Great Performances: Macbeth
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2018 Annual Report
Annual Report 2018 Dear Friends, welcome anyone, whether they have worked in performing arts and In 2018, The Actors Fund entertainment or not, who may need our world-class short-stay helped 17,352 people Thanks to your generous support, The Actors Fund is here for rehabilitation therapies (physical, occupational and speech)—all with everyone in performing arts and entertainment throughout their the goal of a safe return home after a hospital stay (p. 14). nationally. lives and careers, and especially at times of great distress. Thanks to your generous support, The Actors Fund continues, Our programs and services Last year overall we provided $1,970,360 in emergency financial stronger than ever and is here for those who need us most. Our offer social and health services, work would not be possible without an engaged Board as well as ANNUAL REPORT assistance for crucial needs such as preventing evictions and employment and training the efforts of our top notch staff and volunteers. paying for essential medications. We were devastated to see programs, emergency financial the destruction and loss of life caused by last year’s wildfires in assistance, affordable housing, 2018 California—the most deadly in history, and nearly $134,000 went In addition, Broadway Cares/Equity Fights AIDS continues to be our and more. to those in our community affected by the fires and other natural steadfast partner, assuring help is there in these uncertain times. disasters (p. 7). Your support is part of a grand tradition of caring for our entertainment and performing arts community. Thank you Mission As a national organization, we’re building awareness of how our CENTS OF for helping to assure that the show will go on, and on. -
Equity News Spring 2018
SPRING 2018| VOLUME 103 | ISSUE 2 ACTORS’ EQUITY ASSOCIATION Equity NEWS THIS TONY SEASON, EQUITY IS FIGHTING FOR #EVERYONEONSTAGE NOW OPEN! ACTORS' EQUITY SWAG STORE SHOP.ACTORSEQUITY.ORG EquityNEWS Actors' Equity Advisory Committee Director of Communications Christine Toy Johnson (Chair) Brandon Lorenz Al Bundonis Diane Dorsey Editor Nicole Flender Doug Strassler Bruce Alan Johnson Ruth E. Kramer Contributor Heather Lee Joyce Vinzani Kevin McMahon Liz Pazik Got a question or Barbara N. Roberts comment? Email us at Melissa Robinette [email protected] Buzz Roddy Kate Shindle Joann Yeoman EQUITY NEWS (ISSN: 00924520) is published quarterly by Actors’ Equity Association, 165 West 46th St., New York, NY 10036. Telephone: (212) 869-8530. Periodicals postage paid at New York, N.Y. and additional mailing offices. Copyright 2018, Actors’ Equity Association. Postmaster: Send address changes to Equity News, 165 West 46th St., New York, NY 10036. EquityNEWS CONTENTS SPRING 2018 | VOLUME 103 | ISSUE 2 8 9 HIGMEC ARTS ADVOCACY DAY Two members share the stories of Equity representatives headed how they got their Equity cards. to Washington, D.C., to lobby for increased arts funding. 11 15 COVER STORY: ACROSS THE NATION EVERYONE ON STAGE Seattle offers a diverse array Equity's new campaign aims of theatrical opportunities. to increase recognition at Tony Awards time. 16 17 THEATRE SPOTLIGHT CARBONELL AWARDS Learn more about Students from Marjory Equity Library Theatre's Stoneman Douglas High All Access Reading Series. School find inspiration in tragedy. 18 19 EQUITY AWARDS #EQUITYWORKS Lin-Manuel Miranda The Rocktopia campaign receives the 2018 turned into a win for cast Rosetta LeNoire Award. -
Dickens' Holiday Classic
Dickens’ Holiday Classic A VIRTUAL TELLING OF A CHRISTMAS CAROL DECEMBER 19–31, 2020 Inside IN PICTURES Behind the Lens • 3 WELCOME From Artistic Director Joseph Haj • 5 GUTHRIE SPOTLIGHT GUTHRIE SPOTLIGHT Welcome to Dickens’ Holiday Classic • 6 To Our First-Time Patrons • 6 DICKENS’ HOLIDAY CLASSIC Cast, Creative, Film Production and Native Artist Fellows • 11 Biographies • 12 PLAY FEATURES E.G. Bailey and Joseph Haj in Conversation • 15 Changing Tunes in Changing Times • 17 Meet the Native Artist Fellows • 20 A Christmas Carol Memories From Patrons • 23 PLAY FEATURE Backstory • 26 From the Adapters/Directors • 15 SUPPORTERS Annual Fund Contributors • 29 Corporate, Foundation and Public Support • 37 WHO WE ARE Board of Directors and Guthrie Staff •38 GOOD TO KNOW Virtual Viewing Guide • 39 PLAY FEATURE Stories From Productions Past • 23 Guthrie Theater Program Volume 58, Issue 1 • Copyright 2020 818 South 2nd Street, Minneapolis, MN 55415 EDITOR Johanna Buch ADMINISTRATION 612.225.6000 GRAPHIC DESIGNER/COVER DESIGN Brian Bressler BOX OFFICE 612.377.2224 or 1.877.447.8243 (toll-free) CONTRIBUTORS E.G. Bailey, Ernest Briggs, Joseph Haj, guthrietheater.org • Joseph Haj, Artistic Director Margaret Leigh Inners, Katie “KJ” Johns, Tom Mays, Sam Aros Mitchell, Carla Steen. Special thanks to Guthrie The Guthrie creates transformative theater experiences that ignite the patrons for sharing their A Christmas Carol memories. imagination, stir the heart, open the mind and build community through the illumination of our common humanity. The Guthrie program is published by the Guthrie Theater. 2 \ GUTHRIE THEATER • DICKENS’ HOLIDAY CLASSIC IN PICTURES Behind the Lens Two artistic worlds collided for the making of Dickens’ Holiday Classic: theater and film. -
ANYTHING GOES -Sutton Foster and Joel Grey Star As Reno Sweeney and Moonface Martin in Cole Porter's Musical Cruise Across the Atlantic Ocean
ANYTHING GOES -Sutton Foster and Joel Grey star as Reno Sweeney and Moonface Martin in Cole Porter's musical cruise across the Atlantic Ocean. BOOK OF MORMON, THE -Have they written it on golden plates? Only the creators (South Park + Avenue Q) know for sure. CHICAGO – There’s never been a better time to experience Broadway’s razzle-dazzle smash. A sensational tale of sin, corruption and all that jazz, it has everything you could want in a musical: knockout dancing, an edge-of-your-seat story, and one showstopper after another. CHINGISH - Playwright David Henry Hwang (M. Butterfly) explores the cultural barriers between America and China - especially linguistic ones - in this timely new comedy. COLUMNIST, THE - David Auburn's (Proof) latest drama portrays the dilemma faced by powerful Washington columnist Joseph Alsop, who publicly hosts the Kennedy Camelot circle while keeping hidden deep parts of himself. Starring John Lithgow. DEATH OF A SALESMAN - One man and his family are caught up in the pressures and delusions of living the American Dream. Miller's play is the story of a traveling salesman whose illusions of picture-perfect business and family life cave in on him. Philip Seymour Hoffman stars as the distressed salesman Willy Loman in Arthur Miller's masterpiece. Also starring Andrew Garfield and Linda Emond. END OF THE RAINBOW - It's December 1968 and Judy Garland is about to make her comeback…again. In a London hotel room with her young new fiancé at her side, Garland battles with a tornado of drugs and alcohol as she undertakes an exhausting series of concerts at the Talk of the Town to try and reclaim her crown as the greatest talent of her generation. -
30Th ANNUAL LUCILLE LORTEL AWARDS RECIPIENTS ANNOUNCED
FOR IMMEDIATE RELEASE Press Contacts: Chris Kanarick: [email protected] Felicia Pollack: [email protected] Megan Brophy: [email protected] 30th ANNUAL LUCILLE LORTEL AWARDS RECIPIENTS ANNOUNCED Hamilton receives record 10, including Outstanding Musical Between Riverside and Crazy receives 3, including Outstanding Play New York, NY (May 10, 2015) – The 2015 Lucille Lortel Awards for Outstanding Achievement Off-Broadway were handed out this evening to recipients in 18 categories, and three special honors were bestowed. The Lortel Awards were distributed in a ceremony at NYU Skirball Center hosted by Emmy nominated actors Anna Chlumsky and Jesse Tyler Ferguson. This year's event was once again a benefit for The Actors Fund. Award presenters this year included some of the biggest and brightest stars from stage and screen, including: F. Murray Abraham, Uzo Aduba, Christian Borle, Steven Boyer, Jason Robert Brown, David Burtka, Anna Camp, Geneva Carr, Michael Cerveris, Sutton Foster, Lisa Howard, James Monroe Iglehart, Andy Karl, Marc Kudisch, Judy Kuhn, Swoosie Kurtz, Tony Kushner, Norm Lewis, Justin Long, Ruthie Ann Miles, Gretchen Mol, Elisabeth Moss, Brad Oscar, Elizabeth Reaser, Alex Sharp, Alicia Silverstone, Micah Stock, Amber Tamblyn, Max von Essen and Tony Yazbeck. The Off-Broadway League’s Lortel Awards Producing & Administration Committee (Terry Byrne, Dean Carpenter, Denise Cooper, Margaret Cotter, Carol Fishman, George Forbes, Michael Page, Catherine Russell and Lindsey Sag) produces the Lortel Awards ceremony. Acclaimed writer/director Michael Heitzman returned to direct the Lortel Awards for the fifth consecutive year. The Lucille Lortel Awards is produced by special arrangement with the Lucille Lortel Foundation. -
