: CINCINNATI: : — a DITSON & CO. WM. A. POND & CO. LEE & WALKER. JOHN CHURCH & CO. 24 CHICAGO: ST. Louis: : SAN FRANCISCO: : | LYON & HEALY. JOHN L. PETERS. SHERMAN, CLAY & CO. % . Copyricut, MDCCCLXXXIV, ny Freperick BLume. - : 4 ‘= : ft 3] 4nd COLLEEN DHAS MACHREE. | The shadows fall, and low the sun is sinking, His last rays tinge with gold the waters blue ; And of you, Kate Alanna, I am thinking, Tho’ waves divide us, still I know you’e true.
    [Show full text]
  • Ringo Starr Actuarà Per Primera Vegada En Solitari a Barcelona Aquest Dimarts El Bateria De the Beatles Ho Farà En El Marc Del Guitar BCN 2018
    Cultura i Mitjans | Jordi Novell | Actualitzat el 25/06/2018 a les 12:12 Ringo Starr actuarà per primera vegada en solitari a Barcelona aquest dimarts El bateria de The Beatles ho farà en el marc del Guitar BCN 2018 Ringo Starr | Arxiu Ringo Starr El Liverpool de postguerra no devia ser el millor dels mons per a un nen malaltís com Richard 'Ritchie' Starkey. Malalt d'apendicitis i peritonitis, i fins i tot en coma durant dies, als tretze anys Starkey emmalaltia de tuberculosi. Ingressat durant prop d'un any en un hospital, per esperonar la seva capacitat motriu els metges li van improvisar un mall fet amb una bobina de cotó per colpejar els armaris del costat del seu llit. I d'aquí, a la banda de l'hospital? Amb una mica d'ajuda dels amics Possiblement una de les grans habilitats de Richard Starkey és ser al lloc adequat en el moment precís. Només així es pot entendre com una banda de skiffle de Liverpool que malviu a Hamburg tocant rock acceleradíssim en tuguris de mala mort amb un èxit notable decideix substituir el seu bateria titular. John Lennon, Paul McCartney i George Harrison prescideixen del monolític estil de Pete Best -un del centenar de persones denominades 'el cinquè beatle'- per sondejar el bateria de Rory Storm and the Hurricanes. Richard Starkey ja era conegut com Ringo Starr - pels enormes anells que lluïa als dits-, i havia de sentir els crits de "Pete forever! Ringo never!" i algun cop de puny que va forçar que Brian Epstein -denominat el cinqu? au va!- hagués de llogar un guardaespatlles.
    [Show full text]
  • I Dig a Pony (Lennon/Mccartney)
    I Dig A Pony (Lennon/McCartney) False start: A-one-two-three HOLD IT! Intro (also use as ending |-----------------------------||--G-----------------D----------------| |-----------------------------||-------------------------------------| |-----------------------------||-----------------------------4--7--4-| |-----------------------------||-----------2--5--2-----4--7----------| |-----------------------------||-----2--5-----------5----------------| |---------------------------3-||--3----------------------------------| -|--A---------------------------------------------| -|------------------------------------------------| -|-----------------------------2------------------| (repeat) -|--5--5--5---------2--h3--h4-----4--2---------2--| -|--0--0--0--3--h4----------------------3--h4-----| -|------------------------------------------------| Verse: I dig a pony A F#m -|--5--5----5--5----5--5----5----------2-| -|--2--2h3--2--2h3--2--2h3--2----------2-| -|--2--2----2--2----2--2----2----------2-| -|--2--2h4--2--2h4--2--2h4--2----------4-| -|--0--0----0--0----0--0----0----------4-| -|-------------------------------------2-| Well you can celebrate any thing you want (*) yes Bm G |-----------------------------------------------3--5--5/7--5-- |------------------------------------------------------------- |-----------------------------------------------4--5--5/7--5-- |-2h4--2------------------------------------------------------ |--------------4-------2-------------------------------------- |------------------------------------------------------------- You
    [Show full text]
  • Deutsche Nationalbibliografie 2012 T 04
    Deutsche Nationalbibliografie Reihe T Musiktonträgerverzeichnis Monatliches Verzeichnis Jahrgang: 2012 T 04 Stand: 18. April 2012 Deutsche Nationalbibliothek (Leipzig, Frankfurt am Main) 2012 ISSN 1613-8945 urn:nbn:de:101-ReiheT04_2012-7 2 Hinweise Die Deutsche Nationalbibliografie erfasst eingesandte Pflichtexemplare in Deutschland veröffentlichter Medienwerke, aber auch im Ausland veröffentlichte deutschsprachige Medienwerke, Übersetzungen deutschsprachiger Medienwerke in andere Sprachen und fremdsprachige Medienwerke über Deutschland im Original. Grundlage für die Anzeige ist das Gesetz über die Deutsche Nationalbibliothek (DNBG) vom 22. Juni 2006 (BGBl. I, S. 1338). Monografien und Periodika (Zeitschriften, zeitschriftenartige Reihen und Loseblattausgaben) werden in ihren unterschiedlichen Erscheinungsformen (z.B. Papierausgabe, Mikroform, Diaserie, AV-Medium, elektronische Offline-Publikationen, Arbeitstransparentsammlung oder Tonträger) angezeigt. Alle verzeichneten Titel enthalten einen Link zur Anzeige im Portalkatalog der Deutschen Nationalbibliothek und alle vorhandenen URLs z.B. von Inhaltsverzeichnissen sind als Link hinterlegt. Die Titelanzeigen der Musiktonträger in Reihe T sind, wie sche Katalogisierung von Ausgaben musikalischer Wer- auf der Sachgruppenübersicht angegeben, entsprechend ke (RAK-Musik)“ unter Einbeziehung der „International der Dewey-Dezimalklassifikation (DDC) gegliedert, wo- Standard Bibliographic Description for Printed Music – bei tiefere Ebenen mit bis zu sechs Stellen berücksichtigt ISBD (PM)“ zugrunde.
