New York University Bulletin 1981- 82
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New York University Bulletin
New York University Bulletin Steinhardt School of Culture, Education and Human Development New York University Washington Square New York, New York 10003 NOTICES About this Bulletin The policies, requirements, course offerings, schedules, activities, tuition, fees, and calendar of the school and its departments and programs set forth in this bulletin are subject to change without notice at any time at the sole discretion of the administration. Such changes may be of any nature, including, but not limited to, the elimination of the school or college, programs, classes, or activities; the relocation of or modification of the content of any of the foregoing; and the cancellation of scheduled classes or other academic activities. Payment of tuition or attendance at any classes shall constitute a student’s acceptance of the administration ‘s rights as set forth herein. Fieldwork Placement Advisory Be advised that fieldwork placement facilities that provide training required for your program degree, and agencies that issue licenses for practice in your field of study, each may require you to undergo general and criminal background checks, the results of which the facility or agency must find accept able before it will allow you to train at its facility or issue you a license. You should inform yourself of offenses or other facts that may prevent you from obtaining a license to practice in your field of study. NYU Steinhardt will not be responsible if you are unable to complete program requirements or cannot obtain a license to practice in your field because of the results of such background checks. Some fieldwork placement facilities in your field of study may not be available to you in some states due to local legal prohibitions. -
Major Exhibition Poses Tough Questions and Reasserts Fluxus Attitude
Contact: Alyson Cluck 212/998-6782 or [email protected] Major Exhibition Poses Tough Questions And Reasserts Fluxus Attitude Fluxus and the Essential Questions of Life and Fluxus at NYU: Before and Beyond open at NYU’s Grey Art Gallery on September 9, 2011 New York City (July 21, 2011)—On view from September 9 through December 3, 2011, at New York University’s Grey Art Gallery, Fluxus and the Essential Questions of Life features over 100 works dating primarily from the 1960s and ’70s by artists such as George Brecht, Robert Filliou, Ken Friedman, George Maciunas, Yoko Ono, Nam June Paik, Mieko Shiomi, Ben Vautier, and La Monte Young. Curated by art historian Jacquelynn Baas and organized by Dartmouth College’s Hood Museum of Art, the exhibition draws heavily on the Hood’s George Maciunas Memorial Collection, and includes art objects, documents, videos, event scores, and Fluxkits. Fluxus and the Essential Questions of Life is accompanied by a second installation, Fluxus at NYU: Before and Beyond, in the Grey’s Lower Level Gallery. Fluxus—which began in the 1960s as an international network of artists, composers, and designers―resists categorization as an art movement, collective, or group. It also defies traditional geographical, chronological, and medium-based approaches. Instead, Fluxus participants employ a “do-it-yourself” attitude, relating their activities to everyday life and to viewers’ experiences, often blurring the boundaries between art and life. Offering a fresh look at Fluxus, the show and its installation are George Maciunas, Burglary Fluxkit, 1971. Hood designed to spark multiple interpretations, exploring Museum of Art, Dartmouth College, George Maciunas Memorial Collection: Gift of the Friedman Family; the works’ relationships to key themes of human GM.986.80.164. -
Philip Pearlstein
