Chandan Yatra and Chariot Construction Ceremony

Total Page:16

File Type:pdf, Size:1020Kb

Chandan Yatra and Chariot Construction Ceremony ISSN 0970-8669 Odisha Review Chandan Yatra and Chariot Construction Ceremony Prof. Sarbeswar Kar he socio-cultural activities of Odias are religious rituals. The idols of Madanmohan, Treflected in Jagannath cult. Like human beings Bhudevi, Sridevi, Ramakrushna and Panchu Lord Jagannath gets up early in the morning from Pandav take part in the Chapa or water sports. bed, performs daily activities, takes break-fast, Lord Jagannath follows a schedule for the launch and rests a while during mid-day, goes to Chapa Khela or water sport in the Narendra bed at night. These activities are performed Pushkarini every year. According to the practice, through rituals and offerings at different points of after performance of time during the day. the mid-day puja, Similarly the deities in Lord Jagannath would Puri temple feel move for the water scorching hit during the sports. As a mark of Summer as the humans the beginning of do and to get rid of the Chandan Yatra on the Summer pain, they go auspicious day of out of the people on a Akshay Trutiya. Nitis pleasure trip to a grand like Mangal Alati, pond called Narendra Mailam, Abakash, Puskarini for water Rosha Homa, Surya sports. They, after Puja, Dwarpal Puja, being smeared with sandal paste in order to get Gopal Ballabh and Sakal Dhup are performed the cooling touch, play in the pond which is known and the deities board the bimans or vessels at as Chandan festival. This festival begins on around 12 o’clock and make for the holy pond Akshay Trutiya day and ends on Snana Purnima Narendra Puskarini. day spanning for a period of 42 days every year. On the other hand, the construction of The 21 day long Chandan Yatra of Lord chariots for the deities begins on that day after Jagannath is observed on the day of Akshay receipt of Agyanmala for the same. After the fixing Trutiya at holy town Puri. The Yatra is held at of the time for Nitikanti, Servitors and Shrotriya Narendra Pushkarini in accordance with the Brahmins perform rituals on a 12-feet Dhaura 50 July - 2016 Odisha Review ISSN 0970-8669 wooden log, marking the beginning of the Rath Yatra. The Chandan Yatra which is also known as Gandhalepana Yatra of deities of Sri Jagannath temple is performed for 42 days at the pilgrim town of Puri. The Yatra is observed in two parts: Bahara Chandana and Bhitara Chandana. Bahara Chandana starts from Akshaya Tritiya and continues for 21 days. On the first 21 days the representative idols of the main deities of the Jagannath temple as well as five Shivalingas begin their pleasure trip from the temple in six known as the Pancha Pandavas are taken in a separate palanquins along the Grand Road (Bada procession from the Singhadwara or the Lion Gate Danda) to Narendra tank situated about 1.5 km of the Jagannath temple at Puri to the Narendra away from the temple for sandalwood paste bath Tirtha. After various rituals the deities are placed and boating. With the deities on board the on grandly decorated boats for an evening cruise decorated palanquins are carried over the of the tank. shoulders of a special set of servitors known as The last 21 days include rituals held inside Biman Badu. the temple itself. Instead of the daily cruises, the The temple musicians recite notes of playful ride happens on four occasions, the Geeta Gobinda and Odishi Bhajans. The youths Amavasya, the full moon night, on the Shasthi and of various Jaaga Ghars (schools of martial arts) the Ekadashi of the bright fort night. The deities accompany the deities displaying their skills along go out of the temple to enjoy boating in the the Bada Danda. The rhythmic body movements Narendra tank for 21 days. of palanquin bearers in concert with swinging of As per the religious practice in the the top half of the decorated palanquin, Jagannath temple, Madan Mohan, the particularly of Madan Mohan called representative image of Lord Jagannath “Manivimana” is a rare treat for the pilgrims and accompanied by five Shivalingas go to Narendra devotees. tank, a huge water body in the heart of the city The accompanying devotees in the for a cool bath to beat the scorching summer heat. procession participate in the bathing ritual and join As per the schedule, Madan Mohan, His in grand feast which follows the bathing. The consort Laxmi accompanied by five Shivalingas playing of Odissi ‘Dekha Go Radhamadhaba believed to be incarnation of Panch Pandavas Chali’ (Please see the walking style of Radha and July - 2016 51 ISSN 0970-8669 Odisha Review Madhab) on clarinets accompanied by trumpets, Madanmohan accompanied by Devi Bhudevi and cymbals and blowing of conch shells besides Devi Sridevi in one palanquin and idols of Lord display