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Savoy. the Globalization of Renaissance The Globalization of Renaissance Art Daniel Savoy - 978-90-04-35579-8 Downloaded from Brill.com01/29/2020 10:45:32AM via New York University Brill’s Studies in Intellectual History General Editor Han van Ruler (Erasmus University Rotterdam) Founded by Arjo Vanderjagt Editorial Board C.S. Celenza (Johns Hopkins University, Baltimore) – M. Colish (Yale University, New Haven) J.I. Israel (Institute for Advanced Study, Princeton) – A. Koba (University of Tokyo) M. Mugnai (Scuola Normale Superiore, Pisa) – W. Otten (University of Chicago) VOLUME 274 Brill’s Studies on Art, Art History, and Intellectual History General Editor Walter S. Melion (Emory University) VOLUME 23 The titles published in this series are listed at brill.com/bsai Daniel Savoy - 978-90-04-35579-8 Downloaded from Brill.com01/29/2020 10:45:32AM via New York University The Globalization of Renaissance Art A Critical Review Edited by Daniel Savoy LEIDEN | BOSTON Daniel Savoy - 978-90-04-35579-8 Downloaded from Brill.com01/29/2020 10:45:32AM via New York University Library of Congress Cataloging-in-Publication Data Names: Savoy, Daniel, 1977– editor. Title: The globalization of Renaissance art : a critical review / edited by Daniel Savoy. Description: Leiden ; Boston : Brill, 2017. | Series: Brill’s studies in intellectual history, ISSN 0920-8607 ; Volume 274 | Series: Brill’s studies on art, art history, and intellectual history ; Volume 23 | Includes bibliographical references and index. | Identifiers: LCCN 2017052529 (print) | LCCN 2017052768 (ebook) | ISBN 9789004355798 (E-book) | ISBN 9789004355781 (hardback : alk. paper) Subjects: LCSH: Art, Renaissance—Historiography. | Art—Historiography—Methodology. Classification: LCC N6370 (ebook) | LCC N6370 .G49 2017 (print) | DDC 709.02/4—dc23 LC record available at https://lccn.loc.gov/2017052529 Typeface for the Latin, Greek, and Cyrillic scripts: “Brill”. See and download: brill.com/brill-typeface. issn 0920-8607 isbn 978-90-04-35578-1 (hardback) isbn 978-90-04-35579-8 (e-book) Copyright 2017 by Koninklijke Brill NV, Leiden, The Netherlands. Koninklijke Brill NV incorporates the imprints Brill, Brill Hes & De Graaf, Brill Nijhoff, Brill Rodopi, Brill Sense and Hotei Publishing. All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. Authorization to photocopy items for internal or personal use is granted by Koninklijke Brill nv provided that the appropriate fees are paid directly to The Copyright Clearance Center, 222 Rosewood Drive, Suite 910, Danvers, ma 01923, usa. Fees are subject to change. This book is printed on acid-free paper and produced in a sustainable manner. Daniel Savoy - 978-90-04-35579-8 Downloaded from Brill.com01/29/2020 10:45:32AM via New York University Contents List of Figures and Tables vii Notes on Contributors x Introduction 1 Daniel Savoy Part 1 Global Genealogies 1 A Global Florence and its Blind Spots 17 Sean Roberts 2 Otto Kurz’s Global Vision 45 Jessica Keating Part 2 Beyond Eurocentrism 3 Decolonizing the Global Renaissance: A View from the Andes 67 Ananda Cohen-Aponte 4 Ranges of Response: Asian Appropriation of European Art and Culture 95 Thomas DaCosta Kaufmann Part 3 A Borderless Renaissance 5 Reconsidering the World-system: The Agency and Material Geography of Gold 131 Lauren Jacobi Daniel Savoy - 978-90-04-35579-8 Downloaded from Brill.com01/29/2020 10:45:32AM via New York University vi Contents 6 Linking the Mediterranean: The Construction of Trading Networks in 14th and 15th-century Italy 158 Emanuele Lugli 7 Cosmopolitan Renaissance: Prints in the Age of Exchange 186 Stephanie Leitch 8 The World Seen from Venice: Representing the Americas in Grand-scale Wall Maps 218 Elizabeth Horodowich Part 4 Instituting the Global 9 Global Renaissance Art: Classroom, Academy, Museum, Canon 257 Lia Markey 10 Zones of Indifference 289 Marie Neil Wolff 11 The “Global Turn” in Art History: Why, When, and How Does It Matter? 299 Claire Farago Epilogue: Roundtable 314 Index 337 Daniel Savoy - 978-90-04-35579-8 Downloaded from Brill.com01/29/2020 10:45:32AM via New York University List of Figures and Tables Figures 1.1 Giovanni Battista Cavallini, Map of Elba, detail, 1635, paint on vellum 21 1.2 Martin Schongauer, The Torment of Saint Anthony, c. 1470–75, engraving 28 1.3 Michelangelo Buonarroti, The Torment of Saint Anthony, c. 1487–88, tempera and oil on panel 29 1.4 Cosimo Rosselli, Saints Barbara, John the Baptist, and Matthias, 1468, tempera on panel 32 1.5 Bertoldo di Giovanni, Battle, after 1478, cast bronze 37 2.1 Albert de Wyts, Presentation of the Tribute to the Sultan, 1574 46 4.1 School of Giovanni Niccolò, Portable lacquer shrine with European painting of the Madonna and Child, c. 1597, lacquer, wood, gold, shell, canvas, pigment