Lunch by Steven Berkoff Premiering July 9, 2021 7:30PM Streaming July 9-13, 2021
Lunch by Steven Berkoff Premiering July 9, 2021 7:30PM Streaming July 9-13, 2021 Lunch By Steven Berkoff Directed by Richard Romagnoli Man Bill Army* Woman Jackie Sanders* A bench by the seaside. The present day. * member of Actors’ Equity Association, the union of professional Actors and Stage Managers 2 A Note from the Director: LUNCH is a terse, scabrous, poetic dance between A Man and A Woman. The text provides only spare biographies, enough to tweak our interest and lead to endless speculation. Do the characters have a shared history? Are they a couple? Is their encounter a contrivance, a fantasy with unanticipated consequences? Do they really know Prufrock? The production only explores these questions. In a brief 40 minutes Berkoff presents characters in mid-life, stepping out of their familiar routines to passionately and humorously engage the other in what critic Aleks Sierz has correctly named, “in-yer-face theatre,” describing certain young British writers of the ‘90’s and the millennium. Berkoff can certainly be considered one of the progenitors of this style. This is as bare knuckled as “in-yer- face” gets or --as PTP once described its work --“I only laugh when it hurts”. Hope you enjoy. Steven Berkoff was born in Stepney, London. After studying drama and mime in London and Paris, he entered a series of repertory companies and in 1968 formed the London Theatre Group. His plays and adaptations have been performed in many countries and in many languages. Among the many adaptations Berkoff has created for the stage, directed and toured, are Kafka’s Metamorphosis and The Trial, Agamemnon, and Poe’s The Fall of the House of Usher. -
P.2007 Drama Desk Award Nominations
Member Login HOME Boston· Chicago · DC Metro· Florida· Las Vegas · London · Los Angeles· New York · Philadelphia· San Francisco· Seattle More Places » BROADWAY Kids Nightlife FEATURES T H E A T E R N E W S Apr 26, 2007 Gotta Lotte Living to Do 2007 Drama Desk Award Nominations Announced Loose Lips Photo File By: Brian Scott Lipton Blonde Has More Fun Broadway stars Beth Leavel and James Naughton Holm Sweet Holm announced the nominees for this year's Drama Desk Keeping Score Awards this morning at The Friars Club. The awards Casting a Soap Net honor the best of Broadway, Off-Broadway, and Off- More Features » Off-Broadway. REVIEWS As previously announced, Kristin Chenoweth -- who Coram Boy New York was nominated as Outstanding Actress in a Musical Beauty on the Vine for The Apple Tree -- will host the awards ceremony on New York Sunday, May 20 at the F.H. LaGuardia Concert Hall. Linda Eder: This Time The event will be telecast by PBS on Sunday, May 27 Around New York at 12:30pm and by NYC TV (Channel 25) on John Pizzarelli and Thursday, May 24 at 8pm and Saturday, May 26 at Jessica Molaskey at 10pm. The ceremony will be webcast live by the Café Carlyle TheaterMania.com. New York Legally Blonde Manhattan Theatre Club's production of LoveMusik, a New York new musical about the love affair between composer Billy Crudup and Brían F. O'Byrne Exposed New York Kurt Weill and singer Lotte Lenya, received 12 in The Coast of Utopia I Land New York nominations -- the most for any show. -
Homeschool Musical Theatre WARMUPS Physical Warmup Lead
