Freyja Afrodita Space-Time-Foam Gungnir Ymir Frigg - and More Fun

Total Page:16

File Type:pdf, Size:1020Kb

Freyja Afrodita Space-Time-Foam Gungnir Ymir Frigg - and More Fun Abstract: Amazing new theories by Óðsmál: Our Goddess Freyja is our universe, and so is Afrodita the Greek goddess. The sounding Ymir becomes the five elements, and what kind of weapon is Gungnir in Norse Mythology? Óðsmál research Iceland - become literate on allegory in our heritage the cultural and Spiritual Heritage of the North. * Freyja Afrodita Space-Time-Foam Gungnir Ymir Frigg - and more fun Girls and women are, in heathenry, the great goddess incarnated, and revered accordingly. Our goddesses are highly revered. During the dark ages of goddess-ban, a sever goddess-deficiency accumulated in lives of men. We needed our Lady. In the end, the Roman Empire made a goddess-substitute, made from the story of queen Semiramis. (--Sorry, that I cannot quote the man who first said this, as I have seen it in so many places, since that explanation first popped up on the net.--) Now we could build expensive Notre Dame in Paris, and Vor Frue kirke in Denmark. We seemed to be happy. We knew not that Freyja means much much more to our life than the new one. Freyja is our universe. Do we realize that the universe is mere vibrations. Gungnir, in ginnunga- gap, The Great Void? The whole universe is but Ymir, the sounding one. Ymir is a primordial sound. There is a cycle from BigBang/Ymir to ragnarök - the life of our universe: Freyja Ymir the sounding is the sound OM, and is the Big Bang as well, world is ver-öld, man´s life-span, our universe is the space-time foam bubble Freyja. Afros (Greek) in the name of Afrodita, also means foam. Ymir the sounding one ©JohnHagelin physicist PhD Here we have the 8-fold prakriti split-ups becoming höfuðskepnur (elements, space air fire water earth), and also the making of the ego, the I, intellect, and mind. The I-making (ahamkaar) intellect, mind, space (kham or akash) air fire water earth become “my nature‘s 8 split-ups”. Bjöðum upp ypptu - gods fixed the creation: lifted up the firmament (verb yppa is from upp (up) to lift up, past tense 3rd person plural ypptu) Of course it is OK to talk about our gods as if they were guys and dolls, or personify them as such, as we know that our body is of the same Perfect Orderliness as is ginnungagap, mirrored in Ásgarður, and in us. The words rögn and regin for our gods, actually mean orderliness (etymologically). But even if we are in the image of ginnungagap it implies not that the gods are guys and dolls. It will be difficult to correct misleading personifications, once some men have been brainwashed with imprinted doctrines, the wrong ones. Men might think that our gods are some “they” in some Ásgarður far from us, outside of us, even a tool for obedience and fear. - That is the astray-leading picture of the divine that we are stuffed up with. Misleading personifications have made us look in the wrong places for our innermost divinity. Gungnir means the vibrating, vibrations, likely superstring, Zitterbewegung. My body is made of strings, says a goddess in Bhaharata. Freyja is made of vibrating strings. The word gungnir actually means vibrations. ©John Hagelin physicist PhD 5 different vibrational modes - höfuðskepnur Strings are not any matter, really, but we perceive them as physical, material, We make it so in our brain. The whole universe is but Gungnir, and our human body is but Gungnir, different vibrational modes. Our body is but Gungnir, made of Gungnir - by us and changing all our life Primordial sounds reverberations within Ægir, the ocean of consciousness, pure consciousness, of what we make a world (Icelandic veröld ver-öld, man´s life-span, ævi). Awareness falls on specific values - losing the whole value - we see (with our world-registering eyes) bits of Gungnir and take it for something very substantial. Our senses bring these Gungnis-vibrations to the mind, and mind makes out of them a very personal world. No two men the same. Therefore we say: the world is as you are. Pure and refined men make a pure world, ignorant and coarse men a biased one. There is a theory of creatio ex nihilo - the creating out of nothing. It is not mythology - nor is it cosmology? An astronomer, holding his PhD, affirms: The universe became out of nothing. Philosophers still have to explain how something can come out of nothing. This frees the astronomer of any further explanations of the BigBang. Not his field of understanding. Our forefathers, on the other hand, always knew what this nothing is, and call it ginnungagap. All universes emerge in it as space-time foam bubbles. One of them is ours: Freyja. The role of philosophers of old