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A Portrayal of People Essays on Visual Anthropology
A PORTRAYAL OF PEOPLE Digitized by the Internet Archive in 2018 with funding from Public.Resource.Org https://archive.org/details/portrayalofpeoplOOunse A PORTRAYAL OF PEOPLE Essays on Visual Anthropology in India Co-published by ANTHROPOLOGICAL SURVEY OF INDIA INDIAN NATIONAL TRUST FOR ART AND CULTURAL HERITAGE INTACH 71, Lodhi Estate New Delhi-110 003 ANTHROPOLOGICAL SURVEY OF INDIA West Block 2, Wing 6, First Floor R.K. Puram New Delhi 110 066. ©ASI, INTACH, 1987. © For individual contributions with authors. Printed at Indraprastha Press (CBT) 4 Bahadur Shah Zafar Marg, New Delhi 110002. CONTENTS Foreword v Introduction ix An Examination of the 1 Need and Potential for Visual Anthropology in India Rakhi Roy and Jayasinhji Jhala Anthropological Survey of 20 India and Visual Anthropology K.S. Singh History of Visual Anthropology 49 in India K.N. Sahay Perceptions of the Self and Other 75 in Visual Anthropology Rakhi Roy and Jayasinhji Jhala My Experiences as a Cameraman 99 in the Anthropological Survey Susanta K. Chattopadhyay The Vital Interface 114 Ashish Rajadhyaksha The Realistic Fictional Film: 127 How far from Visual Anthropology? Chidananda Das Gupta Phaniyamma and the Triumph 139 of Asceticism T.G. Vaidyanathan Images of Islam and Muslims 147 on Doordarshan Iqbal Masud Man in My Films 161 Mrinal Sen/Someshwar Bhowmick The Individual and Society 169 Adoor Gopalakrishnan/Madhavan Kutty Notes on Contributors 174 FOREWORD It has often been said that India lives in many centuries at the same time. The complex network of diversity that stretches across time and space has made India a paradise for anthropologists. -
EVENT Year Lib. No. Name of the Film Director 35MM DCP BRD DVD/CD Sub-Title Language BETA/DVC Lenght B&W Gujrat Festival 553 ANDHA DIGANTHA (P
UMATIC/DG Duration/ Col./ EVENT Year Lib. No. Name of the Film Director 35MM DCP BRD DVD/CD Sub-Title Language BETA/DVC Lenght B&W Gujrat Festival 553 ANDHA DIGANTHA (P. B.) Man Mohan Mahapatra 06Reels HST Col. Oriya I. P. 1982-83 73 APAROOPA Jahnu Barua 07Reels EST Col. Assamese I. P. 1985-86 201 AGNISNAAN DR. Bhabendra Nath Saikia 09Reels EST Col. Assamese I. P. 1986-87 242 PAPORI Jahnu Barua 07Reels EST Col. Assamese I. P. 1987-88 252 HALODHIA CHORAYE BAODHAN KHAI Jahnu Barua 07Reels EST Col. Assamese I. P. 1988-89 294 KOLAHAL Dr. Bhabendra Nath Saikia 06Reels EST Col. Assamese F.O.I. 1985-86 429 AGANISNAAN Dr. Bhabendranath Saikia 09Reels EST Col. Assamese I. P. 1988-89 440 KOLAHAL Dr. Bhabendranath Saikia 06Reels SST Col. Assamese I. P. 1989-90 450 BANANI Jahnu Barua 06Reels EST Col. Assamese I. P. 1996-97 483 ADAJYA (P. B.) Satwana Bardoloi 05Reels EST Col. Assamese I. P. 1996-97 494 RAAG BIRAG (P. B.) Bidyut Chakravarty 06Reels EST Col. Assamese I. P. 1996-97 500 HASTIR KANYA(P. B.) Prabin Hazarika 03Reels EST Col. Assamese I. P. 1987-88 509 HALODHIA CHORYE BAODHAN KHAI Jahnu Barua 07Reels EST Col. Assamese I. P. 1987-88 522 HALODIA CHORAYE BAODHAN KHAI Jahnu Barua 07Reels FST Col. Assamese I. P. 1990-91 574 BANANI Jahnu Barua 12Reels HST Col. Assamese I. P. 1991-92 660 FIRINGOTI (P. B.) Jahnu Barua 06Reels EST Col. Assamese I. P. 1992-93 692 SAROTHI (P. B.) Dr. Bhabendranath Saikia 05Reels EST Col. -
Kerala History Timeline