of fireball skill (banati) in the procession Ramkrushna and Pandavas in another palanquin present a splendid scene along the Bada Danda. are taken in a procession from Shree Mandir to the Narendra pond in the afternoon. The deities on their arrival at the Narendra tank are accorded sandal wood paste and En route to the Narendra pond, the aromatic water bath for cooling effect. Then the procession stops in front of Shree Nahara (the deities are taken in procession to their respective Puri king’s palace) on the Grand Road where boats shaped as giant swans. The deities on board move about the tank enjoy the notes and dances of Odissi presented by danseuses on the decks till late in the evening and return to the temple in the same manner and style which were followed at the beginning of their journey time. This scene is repeated everyday and on completion of twenty one days the concluding ceremony known as ‘Bhaunri’ is observed with priests of Shree Mandir along with the Shrotiya display of fireworks and music extravaganza. Brahmins complete all the rituals at the chariot On the other hand, construction of three construction yard.Following the completion of chariots for forthcoming Rath Yatra also begin. Puja, agnyanmalas (order in the shape of Shrotriya Brahmins headed by the temple priest garlands from the Lords to commence chariot perform a Yajna with Nrusingha Mantra in the building for Rath Yatra) are placed on a 12-feet chariot construction yard (Rath Khala) to dhaura log marking the beginning of chariot consecrate the timber logs to be used for construction for Rath Yatra. construction of three chariots. The procession later reaches the Earlier on the Ram Navami day the wood Narendra pond where the idols board two newly logs selected for use in construction are purified built Chapas or boats– Nanda and Bhadra- which by observance of Homa. Amidst singing of are rowed then for a long time by the Sevakas. kirtans and bhajans (devotional songs), sounds Temple dancers dance and sing on the boat during of cymbals and gongs, the idols of Lord the rowing. 52 July - 2016 Odisha Review ISSN 0970-8669 The construction of the chariots starts on well and assume the elephant form on the special Akshaya Trutiya, the third day of the bright bathing platform, close to the Eastern boundary fortnight of Vaisakha, with ritual fire worship. This wall of the temple. From that day the deities takes place in front of the palace of the King of remain in symbolic and ritual convalescence for Puri and opposite the main office of the Puri about two weeks. They are barred from view of temple. On this day, the new agricultural season the ordinary devotees. Only three special patta starts and farmers start ploughing their fields. This chitras, traditional Odia paintings of natural day marks the beginning of the summer festival of colours on cloth stiffened with starch, known as the deities, known as the sandalwood festival or Anasara Pattis, are strung on a bamboo screen Chandan Yatra. In this festival, the representative hiding the deities from public view, can be seen images of the presiding deities are taken out in by the public. During this period, the deities are colourful processions and given a ceremonial boat given only roots, leaves, berries and fruits to cure ride in the Narendra tank everyday. In an them from their indisposition. This ritual is a interesting demonstration of the assimilative reminder of the strong tribal elements in the genesis character of the Jagannatha cult, Madanmohana and evolution of the Jagannatha cult. The progeny and Rama Krushna, representing Jagannatha and of Lalita, daughter of the original tribal worshipper Balaram partake in the festival with the Biswabasu, chieftain of hunters, and the Brahmin representatives’ images of the presiding deities of priest Vidyapati, are known as Daitapatis or five main Shiva temples of Puri. These are Daitas. They have almost exclusive privilege of curiously known as Pancha Pandava, the five serving the Lord during the convalescence and brothers of the Mahabharata story. Later the through the entire period of Ratha Jatra or the deities have a ritual bath in a small temple in the Festival of Chariots. middle of the tank, in stone tubs filled with water, People from different places come to Puri sandalwood paste, scents and flowers. to witness the Chandan Yatra festival of the Trinity. This sandalwood festival culminates in the Even some people stay in Puri from the day of Snana Yatra, the Bathing Festival on the full moon Akshaya Trutiya till the Snana Purnima, the day day of the month of Jyestha. On this day, the of bathing ceremony of the deities. presiding deities descend from their seats on an elevated platform in the sanctum sanctorum, the bejewelled throne. They are bathed in 108 pots Prof.