PHILIP PEARLSTEIN 1924 Born in Pittsburgh, PA on May 24 1942-49 B.F.A. from Carnegie Institute of Technology, Pittsburgh, PA 1955 M.A. from New York University, Institute of Fine Arts, New York, NY 1959-63 Instructor, Pratt Institute, Brooklyn, NY 1962-63 Visiting Critic, Yale University, New Haven, CT 1963-88 Professor of Fine Art, Brooklyn College, Brooklyn, NY 1988 Distinguished Professor Emeritus, Brooklyn College, Brooklyn, NY 2003-06 President, American Academy of Arts and Letters, New York, NY The artist lives and works in New York City. Solo Exhibitions 2018 Philip Pearlstein, Today, Betty Cuningham Gallery, New York, May 10 – June 17 Philip Pearlstein, Paintings 1990- 2017, Saatchi Gallery, London, United Kingdom, January 17 – April 29 2017 Facing You, Betty Cuningham Gallery, New York, May 5 – June 30 Philip Pearlstein: Seventy –Five Years of Painting, Susquehanna Museum of Art, Harrisburg, PA, February 11 – May 21 2016 G.I. Philip Pearlstein, World War II Captured on Paper, Betty Cuningham Gallery, New York, September 14 – October 15 2015-16 Pearlstein | Warhol | Cantor: From Carnegie Tech to New YorK, Betty Cuningham Gallery, New York, NY, Dec. 3 – March 5, 2016 2015 Pearlstein | Warhol | Cantor : From Pittsburgh to New YorK, Andy Warhol Museum, Pittsburgh, PA May 30- September 6 2014 Philip Pearlstein, Betty Cuningham Gallery, New York, NY, May 8 – July 27 Pearlstein at 90, Russell Bowman Art Advisory, Chicago, IL, April 4 – May 31 Philip Pearlstein: Six Paintings, Six Decades, National Academy of Art, New York, NY, Feb. 27 – May 11 Philip Pearlstein – Just The Facts, 50 Years of Looking and Drawing and Painting, Curated by Robert Storr, New York Studio School, New York, NY, January 16 – February 22 2013 Philip Pearlstein’s People, Places, Things, Museum of Fine Arts, St. -
10-0406 NYU Map.Indd
NEW YORK UNIVERSITY SCHOOL OF LAW 16 Alumni Hall (C-2) 33 3rd Avenue 52 Alumni Relations (B-2) 25 West 4th Street 17 Barney Building (C-2) W. 16TH STREET E. 16TH STREET 34 Stuyvesant Street IRVING PLACE IRVING 60 Bobst Library (B-3) CHELSEA 1 UNION SQUARE GRAMERCY 70 Washington Square South 48 Bookstore (B-2) W. 15TH STREET E. 15TH STREET 18 Washington Place 13 Brittany Hall (B-2) 55 East 10th Street 2 13 Broadway Windows (B-2) W. 14TH STREET E. 14TH STREET 12 Bronfman Center (B-2) 7 East 10th Street 4 3 8 5 Broome Street Residence (not on map) 400 Broome Street W. 13TH STREET E. 13TH STREET THIRD AVENUE 34 Brown Building (B-2) SIXTH AVENUE FIFTH AVENUE UNIVERSITY PLACE BROADWAY AVENUE SECOND AVENUE FIRST 6 FOURTH AVENUE 29 Washington Place 7 26 Cantor Film Center (B-2) 36 East 8th Street W. 12TH STREET E. 12TH STREET 67 Card Center (C-2) 9 14 383 Lafayette Street 15 1 Carlyle Court (B-1) 25 Union Square West W. 11TH STREET E. 11TH STREET 9 Casa Italiana Zerilli-Marimò (A-1) 24 West 12th Street 11 12 13 80 Coles Sports and Recreation Center (B-3) 181 Mercer Street W. 10TH STREET E. 10TH STREET 32 College of Arts and Science (B-2) 10 33 Washington Place 16 17 College of Dentistry (not on map) 345 East 24th Street W. 9TH STREET E. 9TH STREET 41 College of Nursing (B-2) 726 Broadway STUYVESANT ST. CHARLES ST. GREENWICH VILLAGE EAST VILLAGE 51 Computer Bookstore (B-2) 242 Greene Street W. -
Armajani Home Page
Reflections on Works by Siah Armajani in the Grey Gallery’s Collection Shiva Balaghi, December 2008 A textured black background merges into two abstract spheres—one layered in cold hues of blue and white, the other in warm hues of ochre and brown—evoking a night sky that contains within it the celestial bodies. Closer inspection of the surface of Siah Armajani’s painting Prayer for the Sun (1962) reveals barely legible Persian letters and numbers etched onto the image of the sun and the moon. The contemplative work quietly references the mystical astrology of Sufism. “All Persian art, all Persian poetry,” Armajani has said, “comes out of Sufism, which is not a sect but an alternative human strategy. It is a civilizing and humanizing influence that works very quietly and without calling attention to itself.”(1) Siah Armajani, Prayer for the Sun, 1962 oil on canvas, 48 1/4 x 32 inches (122.6 x 81.3 cm) Grey Art Gallery, New York University Art Collection Gift of Abby Weed Grey, G1975.81 Works by Siah Armajani featured in the Grey Art Gallery’s collection date from the first decade of his artistic career, some created while he was still a college student in Minneapolis. It was there that Abby Grey met the artist and collected half a dozen works that reveal the early intellectual and artistic experimentation of Armajani, now recognized as one of the leading public artists in the United States. Armajani was born and raised in Tehran. His father, Agha Khan Armajani, a successful merchant who imported European textiles, sent his children to a Presbyterian missionary school and provided them a comfortable, book-filled home. -