was to know The Ultimate Reality from where all the relative reality could be enriched and strengthened so that the wholeness of life can belong to every phase of living. Nowadays, philosophy is on the level of thinking. The contentious art and shallow contemplation is not touching The Ultimate Reality. The best of that: Does doubt exist. In order to better understand Reality, we purify your Sleipnir, our human nervous system. That we do by regularly transcending the realm of thoughts to the source of thought, pure consciousness. Little by little we imbibe the perfection from within, and then, in time, we seek perfection everywhere we look. -Why does not anyone teach us, tell us, what we are here for? Why we decide to be born? -Óðsmál does. Consciousness (Icelandic vitund) is conscious, knows of itself, as to bear that name of course. Be conscious of. -Now, of what is consciousness conscious? -There is nothing but consciousness, so the only thing it can be conscious of is itself. Óðinn Vili Véi Óðinn Vili Véi are a process in consciousness: Óðinn gets the momentous will, and shall we say fateful, idea to find knowledge, i.e. gets will, Vili, to observe. What, inevitably, is found is knowledge, which here we call Véi, something “concrete”(?) to be found, as there is nothing else to be found than knowledge. When Óðinn has found Véi, sees that Véi is a mere holy zero, he is shocked, besides that Vili seems not to exist. Vili is only the processing, or the act of paying attention to our on consciousness in the process of paying attention to the only there is. Högni víðhöttur says: -We must be literate on allegory in myths, my good man. Óðinn is knowledge, Vili the will to seek knowledge, Véi knowledge found. And by this movement of seeking knowledge, some initiation of creation is fuelled. Pure consciousness interacts with itself. This is the possibility for Freyja. Our gods are creative impulses of Natural Law, various aspects of Natural Law, who maintain the perfect order, creation, maintenance, dissolution of our entire universe. This is simply hard-core science. Consciousness is the observer (Óðinn acquiring curiosity), Vili (the will to search), and Véi (what is found). Consciousness is here observing itself. This is how symmetry breaks. We know what follows. Óðinn Vili Véi or Hilbert Space, Operators, States, in ginnungagap. Only ginnungagap is - all this universe-play takes place in ginnungagap as there is no other. Nothing “out of” it. Hilbert Óðinn Vili Véi Múspell and Nifl are silence and dynamism, both inherent from the very beginning, and a kind of spur one to the other. Fire and fog, we call them. Freyja Skjálf is a name of Freyja - the quivering one. Well, she is made of quivering strings, we know. Skjálf is also akin to English shelf, indicating a high place or status. Compare Hliðskjálf, Valaskjálf, etc. Þröng, Þrungva, are names of Freyja, as she is about to blossom - She is so pregnant of ideas to blossom into. She has contained in her all possibilities. (--Ginnungagap is All-Possibilities--). She is the blossoming one. Ginnungagap is also The Evolutionary. As it is in the very nature of a flower to blossom, so it is in our very nature to evolve towards perfection. Laws of Nature are always only evolutionary. Freyja, the name, means foam, and so does afros in Afrodita. The goddess is our space-time foam. Our forefathers knew more than we realize. As these scientific terms are here, they do indicate that there is a meaning behind them, yes? The goddesses, Freyja, Afrodita, Venus, emerge from the Abyss of Waters, Ægir, ginnungagap. That is what artists of old tell us. The goddess is not “coming out of her bath” at all. She never went in. Freyja has a daughter. Her name is Hnoss, or Gersimi. These names indicate something very very precious to us. Freyja owns the shining jewel Brísingamen. Brísingamen is mankind, something very precious in our universe. Brísingamen is the brightest jewel on earth. Freyja guards us well. Brísingamen, man-kind, is her shining jewel - the name tells us. Goddess Freyja, the space time foam bubble of a universe, guards her most precious jewel, mankind, us. Freyja owns the shield Hildisvíni that protects the human embryo - that is our shield the first 9 months of being soon born into this universe. Freyja the space-time foam bubble. One and one bubble breaks loose to become a universe. Some are short-lived, others endure longer. Ours will be till ragnarök römm sigtíva. We live in Freyja as she is our universe, and she is in us as we are consciousness, and all universes are in consciousness. (Please understand this easy and important Óðsmál interpretation of Freyja) We see now that --no way-- can Þrymur þurs get Freyja for a bride.
