Out of the Shadows Rediscovering Jewish Music and Theatre

Total Page:16

File Type:pdf, Size:1020Kb

Out of the Shadows Rediscovering Jewish Music and Theatre Performing the Jewish Archive Out of the Shadows Rediscovering Jewish music and theatre FESTIVAL PROGRAMME Cape Town & Stellenbosch September 2017 46 47 WELCOME .......................................................................................................................... 2 Out of the Shadows Exhibition ..................................................................................... 3 Festival Opening Concert ................................................................................................. 4 Singing the Songs of Zion: 150 Years of Synagogue Music in the Cape .................. 5 Sunday 10 September, 16:30, Gardens Synagogue, Cape Town A Memorial and a Celebration: Out of the Shadows opening reception .................. 6 Sunday 10 September, 19:00, Cape Town Holocaust Centre New songs from the Jewish Archive: Looking forward through the past ............... 8 Tuesday 12 September, 13:10, Fismer Hall, Stellenbosch Friday 15 September, 13:10, Baxter Concert Hall, Cape Town Looking forward through the past: A symposium ..................................................... 14 Tuesday 12 September, 15:00, Jannasch Hall, Stellenbosch Wednesday 13 September, 13:10, Kaplan Centre, University of Cape Town A Comedy of Us Jews ....................................................................................................... 16 Tuesday 12 September, 20:00, Jewish Museum, Cape Town Prinz Bettliegend ............................................................................................................ 18 Wednesday 13 September, 20:00, Theatre Arts Admin Collective, Methodist Church Hall, Cape Town Friday 15 September, 20:15, Drostdy Theatre, Stellenbosch Walter, Werner and Wilhelm’s far-distant spring: expressionist voices from Vienna, Frankfurt and Berlin ........................................................................................................ 20 Thursday 14 September, 13:10, Baxter Concert Hall, Cape Town Cape Town Philharmonic Orchestra conducted by Conrad van Alphen: Wilhelm Grosz “Serenade” .............................................................................................. 22 Thursday 14 September, 20:00, City Hall, Cape Town Fractured Lives: Music of the Holocaust ..................................................................... 24 Saturday 16 September, 20:00, Endler Hall, Stellenbosch Red Riding Hood ............................................................................................................. 26 Sunday 17 September, 11:00, Hugo Lambrechts Auditorium, Cape Town Journeys in Jewish Choral Music .................................................................................... 28 Sunday 17 September, 15:00, Erin Hall, Cape Town Musicians’ biographies ..................................................................................................... 31 Performing the Jewish Archive Team biographies ........................................................ 40 Acknowledgements ....................................................................................................... 44 1 2 CITIES, 9 VENUES, 14 PERFORMANCES, 11 WORLD PREMIERES! OUT OF THE SHADOWS EXHIBITION It’s a real privilege to introduce the international festival Out of the Shadows: Rediscovering Jewish Music Our travelling exhibition complements our Festival performances, giving an insight into The exhibition will be on display and Theatre, taking place in Cape Town and Stellenbosch from 10th to 17th September 2017. This is the last the work of our research team. It tells the stories of Jewish artists and their works of art in the Cape Town Holocaust Centre, of five major festivals spanning the globe. Performing to nearly 10,000 people in total, these have taken place brought out of the shadows of the archive. and at all the performances during in Madison (US), Leeds/York (UK), Prague, Pilsen and Terezín (Czech Republic), and Sydney (Australia). the festival. By engaging with the exhibition, you—our audiences—can become part of those stories. These festivals fall under the auspices of the UK Arts & Humanities Research Council project Performing the We challenge you to think through the questions we ask ourselves: Jewish Archive (www.ptja.leeds.ac.uk), a collaboration between the Universities of Leeds, York, Wisconsin– Madison and Sydney, alongside 25 