HANNAH WILKE Born in New York, NY, 1940 Died in Houston, TX
HANNAH WILKE Born in New York, NY, 1940 Died in Houston, TX, 1993 EDUCATION 1962 BA Fine Arts, BS Education, Stella Elkins Tyler School of Art, Temple University, Philadelphia SOLO EXHIBITIONS 2012 Hannah Wilke, Gallery Paule Anglim, San Francisco, CA 2011 Permanent Collection Gallery, Museum of Modern Art, New York, NY Hannah Wilke: Selected work from the '60s &' 70s, Alison Jacques Gallery, London, UK 2010 Early Drawings, Ronald Feldman Fine Arts, New York, NY Hannah Wilke: Elective Affinities, Alison Jacques Gallery, London, UK 2008 Hannah Wilke: Gestures, Neuberger Museum of Art, Purchase, NY 2007 Hannah Wilke, Alison Jacques Gallery, London, UK Intra-Venus Tapes 1990-1993, Ronald Feldman Fine Arts, New York, NY 2006 Exchange Values, Atrium-Centro Museo Vasco de Arte Contemporaneo, Vitoria, Spain Hannah Wilke: Advertisement for Living, Hannah Wilke Collection & Archive, Solway Jones, Los Angeles, CA 2005 The Rhetoric of the Pose: Rethinking Hannah Wilke, Mary Porter Sesnon Art Gallery, Santa Cruz, CA 2004 Hannah Wilke, Selected Work 1960 - 1992, Hannah Wilke Collection and Archive, SolwayJones, Los Angeles, CA 2000 Interrupted Careers: Hannah Wilke 1940-1993, Neue Gesellschaft für bildende Kunst, Berlin, Germany (catalogue) 1999 Hannah Wilke: Sculpture & Other Work, Ronald Feldman Fine Arts, New York, NY 1998 Hannah Wilke - A Retrospective, Nikolaj Contemporary Art Center, Copenhagen, Denmark, and traveled to BildMuseet, Umea, Sweden, Helsinki City Art Museum, Helsinki, Finland (catalogue) 1997 Hannah Wilke: Intra-Venus, Woodruff -
Five Decades of Black Performance Art to Electrify New York City from Greenwich Village to Harlem Radical Presence: Black Performance in Contemporary Art
MEDIA RELEASE CONTACT: Laurie Duke, Press Officer, Grey Art Gallery [email protected] | 212.998.6782 Liz Gwinn, Communications Manager, The Studio Museum in Harlem [email protected] | 646.214.2142 Five Decades of Black Performance Art to Electrify New York City from Greenwich Village to Harlem Radical Presence: Black Performance in Contemporary Art NYU’s Grey Art Gallery | September 10–December 7, 2013 The Studio Museum in Harlem | November 14, 2013–March 9, 2014 New York City (July 8, 2013)—This fall, New York University’s Grey Art Gallery and The Studio Museum in Harlem will co-present Radical Presence: Black Performance in Contemporary Art, the first comprehensive survey of more than five decades of performance art by black visual artists. The exhibition, organized by Valerie Cassel Oliver for the Contemporary Arts Museum Houston, will be presented in New York in two parts: Part I will be on view September 10 to December 7, 2013, at NYU’s Grey Art Gallery; Part II will take place November 14, 2013 to March 9, 2014 at The Studio Museum in Harlem. The exhibition will be accompanied by more than a dozen live performances and public programs throughout its six-month run. These include a series of performances co- organized with Performa 13, New York’s celebrated performance- art biennial (November 1–24, 2013). Providing a critical history beginning with Fluxus and Conceptual art in the early 1960s through present-day practices, Radical Presence chronicles the emergence and development of black performance art over three generations, presenting a rich and Maren Hassinger performing in Senga Nengudi’s RSVP (1975–77/2012) at Contemporary Arts complex look at this important facet of contemporary art. -
Contact: Ally Mintz [email protected] | 212.998.6782