Recommended publications
  • View Entire Book
    ORISSA REVIEW VOL. LXI NO. 12 JULY 2005 DIGAMBAR MOHANTY, I.A.S. Commissioner-cum-Secretary BAISHNAB PRASAD MOHANTY Director-cum-Joint Secretary SASANKA SEKHAR PANDA Joint Director-cum-Deputy Secretary Editor BIBEKANANDA BISWAL Associate Editor Sadhana Mishra Editorial Assistance Manas R. Nayak Cover Design & Illustration Hemanta Kumar Sahoo Manoj Kumar Patro D.T.P. & Design The Orissa Review aims at disseminating knowledge and information concerning Orissa’s socio-economic development, art and culture. Views, records, statistics and information published in the Orissa Review are not necessarily those of the Government of Orissa. Published by Information & Public Relations Department, Government of Orissa, Bhubaneswar - 751001 and Printed at Orissa Government Press, Cuttack - 753010. For subscription and trade inquiry, please contact : Manager, Publications, Information & Public Relations Department, Loksampark Bhawan, Bhubaneswar - 751001. E-mail : [email protected] Five Rupees / Copy Visit : www.orissagov.nic.in Fifty Rupees / Yearly Contact : Ph. 0674-2411839 CONTENTS Editorial Landlord Sri Jagannath Mahaprabhu Bije Puri Dr. Chitrasen Pasayat ... 1 Jamesvara Temple at Puri Ratnakar Mohapatra ... 6 Vedic Background of Jagannath Cult Dr. Bidyut Lata Ray ... 15 Orissan Vaisnavism Under Jagannath Cult Dr. Braja Kishore Swain ... 18 Bhakta Kabi Sri Bhakta Charan Das and His Work Somanath Jena ... 23 'Manobodha Chautisa' The Essence of Patriotism in Temple Multiplication - Dr. Braja Kishore Padhi ... 26 Kulada Jagannath Rani Suryamani Patamahadei : An Extraordinary Lady in Puri Temple Administration Prof. Jagannath Mohanty ... 30 Sri Ratnabhandar of Srimandir Dr. Janmejaya Choudhury ... 32 Lord Jagannath of Jaguleipatna Braja Paikray ... 34 Jainism and Buddhism in Jagannath Culture Pabitra Mohan Barik ... 36 Balabhadra Upasana and Tulasi Kshetra Er.
    [Show full text]
  • Odisha Review Dr
    Orissa Review * Index-1948-2013 Index of Orissa Review (April-1948 to May -2013) Sl. Title of the Article Name of the Author Page No. No April - 1948 1. The Country Side : Its Needs, Drawbacks and Opportunities (Extracts from Speeches of H.E. Dr. K.N. Katju ) ... 1 2. Gur from Palm-Juice ... 5 3. Facilities and Amenities ... 6 4. Departmental Tit-Bits ... 8 5. In State Areas ... 12 6. Development Notes ... 13 7. Food News ... 17 8. The Draft Constitution of India ... 20 9. The Honourable Pandit Jawaharlal Nehru's Visit to Orissa ... 22 10. New Capital for Orissa ... 33 11. The Hirakud Project ... 34 12. Fuller Report of Speeches ... 37 May - 1948 1. Opportunities of United Development ... 43 2. Implication of the Union (Speeches of Hon'ble Prime Minister) ... 47 3. The Orissa State's Assembly ... 49 4. Policies and Decisions ... 50 5. Implications of a Secular State ... 52 6. Laws Passed or Proposed ... 54 7. Facilities & Amenities ... 61 8. Our Tourists' Corner ... 61 9. States the Area Budget, January to March, 1948 ... 63 10. Doings in Other Provinces ... 67 1 Orissa Review * Index-1948-2013 11. All India Affairs ... 68 12. Relief & Rehabilitation ... 69 13. Coming Events of Interests ... 70 14. Medical Notes ... 70 15. Gandhi Memorial Fund ... 72 16. Development Schemes in Orissa ... 73 17. Our Distinguished Visitors ... 75 18. Development Notes ... 77 19. Policies and Decisions ... 80 20. Food Notes ... 81 21. Our Tourists Corner ... 83 22. Notice and Announcement ... 91 23. In State Areas ... 91 24. Doings of Other Provinces ... 92 25. Separation of the Judiciary from the Executive ..
