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Contemporary Ukrainian Cinema Into the European Context (2014-2019)
How to Cite: Alforova, Z., Marchenko, S., Shevchuk, Y., Kotlyar, S., & Honcharuk, S. (2021). Contemporary Ukrainian cinema into the European context (2014-2019). Linguistics and Culture Review, 5(S2), 274-283. https://doi.org/10.37028/lingcure.v5nS2.1345 Contemporary Ukrainian Cinema into the European Context (2014-2019) Zoya Alforova Kharkiv State Academy of Culture, Kharkiv, Ukraine Serhii Marchenko Kyiv National I.K. Karpenko-Kary Theatre, Cinema and Television University, Kyiv, Ukraine Yuliia Shevchuk Kyiv National University of Culture and Arts, Kyiv, Ukraine Svitlana Kotlyar Kyiv National University of Culture and Arts, Kyiv, Ukraine Serhii Honcharuk Kyiv National University of Culture and Arts, Kyiv, Ukraine Abstract---The relevance of the study is conditioned by the fact that the development of Ukrainian art, including cinema, is becoming more popular every year. Since 2014, the Ukrainian film industry has been rapidly developing, and has also shown good results at European and other international film festivals. The purpose of the study is to analyses the position of Ukrainian cinema in the recent historical period, as well as to analyses the preconditions that were created for its development and introduction to the European cinema market. The methodological basis of this study is the combination of theoretical methods of cognition. Methods of data analysis and synthesis, dialectical method, historical and periodization method are used. In the course of writing this paper, the studies of Ukrainian and foreign researchers regarding the subject were studied and analyzed. The establishment and current state of the film industry are investigated. The preconditions for the development of Ukrainian cinema as well as factors that influenced its entrance to the European market are considered. -
She Survived to Tell Us. So We Would Not Forget. a Film by Viesturs Kairišs, Based on the Book by Melānija Vanaga Veļupes Krastā
FILM STUDIO SIA MISTRUS MEDIA She survived to tell us. So we would not forget. A film by Viesturs Kairišs, based on the book by Melānija Vanaga Veļupes krastā. Trailer: https://vimeo.com/185318040 IMDB: http://www.imdb.com/title/tt5541426/ www.chroniclesofmelanie.com ABOUT THE FILM The film by the Latvian director Viesturs Kairišs “The Chronicles of Melanie” is the story of writer Melānija Vanaga’s (1905–1997) deportation to Siberia. It is based on Vanaga’s book Veļupes krastā. On 14 June 1941, the Soviet regime deported to Siberia their own. [..] The road to the “happy tomorrow” was paved the elite of Latvian society as well as 7168 women and over with people’s suffering and lives. In the name of some idea, I 2000 children. Melānija Vanaga, her husband and son also was made one of 13 million victims and deprived of the best fell into the dangerous social category and were deported. years of my life, my child had his health and his father his life Vanaga’s autobiographical novel Veļupes krastā is the most taken away from them,” Melānija Vanaga wrote. striking description of these events in Latvian literature. At some point Vanaga estimated that her journey from the “In war people knew what they were fighting for and what Cēsis station to Tiukhtet in Siberia covered 5169 kilometres. they defended. And if they had to give up their lives, they Her journey took almost three weeks. Seventy-five years lat- died with the understanding that their deaths would help er, in June 2016, a unique video of 72 hours documented the others to survive. -
See the Programme, Biographies of the Speakers & Films
