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The Warrior, Is to Enlighten the Minds and Hearts of Its Members!
TEXAS LONE STAR CHAPTER / KOREAN WAR VETERANS RRIOR WA THE Volume 19 - Issue 6 JUNE 2009 Formed - February 1991 By Lee & Charlotte Henderson, Publishers / Editors Our Mission as Editors of the Warrior, is to Enlighten the Minds and Hearts of its Members! MEMORIAL DAY SERVICES . Memorial Day 2009, was a beautiful, blue sky day, with a few white wispy clouds. As we en- tered the hallowed grounds at the Houston VA National Cemetery, there were two fire trucks with ladders extended, forming an arch, for visitors to drive through, with a flag a flying high from the top of the arch, at the entrance. The roads throughout the cemetery were proudly flying American flags. There was a huge standing room only crowd in attendance, all paying homage to the veterans, and the fallen heroes. The program for the mornings activities began with a fly over of a US Coast Guard Rescue Helicopter, fol- lowed with a Cannon Salute by the Sons of the Confederate Veterans and Sons of the Union Veterans. The Parade of Colors was, as always, an impressive sight. Our Color Guard, of approximately 14 members, in- cluding John Pedraza, who drove in from San Antonio, just to be with his friends and march with the colors, was one of the largest groups. Stoney Stone did a wonderful presentation of the POW/MIA Ceremony. Something new was added this year. White Dove Memo- ries, released a covey of beautiful white doves that flew up and circled the field several times. This was truly impressive. Frances and David Velasco carried the wreath during the Parade of Wreaths. -
Was-Jesus-A-Wizard-With-Dr-Shaily-Patel Tue, 3/30 12:22PM 50:12
was-jesus-a-wizard-with-dr-shaily-patel Tue, 3/30 12:22PM 50:12 SUMMARY KEYWORDS jesus, christianity, texts, christian, magic, wizard, people, magician, ancient, world, religion, question, tradition, practices, religious traditions, thought, christians, deeply, new testament, megan SPEAKERS Dr. Shaily Patel, Megan Goodwin, The King and I, Life of Brian, Simpsons, Ilyse Morgenstein Fuerst, Detox Ilyse Morgenstein Fuerst 00:17 This is Keeping It 101: a killjoy's introduction to religion podcast. This season our work is made possible in part through a generous grant from the New England Humanities Consortium, and with additional support from the University of Vermont's Humanities Center. We are grateful to live, teach, and record on the ancestral and unseeded lands of the Abenaki, Wabenaki, and Aucocisco peoples and our guest is coming to us from the lands of the Tutelo/Monacan. M Megan Goodwin 00:42 What's up, nerds? Hi, hello, I'm Megan Goodwin, a scholar of American religions, race, and gender. And this episode arrives precisely when it means to. Ilyse Morgenstein Fuerst 00:51 Hi, hello, I'm Ilyse Morgenstein Fuerst scholar of religion, Islam, race and racialization, and history and it's leviOHsa, not levioSAH. M Megan Goodwin 00:58 was-jesus-a-wizard-with-dr-shaily-patel Page 1 of 40 Transcribed by https://otter.ai I like- I like this so much. Like, A) because just straight dork. Dork life, but also because you hate all of these movies. You don't hate the Harry Potter but you hated the Lord of the Rings so much. -
LEE-DISSERTATION-2018.Pdf
Copyright by Kyung Sun Lee 2018 The Dissertation Committee for Kyung Sun Lee Certifies that this is the approved version of the following Dissertation: Doing Good or Looking Good? Communicating Development, Branding Nation in South Korea Committee: Karin G. Wilkins, Supervisor Joseph Straubhaar Sharon Strover Robert Oppenheim James Pamment Doing Good or Looking Good? Communicating Development, Branding Nation in South Korea by Kyung Sun Lee Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December, 2018 Dedication To my dad, who inspired me to pursue the life of a scholar. Our time