Recommended publications
  • Norse Myth Guide
    Norse Myth If it has a * next to it don’t worry about it for the quiz. Everything else is fair game within reason as I know this is a lot. Just make sure you know the basics. Heimdall -Characteristics -Can hear grass grow -Needs only as much sleep as a bird -Guards Bifrost -Will kill and be killed by Loki at Ragnarok -He is one of the Aesir -Has foresight like the Vanir -Other Names -Vindhler -Means "wind shelter" -The White God As -Hallinskidi -Means "bent stick" but actually refers to rams -Gullintani -Received this nickname from his golden teeth -Relationships -Grandfather to Kon the Young -Born of the nine mothers -Items -Gjallarhorn -Will blow this to announce Ragnarok -Sword Hofund -Horse Golltop -Places -Lives on "heavenly mountain" Himinbjorg -Stories -Father of mankind -He went around the world as Rig -He slept with many women -Three of these women, Edda, Amma, and Modir, became pregnant -They gave birth to the three races of mankind -Jarl, Karl, and Thrall -Recovering Brisingamen -Loki steals Brisingamen from Freya -He turns himself into a seal and hides -Freya enlists Heimdall to recover the necklace -They find out its Loki, so Heimdall goes to fight him -Heimdall also turns into a seal, and they fight at Singasteinn -Heimdall wins, and returns the necklace to Freya -Meaning of sword -A severed head was thrown at Heimdall -After this incident, a sword is referred to as "Heimdall's head" -Possession of knowledge -Left his ear in the Well of Mimir to gain knowledge Aegir* -Characteristics -God of the ocean/sea -Is sometimes said
    [Show full text]
  • INSTRUCTION BOOKLET PLEASE CAREFULLY READ the Wii™ OPERATIONS MANUAL COMPLETELY BEFORE USING YOUR Wii HARDWARE SYSTEM, GAME DISC OR ACCESSORY
    MECH SEGA of America, Inc. 350 Rhode Island Street, Suite 400, San Francisco, CA 94103 Captain America: The First Avenger, the Movie: © 2011 MVL Film Finance LLC. Marvel, Captain America, all related character names and their distinctive likenesses: TM & © 2010 Marvel Entertainment, LLC and its subsidiaries. All rights reserved. SEGA is registered in the U.S. Patent and Trademark Office. SEGA and the SEGA logo are either registered trademarks or trademarks of SEGA Corporation. © SEGA. All rights reserved. Wii and the Wii logo are trademarks of Nintendo. © 2006 Nintendo. PRINTED IN THE U.S.A. INSTRUCTION BOOKLET PLEASE CAREFULLY READ THE Wii™ OPERATIONS MANUAL COMPLETELY BEFORE USING YOUR Wii HARDWARE SYSTEM, GAME DISC OR ACCESSORY. THIS MANUAL CONTAINS IMPORTANT The Official Seal is your assurance that this product is licensed or manufactured by HEALTH AND SAFETY INFORMATION. Nintendo. Always look for this seal when buying video game systems, accessories, games and related products. IMPORTANT SAFETY INFORMATION: READ THE FOLLOWING WARNINGS BEFORE YOU OR YOUR CHILD PLAY VIDEO GAMES. WARNING – Seizures Trademarks are property of their respective owners. Wii is a trademark of Licensed by Nintendo Nintendo. © 2006 Nintendo. • Some people (about 1 in 4000) may have seizures or blackouts triggered by light flashes or patterns, and this may occur while they are watching TV or playing video games, even if they have never had a seizure before. • Anyone who has had a seizure, loss of awareness, or other symptom linked to an epileptic condition should consult a doctor before playing a video game. • Parents should watch their children play video games.