Kerala History Timeline AD 1805 Death of Pazhassi Raja 52 St. Thomas Mission to Kerala 1809 Kundara Proclamation of Velu Thampi 68 Jews migrated to Kerala. 1809 Velu Thampi commits suicide. 630 Huang Tsang in Kerala. 1812 Kurichiya revolt against the British. 788 Birth of Sankaracharya. 1831 First census taken in Travancore 820 Death of Sankaracharya. 1834 English education started by 825 Beginning of Malayalam Era. Swatithirunal in Travancore. 851 Sulaiman in Kerala. 1847 Rajyasamacharam the first newspaper 1292 Italiyan Traveller Marcopolo reached in Malayalam, published. Kerala. 1855 Birth of Sree Narayana Guru. 1295 Kozhikode city was established 1865 Pandarappatta Proclamation 1342-1347 African traveller Ibanbatuta reached 1891 The first Legislative Assembly in Kerala. Travancore formed. Malayali Memorial 1440 Nicholo Conti in Kerala. 1895-96 Ezhava Memorial 1498 Vascoda Gama reaches Calicut. 1904 Sreemulam Praja Sabha was established. 1504 War of Cranganore (Kodungallor) be- 1920 Gandhiji's first visit to Kerala. tween Cochin and Kozhikode. 1920-21 Malabar Rebellion. 1505 First Portuguese Viceroy De Almeda 1921 First All Kerala Congress Political reached Kochi. Meeting was held at Ottapalam, under 1510 War between the Portuguese and the the leadership of T. Prakasam. Zamorin at Kozhikode. 1924 Vaikom Satyagraha 1573 Printing Press started functioning in 1928 Death of Sree Narayana Guru. Kochi and Vypinkotta. 1930 Salt Satyagraha 1599 Udayamperoor Sunahadhos. 1931 Guruvayur Satyagraha 1616 Captain Keeling reached Kerala. 1932 Nivarthana Agitation 1663 Capture of Kochi by the Dutch. 1934 Split in the congress. Rise of the Leftists 1694 Thalassery Factory established. and Rightists. 1695 Anjengo (Anchu Thengu) Factory 1935 Sri P. Krishna Pillai and Sri. -
Developments in Cinema Valsa.M.A Assistant Professor Department of History Little Flower College, Guruvayoor 2018-2019 (Vi-Sem B.A
CONTEMPORARY KERALA MODULE-IV DEVELOPMENTS IN CINEMA VALSA.M.A ASSISTANT PROFESSOR DEPARTMENT OF HISTORY LITTLE FLOWER COLLEGE, GURUVAYOOR 2018-2019 (VI-SEM B.A. HISTORY) DEVELOPMENTS IN CINEMA Film industry- production of motion picture in Malayalam Active Malayalam film production-second half of the 20th c 2 silent films & 3 malayalam language films before 1947. 1950s- 6 a year 1960s- 30 a year 1970s-40 a year 1980-130 films FATHER OF MALAYALAM CINEMA J . C. Daniel The first film in Malayalam- Vigathakumaran- released in 1930 The first talkie in Malayalam was Balan- released in 1938 directed by S.Nottani Neelakkuyil – landmark in Malayalam film- released in 1954- Won President’s silver medal- scripted by Uroob- jointly directed by Ramu Karyat and P.Bhaskaran. NEELAKKUYIL A neo-realistic melodrama –story of the love affair of a Dalit girl and an educated high caste school teacher , starring Sathyan and Miss Kumari. The girl becomes pregnant , but the hero refuses to marry her as he fears being ostracised by the conservative high caste dominated society. The girl becomes an outcaste and dies at the time of child birth. The village postman adopts the child ignoring protests of the society. The hero marries a lady of an aristocratic family. The film ends with the hero and his aristocratic wife accepting the boy as their own child. CHEMMEN 1965- Best Malayalam movie produced so far – it is a romantic movie based on Thakazhi’s novel Screen play by S.L.Puram Sadanandan – directed by Ramu Kariat – Produced by Kanmani Babu It is the first notable creative film in South India- first south Indian film to win Indian President’s gold medal for the best film It was screened at various International film festivals and won awards at Cannes & Chicago festivals THEME OF CHEMMEEN It tells about a pre- marital and later extra marital relationship between Karuthamma, daughter of an ambitious Hindu fishermen and Pareekkutty, son of a Muslim trader. -
History of Indian Cinema.Pdf