Programme OPEN BALTIC SESSION – 6 November 2015 – Kino Pasaka (Vilnius) 09.00-09.40 Welcome by Sophie Bourdon, Irma Šimanskytė (Lithuanian Film Centre) & Uldis Dimiševskis (Latvian Film Centre) Key Note Speech on European Challenges by Martin Hagemann (funding issues, single market strategy, decision making) 9.40-10.30 Co-productions & Decision Making in the New Workflows (Part 1) Moderated by Paul Miller (Escape Pictures, US/NL) Discussion around concrete experiences of Baltic minority & majority co-productions (“The Gambler”, “Sanatorium of Ashes”, “Seneca’s Day”) with the producers Uljana Kim (Studio Uljana Kim, LT) and Roberts Vinovskis (Locomotive Productions, LV) 10.30-11.00 Networking Coffee Break at La Boheme with Baltic professionals 11.00-12.00 Co-productions & Decision Making in the New Workflows (Part 2) Moderated by Paul Miller (Escape Pictures, US/NL) Discussion to be continued with Mikko Tenhunen (Mjölk Movies, FI), producer of “2 Nights Till Morning”, prior speakers, DPC tutors & experts and professionals in the audience. 12.00-13.30 Networking Lunch at the restaurant La Boheme with Baltic professionals 13.30-15.30 Digitisation and Distribution/Exhibition by Tommaso Vergallo From the Digital Source Master (DSM) to the Theater • Manufacturing Digital Cinema Package (DCP) • Security Inscription • Benefits and Disadvantages of DCP (KDM) • Logistics of Digital Distribution (transport, servers, licenses) • Archiving Digital Distribution Innovative Trends (CINEGO, CINEPEER) & Experience Feedback by Tommaso Vergallo & Martin Hagemann 15.30-16.00 Networking with Baltic professionals Break at restaurant La Boheme Proposed by Supported by And special thanks to the National Film Centre of Latvia for their invaluable collaboration. OPEN BALTIC SESSION, Vilnius, November 6 Main speakers & moderator MODERATOR R. -
Report on the Slovak Audiovisual Situation in 2010
REP ORT ON THE SL OVAK AUDI OVIS UAL SIT UATION IN 2010 REPORT ON THE SLOVAK AUDIOVISUAL SITUATION IN 2010 § CONTENT I Introduction ............................................................................................. 3 I Legislation ............................................................................................... 4 I Film Education ......................................................................................... 5 I Film Production ........................................................................................ 7 I Slovak Audiovisual Fund ........................................................................... 8 I Literary Fund .......................................................................................... 11 I MEDIA ..................................................................................................... 11 I Eurimages ............................................................................................... 13 I Theatrical Distribution ............................................................................. 14 I Videodistribution ..................................................................................... 16 I Cinemas ................................................................................................... 20 I Film Clubs ............................................................................................... 21 I Festivals and Reviews .............................................................................. 23 I Awards of Slovak -
FINAL PRESS RELEASE July 8Th 2017
FINAL PRESS RELEASE July 8th 2017 The 52nd Karlovy Vary International Film Festival, a non-specialized festival with three competitive categories, took place from June 30 th to July 8th this year. It was organized by Film Servis Festival Karlovy Vary, a.s., with Ji ří Bartoška as president of the festival and Karel Och as an artistic director. The 53rd Karlovy Vary IFF will be held from June 29 th to 7th July 2018. On July 8th 2017, the festival’s juries presented awards for the best films at the closing ceremony of the 52nd Karlovy Vary IFF. OFFICIAL SELECTION – COMPETITION GRAND JURY Anna Brüggemann, Germany Sarah Flack, USA Ciro Guerra, Columbia Michel Merkt, Principality of Monaco Štefan Uhrík, Czech Republic GRAND PRIX – CRYSTAL GLOBE (25 000 USD) The financial award is shared equally by the director and producer of the award-winning film. Little Crusader / Křižá ček Directed by: Václav Kadrnka Czech Republic, Slovak Republic, Italy, 2017 SPECIAL JURY PRIZE (15 000 USD) The financial award is shared equally by the director and producer of the award-winning film. Men Don’t Cry / Muškarci ne pla ču Directed by: Alen Drljevi ć Bosnia and Herzegovina, Slovenia, Croatia, Germany, 2017 BEST DIRECTOR AWARD Peter Bebjak for the film The Line / Čiara Slovak Republic, Ukraine, 2017 BEST ACTRESS AWARD Jowita Budnik and Eliane Umuhire ex-aequo for their roles in the film Birds Are Singing in Kigali / Ptaki śpiewaj ą w Kigali Directed by: Joanna Kos-Krauze, Krzysztof Krauze Poland, 2017 Film Servis Festival Karlovy Vary, Panská 1, 110 00 Praha 1, Czech Republic Tel. -