partner organisations around the world. • How does reading stories and seeing performances help us understand the musicians and writers who created them? We’re delighted to welcome some of the leading contemporary performers in South Africa and beyond, including the Cape Philharmonic Orchestra conducted by Conrad van Alphen, Aviva Pelham, Michelle Maxwell, • How does knowing these stories affect our experiences? Matthew Reid, the Cape Soloists Choir, Kensington Chorale, and many, many more besides. • What about stories never completed, artworks lost forever? We hope that you will take the opportunity to view our travelling project exhibition, which will be housed Can we understand them more through performance? at the Cape Town Holocaust Centre and also displayed at each of our performances during the festival. • How can we honour fragmented stories, mourn such human and artistic losses? The exhibition offers insight into some of the personalities and stories that underpin the researchers’ work, • Can empathy help us understand these artists’ experiences? and explains some of the background to the project and festivals. Our major partners in South Africa include the Universities of Cape Town (South African College of Music, We look forward to hearing your responses! Kaplan Centre for Jewish Music) and Stellenbosch (Konservatorium, Department of Drama); the South African Holocaust & Genocide Foundation and the South African Jewish Museum; Cape Town Hebrew Congregation and Green & Sea Point Hebrew Congregation. We are extremely grateful for their support and collaboration, Out of the Shadows exhibition on display at the Prague Conservatory, 22 September 2016. without which the festival simply could not take place. Photo: Steve Muir The 12-strongPerforming the Jewish Archive project team seek out and recover artefacts from the vast but largely hidden accumulation of Jewish music and theatre that was forgotten or thought lost because of the Holocaust, whether directly or indirectly. The team retell the stories of those who created these pieces, bring them to life in performance, and test how audiences and performers alike respond. Out of the Shadows promises to be a memorable, poignant and sometimes challenging week of events, celebrating the lives and achievements of Jewish artists in times of both adversity and freedom. We look forward to welcoming you throughout the festival. Dr Stephen Muir, Associate Professor of Music, University of Leeds Principal Investigator, Performing the Jewish Archive 2 3 2 CITIES, 9 VENUES, 14 PERFORMANCES, 11 WORLD PREMIERES! OUT OF THE SHADOWS EXHIBITION It’s a real privilege to introduce the international festival Out of the Shadows: Rediscovering Jewish Music Our travelling exhibition complements our Festival performances, giving an insight into The exhibition will be on display and Theatre, taking place in Cape Town and Stellenbosch from 10th to 17th September 2017. This is the last the work of our research team. It tells the stories of Jewish artists and their works of art in the Cape Town Holocaust Centre, of five major festivals spanning the globe. Performing to nearly 10,000 people in total, these have taken place brought out of the shadows of the archive. and at all the performances during in Madison (US), Leeds/York (UK), Prague, Pilsen and Terezín (Czech Republic), and Sydney (Australia). the festival. By engaging with the exhibition, you—our audiences—can become part of those stories. These festivals fall under the auspices of the UK Arts & Humanities Research Council project Performing the We challenge you to think through the questions we ask ourselves: Jewish Archive (www.ptja.leeds.ac.uk), a collaboration between the Universities of Leeds, York, Wisconsin– Madison and Sydney, alongside 25 partner organisations around the world. • How does reading stories and seeing performances help us understand the musicians and writers who created them? We’re delighted to welcome some of the leading contemporary performers in South Africa and beyond, including the Cape Philharmonic Orchestra conducted by Conrad van Alphen, Aviva Pelham, Michelle Maxwell, • How does knowing these stories affect our experiences? Matthew Reid, the Cape Soloists Choir, Kensington Chorale, and many, many more besides. • What about stories never completed, artworks lost forever? We hope that you will take the opportunity to view our travelling project exhibition, which will be housed Can we understand them more through performance? at the Cape