CHAPTER – 2 A BRIEF HISTORY OF INDIAN CINEMA Indian films are unquestionably the most –seen movies in the world. Not just talking about the billion- strong audiences in India itself, where 12 million people are said to go to the cinema every day, but of large audiences well beyond the Indian subcontinent and the Diaspora, in such unlikely places as Russia, China, the Middle East, the Far East Egypt, Turkey and Africa. People from very different cultural and social worlds have a great love for Indian popular cinema, and many have been Hindi Films fans for over fifty years. Indian cinema is world – famous for the staggering amount of films it produces: the number is constantly on the increase, and recent sources estimate that a total output of some 800 films a year are made in different cities including Madrass , Bangalore , Calcutta and Hyderabad . Of this astonishing number, those films made in Bombay, in a seamless blend of Hindi and Urdu, have the widest distribution within India and Internationally. The two sister languages are spoken in six northern states and understood by over 500 million people on the Indian sub – continent alone – reason enough for Hindi and Urdu to be chosen above the fourteen official Indian languages to become the languages of Indian Popular cinema when sound came to the Indian Silver screen in 1931 . Silent Era – The cinematographe (from where we have the name cinema) invented by the Lumiere brothers functioned better the Kinetoscope of Edison and Dickson. The Lumiere brothers who invented the cinematographe started projection of short (very short, one to two minutes long) films for the Parsian public on November 28, 1895. -
12Th Pune International Film Festival (09Th - 16Th January 2014 ) SR
12th Pune International Film Festival (09th - 16th january 2014 ) SR. NO. TITLE RUNTIME YEAR DIRECTOR COUNTRY OPENING FILM 1 Ana Arabia Ana Arabia 81 2013 Amos Gitai Israel, France AWARDEES FILM 1 Jait Re Jait Win, Win 116 1977 JABBAR PATEL INDIA 2 Swayamvaram One's Own Choice 131 1973 ADOOR GOPALKRISHNAN INDIA 3 Muqaddar Ka Sikandar Muqaddar Ka Sikandar 189 1978 PRAKASH MEHRA INDIA WORLD COMPETITION 1 Das Wochenende The Weekend 97 2012 Nina Grosse Germany 2 DZIEWCZYNA Z SZAFY The Girl From The Wardrobe 89 2012 Bodo Kox Poland 3 I Corpi Estranei Foreign Bodies 102 2013 Mirko Locatelli Italy 4 Mr. Morgan's Last Love Mr. Morgan's Last Love 116 2013 Sandra Nettelbeck Germany, Belgium 5 Thian Zhu Ding A Touch of Sin 129 2013 Zhangke Jia China, Japan 6 Night Train to Lisbon Night Train to Lisbon 110 2013 Bille August Germany, Portugal, Switzerland 7 La Pasión de Michelangelo The Passion of Michelangelo 97 2012 Esteban Larraín Chile, France, Argentina 8 Dom s Bashenkoy House with Turret 111 2012 Eva Neymann Poland Joanna Kos-Krauze, Krzysztof 9 Papusza Papusza 131 2013 Poland Krauze 10 Buqälämun Chameleon 73 2013 Ru Hasanov, Elvin Adigozel Azerbaijan, France, Russia 11 Rosie Rosie 106 2013 Marcel Gisler Switzerland, Germany 12 Queen of Montreuil Queen of Montreuil 87 2012 Solveig Anspach France 13 Fasle Kargadan Rhino Season 88 2012 Bahman Ghobadi Iraq, Turkey 14 Kanyaka Talkies Virgin Talkies 115 2013 K.R. Manoj India MARATHI COMPETITION 1 72 Miles Ek Pravas 72 Miles Ek Pravas 96 2013 Rajeev Patil INDIA Sumitra Bhave,Sunil 2 Astu So Beit 123 -
Tender for Empanelment of Vendors for Supply of Books/Journals/Periodicals/ACD/DVD/Blu-Ray and Other Audio Visual Materials Etc
