Market Dynamics, Competition and the Role of Industrial Policy in the Context of the COVID-19 Crisis
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Julianne Moore Stephen Dillane Eddie Redmayne
JULIANNE MOORE STEPHEN DILLANE EDDIE REDMAYNE ELENA ANAYA Directed By Tom Kalin UNAX UGALDE Screenplay by Howard A. Rodman Based on the book by Natalie Robins & Steven M. L. Aronson BELÉN RUEDA HUGH DANCY Julianne Moore, Stephen Dillane, Eddie Redmayne Elena Anaya, Unax Ugalde, Belén Rueda, Hugh Dancy CANNES 2007 Directed by Tom Kalin Screenplay Howard A. Rodman Based on the book by Natalie Robins & Steven M.L Aronson FRENCH / INTERNATIONAL PRESS DREAMACHINE CANNES 4th Floor Villa Royale 41 la Croisette (1st door N° 29) T: + 33 (0) 4 93 38 88 35 WORLD SALES F: + 33 (0) 4 93 38 88 70 DREAMACHINE CANNES Magali Montet 2, La Croisette, 3rd floor M : + 33 (0) 6 71 63 36 16 T : + 33 (0) 4 93 38 64 58 E: [email protected] F : + 33 (0) 4 93 38 62 26 Gordon Spragg M : + 33 (0) 6 75 25 97 91 LONDON E: [email protected] 24 Hanway Street London W1T 1UH US PRESS T : + 44 (0) 207 290 0750 INTERNATIONAL HOUSE OF PUBLICITY F : + 44 (0) 207 290 0751 info@hanwayfilms.com CANNES Jeff Hill PARIS M: + 33 (0)6 74 04 7063 2 rue Turgot email: [email protected] 75009 Paris, France T : + 33 (0) 1 4970 0370 Jessica Uzzan F : + 33 (0) 1 4970 0371 M: + 33 (0)6 76 19 2669 [email protected] email: [email protected] www.dreamachinefilms.com Résidence All Suites – 12, rue Latour Maubourg T : + 33 (0) 4 93 94 90 00 SYNOPSIS “Savage Grace”, based on the award winning book, tells the incredible true story of Barbara Daly, who married above her class to Brooks Baekeland, the dashing heir to the Bakelite plastics fortune. -
The Neumann Lecture (By Prof. Glenn C. Loury, Brown University)*
The Neumann Lecture (by Prof. Glenn C. Loury, Brown University)* My lecture tonight will be about race and racial inequality in the United States. I will try to give you some idea of what I think I'm contributing to the study of this subject in my work. In order to do that I need to give some background, to create something of an intellectual context into which my work will fit. Indeed, I will begin by describing some aspects of the work of last year's von Neumann laureate – the renowned economist Gary S. Becker of the University of Chicago, who has addressed himself over the past few decades to related questions. Then I will try to convince you that my ideas extend and amplify and deepen Becker’s work. But I don't think it will be enough just to talk about my ideas. I think one also has to talk about what might be done about this situation – about the politics and the morality, the social morality, the social ethics that are raised by this question of social division, of “race,” within a society. I am aware that here in Hungary you know something about this question. I spent some time just today with the Minister of Equal Opportunities and her staff discussing the Roma question, and nationalities questions, and inequality questions that pertain to Hungary. I don't know very much about those things and I won't be speaking about those things directly here. I will be talking about the United States, which is the case that I know best. -
Matthew O. Jackson
Matthew O. Jackson Department of Economics Stanford University Stanford, CA 94305-6072 (650) 723-3544, fax: 725-5702, [email protected] http://www.stanford.edu/ jacksonm/ ⇠ Personal: Born 1962. Married to Sara Jackson. Daughters: Emilie and Lisa. Education: Ph.D. in Economics from the Graduate School of Business, Stanford Uni- versity, 1988. Bachelor of Arts in Economics, Summa Cum Laude, Phi Beta Kappa, Princeton University, 1984. Full-Time Appointments: 2008-present, William D. Eberle Professor of Economics, Stanford Univer- sity. 2006-2008, Professor of Economics, Stanford University. 2002-2006, Edie and Lew Wasserman Professor of Economics, California Institute of Technology. 1997-2002, Professor of Economics, California Institute of Technology. 