Oliver Nelson & Eric Dolphy Complete Recordings
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Hermann NAEHRING: Wlodzimierz NAHORNY: NAIMA: Mari
This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Hermann NAEHRING: "Großstadtkinder" Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Stefan Dohanetz -d; Henry Osterloh -tymp; recorded 1985 in Berlin 24817 SCHLAGZEILEN 6.37 Amiga 856138 Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Stefan Dohanetz -d; recorded 1985 in Berlin 24818 SOUJA 7.02 --- Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Volker Schlott -fl; recorded 1985 in Berlin A) Orangenflip B) Pink-Punk Frosch ist krank C) Crash 24819 GROSSSTADTKINDER ((Orangenflip / Pink-Punk, Frosch ist krank / Crash)) 11.34 --- Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; recorded 1985 in Berlin 24820 PHRYGIA 7.35 --- 24821 RIMBANA 4.05 --- 24822 CLIFFORD 2.53 --- ------------------------------------------ Wlodzimierz NAHORNY: "Heart" Wlodzimierz Nahorny -as,p; Jacek Ostaszewski -b; Sergiusz Perkowski -d; recorded November 1967 in Warsaw 34847 BALLAD OF TWO HEARTS 2.45 Muza XL-0452 34848 A MONTH OF GOODWILL 7.03 --- 34849 MUNIAK'S HEART 5.48 --- 34850 LEAKS 4.30 --- 34851 AT THE CASHIER 4.55 --- 34852 IT DEPENDS FOR WHOM 4.57 --- 34853 A PEDANT'S LETTER 5.00 --- 34854 ON A HIGH PEAK -
Prestige Label Discography
Discography of the Prestige Labels Robert S. Weinstock started the New Jazz label in 1949 in New York City. The Prestige label was started shortly afterwards. Originaly the labels were located at 446 West 50th Street, in 1950 the company was moved to 782 Eighth Avenue. Prestige made a couple more moves in New York City but by 1958 it was located at its more familiar address of 203 South Washington Avenue in Bergenfield, New Jersey. Prestige recorded jazz, folk and rhythm and blues. The New Jazz label issued jazz and was used for a few 10 inch album releases in 1954 and then again for as series of 12 inch albums starting in 1958 and continuing until 1964. The artists on New Jazz were interchangeable with those on the Prestige label and after 1964 the New Jazz label name was dropped. Early on, Weinstock used various New York City recording studios including Nola and Beltone, but he soon started using the Rudy van Gelder studio in Hackensack New Jersey almost exclusively. Rudy van Gelder moved his studio to Englewood Cliffs New Jersey in 1959, which was close to the Prestige office in Bergenfield. Producers for the label, in addition to Weinstock, were Chris Albertson, Ozzie Cadena, Esmond Edwards, Ira Gitler, Cal Lampley Bob Porter and Don Schlitten. Rudy van Gelder engineered most of the Prestige recordings of the 1950’s and 60’s. The line-up of jazz artists on Prestige was impressive, including Gene Ammons, John Coltrane, Miles Davis, Eric Dolphy, Booker Ervin, Art Farmer, Red Garland, Wardell Gray, Richard “Groove” Holmes, Milt Jackson and the Modern Jazz Quartet, “Brother” Jack McDuff, Jackie McLean, Thelonious Monk, Don Patterson, Sonny Rollins, Shirley Scott, Sonny Stitt and Mal Waldron. -
Oliver Nelson E Le Variazioni Sul Blues