Town Holocaust Centre and also displayed at each of our performances during the festival. • How can we honour fragmented stories, mourn such human and artistic losses? The exhibition offers insight into some of the personalities and stories that underpin the researchers’ work, • Can empathy help us understand these artists’ experiences? and explains some of the background to the project and festivals. Our major partners in South Africa include the Universities of Cape Town (South African College of Music, We look forward to hearing your responses! Kaplan Centre for Jewish Music) and Stellenbosch (Konservatorium, Department of Drama); the South African Holocaust & Genocide Foundation
Recommended publications
  • Download the February 2012 Issue
    We are proud of the service we have provided to Trustees and Owners of Bodies Corporate and Homeowners Associations over 15 years. If we don’t already manage your apartment block or complex, we would like to. CONTACT Mike Morey TEL (021) 426 4440 FAX (021) 426 0777 EMAIL [email protected] VOLUME 29 No 1 FEBRUARY 2012 5772 www.cjc.org.za Hope and healing at BOD and Friends16082_Earspace of the for Jewish UJC Chronicle Cape FA.indd 1 Town —2011/08/19 10:40 AM Black Management Forum event securing foundations for the future By Dan Brotman Marco Van Embden, Hugh Herman and Eliot Osrin present a gift to Helen Zille. BMF member Mzo Tshaka, Cape Board Chairman Li Boiskin, Executive Director David The Friends of the UJC Cape Town recently Jacobson, Media & Diplomatic Liaison Dan Brotman, BMF member Songezo Mabece, BMF hosted a glittering and glamourous event — YP Chairman Thuso Segopolo, Ontlametse Phalatse and Prince Mangosuthu Buthelezi. (Photo: Jason Boud) celebrating the South African Jewish A new Torah to community and the generosity that The Cape Board was recently approached in a collaborative effort between the sustains it. by the Black Management Forum (of which Black Management Forum, the Jewish celebrate 7 years it is a member) to assist with the visit community of Cape Town and several uests from around the world as well of a remarkable 12-year-old girl named large corporations creating an event to as leaders and donors from the Ontlametse Phalatse. honour Ontlametse. G community gathered to celebrate the In true South African spirit, the Nelson institutions and philanthropy that make this ntlametse, who lives with her mother Mandela Auditorium and Café Riteve were such a thriving community.
    [Show full text]
  • Eat Visit Shop Stay Play
    BEST OF CENTRAL CITY 2020 YOUR FREE COPY PLACES300 TO ENJOY IN THE CENTRAL CITY visit shop eat stay play MUSEUMS & BOUTIQUES, RESTAURANTS & HOTELS & BARS & CITY SIGHTS CRAFTS & ART COFFEE SHOPS BACKPACKERS NIGHT CLUBS Over 900 more places on our website. Visit capetownccid.org CapeTownCCID CapeTownCCID TO OBTAIN A COPY OF THIS MAGAZINE, CONTACT AZIZA PATANDIN AT THE CCID ON 021 286 0830 OR contents [email protected] ICONS TO NOTE WALLET- A SPECIAL WHEELCHAIR- CHILD- CLOSEST PARKING FRIENDLY TREAT OCCASION FRIENDLY FRIENDLY P (SEE PAGE 63) 5 17 27 visit shop eat Galleries, museums, city Fashion, gifts, décor Cafés, bakeries, sights and public spaces and books restaurants and markets 45 53 59 play stay essentials Theatres, pubs and Hotels and Useful info and clubs backpackers resources EDITORIAL EXECUTIVE TEAM Group Editor in Chief Sandy Welch Group Art Director Faranaaz Managing Director Aileen Lamb Commercial Director Maria Tiganis Rahbeeni Group Managing Editor Catherine Robb Project Manager Brand Strategy Director Andrew Nunneley Chief Financial Officer Wayne Cornelius Listings Writer Tracy Greenwood Printed by Novus Venette Malone Head of HR Camillah West CEO: Media24 Ishmet Print Davidson ADVERTISING PHOTOGRAPHY Getty Images, CCID, New Media, Iziko Museums of Key Account Manager SA, Pexels, Pixabay, Freepik, Unsplash, Scott Arendse, Ed Suter, Zaid Cheryl Masters | 021 417 1182 | Hendricks, RED! Gallery, Bocca, Mandela Rhodes Place, Signature Lux [email protected] Hotel, Cartel Rooftop Bar, Arcade, Reset, Fiction, Uncut Cover Image Unsplash/Banter Snaps PUBLISHING Group Account Director Raiël le Roux Production Manager Shirley Published by New Media, a division of Media24 (Pty) Ltd Quinlan New Media House, 19 Bree Street, Cape Town 8001 PO Box 440, Green Point 8051 Telephone +27 (0)21 417 1111 E-mail [email protected] www.newmedia.co.za DISCLAIMER New Media takes the utmost care to ensure all information in this magazine is correct at the time of going to print.