Contact: Ally Mintz [email protected] | 212.998.6782 GREY EXHIBITS 20TH-CENTURY INDIAN ART FROM ITS REMARKABLE HOLDINGS Abby Grey and Indian Modernism: Selections from the NYU Art Collection Lower Level Gallery, January 13–April 4, 2015 During four trips to India from 1960 to 1968, inveterate collector Abby Weed Grey—founder of NYU’s fine arts museum—explored the vital art scene that blossomed after Indian independence in 1947. Abby Grey and Indian Modernism: Selections from the NYU Art Collection spotlights Mrs. Grey’s pioneer- ing efforts, presenting Indian modernism through the lens of her ardent engagement with the country and its art. On view from January 13 through April 4, 2015, the exhibition is co-curated by American art his- torian Susan Hapgood and Indian poet and critic Ranjit Hoskote. In establishing the Grey Art Gallery in 1974, Mrs. Grey provided it with a founding collection of nearly 800 artworks, more than 80 of which were pur- chased during her travels to India. With this act of generosity, she created the most important trove of modern Indian art in an American university museum. Yet until Abby Grey and Indian Modernism, these works have rarely been seen in public as a group. The exhibition includes 27 paintings and works on paper, and one sculpture, by 20 artists. These are enriched and contextualized by illuminating ephemera from Mrs. Grey’s travels, and from her diaries, all of which are preserved in the New York University Archives. Reflecting current interest in this period of art from India, Abby Grey and Indian Modernism will complement a related exhibition at the Queens Museum of Art, After Midnight: Indian Modernism to Contemporary India Maqbool Fida Husain 1947/1997 (on view March 1–June 28, 2015), which highlights two defin- Virgin Night, 1964. -
The Rita Williams Popular Song Collection a Handlist
The Rita Williams Popular Song Collection A Handlist A wide-ranging collection of c. 4000 individual popular songs, dating from the 1920s to the 1970s and including songs from films and musicals. Originally the personal collection of the singer Rita Williams, with later additions, it includes songs in various European languages and some in Afrikaans. Rita Williams sang with the Billy Cotton Club, among other groups, and made numerous recordings in the 1940s and 1950s. The songs are arranged alphabetically by title. The Rita Williams Popular Song Collection is a closed access collection. Please ask at the enquiry desk if you would like to use it. Please note that all items are reference only and in most cases it is necessary to obtain permission from the relevant copyright holder before they can be photocopied. Box Title Artist/ Singer/ Popularized by... Lyricist Composer/ Artist Language Publisher Date No. of copies Afrikaans, Czech, French, Italian, Swedish Songs Dans met my Various Afrikaans Carstens- De Waal 1954-57 1 Afrikaans, Czech, French, Italian, Swedish Songs Careless Love Hart Van Steen Afrikaans Dee Jay 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Ruiter In Die Nag Anton De Waal Afrikaans Impala 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Van Geluk Tot Verdriet Gideon Alberts/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs Wye, Wye Vlaktes Martin Vorster/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs My Skemer Rapsodie Duffy -
Contents and Quick Facts Media Guide Overview
CONTENTS AND QUICK FACTS MEDIA GUIDE OVERVIEW ON THE COVER (ACROSS BOttOM, L TO R): TABLE OF CONTENTS SENIORS MAtt BASFORD, DANIEL FALCON, Inside-Front.....2006-07-Schedule/Credits- JASON BOONE, CHAEL CLARK, 1- -.................Table-of-Contents/Quick-Facts MICHAEL DECORSO -2- -.................A-Distinguished-Private-University -3- -.................Senior-Administration-Bios -4-7--.................Athletic-Administration-Bios -8- -.................Head-Coach-Joe-Nesci -9- -.................Assistant-Coaches -10-11-...............Looking-Ahead:-2006-07-Preview -12- -.................Media-Information/Broadcast-Schedule -13- -.................The-Squad:-2006-07-Roster -14-22-..............Meet-the-Team:-Player-Bios 23- -.................Looking-Back:-2005-06-Season-Review -24- -.................2005-06-Results/Statistics -25- -.................2005-06-UAA-Honors-and-Awards -26- -.................2005-06-UAA-Leaders -27- -.................UAA-Record-Book- -28-31-..............The-Record-Book-(UAA/NYU/Coles) -32-33-..............NYU-vs.