1 Angelo Peli ‘The Blues and the Abstract Truth’: Oliver Nelson e le variazioni sul Blues Esplorazioni nei territori di confine tra Hard Bop, Soul Jazz e Avant-Garde 2 INTRODUZIONE Oliver Nelson (1932, St.Louis – 1975, Los Angeles), polistrumentista, arrangiatore, compositore e didatta tra i più preparati e prolifici della storia del jazz, si è espresso in ogni campo con grande personalità ed originalità, sostenuto da una dedizione alla professione spinta ai limiti dell’umana resistenza. Nei caotici fermenti degli anni ’60 Nelson si è distinto per l’autonomia di pensiero e azione: la sua arte non risulta omologabile ad una particolare corrente musicale, così come le sue idee ed esternazioni riguardo la condizione dei neri afro-americani rappresentano interessanti testimonianze fuori dal coro degli artisti-militanti in voga in quegli anni. Come molti musicisti afro-americani prima e dopo di lui, Nelson ha intrapreso la carriera jazzistica più per necessità che per vocazione, vedendosi preclusa ogni possibilità nell’ambito della musica ‘colta’ a causa del colore della pelle; il Blues, da lui indicato con slancio poetico e orgoglio di razza come la Verità Assoluta (The Abstract Truth), è stato il suo costante punto di riferimento e la sua inesauribile fonte di ispirazione. Ringraziamo sentitamente il Dr. Wolfram Knauer, direttore del Jazzinstitut di Darmstad, senza la cui squisita disponibilità questo lavoro monografico, primo in Europa a quanto ci è dato sapere, non sarebbe stato possibile. A.P. 3 PREMESSA Termini come hard bop, soul jazz e avant-garde, entrati di prepotenza nel vocabolario jazzistico a partire dalla seconda metà degli anni ’50, sembrano contrassegnare inconciliabili fazioni contrapposte, regioni geografiche collocate agli antipodi. -
King Curtis King Soul Mp3, Flac, Wma
King Curtis King Soul mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: King Soul Country: US Released: 1973 Style: Hard Bop, Soul-Jazz MP3 version RAR size: 1548 mb FLAC version RAR size: 1898 mb WMA version RAR size: 1691 mb Rating: 4.8 Votes: 359 Other Formats: WMA AU MP2 TTA MP4 DMF AUD Tracklist Hide Credits Da Duh Dah A1 6:00 Written-By – King Curtis Have You Heard A2 10:10 Written-By – Foster*, Curtis* Willow Weep For Me A3 5:20 Written-By – Ann Ronell Little Brother Soul B1 8:30 Composed By – King Curtis In A Funky Groove B2 10:45 Composed By – King Curtis Companies, etc. Distributed By – Fantasy Records Credits Bass – Paul Chambers Cornet – Nat Adderley Drums – Oliver Jackson Liner Notes [March 1970] – Tom Curry Piano – Wynton Kelly Producer – The Sound Of America Recorded By – Rudy Van Gelder Supervised By – Ozzie Cadena Tenor Saxophone – King Curtis Notes Stereo reissue from 1973 Other versions Category Artist Title (Format) Label Category Country Year The New Scene King Of King Curtis NJLP - 8237 New Jazz NJLP - 8237 US 1960 Curtis (LP, Album, Mono) The New Scene King New Jazz, Status ST 8237 Of King Curtis ST 8237 US 1965 Curtis Records (LP) The New Scene King Of King Curtis Prestige, New UCCO-5384 UCCO-5384 Japan 2013 Curtis (CD, Album, RE, Jazz RM, SHM) The New Scene King Top Rank RANK 5073 Of King Curtis RANK 5073 Japan Unknown Curtis International (LP) The New Scene Original Jazz OJCCD-198-2, King OJCCD-198-2, Of King Curtis Classics, New US 1992 NJ-8237 Curtis NJ-8237 (CD, Album, RE) Jazz Related Music albums -
The Folk Music Revival in Ann Arbor
Ann Arbor Folk and Blues The Scene in the 1960s and 1970s By Michael Erlewine 1 © Copyright Michael Erlewine 2015 [email protected] ISBN-13: 978-1517124953 ISBN-10: 1517124956 Cover Photo of Michael Erlewine interviewing Muddy Waters by Stanley Livingston. 2 Table of Contents Table of Contents ......................................................... 3 The Folk Music Revival in Ann Arbor ............................ 7 The Folk Scene ........................................................... 11 The Folk Revival – Looking for Roots ......................... 12 The Folk Blues ............................................................ 