1996-1997, IBM Distinguished Professor of Regulatory and Competitive Practices MEDS department (Managerial Economics and Decision Sci- ences), Kellogg Graduate School of Management, Northwestern Univer- sity. 1995-1996, Mechthild E. Nemmers Distinguished Professor MEDS, Kellogg Graduate School of Management, Northwestern University. 1993-1994 , Professor (MEDS), Kellogg Graduate School of Management, Northwestern University. 1991-1993, Associate Professor (MEDS), Kellogg Graduate School of Man- agement, Northwestern University. 1988-1991, Assistant Professor, (MEDS), Kellogg Graduate School of Man- agement, Northwestern University. Honors : Jean-Jacques La↵ont Prize, Toulouse School of Economics 2020. President, Game Theory Society, 2020-2022, Exec VP 2018-2020. Game Theory Society Fellow, elected 2017. John von Neumann Award, Rajk L´aszl´oCollege, 2015. Member of the National Academy of Sciences, elected 2015. Honorary Doctorate (Doctorat Honoris Causa), Aix-Marseille Universit´e, 2013. Dean’s Award for Distinguished Teaching in Humanities and Sciences, Stanford, 2013. Distinguished Teaching Award: Stanford Department of Economics, 2012. -
PDF) ISBN 978-0-9931996-4-6 (Epub)
POST-CINEMA: THEORIZING 21ST-CENTURY FILM, edited by Shane Denson and Julia Leyda, is published online and in e-book formats by REFRAME Books (a REFRAME imprint): http://reframe.sussex.ac.uk/post- cinema. ISBN 978-0-9931996-2-2 (online) ISBN 978-0-9931996-3-9 (PDF) ISBN 978-0-9931996-4-6 (ePUB) Copyright chapters © 2016 Individual Authors and/or Original Publishers. Copyright collection © 2016 The Editors. Copyright e-formats, layouts & graphic design © 2016 REFRAME Books. The book is shared under a Creative Commons license: Attribution / Noncommercial / No Derivatives, International 4.0 (http://creativecommons.org/licenses/by-nc-nd/4.0/). Suggested citation: Shane Denson & Julia Leyda (eds), Post-Cinema: Theorizing 21st-Century Film (Falmer: REFRAME Books, 2016). REFRAME Books Credits: Managing Editor, editorial work and online book design/production: Catherine Grant Book cover, book design, website header and publicity banner design: Tanya Kant (based on original artwork by Karin and Shane Denson) CONTACT: [email protected] REFRAME is an open access academic digital platform for the online practice, publication and curation of internationally produced research and scholarship. It is supported by the School of Media, Film and Music, University of Sussex, UK. Table of Contents Acknowledgements.......................................................................................vi Notes On Contributors.................................................................................xi Artwork…....................................................................................................xxii -
Annual Report 2015 – 3
ANNUAL REPORT 2015 SUMMARY A WORD FROM THE PRESIDENT 3 IN 2015, IFRI ADOPTS A NEW MANAGEMENT STRUCTURE 5 IFRI, THE LEADING FRENCH THINK TANK ON INTERNATIONAL QUESTIONS 6 IFRI, INTEGRAL PART OF A HIGH-LEVEL INTERNATIONAL NETWORK 7 IFRI’S 2015 PUBLICATIONS 8 CORPORATE MEMBERS AND PARTNERS 9 IFRI AND THE MEDIA 12 WORLD POLICY CONFERENCE: EIGHTH EDITION 13 THE TEAM 14 BOARD OF DIRECTORS AND ADVISORY BOARD 15 RESEARCH 17 REGIONAL PROGRAMS 20 CROSSCUTTING PROGRAMS 43 PUBLICATIONS IN 2015 53 CONFERENCES AND DEBATES IN 2015 58 FINANCIAL APPENDIX 61 A WORD FROM THE PRESIDENT Ifri is the leading French think tank for two reasons. It was the first think tank to be established in France, as the concept didn’t exist in the country before Ifri’s creation in 1979. Secondly, today it is the only one in France to be at the forefront of international rankings, while also fully maintaining its French identity. Specializing in the rational study of international relations in the broadest, Ifri examines the planet’s major regional and crosscutting issues, and seeks to structure ensuing discussions. Its policy-oriented research generally targets a medium-term time horizon. Ifri’s work draws it towards political, economic, media and academic partners. Over time, its relationship with businesses and companies has become increasingly important. Free from administrative supervision and ideologically uncommitted, Ifri seeks to diversify its financing and maintain the objectivity of its research, without ever losing sight of the public interest and the need for openness. Ifri's researchers work on the ground and across various networks, and are frequently called upon by both traditional and social media outlets. -