List of Audiovisual Production Profiles on FNE Website in 2016
List of Audiovisual Production Profiles on FNE website (January 2016 – December 2016-254 production profiles) TITLE COUNTRY DIRECTOR Nina Slovakia, Czech Republic Juraj Lehotský Courier (working title) Poland Władysław Pasikowski Ita Rina: A Film Star Who Slovenia Marta Frelih Refused an Invitation to Hollywood Sunrise in Kimmeria Cyprus Simon Farmakas Ashes in the Snow / Pelenai Lithuania Marius Markevičius Sniege Someone Dies Tonight Croatia, Germany, India Aurelio Toni Agliata The Ghost of Peter Sellers Cyprus Peter Medak Ice Mother Czech Republic, Slovakia, Bohdan Sláma France Uruguay Romania Jesús del Cerro Missing Fetine Cyprus Yeliz Shukri Legionaries – Siberian Czech Republic Petr Nikolaev Anabasis (working title) The Mystery of Green Hill / Croatia Čejen Černić Uzbuna na Zelenom Vrhu Skokan Czech Republic, France Petr Vaclav Greek Minds at Work Cyprus Stavros Papageorgiou The Legacy of the Cypriot Cyprus Stavros Papageorgiou Goddess Otto the Barbarian Romania Ruxandra Ghiţescu Game Count Poland Agnieszka Holland DeDe Georgia, UK, Croatia, The Mariam Khatchvani Netherlands Valley of the Gods Poland, USA Lech Majewski Chieftain/ Voevoda Bulgaria, Croatia Zornitsa Sofia Planeta Petrila Romania Andrei Dăscălescu Godless Bulgaria, Denmark, France Ralitza Petrova Happy Birthday Cyprus, Greece, Germany, Christos Georgiou France Under Cover (series) Bulgaria Viktor Bojinov, Dimitar Mitovski and Zoran Petrovski Ana, Mon Amour Romania, Germany, France Călin Peter Netzer Floppy Bear / Miś Uszatek Poland Grzegorz Jonkajtys Filthy Slovakia, -
Report on the Slovak Audiovisual Situation in 2018
REP ORT ON THE SL OVAK AUDI OVIS UAL SIT UATION IN 2018 REPORT ON THE S LOVAK AUDIOVISUAL SITU A TION IN 2018 > CONTENT – Introduction ...................................................................... 03 – This project has been funded with the support from the European Commission. – Legislation ....................................................................... 04 – This publication reflects the views only of the author, – Film Education ................................................................. 05 and the Commission cannot be held responsible for any use which may be made of the information contained therein. – Film Production ................................................................ 07 – Audiovisual Fund .............................................................. 10 – Literary Fund ................................................................... 13 – MEDIA Sub-programme ..................................................... 13 – Eurimages ....................................................................... 15 – Cinema Distribution ......................................................... 15 – Videodistribution ............................................................. 20 – Cinemas ........................................................................... 22 – Film Clubs ....................................................................... 25 – Domestic Festivals and Reviews .......................................... 25 – Awards for Slovak Films and Filmmakers in Slovakia ........... 27 – Awards for -
°Efp – Europe! Umbrella at the American Film Market Los Angeles