14 Being Part of the Scene .............................................. 15 Searching for Roots .................................................... 16 Ann Arbor Blues Festival – A Brief History ................. 22 How I Happened to Be There ..................................... 22 A Short History of Blues Festivals ............................... 24 The Chitlin’ Circuit ....................................................... 25 The Folk Festivals ....................................................... 25 The Folk Revival – Looking for Roots ......................... 28 Singers, Not Songwriters ............................................ 30 The Folk Blues ............................................................ 31 Being Part of the Scene .............................................. 31 Searchin’ for Roots ..................................................... 32 1965: A Sea Change ................................................. -
Title Format Released (Jerry Bergonzi/Bobby Watson/Victor Lewis) Together Again for the First Time CD 1997 ???? ????? CD 1990 4
Title Format Released (Jerry Bergonzi/Bobby Watson/Victor Lewis) Together Again For The First Time CD 1997 ???? ????? CD 1990 4 Giants Of Swing 4 Giants Of Swing CD 1977 Abate, Greg It'S Christmastime CD 1995 Monsters In The Night CD 2005 Evolution CD 2002 Straight Ahead CD 2006 Bop City: Live At Birdland CD 2006 Abate, Greg Quintet Horace Is Here CD 2004 Bop Lives CD 1996 Adams, George & Don Pullen Don't Lose Control CD 1979 Adams, Greg Midnight Morning CD 2002 Adams, Pepper 10 to 4 at the 5-Spot CD 1958 Adderley, Cannonball The Poll Winners: Volume 4 CD 1960 The Cannonball Adderley Quintet In San Francisco [Live] [Bonus Track] CD 1959 Adderley, Cannonball With Bill Evans Know What I Mean? CD 1961 Adderley, Nat Work Song CD 1990 Ade & His African Beats, King Sunny Juju Music CD 1982 Aggregation, The Groove’s Mood CD 2008 Akiyoshi, Toshiko Desert Lady/Fantasy CD 1993 Live at Maybeck Recital Hall: Volume 36 CD 1994 Finesse CD 1978 Alaadeen and the deans of swing Aladeen And The Deans Of Swing Plays Blues For RC And Josephine, Too CD 1995 Alaadeen, Ahmad New Africa Suite CD 2005 Time Through The Ages CD 1987 Page 1 of 79 Title Format Released Albany, Joe The Right Combination CD 1957 Alden, Howard & Jack Lesberg No Amps Allowed CD 1988 Alexander, Eric Solid CD 1998 Alexander, Monty Goin' Yard CD 2001 Jamboree CD 1998 Ray Brown Trio - Ray Brown Monty Alexander Russell Malone (Disc 2-2) CD 2002 Reunion in Europe CD 1984 Ray Brown Monty Alexander Russell Malone (Disc 1) CD 2002 My America CD 2002 Monty Meets Sly And Robbie CD 2000 Stir It -
Status Label Discography
Status Label Discography Many of the albums issued on the above labels were reissued on the Status label in the 1965 time frame. Status may have been a label owned by Prestige or Prestige may have leased their material to the Status label. The Status label was orange with black print. All Status albums were reissues of albums released by Prestige and most of them I can find were issued in 1965. Album covers were the same as the original cover with a Status sticker or printed with Status in place of the original name. Some albums that had Status covers had Prestige records inside. The number of the Status album was the same as the number on the original label. The following list is not comprehensive. ST 6 - Red Garland Trio - Red Garland Trio [196?] Reissue of Moodsville MVLP 6. ST 14 - Ballads by Cobb - Arnett Cobb [196?] Reissue of Moodsville MVLP 14. ST 18 - Nice and Cool - Gene Ammons, Doug Watkins and J.C. Head [1962] Reissue of Moodsville