The Mind-Game Film Thomas Elsaesser
9781405168625_4_001.qxd 8/10/08 11:58 AM Page 13 1 The Mind-Game Film Thomas Elsaesser Playing Games In December 2006, Lars von Trier’s The Boss of It All was released. The film is a comedy about the head of an IT company hiring a failed actor to play the “boss of it all,” in order to cover up a sell-out. Von Trier announced that there were a number of (“five to seven”) out-of-place objects scattered throughout, called Lookeys: “For the casual observer, [they are] just a glitch or a mistake. For the initiated, [they are] a riddle to be solved. All Lookeys can be decoded by a system that is unique. [. .] It’s a basic mind game, played with movies” (in Brown 2006). Von Trier went on to offer a prize to the first spectator to spot all the Lookeys and uncover the rules by which they were generated. “Mind-game, played with movies” fits quite well a group of films I found myself increasingly intrigued by, not only because of their often weird details and the fact that they are brain-teasers as well as fun to watch, but also because they seemed to cross the usual boundaries of mainstream Hollywood, independent, auteur film and international art cinema. I also realized I was not alone: while the films I have in mind generally attract minority audiences, their appeal manifests itself as a “cult” following. Spectators can get passionately involved in the worlds that the films cre- ate – they study the characters’ inner lives and back-stories and become experts in the minutiae of a scene, or adept at explaining the improbabil- ity of an event. -
1 CURRICULUM VITAE Name: Stephen GF
CURRICULUM VITAE Name: Stephen G.F. Hall Nationality: British Place of Birth: London, UK DEGREES B.Sc. (ECON), M.Sc. (ECON), Ph.D(London) D.Com(honoris Causa). Contact Details University of Leciester School of Business Brookfield, London Rd., Leicester, LE2 1RQ, UK Telephone +44 1162522827 Mobile +44 7867902243 E-Mail [email protected] 21 May 2019 1 EDUCATION and ACADEMIC QUALIFICATIONS The City University, BSc (II/I) degree in Economics, 1973-77. The London School of Economics, Master of Science degree in Economics (specialising in Monetary Economics),1977-8. PhD, L.S.E. The title of the Thesis was `Solving and Evaluating Large Non-Linear Econometric Models',1978-86. NCFE Level 2 certificate in Equality and Diversity, 2013. Associate fellow of the higher education academy 2017. 2010 Honorary Donctorate (D.Com) from the University of Pretoria WORK EXPERIENCE 2005- Leicester University, Professor of Economics. 2011-2014, Head of Department of Economics 2014-2015, Director of Research for the college of Social Science, member of the university research committee and chair of the college research committee 2013-2016Deputy pro vice-chancellor with a special brief to help develop the universities estates strategy. 2016- Head of the Department of Economics 1995-2005 Imperial College of Science Technology and Medicine, Professor of Economics. 1995-2005 Head of the economics group in the Business School 2001-2005 Director of Research in the Business School. Member of the college research committee and the Business School senior management team. 1990-1995 London Business School, Professorial Research Fellow 1990-1995 Director of Research, center for economic forecasting, This involved managing a team of 20 researchers and administrators and raising grants to fund the center. -
List of Surveillance Feature Films