    [Show full text]
  • How Uniform Was the Old Norse Religion?
    II. Old Norse Myth and Society HOW UNIFORM WAS THE OLD NORSE RELIGION? Stefan Brink ne often gets the impression from handbooks on Old Norse culture and religion that the pagan religion that was supposed to have been in Oexistence all over pre-Christian Scandinavia and Iceland was rather homogeneous. Due to the lack of written sources, it becomes difficult to say whether the ‘religion’ — or rather mythology, eschatology, and cult practice, which medieval sources refer to as forn siðr (‘ancient custom’) — changed over time. For obvious reasons, it is very difficult to identify a ‘pure’ Old Norse religion, uncorroded by Christianity since Scandinavia did not exist in a cultural vacuum.1 What we read in the handbooks is based almost entirely on Snorri Sturluson’s representation and interpretation in his Edda of the pre-Christian religion of Iceland, together with the ambiguous mythical and eschatological world we find represented in the Poetic Edda and in the filtered form Saxo Grammaticus presents in his Gesta Danorum. This stance is more or less presented without reflection in early scholarship, but the bias of the foundation is more readily acknowledged in more recent works.2 In the textual sources we find a considerable pantheon of gods and goddesses — Þórr, Óðinn, Freyr, Baldr, Loki, Njo3rðr, Týr, Heimdallr, Ullr, Bragi, Freyja, Frigg, Gefjon, Iðunn, et cetera — and euhemerized stories of how the gods acted and were characterized as individuals and as a collective. Since the sources are Old Icelandic (Saxo’s work appears to have been built on the same sources) one might assume that this religious world was purely Old 1 See the discussion in Gro Steinsland, Norrøn religion: Myter, riter, samfunn (Oslo: Pax, 2005).
    [Show full text]
  • Anti-Hero, Trickster? Both, Neither? 2019
    Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Tomáš Lukáč Deadpool – Anti-Hero, Trickster? Both, Neither? Master’s Diploma Thesis Supervisor: Jeffrey Alan Vanderziel, B.A. 2019 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Tomáš Lukáč 2 I would like to thank everyone who helped to bring this thesis to life, mainly to my supervisor, Jeffrey Alan Vanderziel, B.A. for his patience, as well as to my parents, whose patience exceeded all reasonable expectations. 3 Table of Contents Introduction ...…………………………………………………………………………...6 Tricksters across Cultures and How to Find Them ........................................................... 8 Loki and His Role in Norse Mythology .......................................................................... 21 Character of Deadpool .................................................................................................... 34 Comic Book History ................................................................................................... 34 History of the Character .............................................................................................. 35 Comic Book Deadpool ................................................................................................ 36 Films ............................................................................................................................ 43 Deadpool (2016)
    [Show full text]
  • A Saga of Odin, Frigg and Loki Pdf, Epub, Ebook
    DARK GROWS THE SUN : A SAGA OF ODIN, FRIGG AND LOKI PDF, EPUB, EBOOK Matt Bishop | 322 pages | 03 May 2020 | Fensalir Publishing, LLC | 9780998678924 | English | none Dark Grows the Sun : A saga of Odin, Frigg and Loki PDF Book He is said to bring inspiration to poets and writers. A number of small images in silver or bronze, dating from the Viking age, have also been found in various parts of Scandinavia. They then mixed, preserved and fermented Kvasirs' blood with honey into a powerful magical mead that inspired poets, shamans and magicians. Royal Academy of Arts, London. Lerwick: Shetland Heritage Publications. She and Bor had three sons who became the Aesir Gods. Thor goes out, finds Hymir's best ox, and rips its head off. Born of nine maidens, all of whom were sisters, He is the handsome gold-toothed guardian of Bifrost, the rainbow bridge leading to Asgard, the home of the Gods, and thus the connection between body and soul. He came round to see her and entered her home without a weapon to show that he came in peace. They find themselves facing a massive castle in an open area. The reemerged fields grow without needing to be sown. Baldur was the most beautiful of the gods, and he was also gentle, fair, and wise. Sjofn is the goddess who inclines the heart to love. Freyja objects. Eventually the Gods became weary of war and began to talk of peace and hostages. There the surviving gods will meet, and the land will be fertile and green, and two humans will repopulate the world.