    [Show full text]
  • German Operetta on Broadway and in the West End, 1900–1940
    Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 German Operetta on Broadway and in the West End, 1900–1940 Academic attention has focused on America’sinfluence on European stage works, and yet dozens of operettas from Austria and Germany were produced on Broadway and in the West End, and their impact on the musical life of the early twentieth century is undeniable. In this ground-breaking book, Derek B. Scott examines the cultural transfer of operetta from the German stage to Britain and the USA and offers a historical and critical survey of these operettas and their music. In the period 1900–1940, over sixty operettas were produced in the West End, and over seventy on Broadway. A study of these stage works is important for the light they shine on a variety of social topics of the period – from modernity and gender relations to new technology and new media – and these are investigated in the individual chapters. This book is also available as Open Access on Cambridge Core at doi.org/10.1017/9781108614306. derek b. scott is Professor of Critical Musicology at the University of Leeds.
    [Show full text]
  • Fundraising for Food Parcels Creating a Platform of Giving Creating Toolkits
    CSO CAPE TOWN 24 HOUR SECURITY & MEDICAL WESTERN CAPE EMERGENCIES ONLY 086 18 911 18 CSO needs your help to make a difference as a community organisation. www.csocape.org.za We are grateful for your continuous support VOLUME 37 No 4 MAY 2020 www.cjc.org.za Fundraising for food parcels Creating a platform of giving As the concept The ‘Good Food of lockdown Network’ was due to accelerated into an launch this year. Anna imminent reality, had been working Anna Shevel on it for two years. It was to be an online realised what this marketplace giving would mean for small businesses South Africa. and producers their ow it would impact own affordable, easy Lizo Madinga of Afrika Tikkun and Brad Stern elbow-bump in Mfuleni during the Hthe 11 to 14 million to set up, easy to first week of lockdown South Africans already manage online micro Like many South Africans, Brad (such as Microsoft, DSTV ad Telkom experiencing extreme stores. As COVID-19 Stern of Cape Town tuned into Mobile), and which is dedicated to hunger. She was approached she was President Ramaphosa’s first youth empowerment. The company immediately gripped devastated that her COVID-19 related address to works with the Department of Basic by an urgent call to do something to big dream and all her work and investment would now be the nation on 15 March. Education and has completed more mitigate what was coming. than 600 activations at schools, meaningless. e was particularly struck by the reaching 400 000 learners throughout Anna is, at heart, a food activist.
    [Show full text]
  • SACS High School Prospectus
    SACS High School Prospectus SACS High School Prospectus Physical Address: Newlands Avenue Newlands Postal Address: Private Bag, Newlands, Cape Town, 7725 Ph: 021-6894164 Fax: 021-6852669 Admissions Secretary: Mrs Irene Innes – [email protected] Brief History SACS is the oldest high school in South Africa, founded in September 1829. It is arguably the most magnificent setting at the foot of Table Mountain and Devils peak. The concept of the South African College was first formed in 1791 when the Dutch Commissioner-General, Jacob Abraham Uitenhage de Mist, asked for funding to be set aside to improve schooling in the Cape. After the British took over control of the Cape Colony its first governor, Lord Charles Henry Somerset PC, gave permission for the funds reserved by de Mist to be used to establish the South African College in 1814. It was decided in 1874 that the younger students should be separated from their older counterparts. The South African College was separated into the College which became the University of Cape Town and the College School. The College School moved to its own building on Orange Street, separate from the College, in 1896. For the next few decades, the school grew and the building became too small for the number of students attending. In 1959 the school moved to its current home in the Montebello Estate in Newlands,] former home of the mining magnate Sir Max Michaelis, after a decade-long negotiation with the Cape Administration. SACS High School Mission Statement “The South African College High School seeks to promote excellence within an all-round education, to prepare boys to play a constructive role as compassionate, thinking individuals in society”.