Surveillance Feature Films compiled by Dietmar Kammerer, Berlin Sources of plot descriptions and details: allmovie.com; imdb.com 1984 (Nineteen Eighty-Four) UK 1956 dir: Michael Anderson. George Orwell's novel of a totalitarian future society in which a man whose daily work is rewriting history tries to rebel by falling in love. keywords: literary adaptation; dystopic future http://www.allmovie.com/work/1984-104070 http://www.imdb.com/title/tt0048918/ 1984 (Nineteen Eighty-Four) UK 1984 dir: Michael Radford Second adaptation of George Orwell's novel. keywords: literary adaptation; dystopic future http://www.allmovie.com/work/1984-91 http://www.imdb.com/title/tt0087803/ 23 [23 – Nichts ist wie es scheint] Germany 1998 dir: Hans-Christian Schmid The movie's plot is based on the true story of a group of young computer hackers from Hannover, Germany. In the late 1980s the orphaned Karl Koch invests his heritage in a flat and a home computer. At first he dials up to bulletin boards to discuss conspiracy theories inspired by his favorite novel, R.A. Wilson's "Illuminatus", but soon he and his friend David start breaking into government and military computers. Pepe, one of Karl's rather criminal acquaintances senses that there is money in computer cracking - he travels to east Berlin and tries to contact the KGB. http://www.imdb.com/title/tt0126765/ http://www.allmovie.com/work/23-168222 keywords: conspiracy; internet; true story The Anderson Tapes USA 1971 dir: Sidney Lumet This breathlessly paced high-tech thriller stars Sean Connery as Anderson, a career criminal who's just been released from his latest prison term. -
Economics in the Time of COVID-19 Economics in the Time of COVID-19
Economics in the Time of COVID-19 Economics in the Time of COVID-19 Edited by Richard Baldwin and Beatrice Weder di Mauro Centre for Economic Policy Research 33 Great Sutton Street A VoxEU.org Book London EC1V 0DX CEPR Press Tel: +44 (0)20 7183 8801 Email: [email protected] www.cepr.org CEPR Press Economics in the Time of COVID-19 CEPR Press Centre for Economic Policy Research 33 Great Sutton Street London, EC1V 0DX UK Tel: +44 (0)20 7183 8801 Email: [email protected] Web: www.cepr.org ISBN: 978-1-912179-28-2 Copyright © CEPR Press, 2020. Economics in the Time of COVID-19 Edited by Richard Baldwin and Beatrice Weder di Mauro A CEPR Press VoxEU.org eBook CEPR Press The views expressed in this book are those of the authors and not those of CEPR or any of the institutions with which the authors are affiliated. The editors would like to acknowledge the important and timely contribution of research assistance from Guilia Sabbatini and Anmol Kaur Grewal, together with Anil Shamdasani and Sophie Roughton’s hard work on production to enable this eBook to be produced so quickly. Centre for Economic Policy Research (CEPR) The Centre for Economic Policy Research (CEPR) is a network of over 1,500 research economists based mostly in European universities. The Centre’s goal is twofold: to promote world-class research, and to get the policy-relevant results into the hands of key decision-makers. CEPR’s guiding principle is ‘Research excellence with policy relevance’. A registered charity since it was founded in 1983, CEPR is independent of all public and private interest groups. -
The Global Economic Outlook Us Elections and Beyond
THE GLOBAL ECONOMIC OUTLOOK US ELECTIONS AND BEYOND November 2016 Laurence Boone Chief Economist, AXA Group Head of Research, AXA IM [email protected] Key messages US elections: significant change ahead, uncertainty prevails for now The US election could prove a game changer, well beyond economics World affairs and domestic social issues are likely to be impacted by the Trump election. A radical redefinition of global governance is likely if the US retreats from international commitments On economics, Trump looks set to kick-start the ‘traditional’ boom-bust cycle over the next few years Uncertainty will prevail until Trump is inaugurated. Appointments made until 20th January will only be indicators Fiscal support could boost the growth outlook in 2017 and especially in 2018 There is agreement between Trump and the Republicans to cut taxes for households and corporates, while the infrastructure spending programme is less consensual More complex: a relaxation of financial regulation is likely, albeit at regional levels. Other important sectors include energy, defence and security, healthcare (reform of the Affordable Care Act) The Fed should turn more hawkish than previously expected and hike twice in 2017, three times in 2018 Trade remains one of the most uncertain areas Renegotiations of NAFTA agreements with Mexico and trade restrictions with China would go against the Republican establishment and the interest of many US firms Trump received a popular mandate to protect manufacturing jobs, however, and has more power to act -