    [Show full text]
  • Krishna-Avanti: History in the Making
    June - July 2008 Dedicated to His Divine Grace A.C. Bhaktivedanta Swami Prabhupada, Founder-Acharya of the International Society for Krishna Consciousness Krishna-Avanti: History in the Making Srila Prabhupada: “Increasing one's love for God is a gradual process, and the first ingredient is faith. Without faith, there is no question of progress Hailing the Krishna-Avanti school as At the site, politicians, community a milestone in British history and an leaders and project donors joined in Krishna consciousness. That asset to Harrow, council leader David priests from Bhaktivedanta Manor. Led faith is created after reading Ashton participated in a landmark by His Holiness Atmanivedana Swami, Bhagavad-gita carefully and ceremony on Saturday 7th June. The the priests, assisted by community actually understanding it as it William Ellis playing fields, soon to be children, poured offerings of clarified home to the country’s first state-funded butter into a large sacred fire. is.... One must have faith in the Hindu school, hosted a traditional The Krishna-Avanti Primary School is words of Krishna, particularly ‘Bhumi Puja’ ceremony prior to the result of years of careful planning when Krishna says, ‘Abandon all commencement of building works. and discussion with the local authority dharmas and surrender to Me. I Christine Gilbert, Her Majesty's Chief and government. It will be UK’s first will give you all protection.’” Inspector of Ofsted was chief guest Hindu Voluntary Aided state school, at the Bhumi Puja. “I look forward and as such will not charge fees. It to the Krishna Avanti School being will open in September 2008 with a Teachings of Lord Kapila, 15.36, a centre of excellence and a very Reception class, and intake of pupils purport positive contribution to the Harrow will increase one year at a time.
    [Show full text]
  • Ekadasi & Festival Dates for 2020
    ISKCON of HOUSTON Ekadasi & Festival Dates for 2020 ------------------------------------------------------------------------------------------------------------------------------- 01 Jan 2020 Wed 12 Noon – New Year Celebrations / Yajna 06 Jan 2020 Mon Fasting for Putrada Ekadasi – Breakfast next day 07:17 - 10:44 (LT) 20 Jan 2020 Mon Fasting for Sat-tila Ekadasi – Breakfast next day 07:16 - 10:47 (LT) 31 Jan 2020 Fri 7:00 PM Sri Advaita Acarya – Appearance (Fasting till noon today) 05 Feb 2020 Wed Fasting for Bhaimi Ekadasi – Breakfast next day 07:08 - 08:55 (LT) (Fast till noon today for Varahadeva Appearance) 06 Feb 2020 Thu Varaha Dvadasi: Appearance of Lord Varahadeva (Fasting is done Feb 05) 07 Feb 2020 Fri 7:00 PM Appearance of Sri Nityananda Prabhu (Fast till noon today) 13 Feb 2020 Thu 7:00 PM Srila Bhaktisiddhanta Sarasvati Thakura – Appearance (Fast till noon today) 18 Feb 2020 Tue Fasting for Vijaya Ekadasi – Breakfast next day 09:48 - 10:42 (LT) 21 Feb 2020 Fri Siva Ratri 24 Feb 2020 Mon 7:00 PM – HH Tamal Krishna Goswami Disappearance Day Srila Jagannatha Dasa Babaji, Sri Rasikananda – Disappearance 05 Mar 2020 Thu Fasting for Amalaki vrata Ekadasi – Breakfast next day 06:41 - 10:35 (LT) 08 Mar 2020 Sun First day of Daylight-Saving Time 09 Mar 2020 Mon 7:00 PM - Gaura Purnima: Appearance of Sri Caitanya Mahaprabhu (Fast till moonrise today) 13 – 15 Mar 2020 Annual Japa Retreat 19 Mar 2020 Thu Fasting for Papamocani Ekadasi – Breakfast next day 07:24 - 11:27 (DST) 28 Mar 2020 Sat Dallas Ratha Yatra 02 Apr 2020 Thu 7:00 PM