    [Show full text]
  • Panel 4 the Creation of Midgard from Ymir the Giant
    CREATING THE WORLD FROM YMIR By Mackenzie Stewart THE BEGINNING ‘In no way do we accept him as a god. He was evil, as are all his descendants; we call them frost giants. It is said that as he slept he took to sweating. Then, from under his left arm grew a male and female, while one of his legs got a son with the other. From here the clans that are called the frost giants. The old frost giant, him we call Ymir’ - Snorri Sturluson, The Prose Edda, 14-15 ‘where did Ymir live, and what did he live on?’ ‘Next what happened that as the icy rime dripped, the cow called Audhumla was formed. Four rivers of milk ran from her udders, and she nourished Ymir.’ - Snorri Sturluson, The Prose Edda, 15 ‘She licked the blocks of ice, which were salty. As she licked these stones of icy rime the first day, the hair of a man appeared in the blocks towards the evening. On the second day came the man’s head, and on the third day, the whole man. He was called Buri, and he was beautiful, big and strong. He had a son called Bor, who took as his wife the woman called Bestla. She was the daughter of Bolthorn the giant, and they had three sons. One was called Odin, another Vili and the third Ve.’ - Snorri Sturluson, The Prose Edda, 15 Ymir suckles the udder of Auðumbla as she licks Búri out of the ice painting by Nicolai Abildgaard, 1790 THE DEATH ‘The sons of Bor killed the giant Ymir’…’When he fell, so much blood gushed from his wounds that with it they drowned all the race of the frost giants except for one who escaped with his household.
    [Show full text]
  • Gylfaginning Codex Regius, F
    Snorri Sturluson Edda Prologue and Gylfaginning Codex Regius, f. 7v (reduced) (see pp. 26/34–28/1) Snorri Sturluson Edda Prologue and Gylfaginning Edited by ANTHONY FAULKES SECOND EDITION VIKING SOCIETY FOR NORTHERN RESEARCH UNIVERSITY COLLEGE LONDON 2005 © Anthony Faulkes 1982/2005 Second Edition 2005 First published by Oxford University Press in 1982 Reissued by Viking Society for Northern Research 1988, 2000 Reprinted 2011 ISBN 978 0 903521 64 2 Printed by Short Run Press Limited, Exeter Contents Codex Regius, fol. 7v ..........................................................Frontispiece Abbreviated references ....................................................................... vii Introduction ..........................................................................................xi Synopsis ..........................................................................................xi The author ..................................................................................... xii The title ....................................................................................... xvii The contents of Snorri’s Edda ................................................... xviii Models and sources ........................................................................ xx Manuscripts .............................................................................. xxviii Bibliography ...............................................................................xxxi Text .......................................................................................................