together was far too short, but you live on in my heart. Acknowledgements In the course of my dissertation journey, I have benefitted from many people and institutions to whom I would like to express my sincere gratitude. My utmost gratitude goes to my supervisor, Dr. Karin Wilkins. I came to the Department of Radio-Television-Film nearly ten years ago to explore the intersections of critical studies, communications, and development. Since then, she has helped me to mature as a scholar, encouraging me to ask incisive questions, to confront them methodically, and articulate evidence systematically. Her enthusiastic support for my dissertation project gave me the courage to challenge myself and persevere through difficult circumstances. Oftentimes, my project was sustained by her unrelenting passion and confidence in my work. It is not only her intellectual influence, but her kindness and genuine concern for her students to which I am most indebted. -
View Mirror to the Windshield Had Melted Off in the Heat, So I Turned Around in My Seat and Watched the Gravel Driveway As I Backed Out
ABSTRACT THE DIRT ON DOREEN AND OTHER NEWS by Meagan Sliger This collection of short stories is centered on a small town dynamic in which characters that have been raised on idle gossip and provincial ideas begin to question the values they have grown up with. Set primarily in Southwestern Ohio, the belief systems these characters have been carrying are challenged in unexpected ways. The stories are arranged in the reverse chronological order from which they were written. THE DIRT ON DOREEN AND OTHER NEWS A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements of the degree of Masters of Arts Department of English By Meagan Elizabeth Sliger Miami University Oxford, Ohio 2008 Advisor: Margaret Luongo Reader: Brian Roley Reader: Tim Melley CONTENTS 1. THE RACE 1 2. THE DIRT ON DOREEN 5 3. SOME OLD GUY LIKE ME 15 4. MUZZLE 20 5. THE HUMPS 31 6. HOUSE OF HOSPITATLITY 37 7. HOW TO BOIL A HOUSEWIFE 46 8. MABEL AND GOLIATH 53 ii THE RACE I have entered a road race. It is a 5k and I believe I will win my age group if not the entire race overall. For the women, of course. I am not fast enough to contend with the men. I believe I will win, because I believe if I believe I will win then it is likely that I will. More likely anyway than if I believe I will not win. So I stand at the starting line telling myself I will win, telling myself I am faster than all the other women here and that I can, without question, win the race. -
Artist Title Count PURPLE DISCO MACHINE FEAT. MOSS KENA & THEFIREWORKS KNOCKS 92 LEONY FADED LOVE 83 ONEREPUBLIC RUN 82 ATB FT
Artist Title Count PURPLE DISCO MACHINE FEAT. MOSS KENA & THEFIREWORKS KNOCKS 92 LEONY FADED LOVE 83 ONEREPUBLIC RUN 82 ATB FT. TOPIC & A7S YOUR LOVE 81 JUSTIN BIEBER FT. DANIEL CAESAR PEACHES 81 COLDPLAY HIGHER POWER 80 IMAGINE DRAGONS FOLLOW YOU 80 OLIVIA RODRIGO GOOD 4 YOU 80 REGARD X TROYE SIVAN X TATE MCRAE YOU 79 ALVARO SOLER MAGIA 74 RITON X NIGHTCRAWLERS FRIDAY 74 LOST FREQUENCES RISE 70 JONAS BLUE FT. AVA SOMETHING STUPID 69 THE WEEKND SAVE YOUR TEARS 69 KUNGS NEVER GOING HOME 68 ED SHEERAN BAD HABITS 68 JUSTIN WELLINGTON FEAT. SMALL JAM IKO IKO 67 MAJESTIC X BONEY M. RASPUTIN 67 ROBIN SCHULZ FT. FELIX JAEHN & ALIDA ONE MORE TIME 66 RAG'N'BONE MAN ALL YOU EVER WANTED 64 DUA LIPA LOVE AGAIN 63 JOEL CORRY FT. RAYE & DAVID GUETTA BED 63 JASON DERULO & NUKA LOVE NOT WAR 62 MEDUZA FT. DERMOT KENNEDY PARADISE 59 AVA MAX MY HEAD & MY HEART 58 DUA LIPA WE'RE GOOD 57 MARTIN GARRIX FEAT. BONO & THE EDGE WE ARE THE PEOPLE 57 JOEL CORRY HEAD AND HEART 56 CALVIN HARRIS FT. TOM GRENNAN BY YOUR SIDE 56 DOJA CAT FEAT. SZA KISS ME MORE 56 PINK ALL I KNOW SO FAR 54 OFENBACH FT. LAGIQUE WASTED LOVE 53 PINK + WILLOW SAGE HART COVER ME IN SUNSHINE 53 MALARKEY SHACKLES (PRAISE YOU) 50 MASTER KG FT. NOMCEBO JERUSALEMA 49 SIA & DAVID GUETTA FLOATING THROUGH SPACE 48 SUPER-HI & NEEKA FOLLOWING THE SUN 48 ALVARO SOLER FT. CALI Y EL DANDEE MANANA 44 MARCO MENGONI MA STASERA 42 AVA MAX EVERYTIME I CRY 41 TATE MCRAE YOU BROKE ME FIRST [LUCA SCHREINER41 REMIX] MAROON 5 LOST 40 OFENBACH & QUARTERHEAD HEAD SHOULDERS KNEES & TOES 38 PS1 FT. -