    [Show full text]
  • Annexure 22 Transfers and Grants to External Organisations
    ANNEXURE 22 TRANSFERS AND GRANTS TO EXTERNAL ORGANISATIONS 2021/22 Budget (May 2021) City of Cape Town - 2021/22 Budget (May 2021) Annexure 22 – Transfers and grants to external organisations 2021/22 Medium Term Revenue & Description 2017/18 2018/19 2019/20 Current Year 2020/21 Expenditure Framework Audited Audited Audited Original Adjusted Full Year Budget Year Budget Year Budget Year R thousand Outcome Outcome Outcome Budget Budget Forecast 2021/22 +1 2022/23 +2 2023/24 Cash Transfers to other municipalities Not applicable Total Cash Transfers To Municipalities: – – – – – – – – – Cash Transfers to Entities/Other External Mechanisms Cape town Stadium Entity 24 167 55 152 59 454 65 718 65 718 65 718 60 484 26 410 24 707 Total Cash Transfers To Entities/Ems' 24 167 55 152 59 454 65 718 65 718 65 718 60 484 26 410 24 707 Cash Transfers to other Organs of State Peoples Housing Process 244 017 139 509 139 509 150 518 150 518 150 518 65 000 61 436 58 626 Total Cash Transfers To Other Organs Of State: 244 017 139 509 139 509 150 518 150 518 150 518 65 000 61 436 58 626 Cash Transfers to Organisations 10th Anniversary Carnival 49 – – – – – – – – 2017 Lipton Cup Challenge 100 – – – – – – – – 2nd Annual Golf Festival – 150 – – – – – – – 2nd Encounters SA International 100 – – – – – – – – 3rd Africa Women Innovation & Enterprise 150 – – – – – – – – 3rd Unlocking African Markets Conference 150 – – – – – – – – A Choired Taste - Agri Mega NPC 100 – – – – – – – – ABSA Cape Epic - Cape Epic (Pty) Ltd 1 500 1 700 1 794 1 893 1 893 1 893 1 900 2 127 2
    [Show full text]
  • Yesterday • Today • Tomorrow
    YESTERDAY • TODAY • TOMORROW ARTSCAPE THEATRE CENTRE | 1 OUR THEME: YESTERDAY, TODAY & TOMORROW “… in order to celebrate the achievements over the past 50 years, we need to be mindful of how it came about, build on the work of those that came before us, and lead the way to a future that is even more inclusive, more equitable and more just – a constant strife.” – Marlene le Roux Yesterday, Today and Tomorrow Rajesh Jock CHAIRPERSON Artscape Theatre Centre Artscape Theatre Centre (formally the Nico Malan Theatre) has made major advances since its inception in 1971. Relying on a strong commitment from the National Department of Sport, Arts and Culture, the theatre now celebrates its Golden Anniversary! Entertainment, arts and culture contributes to the vibrancy, heritage and activation of the Cape Town Metropolitan City as well as the Western Cape Province, and plays an important role in tourism and economic growth. Since being renamed circa 1999, Artscape has provided a modern, contemporary and world-class regional venue supporting arts and culture, and especially local talent. Artscape represents a very special organisation, comprising committed professionals, who are dedicated to the advancement of many different local and international productions in the City of Cape Town and many other parts of the Western Cape Province. Combined with the passion and commitment of major stakeholders both nationally and provincially, Artscape has become a home for all in the arts and will continue to embrace the diverse communities of the Western Cape through performers and patrons. I thank and congratulate everyone who has, over many years, dedicated their expertise, time, effort and passion to continually building this wonderful organisation and making it what it is today.