    [Show full text]
  • Sri Ramakrishna & His Disciples in Orissa
    Preface Pilgrimage places like Varanasi, Prayag, Haridwar and Vrindavan have always got prominent place in any pilgrimage of the devotees and its importance is well known. Many mythological stories are associated to these places. Though Orissa had many temples, historical places and natural scenic beauty spot, but it did not get so much prominence. This may be due to the lack of connectivity. Buddhism and Jainism flourished there followed by Shaivaism and Vainavism. After reading the lives of Sri Chaitanya, Sri Ramakrishna, Holy Mother and direct disciples we come to know the importance and spiritual significance of these places. Holy Mother and many disciples of Sri Ramakrishna had great time in Orissa. Many are blessed here by the vision of Lord Jagannath or the Master. The lives of these great souls had shown us a way to visit these places with spiritual consciousness and devotion. Unless we read the life of Sri Chaitanya we will not understand the life of Sri Ramakrishna properly. Similarly unless we study the chapter in the lives of these great souls in Orissa we will not be able to understand and appreciate the significance of these places. If we go on pilgrimage to Orissa with same spirit and devotion as shown by these great souls, we are sure to be benefited spiritually. This collection will put the light on the Orissa chapter in the lives of these great souls and will inspire the devotees to read more about their lives in details. This will also help the devotees to go to pilgrimage in Orissa and strengthen their devotion.
    [Show full text]
  • Vratotsav 2019-2020.Pages
    April 2019 Sun Mon Tue Wed Thu Fri Sat 1 2 3 4 5 6 Vedic New Year New Year Name is Paridhaavi Krt Naam 7 8 9 10 11 12 13 Ganpati Gauri Durga Ashtami Pujan Shri Ramnavami Break the fast after afternoon abhishek 14 15 16 17 18 19 20 Navratri ends Kaamda Ekadashi Damnak offering at Purnima Fasting Basanti Ras- Fasting Srngaar Aarti Purnima Mesh Sankranti Flower Swing seva Shri Radha Govind Dev’s special darshan 21 22 23 24 25 26 27 Shri Gopilal Goswami Mahotsav 28 29 30 Varuthini Ekadashi Notes: Purnima Fasting is the same as Ekadashi Fasting Fasting May 2019 Sun Mon Tue Wed Thu Fri Sat 1 2 3 4 Amavasya Shri Gadhadar Pandit Appearance Day 5 6 7 8 9 10 11 Akshay Tritiya Chandan Yatra Rajbhog aarti with flowers 12 13 14 15 16 17 18 Shri Jahnava Mohini Ekadashi Narsingh Dev’s Shri Radharaman Goswamini Fasting Appearance Day Dev’s Appearance Mahotsav Day Shri Radharaman Abhishek in the Mahabhishek in Special celebration Dev’s birthday evening the morning in Shri Radha greeting singing Gopinath Temple, Shrinivascharya starts in the Shri Appearance Day Vrindavan Gopal Bhatt Goswami Samadhi, Purnima f=Fasting Vrindavan, until His Appearance Day 19 20 21 22 23 24 25 Shri Sarvbhaum Madhusudan Goswami mahotsav May 2019 Sun Mon Tue Wed Thu Fri Sat 26 27 28 29 30 31 Notes: Purnima Shri Shrivas Achalaa Ekadashi Fasting is the Pandit Appearance Fasting same as Ekadashi Day Fasting June 2019 Sun Mon Tue Wed Thu Fri Sat 1 2 3 4 5 6 7 8 Somvati Amavasya Vat Savitri Fasting for married women 9 10 11 12 13 14 15 Ganga Dushera Nirjala Ekadashi Fasting 16 17
    [Show full text]
  • VAISHNAVA CALENDAR 2018-2019 (Gourabda