films. talent. spirit. Nov 1 – 8 2017 °efp – europe! umbrella at the American Film Market Los Angeles efp_2017_AFM_Booklet_druck_01.indd 1 20.10.17 KW42 15:51 Programme of the European Union Creative Europe Support Programme for Europe’s Cultural and Creative Sectors 2014 – 2020 www.ec.europa.eu/culture/ creative-europe efp_2017_AFM_Booklet_druck_01.indd 2 20.10.17 KW42 15:51 03 °efp european fi l m promotion Nov 1 – 8 2017 at the American Film Market, USA efp_2017_AFM_Booklet_druck_01.indd 3 20.10.17 KW42 15:51 europe! films. talent. spirit. 5 welcome 6 efp europe! umbrella participants 24 about efp – initiatives in support of the european film industry 32 efp – the network 34 partners and imprint efp_2017_AFM_Booklet_druck_01.indd 4 20.10.17 KW42 15:51 welcome 05 EUROPE! UMBRELLA EFP Managing Director at the American Film Market Sonja Heinen In 2017, EFP (European Film Promotion) runs for the 19th time the EUROPE! UMBRELLA at the American Film Market (AFM). Acknowledged as an important meeting point for film professionals, EFP’s presence has made it possible for more than 190 small and medium- sized European companies to network at the AFM since 1998. Brief profiles of the companies participating at the EUROPE! UMBRELLA 2017 will introduce you to Europe’s films and diversity. This year, 16 EFP Team in Los Angeles companies from 11 different European countries Sabine Rolinski take advantage of the EUROPE! UMBRELLA as [email protected] their operating base to do their daily business. Sharon Soboil US Consultant Our sincere thanks go to the Creative Europe – MEDIA Programme for their ongoing support for EFP cell this highly successful annual initiative. -
Slovenské Filmy / Slovak Films 12-13
12-13 slovenské filmy / slovak films12-13 / slovak films / slovenské filmy / slovak films12-13 slovenské filmy obsah Úvod / Introduction 2 Slovenská republika / Slovak Republic 4 / contentsCelovečerné filmy – hrané / Full-length Films – Fiction 2012 8 2013 34 Pripravované / Upcoming 2013 49 Celovečerné filmy – dokumentárne / Full-length Films – Documentary 2012 58 2013 76 Pripravované / Upcoming 2013 83 Krátke filmy (výber) / Short Films (selected) 2012 91 Festivaly a ocenenia / Festivals and Awards 98 Praktický sprievodca / Slovak Film Guide Info a štatistiky / Facts and Figures 106 Edited by Peter Hames Audiovizuálny fond / Slovak Audiovisual Fund 110 Edited by Peter Hames Podpora Eurimages a Program MEDIA / Eurimages and MEDIA Programme Support 114 Adresár / Address Book Produkcie / Production Companies 118 Produkcie krátkych filmov / Production Companies of Short Films 119 Distribučné spoločnosti / Distribution Companies 119 Filmové školy / Film Schools 120 Filmové festivaly / Film Festivals 120 Inštitúcie / Institutions 122 Profesné a záujmové spolky / Professional and Special Interest Associations 122 Televízie / Television Companies 123 Index Slovenské názvy / Slovak Titles 124 Anglické názvy / English Titles 125 Réžia / Directors 125 intro j Rok premiér a výročí / A Year of Film Premieres and Anniversaries Pri predstavení nového, aktualizovaného katalógu slovenských filmov je tradíciou zhodnotiť uplynulý rok, ktorý prirodzene predurčuje ten nový. When introducing a new updated catalogue, it is a good tradition to sum up -
°Efp Producers on the Move Presented by °Efp European Film Promotion
°efp producers on the move presented by °efp european film promotion 16 – 20 May 2019 at the cannes film festival …turning 30www.coe.int/eurimages MEDIA Programme of the European Union Creative Europe Support Programme for Europe’s Cultural and Creative Sectors 2014–2020 www.ec.europa.eu/culture/ creative-europe MAD_145-11_EURIMAGES_CANNES_PUBLICATION_16x12cm_040419_MR.indd 1 04/04/2019 17:37 °efp producers on the move 16 – 20 May 2019 at the cannes film festival europe! welcome 5 on the move films. for 20 years When we started PRODUCERS ON THE MOVE talent. in 2000, we presented a group of 17 producers via the international trades at the Cannes °efp president Film Festival. Apart from serving as a showcase Martin Schweighofer of participating producers, PRODUCERS ON THE MOVE, in the course of 20 years, has spirit. developed into a five-day programme, offering opportunities and events to get to know one another and network in a professional environment. We are proud that films by former participants have travelled