    [Show full text]
  • James Last Was, in 1975, One of the Most Popular Recording Artists
    06007 5305679 ward the end. It’s easy to hear why Watts has always been Hollywood’s go-to man for romantic sax. “Summertime” is said to be one of Maestro Last’s favorite songs, and he’s often performed and recor- ded it, though more in the traditional James Last style than heard here. An edited version of “Summertime” was issued on 45 as an “A” side in Europe (Polydor POSP 45) and as a “B” side to “Love For Sale” in the United States (Polydor PD15108). I Can’t Move No Mountains – From the first Blood, Sweat & Tears album after founder David Clayton Thomas left the group, “New Blood” (1972), this song featured a jazzier sound, no doubt promp- ted by the jazz musicians in the band at the time, which lent itself well to the cover it gets here. The solos are by Larry Muhoberac on syn- thesizer and Larry Carlton on guitar. Love For Sale – Had Cole Porter lived through the disco age, he would have no doubt appreciated this take on one of the greatest tunes of temporary companionship ever written. The strings, the horns and Larry Muhoberac’s vibrant electric piano make this a classic that could have been equally at home in any blaxploitation film of the pe- riod or, more appropriately, a European dance club. While James Last has performed Cole Porter’s classic many times, it never got near as funky as this. The “Love For Sale” single went to Top 80 in the Uni- ted States. Bolero ’75 – There have been quite a few attempts to rock the clas- sics, or in James Last’s case, bring the “classics up to date”.
    [Show full text]
  • Karaoke Book
    10 YEARS 3 DOORS DOWN 3OH!3 Beautiful Be Like That Follow Me Down (Duet w. Neon Hitch) Wasteland Behind Those Eyes My First Kiss (Solo w. Ke$ha) 10,000 MANIACS Better Life StarStrukk (Solo & Duet w. Katy Perry) Because The Night Citizen Soldier 3RD STRIKE Candy Everybody Wants Dangerous Game No Light These Are Days Duck & Run Redemption Trouble Me Every Time You Go 3RD TYME OUT 100 PROOF AGED IN SOUL Going Down In Flames Raining In LA Somebody's Been Sleeping Here By Me 3T 10CC Here Without You Anything Donna It's Not My Time Tease Me Dreadlock Holiday Kryptonite Why (w. Michael Jackson) I'm Mandy Fly Me Landing In London (w. Bob Seger) 4 NON BLONDES I'm Not In Love Let Me Be Myself What's Up Rubber Bullets Let Me Go What's Up (Acoustative) Things We Do For Love Life Of My Own 4 PM Wall Street Shuffle Live For Today Sukiyaki 110 DEGREES IN THE SHADE Loser 4 RUNNER Is It Really Me Road I'm On Cain's Blood 112 Smack Ripples Come See Me So I Need You That Was Him Cupid Ticket To Heaven 42ND STREET Dance With Me Train 42nd Street 4HIM It's Over Now When I'm Gone Basics Of Life Only You (w. Puff Daddy, Ma$e, Notorious When You're Young B.I.G.) 3 OF HEARTS For Future Generations Peaches & Cream Arizona Rain Measure Of A Man U Already Know Love Is Enough Sacred Hideaway 12 GAUGE 30 SECONDS TO MARS Where There Is Faith Dunkie Butt Closer To The Edge Who You Are 12 STONES Kill 5 SECONDS OF SUMMER Crash Rescue Me Amnesia Far Away 311 Don't Stop Way I Feel All Mixed Up Easier 1910 FRUITGUM CO.
    [Show full text]