    VAISHNAVA CALENDAR 2018-2019 (Gourabda 531 - 532) Month Date Event Breaking Fast Sat 3rd Festival of Jagannath Misra ---- Tue 13th Ekadashi Next day after Sunrise Mar 2018 Sun 25th Sri Rama Navami Fasting till Sunset Tue 27th Ekadashi Next day after Sunrise Thu 12th Ekadashi Next day after Sunrise Sat 14th Beginning of Salagrama & Tulasi Jala Dana Wed 18th Akshaya Tritiya ---- Thu 26th Ekadashi Next day after Sunrise Chandan Yatra of Sri Prahlada Narasimha begins Thu 26th ---- (in Bangalore) Narasimha Chaturdashi: Sun 29th Fasting till dusk Appearance of Lord Narasimhadeva Fri 11th Ekadashi Next day after Sunrise Mon 14th End of Salagrama & Tulasi Jala Dana Fri 25th Ekadashi Next day after Sunrise Sun 10th Ekadashi Next day after Sunrise Sat 23rd Ekadashi Next day after Sunrise Jun 2018 Mon 25th Panihati Chida Dahi Utsava Thu 28th Jagannatha Snana Yatra Mon 9th Ekadashi Next day after Sunrise Fri 13th Srila Bhaktivinoda Thakura - Disappearance Fasting till noon Founding Day (As per the Founding Document: Fri 13th CERTIFICATE OF INCORPORATION OF ISKCON) Jul 2018 Sat 14th Jagannatha Puri Ratha Yatra ---- Sun 22nd Jagannatha Puri Bahuda Ratha Yatra ---- Mon 23rd Ekadashi Next day after Sunrise First month of Chaturmasya begins. Fasting Fri 27th from Shak (green leafy vegetables) for one ---- month Wed 8th Dvadasi (Fasting for Ekadasi vrata) Next day after Sunrise Sun 13th Jaladuta's Voyage of Compassion begins Tue 21st (asJhulan per Jaladuta Yatra begins Diary ) Wed 22nd Ekadashi Next day after Aug 2018 Balarama Jayanthi: Appearance of Lord Balarama Sun 26th Jhulan Yatra ends Fasting till noon Second month of Chaturmasya begins.
    [Show full text]
  • 2020 Dallas Vaisnava Calendar
    2020 Dallas Vaisnava Calendar 7 – Tue Purnima (Time adjusted for Daylight Savings Time) Sri Balarama Rasayatra Sri Krishna Vasanta Rasa January Sri Vamsivadana Thakura App. 6 – Mon Putrada Ekadasi (fasting from grains and beans) Sri Syamananda Prabhu App. 7 – Tue Break fast 07:30-10:52 13 – Mon Sri Abhirama Thakura Disapp. Sri Jagadisa Pandita Appearance Tulsi Jala Dan begins 10 – Fri Purnima 17 – Fri Srila Vrindavana Dasa Thakura Disapp. Sri Krishna Pusya Abhiseka 18 – Sat Varuthini Ekadasi (fasting from grains and beans) 14 – Tue Pancami 19 – Sun Dvadasi , Break fast 06:52 – 11:15 Sri Ramachandra Kaviraja Disapp. 22 – Wed Amavasya, Sri Gadadhara Pandita App Srila Gopala Bhatta Goswami App. 25 – Sat Aksaya Trtiya, Candana Yatra starts (continuses for 21 days) 15 – Wed Sri Jayadeva Goswami Disapp. 29 – Wed Jahnu Saptami Ganga Sagara Mela 16 – Thu Saptami May Sri Locana Dasa Thakura Disapp. 1 – Fri Srimati Sita Devi (consort of Lord Sri Rama) App 20 – Mon Sat-tila Ekadasi (fasting from grains and beans) Sri Madhu Pandita Disapp. 21 – Wed Dvadasi, break fast 07:28 – 10:55 Srimati Jahnava Devi Disapp. 24 – Fri Amavasya 3 – Sun Mohini Ekadasi (fasting from grains and beans) 29 – Wed Vasanta Pancami 4 – Mon Dvadasi , Break fast 06:36 – 11:08 Srimati Visnupriya Devi App. 5 – Tue Trayodasi Sarasvati Puja Sri Jayananda Prabhu Disapp Srila Visvanatha Cakravarti Thakura Disapp. 6 – Wed Nrsimha Caturdasi – App. Of Lord Nrsimhadeva Sri Pundarika Vidyanidhi App. (Fast today till dusk) Sri Raghunandana Thakura App. 7 – Thurs Pratipat Srila Raghunatha Dasa Goswami App. Krishna Phula Dola, Salila Vihara 31 – Fri Sri Advaita Acarya App – Fast today until noon Sri Paramesvari Dasa Thakura Disapp.