    [Show full text]
  • (August 2021) Annexure 4: Transfers and Grants Made by the City
    City of Cape Town - 2021/22 Adjustments budget (August 2021) Annexure 4: Transfers and grants made by the City Budget Year Budget Year Budget Year 2021/22 +1 2022/23 +2 2023/24 Description Original Prior Accum. Multi-year Unfore. Nat. or Prov. Adjusted Adjusted Adjusted Other Adjusts. Total Adjusts. Budget Adjusted Funds capital Unavoid. Govt Budget Budget Budget R thousands Cash transfers to other municipalities Not applicable – – – – – – – – – – – TOTAL ALLOCATIONS TO MUNICIPALITIES: – – – – – – – – – – – Cash transfers to Entities/Other External Mechanisms Cape Town Stadium Entity 60 484 – – – – – – – 60 484 26 410 24 707 TOTAL ALLOCATIONS TO ENTITIES/EMs' 60 484 – – – – – – – 60 484 26 410 24 707 Cash transfers to other Organs of State Peoples Housing Process 65 000 – – – – – – – 65 000 61 436 58 626 TOTAL ALLOCATIONS TO OTHER ORGANS OF STATE: 65 000 – – – – – – – 65 000 61 436 58 626 Cash transfers to Organisations ABSA Cape Epic - Cape Epic PTY (LTD) 1 900 – – – – – – – 1 900 2 127 2 255 African Nations Cup - South African Masters Hockey Association 1 000 – – – – – – – 1 000 – – African Travel Week - Reed Venue Management (Pty) Ltd 4 200 – – – – – – – 4 200 – – AllFashion Sourcing Cape Town - Messe Frankfurt South Africa 110 – – – – – – – 110 – – Annual Cultural Choral Competitions - Cape Malay Choir Board 300 – – – – – – – 300 – – Annual Minstrel Competition - Kaapse Klopse Karnaval Association 422 – – – – – – – 422 – – Artscape 2 000 – – – – – – – 2 000 – – Ballet Competition (South African International) - South African International
    [Show full text]
  • Part 2 Performance
    PROGRAMME PART 2 PERFORMANCE The services rendered by the Cultural Commission are aligned with the duties and powers of the Commission as set out in the Western Cape Cultural Commission and Cultural Councils Act, 1998 (Act 14 of 1998). G o a l K ey Perf orm an ce Ta rg e t Perf o rman c e Re s ul ts Rea s on f or Va r i a n c e I n d i c a t o r Letting cultural facili- Optimal use of Facilities in use for at least Facilities used for appro x i- N o n e ties placed under the facilities by org a n i- 45 000 people-days mately 67 479 people-days supervision of the sations for the Commission by the p reservation, pro- Minister for the motion and devel- p res erv a tio n , p ro m o- opment of culture tion and develop- in t h e We s t e r n ment of culture in the C a p e We s t e r n C ape I n c re as ed u se of A ff o rdable facilities Accessibility to seven cul- 7,3% increase in number N o n e f ac i lit ies b y g ro u p s for all communities tural facilities of groups and 2,7% f rom previously dis- in t h e We s t e r n i n c rease in number of peo- advantaged commu- C a p e ple making use of facilities nities.