Satyajit Ray Film and Television Institute (An Academic Institution of Ministry of I & B, Govt. of India) Library Tender for Empanelment of Vendors for Supply of Books/Journals/Periodicals/ACD/DVD/Blu-Ray and other Audio Visual Materials etc. to SRFTI Library, Kolkata Tender Enquiry No. 47011/1/2016-LIB/1896 Dated 30.11.2016 Satyajit Ray Film &Television Institute Kolkata E.M.Byepass Road, P.O. Panchasayar, Kolkata-700094 Phone-(033)2432 8355/8356/9300 Fax – (033)2432-0723/9436 E-mail:[email protected] Website: http://srfti.ac.in/ 1 SRFTI, Kolkata invites sealed tenders for empanelment of vendors for supply of Books/Journals/Periodicals/ACD/DVD/Blu-Ray and other Audio Visual Material etc. to SRFTI Library, Kolkata for the period of three consecutive years (i.e. 2016-17, 2017-18 and 2018-19) from reputed registered book / journals /audio-visual materials etc. Suppliers/Vendors having valid registration with National/State federations or any other recognized National body with at least 3 years experience of supply of book / journals /audio-visual materials etc. to Central/State Universities, Autonomous Academic institutions of higher learning. 1. The offers may be submitted in Two-BID System (i.e. prequalified identity Bid/ price Bid in terms Library discount) 2. The tender document can also be downloaded from the website: www.srfti.ac.in 3. The Supplier/Vendor participating in the process will have to deposit the Security Deposit /EMD of Rs. 10,000/- (Rupees ten thousand only) through Demand Drafts/Pay Orders drawn in favour of “Satyajit Ray Film and Television Institute” payable at Kolkata. -
I – Introduction to Film Studies – SVCA1302
SCHOOL OF SCIENCE AND HUMANITIES DEPARTMENT OF VISUAL COMMUNICATION UNIT – I – Introduction to Film Studies – SVCA1302 1 I. INTRODUCTION TO CINEMA 1. Introduction to Language of Cinema: Written language uses letters, words, sentences and paragraphs to convey a narrative. Cinema uses shots, shot sequences, scenes and dramatic sequences. Using language as an organizational structure can give your video greater narrative impact and broader appeal. They say a picture is worth a thousand words. A moving picture is worth even more. 2. Basic Components of film language 1. Cinematography 2. Sound 3. Editing 4. Mise-en- scene 5. Special Effects 1. Cinematography: Camera shots and movement can give us clear indications of emotion, motive and give audiences clues as to things that may be about to happen. • a) Camera shots: The extreme wide shot, The wide, also known as a long shot, The medium long shot, The medium Shot, The medium close-up shot, The close-up shot, The extreme close-up shot. b) Camera movement: Pan (side to side), Tilt (up and down), Whip pan(or swish pan fast pan), Crane shot, Tracking shot(camera on dolly) c)Lighting & Colour: • It is used to create mood and atmosphere. • Positioning of lights creates different effects • High key lighting- Using Bright and high lights dominated by ranges of whites • Low key lighting - Using a lot of deep blacks, darker tones, and shadows 2. Editing: What the editing technique used to tell us about where the narrative is. Lot of techniques are used but most common – • Fade - picture gradually turns to a single color, usually black, • Dissolve a dissolve is when a shot changes into another shot gradually • Others – wipe(one shot replaces another by travelling from one side of the frame to another or with a special shape), jump cut (the cut from one shot one to another makes the subject appear to "jump" abruptly) 3. -
Indian Cinema