Focus 2007 World Film Market Trends Tendances Du Marché Mondial Du Film Editorial
European Audiovisual Observatory Information services for the audiovisual sector www.obs.coe.int Focus 2007 workshop VoD vs Cinema? 14:30 – 17:00, Saturday 19th May 2007 World Film Market Trends Salon des Ambassadeurs Tendances du marché mondial du film Palais des Festivals entry free to all market accreditees Come and see us on our stand: A8, Riviera Section, Marché du film. Stand telephone: +33 (0)4 92 99 33 36 Focus 2007 17,50 EUR Réf FMF07 PUBs_FOCUSPUBsFOCUS_Couv_9800EX.indd FOCUS 2007.indd 1 1 4/05/07 17:49:20 Focus def.indd 2 26/04/074/05/07 19:36:01 16:36:51 focus 2007 World Film Market Trends Tendances du marché mondial du film Editorial Alors que le Festival de Cannes fête ses 60 ans, While the Festival de Cannes is celebrating its la relation entre cinéma et spectateurs entre dans sixtieth birthday, relations between cinema and its une nouvelle époque. audiences are entering a new phase. La salle de cinéma connaît une nouvelle évo- Theatres are evolving with the increase of dig- lution avec la monté en puissance de la projection ital screenings and now the arrival of fi lms in 3D; numérique et l’arrivée des fi lms en 3D ; le cinéma independent cinema is fi ghting to keep its place indépendant se bat pour conserver une place dans in these theatres; the development of Internet as ces salles ; le développement d’Internet comme a promotional and broadcasting vector is seen as vecteur de promotion et de diffusion est perçu both a threat and an opportunity for diversity. -
CURRICULUM VITAE of OLIVER E. WILLIAMSON May 2013 PRESENT
CURRICULUM VITAE OF OLIVER E. WILLIAMSON May 2013 PRESENT POSITION Professor of the Graduate School and Edgar F. Kaiser Professor Emeritus of Business, Economics and Law, University of California, Berkeley. EDUCATION S.B., Massachusetts Institute of Technology, 1955 M.B.A., Stanford University, 1960 Ph.D., Carnegie-Mellon University (Economics), 1963 AWARDS, PRIZES, AND FELLOWSHIPS Honorary Societies Fellow, The Berkeley Fellows, 2013 Nobel Laureate in the Economic Sciences, 2009. Fellow, American Academy of Political and Social Science, 1997. Member, National Academy of Sciences, 1995. Fellow, American Academy of Arts and Sciences, 1983. Fellow, Econometrics Society, 1977. 1 Prizes Grande Cruz, awarded by the Congress of Peru, 2011. Nobel Laureate in Economic Sciences, 2009. Horst Claus Recktenwald Prize in Economics, 2004. 1983 Prize for Distinguished Scholarship in Law and Economics, Miami University. Ford Foundation Dissertation Prize, 1963. Honorary Degrees Docteur Honoris Causa, University of Paris-Dauphine, 2012. Honorary Doctor of Economics and Organization, Carnegie-Mellon University, 2011. Honorary Professor, Tsinghua University, SEM, 2010. Doctoris Honoris Causa in Economics, Nice University, 2005. Doctoris Honoris Causa in Economics, Valencia University, 2004. Doctoris Honoris Causa in Economics, University of Chile, 2000. Honorary Doctorate in Economics and Business Administration, Copenhagen Business School, 2000. Doctoris Honoris Causa, Groupe HEC (Paris), 1997. Doctoris Honoris Causa in Business Administration, St. Petersburg University, Russia, 1997. Doctoris Honoris Causa in Economics, Turku School of Economics and Business Administration, 1995. Doctoris Honoris Causa in Economic Science, Groningen University, 1989. Doctoris Honoris Causa in Economic Science, Hochschule St. Gallen, 1987. Oeconomiae Doctorem Honoris Causa, Ph.D., Norwegian School of Economics and Business Administration, Jubilee Celebration, 1986.