A Very Small Ledge: a Personal Reflection Jessica Couch University of Kentucky
Kaleidoscope Volume 1 Article 7 2002 A Very Small Ledge: A Personal Reflection Jessica Couch University of Kentucky Follow this and additional works at: https://uknowledge.uky.edu/kaleidoscope Part of the Creative Writing Commons Right click to open a feedback form in a new tab to let us know how this document benefits you. Recommended Citation Couch, Jessica (2002) "A Very Small Ledge: A Personal Reflection," Kaleidoscope: Vol. 1, Article 7. Available at: https://uknowledge.uky.edu/kaleidoscope/vol1/iss1/7 This Article is brought to you for free and open access by the The Office of Undergraduate Research at UKnowledge. It has been accepted for inclusion in Kaleidoscope by an authorized editor of UKnowledge. For more information, please contact [email protected]. AUTHOR Jessica Couch I am a junior English major and Women’s Studies A Very Small Ledge minor. For the three semesters that I have been at UK, I have been on the Dean’s List with a 4.0 average. Also, I A Personal Reflection just received a $1000 merit scholarship from the College of Arts and Sciences. In this personal essay, “A Very Small Ledge,” I reflect upon the alcoholism prevalent in my closest relatives, while also examining my own drinking habits. I juxta- pose anecdotes of family members with my own experi- Somewhere, spiraling in the tightened coils of my ences of alcohol. In the end, I conclude that my family’s genetic code, a hidden culprit attaches with in- habits, however detrimental, do not curb my own. In exorable force to my x chromosomes like a rabid this self examination, I realize that I choose to live on a dog to a helpless child — the dominantly diseased very small ledge. -
Alumni at Large
Colby Magazine Volume 101 Issue 3 Fall 2012 Article 11 September 2012 Alumni at Large Follow this and additional works at: https://digitalcommons.colby.edu/colbymagazine Recommended Citation (2012) "Alumni at Large," Colby Magazine: Vol. 101 : Iss. 3 , Article 11. Available at: https://digitalcommons.colby.edu/colbymagazine/vol101/iss3/11 This Contents is brought to you for free and open access by the Colby College Archives at Digital Commons @ Colby. It has been accepted for inclusion in Colby Magazine by an authorized editor of Digital Commons @ Colby. alumni at large 50 COLBY / FALL 2012 Homecoming Weekend: A bench on the academic quad provided a respite during Family Homecoming Weekend, Oct. 5-7. Parents and alumni enjoyed a cappella concerts, a jazz show, and athletic contests, among other events. Photo by Farabee Chowdhury ’16 COLBY / FALL 2012 51 CATCHING UP | ALUMNI Profiles A Matter of Trust | ole Amunsen ’90 Ole Amundsen ’90 ics, now emeritus. “It was then asked to rewrite the guide for has good reason to really opened my eyes general use. He did, using a draft version love his work as in the to how one could ac- to work with land trusts while he waited field of conservation. tually use the power for its publication as part of a series. Stra- “There’s nothing like of the free market to tegic Conservation Planning was published being involved in a provide solutions and by Land Trust Alliance in 2011 and now project and at the end furnish public ben- is used by conservation organizations of of that project you look efits,” Amundsen said. -
Half Way Down the Trail to Hell
