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Photoflex Catalog.Pdf
Photo by: Ian Spanier PROFESSIONAL LIGHT SHAPING TOOLS 10 Softboxes for Strobe/Cool Lights Softboxes Photofl ex® began producing the LiteDome® softbox in 1985 and remains the world’s most popular softbox for professional photographers. Here are just a few of the features that separate Photofl ex® from the competition: • Our proprietary DuraCloth fabric interior softens light, eliminates leaks, and insures neutral color rendition. • Medium, large and extra large LiteDomes include patented Quick-Release Corners (QRC, see page 6) for easy assembly and break-down, with removable face and interior baffl e. • Optional fabric grid attaches with Velcro® for added control. LiteDome® The LiteDome® is our most popular softbox model due to its simplicity and high performance design. The LiteDome® is the HalfDome® original Photofl ex® white interior softbox model, designed over 30 years ago. Perfect for every SoftBox for strobe only ® photography application, the LiteDome ® consistently delivers even, natural light from The HalfDome features a narrow profi le, your strobe unit. perfect to use as a hair light or rim light for portraits or for getting sleek, elongated Extra Large [XT-4XLLD293] 871150 catchlights in product photography. A Dimensions: 53 x 70 x 35 in. / 134 x 177 x 89cm removable StripMask is included for Large [XT-3LLD293] 871147 creating an even narrower light source, Dimensions: 34 x 45 x 24.5 in. / 86 x 114 x 62cm reducing the dome width by half. Photo by: Scott Stulberg Medium [XT-2MLD293] 871144 Medium [FV-HDMW] 870349 Dimensions: 24.5 x 32 x 17 in. / 62 x 81 x 43cm Dimensions: 15.5 x 55 x 23 in. -
The Best of PORTRAIT PHOTOGRAPHY Techniques and Images from the Pros SECOND EDITION
The Best of PORTRAIT PHOTOGRAPHY Techniques and Images from the Pros SECOND EDITION BILL HURTER Amherst Media® PUBLISHER OF PHOTOGRAPHY BOOKS ABOUT THE AUTHOR Bill Hurter started out in photography in 1972 in Washington, DC, where he was a news photographer. He even covered the political scene—including the Watergate hearings. After graduating with a BA in literature from American University in 1972, he completed training at the Brooks Institute of Photography in 1975. Going on to work at Petersen’s PhotoGraphic magazine, he held practically every job except art director. He has been the owner of his own creative agency, shot stock, and worked assignments (including a year or so with the L.A. Dodgers). He has been directly involved in photography for the last thirty years and has seen the revolution in technology. In 1988, Bill was awarded an honorary Masters of Science degree from the Brooks Institute. He has written more than a dozen instructional books for professional photographers and is currently the editor of Rangefinder magazine. Copyright © 2008 by Bill Hurter. All rights reserved. Front cover photograph by Fuzzy Duenkel. Back cover photograph by Bruce Dorn. Published by: Amherst Media, Inc. P.O. Box 586 Buffalo, N.Y. 14226 Fax: 716-874-4508 www.AmherstMedia.com Publisher: Craig Alesse Senior Editor/Production Manager: Michelle Perkins Assistant Editor: Barbara A. Lynch-Johnt Editorial Assistance from: John S. Loder ISBN-13: 978-1-58428-223-5 Library of Congress Control Number: 2007926869 Printed in Korea. 10 9 8 7 6 5 4 3 2 1 No part of this publication may be reproduced, stored, or transmitted in any form or by any means, electronic, me- chanical, photocopied, recorded or otherwise, without prior written consent from the publisher. -
Cinematography DELIVERY GUIDE Version 1
Cambridge TECHNICALS LEVEL 3 DIGITAL MEDIA Unit 18 – Cinematography DELIVERY GUIDE Version 1 ocr.org.uk/media CAMBRIDGE TECHNICALS IN DIGITAL MEDIA DIGITAL IN TECHNICALS CAMBRIDGE CONTENTS Introduction 3 Related Activities 4 Key Terms 6 Misconceptions 8 Suggested Activities: Learning Outcome (LO1) 9 Learning Outcome (LO2) 14 Learning Outcome (LO3) 17 Learning Outcome (LO4) 22 Learning Outcome (LO5) 26 LEVEL 3 18 UNIT LEVEL 3 2 CAMBRIDGE TECHNICALS IN DIGITAL MEDIA DIGITAL IN TECHNICALS CAMBRIDGE INTRODUCTION This Delivery Guide has been developed to provide practitioners with a variety of creative and practical ideas to support the delivery of this qualification. The Guide UNIT AIM is a collection of lesson ideas with associated activities, which you may find helpful Cinematography is both an artistic and a technical discipline that has a significant impact as you plan your lessons. on the meaning and aesthetics of a moving image product. Use of artistic lighting techniques and creative use of the camera are therefore vital if a television or film OCR has collaborated with current practitioners to ensure that the ideas put forward in production is going to be successful and memorable. this Delivery Guide are practical, realistic and dynamic. The Guide is structured by learning outcome so you can see how each activity helps you cover the requirements of this unit. By completing this unit, you will learn how to use digital video cameras and digital single- lens reflex cameras (DSLR) (video) in manual mode. Also, you will explore the effect of light We appreciate that practitioners are knowledgeable in relation to what works for them entering the camera and how to light different types of shots for studio and location. -