with doors open, 45.403 × 64.77 × 4.763 cm 102 4.2 Giovanni Niccolò School, Madonna of the Snow, after 1583, oil and Japanese colors on paper, mounted on a hanging scroll 104 4.3 Odano Naotake, Shinobazu Pond (Shinobazu-no-ike-zu), c. 1770, color on silk, hanging scroll 106 4.4 Abu’l Hasan; Borders by Muhammad Sadiq, Allegorical representation of Emperor Jahangir and Shah Abbas of Persia (from the St. Petersburg Album), c. 1618, margins 1747–48, opaque watercolor, ink, silver and gold on paper 110 4.5 Jantar Mantar Observatory, The Rashivaliya Yantra (12 zodiacal instruments) 112 4.6 Yi Lantai (Ilantai), West Façade of the Hall of the Calm Ocean (Haiyantang ximian), Pictures of the European Palaces and Waterworks, plate 10, 1781–87, engraving, 91 × 54 cm 117 4.7 Europeans bring gifts to Shah-Jahan, Padshahnama, fol. 116b, c. 1650 120 5.1 Giotto di Bondone, Scrovegni Chapel, c. 1305, Padua 134 5.2 Giotto di Bondone, The Visitation, c. 1305, fresco, Scrovegni Chapel, Padua 136 5.3 Giotto di Bondone, Judas Receiving Payment for his Betrayal, c. 1305, fresco, Scrovegni Chapel, Padua 136 5.4 Cross-section of a sample from the halo of the Baptism of Christ observed under reflected light, from the Scrovegni Chapel, Padua 137 Daniel Savoy - 978-90-04-35579-8 Downloaded from Brill.com01/29/2020 10:45:32AM via New York University viii List Of Figures And Tables 5.5 Jacopo di Cione and Workshop, The Coronation of the Virgin, Central Tier Panel of the San Pier Maggiore Altarpiece, 1370–71, tempera on poplar 138 5.6 Jacopo di Cione and Workshop, The Coronation of the Virgin, Central Tier Panel of the San Pier Maggiore Altarpiece, detail, 1370–71, tempera on poplar 139 6.1 Major routes of Venetian galleys in the fourteenth century 160 6.2 The harbors of Berbery in Leonardo and Gregorio Dati’s La Sfera, fifteenth century 164 6.3 The three types of spatial networks: Branching networks (A); Barrier networks (B); Circuit networks (C) 166 6.4 Gabriel de Vallseca, Marine Chart of the Mediterranean and the Black Sea, detail, 1447 168 6.5 Petrus Vesconte, Nautical Atlas of the Mediterranean Sea and the Black Sea, detail of “The Central Mediterranean,” 1313 177 6.6 Venice’s Old Lazaretto, founded 1423 181 7.1 Peter Apian and Gemma Frisius, Cosmographie, oft Beschrijuinghe der geheelder werelt (Antwerp, 1553) 191 7.2 Matthäus Schwarz, Trachtenbuch, c. 1520–60 199 7.3 Hans Burgkmair, Peoples of Africa and India, 1508, woodcut, 28.5 × 230.6 cm 201 7.4 Braun and Hogenberg, Civitates orbis Terrarum (Cologne, 1572) 202 7.5 De Bruyn, Omnium poene gentium imagines (Cologne, 1577) 204 7.6 Jan Collaert, after Jan van der Straet, called Stradanus, The Production of Silk from Nova Reperta, plate 8, Antwerp, 1590s, engraving 212 8.1 Giacomo Gastaldi, Cosmographia universalis, Venice, c. 1561, 90 × 182 cm 223 8.2 Giovanni Francesco Camocio, Carta del nuovo mondo in 9 pezzi, Venice, c. 1569, 98 × 105 cm, Cartella 32/70 224 8.3 Giuseppe Rosaccio, Universale descrittione di tutto il mondo, Venice, 1597, 106 × 184 cm 226 8.4 Gastaldi, detail of North America 232 8.5 Gastaldi, detail of North America 233 8.6 Camocio, detail of North America 235 8.7 Rosaccio, detail of North America 236 8.8 Rosaccio, Allegory of Asia 238 8.9 Rosaccio, Allegory of America 239 8.10 Rosaccio, detail of North America 240 8.11 Camocio, detail of North America 241 8.12 Camocio, griffin 241 Daniel Savoy - 978-90-04-35579-8 Downloaded from Brill.com01/29/2020 10:45:32AM via New York University List Of Figures And Tables ix 8.13 Camocio, detail of Brasil 243 8.14 Rosaccio, detail of Peruvian cannibals in the Arctic Circle 243 8.15 Gastaldi, detail of North America 245 8.16 Rosaccio, detail of Zenian Islands, Atlantic Coast 246 9.1 Anonymous, broadsheet with text from Vespucci, Dise Figure anzaigt ins das Folck und Insel (Augsburg: Froschauer, 1505), handcolored woodcut 269 9.2 Attributed to Gentile Bellini, The Sultan Mehmet II, 1480, oil (19th- century repaint) on canvas, perhaps transferred from wood, 69.9 × 52.1 cm 271 10.1 Michael Craig-Martin, Globalisation, 2012, Inkjet on two sheets of Hahnemuhle Photo Rag Bright White Paper, left panel 111.8 × 91.4 cm, right panel 111.8 × 22.8 cm, edition of 40 288 10.2 James Meredith (back center) and US Federal Marshalls, Oxford, Mississippi, 29 September, 1962 290 Tables 3.1 Overview of artistic professions and wages in Cuzco, 1600–1704 (sorted alphabetically) 77 3.2 Top 30 earners in artistic professions in Cuzco, 1600–1704 (sorted by year) 82 3.3 Bottom 30 earners in artistic professions in Cuzco, 1600–1704 (sorted by year) 84 Daniel Savoy - 978-90-04-35579-8 Downloaded from Brill.com01/29/2020 10:45:32AM via New York University Notes on Contributors Claire Farago is emeritus professor at the University of Colorado Boulder.
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