    [Show full text]
  • A Handbook of Norse Mythology
    A HANDBOOK OF NORSE MYTHOLOGY BY KARL MORTENSEN DOCTOR OF PHILOSOPHY UNIVERSITY OF COPENHAGEN ; ADJUNCT AT THE CATHEDRAL SCHOOL (ROYAL GYMNASIUM) AT ODENSB TRANSLATED FROM THE DANISH BY A. CLINTON CROWELL ASSOCIATE PROFESSOR IN BROWN UNIVERSITY 1 ' , . * ' ' - r , * - . l I I . , NEW YORK THOMAS Y. CROWELL COMPANY PUBLISHERS THE NEW YORK PUBLIC LIBRARY COPYRIGHT, 1913, BY THOMAS Y. CROWELL COMPANY. Published March, 1913. This compilation © Phoenix E-Books UK AUTHOR'S PREFACE THIS popular presentation of the myths and sagas which took shape here in the North but whose foundation is common property of all the people who speak a Gothic-Germanic language, first appeared in 1898 and has been used since then in the study of Xorse Mythology in the high schools and universities of all the Scandina- vian countries. Since Professor Crowell has thought that the little book might also achieve a modest success in the youngest but richest and.mosi powerful branch which has grown iron, cur ccmin-on >;uot, I have without hesitation, accopte^ his friendly pro- posal to transjate.jc into English. I find r great satisfaction m, hav -;ig my work put into the world's most comprehensive lan- guage and placed before students in the United States, where I have so many friends, where so many relatives and fel- low-countrymen have found a home and a iii iv AUTHOR'S PREFACE future, and toward which country we Northerners look with the deepest admira- tion and respect for the mighty forces which are seeking to control material things and to break new ground in the infinite realms of the intellect.
    [Show full text]
  • Gylfi and Gefjon
    Gylfi and Gefjon In these ancient times, Gylfi was the master (no ‘kings’ existed in Scandinavia at this time) of a large country, that we now call Sweden.Gefjon was one of the Æsir goddesses, as are the two goddesses we all know: Freyja, goddess of love, and Frigg, goddess of the hearth and home.As the god Odinn (Óðinn), she knew all of örlög (pronounce ‘ö’ as in German), i.e. everyone’s past, present and future. Our words ‘fate’ or ‘destiny’ mostly refer to the future whereas all that is ‘ourselves’ is contained in our timeless örlög. There is an unfortunate tendency to engrave in our children’s brains the view that our lives are divided into past, present and future.Each of the three is inextricably related to the other two and it is meaningful to ‘unlearn’ this engraving so as to learn how much roots and branches of each one are tangled up with those of the other two ones. She thus knew that the Æsir’s örlög called them towards the Northern realms: Odinn and her agreed of a scheme in order to shake Gylfi’s self-confidence in such way that he would not stir when they will settle in Sweden. They thought that the best way to achieve this goal was to show Gylfi how a ‘weak woman’ of the Æsir could remove an enormous territory from Sweden and him be unable to react against it. The heart of the idea was to draw a large part of Sweden nearby Denmark, where she could settle.
    [Show full text]
  • The Goddess: Myths of the Great Mother Christopher R
    Gettysburg College Faculty Books 2-2016 The Goddess: Myths of the Great Mother Christopher R. Fee Gettysburg College David Leeming University of Connecticut Follow this and additional works at: https://cupola.gettysburg.edu/books Part of the English Language and Literature Commons, Folklore Commons, and the Religion Commons Share feedback about the accessibility of this item. Fee, Christopher R., and David Leeming. The Goddess: Myths of the Great Mother. London, England: Reaktion Press, 2016. This is the publisher's version of the work. This publication appears in Gettysburg College's institutional repository by permission of the copyright owner for personal use, not for redistribution. Cupola permanent link: https://cupola.gettysburg.edu/books/95 This open access book is brought to you by The uC pola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The uC pola. For more information, please contact [email protected]. The Goddess: Myths of the Great Mother Description The Goddess is all around us: Her face is reflected in the burgeoning new growth of every ensuing spring; her power is evident in the miracle of conception and childbirth and in the newborn’s cry as it searches for the nurturing breast; we glimpse her in the alluring beauty of youth, in the incredible power of sexual attraction, in the affection of family gatherings, and in the gentle caring of loved ones as they leave the mortal world. The Goddess is with us in the everyday miracles of life, growth, and death which always have surrounded us and always will, and this ubiquity speaks to the enduring presence and changing masks of the universal power people have always recognized in their lives.