    [Show full text]
  • Features Lifestyle
    12 Established 1961 Lifestyle Features Monday, July 26, 2021 rince’s estate will soon issue a sciousness... this is a concerted effort to technology and devices, which he saw the first time. “He said, ‘never in my completed record from the mercuri- really speak about these things,” said “as something that handcuffed people.” career have I taken a week where I didn’t Pal artist’s storied music vault, the Hayes, who co-produced the album. “I But while the album tackles decidedly write a song and pick up my guitar.’” The first never-before-heard album released really dug how raw it was, and as far as weighty topics - “Running Game (Son of release of Prince’s vast trove of music since the musician’s shock death five my production, I just wanted to keep it to a Slave Master)” centers on racism, remains a sensitive subject; the super- years ago. “Welcome 2 America” - a 12- where its raw and I don’t get in the way while “Same Page, Different Book” star was controlling of his work, image, track album finished in 2010, but shelved of what he’s trying to say.” touches on religious strife - the album and carefully constructed enigmatic per- for reasons unknown in the famous vault also includes vintage danceable and car- sona. Doing right by him is no small chal- at Prince’s Paisley Park compound near ‘Liberty and justice’ nal slow jam Prince in the mix. “Hot lenge. Minneapolis - offers a prophetic window For Hayes, the singular artist “was Summer” is a major-key, guitar-heavy, Previously the estate has re-released into social struggles at today’s forefront, way ahead”, like a “sage sitting in the feel-good track, while the sparsely expanded versions of Prince’s milestone delving into racism, political division, Himalayas somewhere”, in foreshadow- arranged “When She Comes” featuring albums, like “1999” and “Sign O’ The technology and disinformation.
    [Show full text]
  • Robyn Archer 4-15 July
    GRIFFIN THEATRE COMPANY PRESENTS ROBYN ARCHER 4-15 JULY European Cabaret really began in Paris in the 1880s and While the word cabaret has been then rapidly spread to Vienna at the fin de siècle, thence to stretched over the last few decades to Zurich, St Petersburg, Barcelona, Munich and Berlin, cover comedy, review, variety and where it coincided with the rise of national socialism and burlesque, there have been recent sniffs provided a necessary platform for voicing concern and of a return to something more akin to the criticism. Que Reste-t’Il starts with songs from the 1880s form’s noble origins, with Tim Minchin’s in Paris, and Dancing on the Volcano covers that brief rapid response to George Pell as a good period when Berlin cabaret was at first light-headed with example. Perhaps as the times again relief after World War I, and then traced the dramatic become more fraught, more complex, descent into despair and horror. The power of serious more difficult to understand and to poets and composers to record such histories is negotiate, ‘ the art of small forms’ (as undeniable, and reinforces the words of Brecht’s poem: Peter Alternberg described cabaret) will come into its own again. My young son asks Will there be singing in the bad times? Robyn Archer AO Yes, there will be singing About the bad times When the cabaret form crossed into English language- speaking countries, it tended to morph into something A NOTE FROM more polite, such as revue, and its bite was less at politics and corruption, and more to social mores and foibles.
    [Show full text]
  • 1 on 26 March 2020 South Africa Went Into Lockdown
    SEPTEMBER 2020 WHENEVER CRISES VISIT A GIVEN COMMUNITY, THE FUNDAMENTAL REALITY OF THAT COMMUNITY IS LAID BARE. WHO HAS MORE AND WHO HAS LESS. WHERE THE POWER LIES. WHAT PEOPLE TREASURE & WHAT THEY FEAR. - ARUNDHATI ROY ON 26 MARCH 2020 SOUTH AFRICA WENT INTO LOCKDOWN, JOINING MANY OTHER COUNTRIES IN A GLOBAL LIMITATION RESPONSE TO THE RAPID SPREAD OF THE COVID-19 PANDEMIC. As with other pandemics, the South African response highlighted the political, social and economic faults in our country - particularly the race, class and gender inequalities that persist. As Arundhati Roy stated, “whenever crises visit a given community, the fundamental reality of that community is laid bare. Who has more and who has less. Where the power lies. What people treasure and what they fear.” But it is also crises that show us the resilience of everyday people, and there are many. During this time, Tekano sought out opportunities to support the efforts of resilience through our Fellows who work with disadvantaged and marginalised communities. We did this to strengthen our role which is to provide support that develops leadership for health equity. We wanted to provide support in the face of this pandemic, strengthening the work and amplifying the voices of Fellows and the communities they were supporting. On 15 April 2020 Tekano published a call for Fellows to submit proposals for collaborative social change initiatives. Our criteria for determining support for these COVID-19 initiatives included: • They must advance social change within the broad agenda for health equity. • They must highlight and support the plight of vulnerable and marginalised communities.
    [Show full text]