Homeschool Musical Theatre WARMUPS ● Physical Warmup ○ Lead a parent/guardian/sibling in our physical warmup ■ Stretching ● Stretch up, then stretch down 3x ○ On the 3rd stretch down, bring your body up slowly while counting to 10, returning fully upright on 10 ■ Shoulder rolls ● Roll your shoulders forward 5x ○ After the 5th time, bring your arms above your head slowly and smoothly, like they’re moving through water ● Roll your shoulders backward 5x ○ After the 5th time, bring your arms above your head slowly and smoothly, like they’re moving through water ○ Why is it important to warm up our bodies before we sing? ● Breathing Exercise ○ Lead a parent/guardian/sibling through our breathing exercise ■ Deep Breathing ● Inhale for 4 beats, hold your breath for 2 beats, exhale for 8 beats ● Repeat this 3x (for a total of 4x through the exercise) ○ When deep breathing, it’s important to breathe from the diaphragm. Make sure you are not breathing from the chest, shoulders, or upper chest, as breathing from these places can cause tension. ○ Why is it important to practice deep breathing before singing? ● Diction Warmups ○ Lead a parent/guardian/sibling in a diction warmup ■ Diction Warmups ● Speak the following sentences 4x with crisp consonants. The idea isn’t to say them as fast as you can, but to say them clearly and distinctly. ○ Red Leather Yellow Letter ○ The Big Black Bug Bit The Bigger Black Bear ○ Irish Sisters Wearing Wristwatches ○ Tom Met Tilley For Tea At Two On The Train To Trenton ● If you want, you can make up a tongue twister of your own! ○ Why is it important to have clear diction when we sing? ● Vocal Warmups ○ Demonstrate for a parent/guardian/sibling one of our vocal warmups. -
Sara Edwards C: 717.350.4760 [email protected]
Sara Edwards C: 717.350.4760 [email protected] In addition to below, Sara continues her Broadway dancing career (performance resume available). Production Experience ASSOCIATE CHOREOGRAPHER - HUGH JACKMAN’S ARENA TOUR - INTERNATIONAL TOUR (UP-COMING 2019) CHOREOGRAPHER / RE-STAGER - HELLO, DOLLY! - FIRST NATIONAL TOUR (2018) Remounting the acclaimed Broadway production with director Jerry Zaks and starring Betty Buckley. Casting, teaching and maintaining the production throughout its duration. ASSOCIATE CHOREOGRAPHER - SOMETHING TO DANCE ABOUT: BROADWAY AT THE BALLET - NYC BALLET (2018) Adaptation of original Jerome Robbin’s choreography. ASSOCIATE CHOREOGRAPHER - THE STING - PAPERMILL PLAYHOUSE (2018) Original production starring Harry Connick Jr. ASSOCIATE CHOREOGRAPHER - ME AND MY GIRL - ENCORES! (2018) Broadway concert with fully realized production numbers ASSOCIATE CHOREOGRAPHER - HELLO, DOLLY! - BROADWAY (2016-2018) Broadway production with both original Warren Carlyle choreography and re-staged Gower Champion numbers. Maintained the production throughout its 18-month run, starring Bette Midler (twice), Bernadette Petters, Donna Murphy, David Hyde Pearce, Victor Garber, Kate Baldwin and Gavin Creel. ASSOCIATE DIRECTOR/CHOREOGRAPHER - RADIO CITY SPRING SPECTACULAR - (2014-2015) Original choreography for 38 Rockettes, 52 male/female ensemble, and principals Derek Hough and Laura Benanti for a full scale Radio City Music Hall production. ASSOCIATE CHOREOGRAPHER - ANASTASIA THE MUSICAL - NY WORKSHOP (2015) ASSOCIATE CHOREOGRAPHER - CAGNEY THE MUSICAL - YORK THEATRE (2015) ASSISTANT CHOREOGRAPHER - 2014 TONY AWARDS BROADCAST - CBS SPECIAL BROADCAST (2014) Produced 6 production numbers for the telecast, starring Hugh Jackman (host), Patti LaBelle, and LL Cool J. Compiled Tony dramaturgy for previous telecasts and award winners. Coordinated the nominated shows in opening number. ASSISTANT CHOREOGRAPHER - ON THE TWENTIETH CENTURY - PRE-BROADWAY (2014) Ran auditions and created production numbers for press events and commercial advertising. -
JUNE “I’Ve Missed More Than 2012 9,000 Shots in My Career
JUNE “I’ve missed more than 2012 9,000 shots in my career. I’ve lost almost 300 games. I’ve Volume 97 failed over and over and over again in my life and that Number 5 is why I succeed.” EQUITYNEWS —Michael Jordan A Publication of Actors’ Equity Association • NEWS FOR THE THEATRE PROFESSIONAL • www.actorsequity.org • Periodicals Postage Paid at New York, NY and Additional Mailing Offices Congratulations All Officers Reelected; to Equity and Our 17 Elected to Council To n y A w a r d ® resident Nick Wyman led (incumbent) David Sitler the slate of Officers Second Vice President: Rebecca Ira Denmark (incumbent) Pelected to three-year Kim Jordan (incumbent) Margot Moreland (incumbent) Nominated Members terms in Equity’s 2012 National Third Vice