the world to international °efp managing director film festivals and won numerous awards. We Sonja Heinen are delighted about the large number of co-productions between producers who met in Cannes as part of the programme. Promoting outstanding producers from the whole of Europe would not be possible without the ongoing support of Creative Europe – MEDIA Programme. We would also like to thank Eurimages for their loyal support. PRODUCERS ON THE MOVE 5 welcome °efp team in Cannes 6 schedule of the events For the 2019 edition, we are thrilled to present Jo Mühlberger 7 success story to you a new group of Europe’s 20 most [email protected] 8 producers' profiles promising producers. -
AFF 2011 Katalog
Katalog AFF 2011 Obalka.indd 1 2.6.2011 10:15 ISBN 978-80-970721-0-0 Poďakovanie SPECIAL THANKS TO Slovenský filmový ústav Slovak Film Institute Trenčiansky samosprávny kraj Trenčín Self-governing Region Veľvyslanectvo USA v Bratislave # # # # Embassy of the United States of America in Bratislava Kancelária Švédskeho veľvyslanectva v Bratislave Office of the Embassy of Sweden in Bratislava Taliansky kultúrny inštitút v Bratislave Italian Cultural Institute in Bratislava Veľvyslanectvo Izraela na Slovensku Embassy of Israel in Slovakia BRATISLAVA Ruské centrum vedy a kultúry v Bratislave RUSKÉ CENTRCVKRUM VEDY A KULTÚRY Russian Centre of Science and Culture in Bratislava Character - Film Development Association Sodec Quebec 4 Poďakovanie SPECIAL THANKS TO Slovenský filmový ústav David Huspenina, AČFK Grégoire Graesslin, Kinology Slovak Film Institute Ivo Andrle, Aerofilms Luboslava Červenákova, Kúpele Trenčianske Teplice Zuzana Pudilová, Aerofilms Dagmar Krepopová, Magic Box Harry Avramidis, Arclight Films Klára Hejdová, Magic Box Trenčiansky samosprávny kraj Přemysl Martínek, Artcam Silvia Havelková, Mesto Trenčianske Teplice Trenčín Self-governing Region Silvia Dubecká, ASFK Barbora Ondrejčáková, MidPoint Věra Viceníková, Ateliéry Bonton Zlín Helena Zajícová, MidPoint Miro Janura, AVI Studio Dušan Pastorek, Office of the Embassy of Canada in Bratislava Veľvyslanectvo USA v Bratislave Milan Dostál, Blue Sky Media Romana Dzielavová, penzión Baske Embassy of the United States of America in Bratislava Vojtech Kabáth, Bratislava IFF Danny -
Co-Producing with the Nordic Countries 2015
CANNES 2015 COPRODUCING WITH THE NORDIC COUNTRIES 1 INDEX THE NORDIC COUNTRIES AND THEIR CO-PRODUCTION PROGRAMS pg.3 Denmark Danish Film Institute Regional Film Funds Finland Finnish Film Foundation Iceland Icelandic Film Center The Ministry of Industries and Innovation Norway Norwegian Film Institute Regional Film Funds Film Commissions Sweden Swedish Film Institute NORDISK FILM & TV FOND pg 20 CREATIVE EUROPE DESKS DENMARK, FINLAND, ICELAND, NORWAY AND SWEDEN pg 24 CONTACTS pg.27 CREDITS Page 01, THE MODEL, Mads Matthiesen – Denmark, Zentropa Entertainments10, © Carole Bethuel Page 04, MY SKINNY SISTER, Sanna Lenken – Sweden, Tangy, © Moritz Schultheiß Page 20, BIG GAME, Jalmari Helander – Finland, Subzero Film Entertainment, © Stephanie Kulbach Page 24, MOT NATUREN, Ole Giæver, Marte Vold – Norway, MER Film AS, © MER Film AS Page 29, THE RAMS, Grímúr Hákonarson – Iceland, Netop Films ehf, © Sturla 2 THE NORDIC COUNTRIES AND THEIR CO-PRODUCTION PROGRAMS 3 DENMARK DANISH FILM INSTITUTE The Danish Film Institute (DFI) has Subsidy Application Requirements established an international department with DFI can fund 5-9 minor co-productions per the remit of advising Danish producers on year. The annual budget amounts to DKK 12 international funding possibilities, while being million. the contact-point for international producers seeking information on the Danish production • The application must be submitted by a landscape and financing possibilities. Danish production company. • There must be Danish creative or Minority Co-Production Funding technical participation in the production. • There must be a distribution deal for The purpose of funding co-productions is theatrical distribution in Denmark or to strengthen partnerships and creative broadcast on national Danish TV.