Half Way Down The Trail To Hell A Wartime Remembrance in Three Parts By Stephen E. Kirkland i Prologue “The danger, being around veterans, the memories are so selective and so heroic that you’ve got to be careful talking to a guy like me.” George Herbert Walker Bush A while back I discovered the Library of Congress is conducting a program called The Veterans History Project. The mission of the project is the collection and preservation of veteran’s wartime recollections and documents before they are lost forever. Like many wartime veterans, I concentrated on getting on with my life. I needed a job that would allow me to marry, buy a house and raise a family. I didn’t feel anything I had experienced in Vietnam would contribute to these goals, and I felt that, for the most part, people who hadn’t served didn’t know or even care what I had seen or done. The country’s attitude was different than with the Gulf War veterans and I deflected the few inquires that were made, especially the ones that contained the words “Did ya’ kill anybody?” I was too busy dealing with the present to spend a lot of time staring into the past. Now, almost four decades after returning home, the time has come to look back and try to recreate a piece of personal history, albeit history filtered though my water colored memories. I’ve relied on a number of sources for this remembrance, not the least of which were letters that I wrote home. -
The Wild Robot.Pdf
Begin Reading Table of Contents Copyright Page In accordance with the U.S. Copyright Act of 1976, the scanning, uploading, and electronic sharing of any part of this book without the permission of the publisher is unlawful piracy and theft of the author’s intellectual property. If you would like to use material from the book (other than for review purposes), prior written permission must be obtained by contacting the publisher at [email protected]. Thank you for your support of the author’s rights. To the robots of the future CHAPTER 1 THE OCEAN Our story begins on the ocean, with wind and rain and thunder and lightning and waves. A hurricane roared and raged through the night. And in the middle of the chaos, a cargo ship was sinking down down down to the ocean floor. The ship left hundreds of crates floating on the surface. But as the hurricane thrashed and swirled and knocked them around, the crates also began sinking into the depths. One after another, they were swallowed up by the waves, until only five crates remained. By morning the hurricane was gone. There were no clouds, no ships, no land in sight. There was only calm water and clear skies and those five crates lazily bobbing along an ocean current. Days passed. And then a smudge of green appeared on the horizon. As the crates drifted closer, the soft green shapes slowly sharpened into the hard edges of a wild, rocky island. The first crate rode to shore on a tumbling, rumbling wave and then crashed against the rocks with such force that the whole thing burst apart. -
Longneck Bottle
Longneck Bottle Count: 64 Wall: 4 Level: Intermediate Choreographer: Alan Haywood (UK) - January 2008 Music: Longneck Bottle - Garth Brooks : (Album: The Ultimate Hits) Intro – quick start (4 seconds only), start on the word ‘bottle’ Section 1 L back, hold, rock back R, recover L, R forward lockstep, hold 1 - 2 Step back onto left, hold for one count 3 - 4 Rock back onto right, recover weight forward onto left 5 – 6 - 7 - 8 Step forward onto right, lock left behind right, right forward, hold for one count Section 2 L forward slow mambo, hold, triple ½ R, hold 1 – 2 – 3 - 4 Rock forward onto left, recover weight onto right, step left next to right, hold for one count 5 – 6 – 7 – 8 Make a ½ turn right stepping right left right, hold for one count (6 o’clock) Section 3 2 x slow vaudervilles 1 – 2 – 3 – 4 Cross step left over right, right side, touch left heel diagonally left, step left next to right 5 – 6 – 7 - 8 Cross step right over left, left side, touch right heel diagonally right, step right next to left Section 4 L forward slow mambo, hold, R behind, L ¼ L, ½ L, hold 1 – 2 – 3 – 4 Rock forward onto left, recover weight onto right, step left next to right, hold for one count 5 – 6 Step right behind left, step left ¼ left 7 - 8 Pivot ½ turn left stepping back onto right, hold for one count (9 o’clock) RESTART HERE WALLS 2 & 5 Section 5 L back, hold, rock back R, recover L, R side rock, recover L, cross R over, hold 1 - 2 Step back onto left, hold for one count 3 - 4 Rock back onto right, recover weight forward onto left 5 – 6 Rock right -