President: Ira Mont James Moye (incumbent) Election. In addition, 17 (incumbent) Not elected: Paul V. Ames, n 2012, there is even more to BEST PERFORMANCE BY AN members—10 from the Eastern Secretary/Treasurer: Sandra Douglas Leland, Barbara cheer about when the annual ACTRESS IN A LEADING Region, one from the Central Karas (incumbent) Callander, Matt DeAngelis. Tony Awards ® are ROLE IN A MUSICAL I Region and six from the Western Eastern Regional Vice President: presented. Equity has received a Principal One-Year Term Jan Maxwell, Follies Region—have been elected to Melissa Robinette Special Tony acknowledging the Kristen Beth Williams Audra McDonald, The Council. Not elected: Kate Shindle Union’s Centennial and the Chorus Five-Year Term Gershwins’ Porgy and Bess Ballots were tabulated on May Central Regional Vice President: contributions of Equity Members Cristin Milioti, Once Al Bundonis to the American theatre. -
Staging the Actress
STAGING THE ACTRESS: DRAMATIC CHARACTER AND THE PERFORMACE OF FEMALE IDENTITY DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Melissa Lee Graduate Program in Theatre The Ohio State University 2014 Dissertation Committee: Lesley Ferris, Advisor Beth Kattelman Jennifer Schlueter Copyright by Melissa Lee 2014 ABSTRACT Since women first took to the professional stage, actresses have been objects of admiration and condemnation as well as desire and suspicion. Historically marginalized figures, actresses challenged notions of acceptable female behavior by, among other (more scandalous) things, earning their own income, cultivating celebrity, and being sexually autonomous. Performance entailed an economic transaction of money for services provided, inviting the sexual double meanings of female “entertainer” and “working” woman. Branding the actress a whore not only signaled her (perceived) sexual availability, but also that she was an unruly woman who lived beyond the pale. The history of the actress in the West is also complicated by the tradition of the all-male stage, which long prevented women from participating in their own dramatic representations and devalued their claim to artistry once they did. Theatrical representations of actresses necessarily engage with cultural perceptions of actresses, which historically have been paradoxical at best. In this dissertation I identify a sub-genre of drama that I call actress-plays, and using this bibliography of over 100 titles I chronicle and analyze the actress as a character type in the English-speaking theatre, arguing that dramatizations of the professional actress not only reflect (and fuel) a cultural fascination with actresses but also enact a counter- narrative to conventional constructions of femininity. -
Resurrecting a Broadway Baby…
Resurrecting a Broadway Baby… By Frank DiLella n the surface, James Goldman and Stephen Sondheim’s Follies is Follies is a Oa musical that honors the world of show business — the nostalgia, the allure. Lingering beneath its gilded façade, however, is a musical about legendary work… the human condition: a mirror conveying all the cracks and truths of its it’s still here – dark and damaged characters. The prologue begins with a muted, drawn out growl of a timpani. Following and boy, is it its crescendo roll, an ethereal lush anthem resurrects theatre ghosts on a bare still a beauty. stage and makes way for the one-time Ziegfeld-like chorines and their guests to gather and pay homage to their past. Looking at Stephen Sondheim’s contribution to the world of musical theatre, Follies is the second work where he tackles show business as a metaphor (the first of course being Gypsy). Gypsy, which tells the tale of quintessential stage mother Rose and her quest to get her children in show-biz, marked Sondheim’s second major venture on The Great White Way when it debuted in 1959 (West Side Story opened two years prior). Sondheim was in his late 20s when he penned the lyrics to Jule Styne’s music for Gypsy. What Momma Rose strives to accomplish for her girls through glitz and a “pink special” in Gypsy – the women of Follies have already “been there and done that.” When Follies debuted on Broadway in 1971, a more seasoned and experienced artist took to the show’s score.