UNIVERSITY OF CALICUT SCHOOL OF DISTANCE EDUCATION BA ENGLISH ( III SEMESTER ) BA POLIICAL SCIENCE ELECTRONIC MEDIA: FUNDAMENTALS 986C OF CINEMA (COMPLEMENTARY COURSE : JOU3C02) CUCBCSS (2014 ADMISSION ONWARDS) ELECTRONIC MEDIA: FUNDAMENTALS OF CINEMA STUDY MATERIAL THIRD SEMESTER COMPLEMENTARY COURSE : JOU3C02BC2B02 For BA ENGLISH (2014 ADMISSION ONWARDS) UNIVERSITY OF CALICUT SCHOOL OF DISTANCE EDUCATION Calicut University P.O, Malappuram, Kerala, India 673635 986C SCHOOL OF DISTANCE EDUCTION UNIVERSITY OF CALICUT SCHOOL OF DISTANCE EDUCATION STUDY MATERIAL THIRD SEMESTER BA ENGLISH (2014 ADMISSION ONWARDS) COMPLEMENTARY COURSE : JOU3C02 : ELECTRONIC MEDIA: FUNDAMENTALS OF CINEMA Prepared by: Dr. Lakshmi Pradeep Head of the Dept. of Mass Communication & Journalism, Farook College, Kozhikode Scrutinized by: Mr. Abdul Muneer. V Head of the Dept. of Journalism, EMEA College of Arts and Science, Kondotti, Kumminiparamba P.O Layout: Computer Section, SDE © Reserved FUNDAMENTALS OF CINEMA Page 2 SCHOOL OF DISTANCE EDUCTION CONTENT PAGE NO. Module-I - 5-11 Module-II - 12-25 Module-III - 26-33 Module-IV - 34-43 FUNDAMENTALS OF CINEMA Page 3 SCHOOL OF DISTANCE EDUCTION FUNDAMENTALS OF CINEMA Page 4 SCHOOL OF DISTANCE EDUCTION Module I Cinema Characteristics and Types Cinema: a brief history Cinema is the Latin spelling of the Greek word kinema , meaning a motion. According to Webster’s dictionary, the word derives from Cinematography. The use of the word comes about in the 1899 in Britain. It is the British word for a movie theatre. Cinema, or motion picture, is the art of moving images; a visual medium that tells stories and exposes reality. Created in the tail end of the 19th century, cinema is the world’s most recent art form. -
History of Malayalam Cinema[Edit]
At first (beginning in the 1920s), the Malayalam film industry was based in Trivandrum. Although the film industry started to develop and flourish only by the late-1940s. Later, the industry shifted to Chennai (formerly Madras), which then was the capital of the South Indian film industry. By the end of 1980s, the Malayalam film industry returned and established itself in Kerala.[1] Several media sources[2][3] describe Kochi as the hub of the film industry, while the Kerala government publications[4] and government sponsored Kinfra organisation[5] states Thiruvananthapuram is the centre. The first 3D film produced in India, My Dear Kuttichathan (1984), was made in Malayalam.[6] The first CinemaScope film produced in Malayalam wasThacholi Ambu (1978).[7] The world's first film with just one actor in the star cast was the Malayalam film The Guard (2001).[8][9] Rajiv Anchal's Guru (1997) and Salim Ahamed's Adaminte Makan Abu (2011) are the only Malayalam films to be sent by India as its official entry for the Best Foreign Language Film category at the Academy Awards. Films such as Piravi, Swaham, Marana Simhasanam, Chemmeen, Mathilukaland Vanaprastham were also screened and won awards at several international film festivals. History of Malayalam cinema[edit] Active Malayalam film production did not take place until the second half of the 20th century: there were only two silent films, and three Malayalam-language films before 1947.[10][11] With support from the Kerala state government production climbed from around 6 a year in the 1950s, through 30 a year in the 60s, 40 a year in the 70s, to 127 films in the year 1980.[10] Origins (1907-1950)[edit] The first cinema hall in Kerala, with a manually operated film projector, was opened in Thrissur by K. -
No. 上映年度 Year of Exhibition 作品名 Title in Japanese サクヒンメイ Film