    [Show full text]
  • View Entire Book
    Orissa Review * June - 2006 A Cult to Salvage Mankind Sarat Chandra The cosmic and terrestrial : both realities are The Hindu inclusiveness is nowhere as reflected in the Jagannath cult of Orissa. The evident as in the rituals of Lord Jagannath. Even cosmic reality of the undying spirit which romance is not excluded in the deity's schedule: abides, endures and sustains; the cosmic reality Once in a week the God is closeted with his of birth and death, as well as the beauty and consort Laksmi (in the ritual Ekanta). The refinement of the terrestrial world are mirrored Sayana Devata golden sculpture used in the in this all-inclusive mid-night ritual after the religious practice. "The Bada Singhara Dhupa, is visible and invisible both not only suggestive but worlds meet in man", even explicit. sang the British poet T.S.Eliot in the Four Over a year Lord Quartets. We may say Jagannath, like human that the Jagannath cult is beings, is engaged in designed to reflect both multification activities. the visible, this-worldly On one occasion realities as well as the (Banabhoji Besha) He cosmic phenomena. sets out on a picnic trip, Hence, the cult reflects a to an idyllic forest land, life style of a god who has which is suggestive of the numerous human God's love for natural attributes. beauty. On the other occasions (seven times in a year), the Lord goes This makes the God and the cult unique. for hunting expeditions. During the summer Several traits characterize the God: the everyday rituals of bathing, brushing of teeth, he goes for boat rides for twenty-one days dressing-up and partaking of food materials.
    [Show full text]
  • Search a Journal of Arts, Humanities & Management Vol-IX, Issue-1 January, 2015
    search A Journal of Arts, Humanities & Management Vol-IX, Issue-1 January, 2015 DDCE Education for All DDCE, UTKAL UNIVERSITY, BHUBANESWAR, INDIA Prof. S. P. Pani, Director,DDCE, Utkal University, Bhubaneswar. Dr. M. R. Behera Lecturer in Oriya, DDCE, Utkal University, Bhubaneswar. Dr. Sujit K. Acharya Lecturer in Business Administration DDCE, Utkal University, Bhubaneswar. Dr. P. P. Panigrahi Executive Editor Lecturer in English, DDCE, Utkal University, Bhubaneswar. ISSN 0974-5416 Copyright : © DDCE, Utkal University, Bhubaneswar Authors bear responsibility for the contents and views expressed by them. Directorate of Distance & Continuing Education, Utkal University does not bear any responsibility. Published by : Director, Directorate of Distance & Continuing Education, Utkal University, Vanivihar, Bhubaneswar – 751007. India. Reach us at E-mail : [email protected]. 91-674 –2376700/2376703(O) Type Setting & Printing: CAD 442, Saheed Nagar Bhubaneswar - 751 007 Ph.: 0674-2544631, 2547731 ii History is TRUTH and TRUTH is God. History is a search for the ultimate truth , an understanding which would end the search for any further explanation. Many of you may feel disturbed with such a content. In fact, many of you may feel this statement to be very subjective. Indeed you may opine that history is all about alternative explanations, choice of one explanation over the others with justification. In this short editorial an attempt is being made to explore, ‘History as Truth’. History like any other discipline can never be dealt in isolation; however, it may seem so. It is not even a distinct part of the whole, it is indeed the whole itself- both temporally and spatially. Why all search in history may be partial yet the partial search always can be of the whole only.