    [Show full text]
  • GEROLSTEIN GERMANY COLOPHON Layout: Frigga Asraaf Het Rad, the Netherlands
    GEROLSTEIN GERMANY COLOPHON Layout: Frigga Asraaf Het Rad, The Netherlands Jeder Beitrag in diesem Liedbuch steht unter dem Copyright des jeweiligen Verfassers/Komponisten und darf ohne vorherige schriftliche Genehmigung nicht verwendet werden. Alle liederen in dit liedboek zijn het eigendom van de componisten volgens het auteursrecht. Het is verboden de liederen te gebruiken voor commerciële doeleinden zonder schriftelijke toestemming vooraf van de schrijvers/componisten. All songs in this songbook are the sole property of the composers according to copyright. It is not allowed to use any the songs for comercial puroposes without permission of the writers/composers. Content Heathen Canon (Nederlands, Deutsc..h.). 4 Hail our heroes (Nederlands, Deutsc..h.). 6 Heathen Web. 7 Donar (Deutsch), Freya, Frey.. 8 Kom alla vättar (Dansk, Deutsch, Nederlands, English, Svensk). 9 Old Time Religion. 11 Counting Song. 12 Das Herdfeuerlied (Nederlands, English). 13 Vem kan segla (Deutsch, English, Nederlands, Svensk). 16 The IASC Song. 18 What shall we do with a drunken heathen?. 20 Drinking Song for Donar. 21 Auld lang syne. 24 3 Heathen Canon melody: Frère Jacques Hail to Frigga, hail to Fulla Heidense KettingZang Hail to Sif, hail to Gna. melodie: Vader Jacob Hail Idun and Bragi Hail to Ran and Ægir Raise a horn, to hail them all! Heil aan Frigga, heil aan Fulla Heil aan Sif, heil aan Gna. Hail to Odin, hail to Loki Heil Idun and Bragi Hail to Thor, hail to Tyr Heil aan Ran and Ægir Hail to Frey and Freya Hef een hoorn, tot heil aan hen! Hail to Njord and Nerthus Raise a horn, to hail them all! Heil aan Wodan, heil aan Loki, Heil aan Thor, heil aan Tyr Hail to Holda, Hail to Hella Heil aan Frey en Freya Hail to Sol, Hail to Syn Heil aan Njord en Nerthus Hail to Jord and Folde.
    [Show full text]
  • Viking Art, Snorri Sturluson and Some Recent Metal Detector Finds. Fornvännen 113
    •• JOURNAL OF SWEDISH ANTIQUARIAN RESEARCH 2018:1 Art. Pentz 17-33_Layout 1 2018-02-16 14:37 Sida 17 Viking art, Snorri Sturluson and some recent metal detector finds By Peter Pentz Pentz, P., 2018. Viking art, Snorri Sturluson and some recent metal detector finds. Fornvännen 113. Stockholm. This paper seeks to contribute to a recent debate on the use of private metal detect- ing and its value within archaeology. Specifically it explores – by presenting some recently found Viking Period artefacts from Denmark – how private metal detect- ing can contribute to our understanding of Viking minds. By bringing together the myths as related by Snorri Sturluson in the early 13th century with the artefacts, I argue that thanks to private metal detecting through the last decades, our ability to recognise Viking art as narrative art has improved substantially. Peter Pentz, National Museum of Denmark, Ny Vestergade 10, DK–1471 København K [email protected] Over 60 years ago, Thorkild Ramskou (1953) the main problems in understanding Viking art described Viking art as almost exclusively deco- is the scarcity of reference materials. We largely rative, only functioning as a covering for plain know Norse mythology and its narratives through surfaces. In the rare cases where it was represen- Medieval Christian authors, in particular Snorri. tative, quality was poor. Viking artists, he stated, Hence, the myths have come down to us biased, preferred to portray scenes from myths of the reinterpreted and even now and then propagan- gods and heroic legends. Such scenes functioned dised. Furthermore, what survived is only a selec- as mnemonics; for the viewer they would recall tion.
    [Show full text]