Pressemitteilung Zu Texas
Pressemitteilung zu Texas Die Pop-Institution Texas feiert das 30-jährige Jubiläum ihres Debütalbums „Southside“ am 15.11.2020 in der Großen Freiheit 36 Hamburg, Dezember 2019 – Am Anfang stand „Southside“. Das bahnbrechende Album bildete den Auftakt zu einer grandiosen Karriere, in deren Verlauf Texas global 40 Millionen Alben verkauften und weltweit Fans in ihre Konzerte zogen. Diese ikonische Scheibe wird die Band um die charismatische Sängerin und Songwriterin Sharleen Spiteri komplett vortragen, inklusive Hits wie „I Don’t Want a Lover“ und „Thrill Has Gone“. Natürlich dürfen bei dieser Show auch die übrigen Texas-Hits wie etwa „Summer Son“, „Inner Smile“ und „Say What You Want“ nicht fehlen. Die Schotten gastieren am 15.11.2020 in der Großen Freiheit 36 in Hamburg. Texas wurden 1986 in Glasgow von Bassist Johnny McElhone gegründet. Der Name der Band stammt von dem Wim-Wenders-Film „Paris, Texas“, für den Ry Cooder seinerzeit den Soundtrack komponierte. Mit Frontfrau Sharleen Spiteri fand die Kapelle eine kreative Persönlichkeit, die den Sound des Septetts bis heute entscheidend prägt. Musikalisch sind Texas von Northern Soul, Disco sowie den Bee Gees und Orange Juice beeinflusst. „Southside“ wurde im März 1989 veröffentlicht und verkaufte sich weltweit rund zwei Millionen Mal. Als erste Single wurde „I Don´t Want a Lover“ ausgekoppelt, die prompt auf Platz 8 der UK Charts landete. Es folgten Tourneen durch Europa und den USA. Im Verlauf ihrer Karriere präsentierten die Schotten weitere Bestseller-Alben auf, darunter: „White On Blonde“ (1997), „The Hush“ (1999) und natürlich „The Greatest Hits“ (2000). Letztere stellt mit rund fünf Millionen verkaufter Einheiten die bislang erfolgreichste Veröffentlichung der Band dar. -
Inte Bara Bögarnas Fest” En Queer Kulturstudie Av Melodifestivalen
”Inte bara bögarnas fest” En queer kulturstudie av Melodifestivalen Institutionen för etnologi, religionshistoria och genusvetenskap Examensarbete 30 HP Mastersprogrammet i genusvetenskap 120 HP Vårterminen 2018 Författare: Olle Jilkén Handledare: Kalle Berggren Abstract Uppsatsen undersöker hur TV-programmet Melodifestivalen förhåller sig till sin homokulturella status genom att studera programmets heteronormativa ramar och porträttering av queerhet. Det teoretiska ramverket grundar sig i representationsteori, kulturstudier, gaystudier och queerteori. Analysen resulterar i att de heteronormativa ramarna framställer heterosexualitet som en given norm i programmet. Detta uppvisas bland annat av en implicit heterosexuell manlig blick som sexualiserar kvinnokroppar och ser avklädda män, queerhet och femininitet som något komiskt. Detta komplicerar tidigare studiers bild av melodifestivaler som huvudsakligen investerade och accepterande av queera subjekt. Den queera representationen består främst av homosexuella män. Den homosexuellt manliga identiteten görs inte enhetlig och bryter mot heteronormativa ideal i olika grad. Några sätt som den homosexuellt manliga identiteten porträtteras är artificiell, feminin, icke-monogam, barnslig och investerad i schlager. Analysen påpekar att programmet har queert innehåll trots dess kommersiella framställning och normativa ideal. Nyckelord: Melodifestivalen, schlager, genusvetenskap, homokultur, gaystudier, bögkultur, heteronormativitet. Innehållsförteckning 1. En älskad och hatad ”homofilfestival” 1