分数 図書館収蔵 上映年度 製作年 Running Archived in Year of 作品名 原語タイトル Year of Country of Time フォーマット Fukuoka City No. Exhibition Title in Japanese サクヒンメイ Film Title Original Title Director カントク 監督/导演/導演/감독 Production 国名 Production (min.) Format Color/BW Public Library 1 1991 キルソドム キルソドム Gilsodom 길소뜸 Gilsodom Im Kwon-taek イム・グォンテク 임권택 林権澤 1985 韓国 Korea 101 35㎜ Color ★ 2 1991 李蓮英~清朝最後の宦官 リー・リエンイン Li Lian-Ying,The Imperial Eunuch 大太監 李蓮英 Tian Zhuang-Zhuang ティエン・チュアンチュアン 田壮壮 1990 中国・香港 China/Hong Kong 106 35㎜ Color ★ 3 1991 バナナ・パラダイス バナナパラダイス Banana Paradise 香蕉天堂 Wang Tung ワン・トン 王童 1989 台湾 Taiwan 145 35㎜ Color ★ 4 1991 客途秋恨 キャクトシュウコン Song of the Exie Ann Hui アン・ホイ 許鞍華 1990 香港・台湾 Hong Kong/Taiwan 100 35㎜ Color 5 1991 騎馬民族国家・第3編高句麗 キバミンゾクコッカ The Land of Eouestrian People,Koguryo Park Kil-su パク・キルス、ソン・チグク 1990 北朝鮮・日本 North Korea/Japan 70 35㎜ Color 6 1991 川島芳子 カワシマヨシコ Kawashima Yoshiko Fong Ling-ching (Eddie Fong) エディ・ホン 方令正 1990 香港 Hong Kong 97 35㎜ Color 7 1991 十月になれば ジュウガツニナレバ How I Long for October Baogio cho den thang muoi Dang Nhat Minh ダン・ニャット・ミン 1984 ベトナム Vietnam 86 35㎜ Color ★ 8 1991 囚われの美女ロロ・ムンドゥット トラワレノビジョ Roro Mendut Ami Priyono アミ・プリヨノ 1982 インドネシア Indonesia 107 35㎜ Color ★ 9 1991 希望の行方 キボウノユクエ The Immigrants Disha Sai Paranjpye サイー・パラーンジペー 1990 インド India 135 35㎜ Color ★ 10 1991 サイクリスト サイクリスト The Cyclist Mohsen Makhmalbaf モフセン・マフマルバフ 1989 イラン Iran 83 35㎜ Color ★ 11 1991 夢二 ユメジ Yumeji Suzuki Seijun スズキ・セイジュン 鈴木清順 1991 日本 Japan 128 35㎜ Color 12 1991 ワールド・アパートメント・ホラー ワールドアパートメントホラー World Apartment Horror Otomo Katsuhiro オオトモ・カツヒロ 大友克洋 1991 日本 Japan 97 35㎜ Color 13 1991 三国志・第一部「英雄たちの夜明け」 サンゴクシダイイチブ Romance of the Three Kingdoms Katsumata Tomoharu カツマタ・トモハル 勝間田具治 1991 日本 Japan 137 35㎜ Color 14 1991 黄金のシーター オウゴンノシーター Golden Sita Kanchana Sita G. -
East-West Film Journal, Volume 1, No. 2
EAST-WEST FILM JOURNAL VOLUME 1 . NUMBER 2 Notes on the Filipino Action Film I AGUSTIN L. SOTTO Ethnic Minorities in Chinese Films: Cinema and the Exotic 15 PAUL CLARK The Position of Women in New Chinese Cinema 32 TONY RAYNS Zen and the Art of Documentary: The Film Career of Ogawa Shinsuke 45 DAVID DESSER Self and Modernization in Malayalam Cinema 60 WIMAL DISSANAYAKE The Books Behind the Film: Paul Scott's Raj Quartet PAUL SHARRAD The Photographic Image and the Transformation of Thought FRANK TILLMAN Matsuyama and Takamine on Film III JUNE 1987 The East-West Center is a public, nonprofit educational institution with an international board of governors. Some 2, 000 research fellows, grad uate students, and professionals in business and government each year work with the Center's international staff in cooperative study, training, and research. They examine major issues related to population, resources and development, the environment, culture, and communication in Asia, the Pacific, and the United States. The Center was established in 1960 by the United States Congress, which provides principal funding. Support also comes from more than twenty Asian and Pacific governments, as well as private agencies and corporations. Notes on the Filipino Action Film AGUSTIN L. SOTTO THE PECULIARITIES of the Filipino movie scene are perhaps startling manifestations of the cultural confusion that accompanies the turbulent changes of a society in transition. Filipino moviegoing is a deeply fragmented affair where audiences are split along socioeconomic, linguis tic, and sexual lines. The result is a phenomenon common in Third World countries - the local intelligentsia abandoning commercial filmmaking to set up an alternative film culture heavily influenced by Western concepts and the mainstream, with its stereotypes and conventions deeply rooted in folk traditions and suffused with anachronisms and illogicalities, acting as the repository of the wild dreams, the deep-seated aspirations, and the searching outlook of the less fortunate.