MVLP 18. ST 20 - Everything's Mellow - Clark Terry [196?] Reissue of Moodsville MVLP 20. ST 24 – The Bad and the Beautiful – Sam The Man” Taylor [196?] Reissue of Moodsville MVLP 24. ST 26 – Clark Terry Plays the Jazz Version of All American - Clark Terry [196?] Reissue of Moodsville MVLP 26. ST 37- Lusty Moods Played by America's Greatest Jazzmen - Various Artists [1963] Reissue of Moodsville MVLP 37. ST 1003 - Willie's Blues - Willie Dixon [196?] Reissue of Bluesville BVLP 1003. ST Soul Jazz, Volume 1 – Prestige All-Stars [196?] Reissue of Bluesville BVLP 1009. -
2020-BOOK 2 1.Pdf
1 2020 Blogs Part Two By Michael Erlewine 2 An eBook from SpiritGrooves.com A Wide-Awake Production © 2020 Michael Erlewine/StarTypes.com ISBN 978-0-9794970-8-7 All rights reserved. No part of the publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of the publisher. Graphics designed by Michael Erlewine [email protected] Free to use but not to bundle and charge Readable, but not finely edited (no time) 3 Table of Contents BEYOND GRASPING .......................................................................... 7 GARBAGE IN, GARBAGE OUT ........................................................... 8 PURE SENSE ................................................................................... 10 “DON’T THINK TWICE, IT’S ALL RIGHT” .......................................... 12 A BRIDGE TOO FAR FOR THOUGHTS TO CROSS ............................. 13 A MOMENT OF SILENCE ................................................................. 15 THE REST OF OUR LIFE ................................................................... 16 GIVE IT A REST ................................................................................ 17 THE ELEPHANT IN THE ROOM ........................................................ 19 “EVERY GOODBYE AIN’T GONE” .................................................... 21 CATCHING UP ................................................................................. 23 DESCRIPTORS -
Instructor's Resource Manual
See discussions, stats, and author profiles for this publication at: https://www.researchgate.net/publication/260363119 Jazz Styles, 11th Edition, Instructors' Resource Manual Book · January 2012 CITATIONS READS 0 4,368 1 author: Mark Charles Gridley Heidelberg University 62 PUBLICATIONS 123 CITATIONS SEE PROFILE All content following this page was uploaded by Mark Charles Gridley on 26 February 2014. The user has requested enhancement of the downloaded file. Instructor's Resource Manual Discography Updated by WILLIAM E. ANDERSON eleventh edition JAZZ STYLES history & analysis MARK C. GRIDLEY Heidelberg College Tiffin, Ohio 44883 prentice-hall upper saddle river, new jersey 07458 1 TABLE OF CONTENTS ABOUT THE AUTHOR iv PREFACE v IF YOU ARE TEACHING THIS COURSE FOR THE FIRST TIME 1 PREVENTING CONFRONTATIONS ABOUT GRADES 3 SAMPLE COURSE REQUIREMENTS 8 GETTING ORGANIZED IS HALF THE BATTLE 10 DIFFERENT WAYS TO USE THE TEXTBOOK 12 CAN YOU TEACH WITHOUT ACCOUNTING FOR PERCEPTUAL SKILLS? 15 CONVEYING THE EXTENT OF SPONTANEITY IN JAZZ 17 IT IS EASY TO HELP STUDENTS HEAR THE CHORD CHANGES 19 PITFALLS TO AVOID 21 CONSIDERATIONS REGARDING NONMUSICIANS IN GENERAL EDUCATION COURSES 25 VIDEO RESOURCES FOR TEACHING JAZZ APPRECIATION 29 HOW TO USE THE DEMONSTRATION CD 32 HOW TO USE THE JAZZ CLASSICS CDs AND LISTENING GUIDES 39 INTRODUCTION TO SAMPLE SYLLABI; RATIONALE FOR USING COURSE SYLLABI; SYLLABUS DESIGN TIPS 40 15-WEEK "STRAIGHT HISTORY" COURSE - MON-WED-FRI SCHEDULE 47 15-WEEK "STRAIGHT HISTORY" COURSE -TUESDAY-THURSDAY 53 15-WEEK "INTRO TO JAZZ"