    [Show full text]
  • Bridging the Gap: Exploring Indian Classical Dances As a Source of Dance/Movement Therapy, a Literature Review
    Lesley University DigitalCommons@Lesley Graduate School of Arts and Social Sciences Expressive Therapies Capstone Theses (GSASS) Spring 5-16-2020 Bridging The Gap: Exploring Indian Classical Dances as a source of Dance/Movement Therapy, A Literature Review. Ruta Pai Lesley University, [email protected] Follow this and additional works at: https://digitalcommons.lesley.edu/expressive_theses Part of the Art Education Commons, Counseling Commons, Counseling Psychology Commons, Dance Commons, Dramatic Literature, Criticism and Theory Commons, Other Arts and Humanities Commons, Other Languages, Societies, and Cultures Commons, and the Performance Studies Commons Recommended Citation Pai, Ruta, "Bridging The Gap: Exploring Indian Classical Dances as a source of Dance/Movement Therapy, A Literature Review." (2020). Expressive Therapies Capstone Theses. 234. https://digitalcommons.lesley.edu/expressive_theses/234 This Thesis is brought to you for free and open access by the Graduate School of Arts and Social Sciences (GSASS) at DigitalCommons@Lesley. It has been accepted for inclusion in Expressive Therapies Capstone Theses by an authorized administrator of DigitalCommons@Lesley. For more information, please contact [email protected], [email protected]. BRIDGING THE GAP 1 Bridging the Gap: Exploring Indian Classical Dances as a source of Dance/Movement Therapy, A Literature Review. Capstone Thesis Lesley University August 5, 2019 Ruta Pai Dance/Movement Therapy Meg Chang, EdD, BC-DMT, LCAT BRIDGING THE GAP 2 ABSTRACT Indian Classical Dances are a mirror of the traditional culture in India and therefore the people in India find it easy to connect with them. These dances involve a combination of body movements, gestures and facial expressions to portray certain emotions and feelings.
    [Show full text]
  • Embodying "Bhakti Rasa" in Bharata Natyam: an Indian-Christian Interpretation of "Gayatri" Mantra Through Dance
    Journal of Hindu-Christian Studies Volume 19 Article 10 January 2006 Embodying "Bhakti Rasa" in Bharata Natyam: An Indian-Christian Interpretation of "Gayatri" Mantra through Dance Katherine C. Zubko Follow this and additional works at: https://digitalcommons.butler.edu/jhcs Part of the Religion Commons Recommended Citation Zubko, Katherine C. (2006) "Embodying "Bhakti Rasa" in Bharata Natyam: An Indian-Christian Interpretation of "Gayatri" Mantra through Dance," Journal of Hindu-Christian Studies: Vol. 19, Article 10. Available at: https://doi.org/10.7825/2164-6279.1365 The Journal of Hindu-Christian Studies is a publication of the Society for Hindu-Christian Studies. The digital version is made available by Digital Commons @ Butler University. For questions about the Journal or the Society, please contact [email protected]. For more information about Digital Commons @ Butler University, please contact [email protected]. Zubko: Embodying "Bhakti Rasa" in Bharata Natyam: An Indian-Christian Interpretation of "Gayatri" Mantra through Dance Embodying Bhakti Rasa in Bharata Natyam: An Indian-Christian Interpretation of Gayatri Mantra through Dance Katherine C. Zubko Emory University AS the five female dancers from the Indian­ through a performative embodied understanding Christian fine art college of Kalai Kaviri encircle of bhakti rasa, an aesthetic sentiment typically the South Indian brass lamp, or vilakku, defined as a "devotional" mood, contemporary awakening it to life with the flames from their performers of Bharata Natyam106 create a own individual votives, the beginning melody of critical framework that makes fluidity of a song cues the women to stretch out their arms religious narratives and meanings possible I I in preparation to rise from their seated positions across religious traditions.
    [Show full text]