-Opponents/Team-Awards-/All-Met-Awards -34- -.................NYU-Yearly-Records ON THE BACK COVER: 2006-07 PRE-SEASON ALL-AMERICAN -35- -.................Violets-in-the-Pros/NYC-Hall-of-Fame SENIOR JASON BOONE 36- -.................NYU-Athletics-Hall-of-Fame- 37- -.................Varsity-Athletes-Reunion 38-39-..............Meet-the-2006-07-Opponents -40- -.................Facilities:-Coles-and-Palladium Inside-Back-.....2006-07-Team-Picture NEW YORK UNIVERSITY MEN’S BASKETBALL QUICK FACTS Location------------------------------------------------------------------------------------------------------------------------------------ -
NEW YORK UNIVERSITY BULLETIN Leonard N. Stern School of Business
NEW YORK UNIVERSITY BULLETIN 2019-2021 New York University Leonard N. Stern School of Business Tisch Hall 40 West Fourth Street New York, NY 10012 NEW YORK UNIVERSITY BULLETIN Leonard N. Stern School of Business Undergraduate College Leonard N. Stern School of Business THE UNDERGRADUATE COLLEGE NEW YORK UNIVERSITY C A private university in the public service N E W Y O R K U N I V E R S I T Y B U L L E T I N 2 0 1 9 - 2 0 2 1 Leonard N. Stern School of Business The Undergraduate College ANNOUNCEMENT FOR THE 120TH AND 121ST SESSIONS TISCH HALL 40 WEST FOURTH STREET NEW YORK, NEW YORK 10012 Notice: The policies, requirements, course offerings, schedules, activities, tuition, fees, and calendar of the school and its departments and programs set forth in this bulletin are subject to change without notice at any time at the sole discretion of the administration. Such changes may be of any nature, including, but not limited to, the elimination of the school or college, programs, classes, or activities; the relocation of or modification of the content of any of the fore- going; and the cancellation of scheduled classes or other academic activities. Payment of tuition or attendance at any classes shall constitute a student’s acceptance of the administration’s rights as set forth in the above paragraph. TABLE OF Contents An Introduction to New York University . 3. Leonard N. Stern School of Business: The Undergraduate College . 8. Calendar . 10. Bachelor of Science Degree Business Program . 12. -
A Distinguished Private University
A DISTINGUISHED PRIVATE UNIVERSITY The founding of New York University in 1831 by a group of eminent private citizens was a historic event in American education. In the early 19th century, a major emphasis in higher education was on the study of Greek and Latin, with little attention to modern or contemporary subjects. The founders of New York University intended to enlarge the scope of higher education to meet the needs of persons aspiring to careers in business, industry, science, and the arts, as well as law, medicine, and the ministry. The opening of the University of London in 1828 convinced New Yorkers that their city, too, should have a university. The first president of New York University's governing council, Albert Gallatin, and his co-founders said that the new university was to be a "national university" that would provide a "rational and practical education for all." The result of the founders' foresight is today an institution of higher education at the forefront of America's urban research universities. Of the more than 3,000 colleges and universities in America, New York University is one of the 58 private institutions that are members of the distinguished Association of American Universities. Among its stellar – and accessible – faculty are recipients of the Nobel, Abel, and Pulitzer Prizes; the MacArthur, Guggenheim, and Fulbright Fellowships; and Academy and Emmy Awards. The University includes 14 schools, colleges, and divisions at six major centers in Manhattan. In addition, the University operates branch campus programs in Westchester County at Manhattanville College and in Rockland County at Dominican College.