Softbox | Octabox 2 Softbox System
Softbox | Octabox www.broncolor.com 2 Softbox System The broncolor Softbox System Square or octagonal? Let your style decide The new broncolor Softboxes These quality, high-performance light shapers extend your flash system are optimised light shapers for and offer countless additional lighting effects. Three different diffusers precise lighting design in nine enable a soft light with slight central emphasis through to perfectly different shapes and sizes. homogeneous distribution over the entire area. With a light grid, light Square, rectangular, as a strip or control can be even more precise. octagonal. The special internal coating guarantees optimum efficiency. Coloured markings on the tensioning rods and the support ring enable simple, quick erection and dismantling. With appropriate adapters, Softboxes can also be used with flash units from other manufacturers. 3 Softbox System 33.565.00 Softbox 90 x 120 cm (3 x 3.9´) The Big One: Softbox with the classical 3:4 aspect ratio. Perfect for use anywhere where large area and soft lighting is required As with any rec- tangular (but not square) Softbox, you can turn it through 90° to achieve another, slightly different, lighting characteristic. 33.566.00 Softbox 120 x 180 cm (3.9 x 5.9´) The Biggest: Over two square metres of light! Even over the shortest distance this Softbox illuminates a whole body very uniformly and this short distance from the model (or object) guarantees an unbelievably soft and beautiful light. It infuses spaces with a certain magic. 33.564.00 Softbox 30 x 120 cm (1 x 3.9´) The Strip Softbox: The Striplite among the textile Boxes is perfect for illuminating edges in product photography and as a hair-light in the portrait and fashion fields. -
Imaging+Foto-Contact März 2010
€ 4,– • ISSN 1430 - 1121 • 39. Jahrgang • 30605 3 imaging fotfoto 201100 Fachzeitschrift für die Fotobranche • www.worldofphoto.de Die neue Lumix DMC-TZ10 Mit GPS Bilder neu erleben PMA 2010 in Anaheim — Das Sony Partner Programm Neu aufgestellt: „One Canon“ — viel besser als erwartet startet am 1. April 2010 für mehr Effizienz Positive Stimmung zeigte sich auf der PMA 2010, die vom Alle Händler, die bereit sind, das Leistungsversprechen Im Zuge der europaweiten Neuausrichtung des Vertriebes von 21. bis 23. Februar in Anaheim, Californien, stattfand. Die ame- der Marke Sony zu erfüllen, sind als Partner willkommen Canon hat sich auch die Krefelder Canon Deutschland GmbH neu rikanische Foto- und Imagingbranche rechnet für das laufende und können von den speziellen Vorteilen des Sony organisiert. Dies gewährleistet nicht nur mehr Kunden- Jahr mit einer spürbaren Nachfragesteigerung. S. 1 2 Partner Programms deutlich profitieren. S. 16 orientierung, sondern auch schnellere Entscheidungen. S. 28 Verkaufsstart für die neue Lumix DMC-TZ10 Die Reisekamera mit GPS Wie ihre Vorgängerin ist die Lumix TZ10 mit einem f3,3–4,9/25–300 mm 12fach-Zoom Leica Objektiv ausge- stattet, dessen Bildstabilisator Power- OIS jetzt noch effizienter arbeitet. Dank „Intelligent Resolution“ ergibt sich in der „Intelligent Zoom“-Funktion ein Zoomfaktor von 16fach, was einer längsten rechnerischen Brennweite von 400 mm entspricht. Die Auflösung des 1/2,33“ CCD Multi-Aspekt Bildsen- sors wurde von 10 auf 12,1 Megapixel erhöht. Durch seine spezielle Techno- logie stellt dieser Sensor sicher, dass der Bildwinkel auch bei Aufnahmen mit unterschiedlichen Seitenverhältnis- sen (zum Beispiel 4:3 und 16:9) iden- tisch und damit die vom Fotografen Panasonic bringt im März mit der neuen Lumix TZ10 die Nach- gewählte Perspektive erhalten bleibt. -
Seeing Like Your Camera ○ My List of Specific Videos I Recommend for Homework I.E
Accessing Lynda.com ● Free to Mason community ● Set your browser to lynda.gmu.edu ○ Log-in using your Mason ID and Password ● Playlists Seeing Like Your Camera ○ My list of specific videos I recommend for homework i.e. pre- and post-session viewing.. PART 2 - FALL 2016 ○ Clicking on the name of the video segment will bring you immediately to Lynda.com (or the login window) Stan Schretter ○ I recommend that you eventually watch the entire video class, since we will only use small segments of each video class [email protected] 1 2 Ways To Take This Course What Creates a Photograph ● Each class will cover on one or two topics in detail ● Light ○ Lynda.com videos cover a lot more material ○ I will email the video playlist and the my charts before each class ● Camera ● My Scale of Value ○ Maximum Benefit: Review Videos Before Class & Attend Lectures ● Composition & Practice after Each Class ○ Less Benefit: Do not look at the Videos; Attend Lectures and ● Camera Setup Practice after Each Class ○ Some Benefit: Look at Videos; Don’t attend Lectures ● Post Processing 3 4 This Course - “The Shot” This Course - “The Shot” ● Camera Setup ○ Exposure ● Light ■ “Proper” Light on the Sensor ■ Depth of Field ■ Stop or Show the Action ● Camera ○ Focus ○ Getting the Color Right ● Composition ■ White Balance ● Composition ● Camera Setup ○ Key Photographic Element(s) ○ Moving The Eye Through The Frame ■ Negative Space ● Post Processing ○ Perspective ○ Story 5 6 Outline of This Class Class Topics PART 1 - Summer 2016 PART 2 - Fall 2016 ● Topic 1 ○ Review of Part 1 ● Increasing Your Vision ● Brief Review of Part 1 ○ Shutter Speed, Aperture, ISO ○ Shutter Speed ● Seeing The Light ○ Composition ○ Aperture ○ Color, dynamic range, ● Topic 2 ○ ISO and White Balance histograms, backlighting, etc. -
HASSELBLAD INTRODUCES the H6D-400C MS, a 400 MEGA PIXEL
Press information – for immediate release Gothenburg, Sweden 16 Jan 2018 HASSELBLAD INTRODUCES THE H6D-400c MS, A 400 MEGA PIXEL MULTI-SHOT CAMERA Building on a vast experience of developing exceptional, high-quality single and multi-shot cameras, Hasselblad once again has raised the bar for image quality captured with medium format system. Multi-Shot capture has become an industry standard in the field of art reproduction and cultural heritage for the documentation of paintings, sculptures, and artwork. As the only professional medium format system to feature multi-shot technology, Hasselblad continues to be the leading choice for institutions, organizations, and museums worldwide to record historic treasures in the highest image quality possible. With over 10 years of digital imaging expertise, the latest Multi-Shot digital camera combines the H6D’s unrivalled ease of use with a completely new frontier of image quality and detail. This new camera encompasses all of the technological functions of Hasselblad’s H6D single shot camera, and adds to that the resolution and colour fidelity advancements that only Multi-Shot photography can bring to image capture. With an effective resolution of 400MP via 6 shot image capture, or 100MP resolution in either 4 shot Multi-Shot capture or single shot mode, the Multi-Shot capture requires the sensor and its mount to be moved at a high-precision of 1 or ½ a pixel at a time via a piezo unit. To capture Multi-Shot images the camera must be tethered to a PC or MAC. In 400MP Multi-Shot mode, 6 images are captured, the first 4 involve moving the sensor by one pixel at a time to achieve real colour data (GRGB- see 4 shot diagrams below), this cycle then returns the sensor to its starting point. -
SKYPANEL New Accessories for the Family of LED Soft Lights
NEWS IBC ISSUE 2015 SKYPANEL New accessories for the family of LED soft lights ELECTRONIC ALEXA MINI CONTROL SYSTEM AMIRA Karl Walter Lindenlaub ASC, BVK Expanded options for lens and New application areas for tries the Mini on Nine Lives camera remote control the highly versatile AMIRA EDITORIAL DEAR FRIENDS AND COLLEAGUES We hope you can join postproduction through ARRI Media, illustrating us here at IBC, where we the uniquely broad range of products and services are showcasing our latest we offer. 18 camera systems and lighting technologies. For the ARRI Rental has also been busy supplying the first time in ARRI News we are also introducing our ALEXA 65 system to top DPs on major feature films newest business unit: ARRI Medical. Harnessing – many are testing the large-format camera for the core imaging technology and reliability of selected sequences and then opting to use it on ALEXA, our ARRISCOPE digital surgical microscope main unit throughout production. In April IMAX is already at work in operating theaters, delivering announced that it had chosen ALEXA 65 as the unsurpassed 3D images of surgical procedures. digital platform for 2D IMAX productions. In this issue we share news of how AMIRA is Our new SkyPanel LED soft lights, announced 12 being put to use on productions so diverse and earlier this year and shipping now as promised, are wide-ranging that it has taken even us by surprise. proving extremely popular and at IBC we are The same is true of the ALEXA Mini, which was unveiling a full selection of accessories that will introduced at NAB and has been enthusiastically make them even more flexible. -
Puma Video Rate Card 2009
PUMA VIDEO RATE CARD – June 2021 All quoted prices are exclusive of insurance & VAT. The prices quoted on the rate card are p/day guidelines. Please contact us for a more tailored quote. Items marked with * will not be discounted. 6K/5K/4K CAMERAS: BODY ONLY (no tripod, no lens) DAILY RATE: 1. RED EPIC DRAGON 6K/SCARLET-W 5K: camera R 7000.00 Red VF/monitor, V-lock batteries, 4 x RED mini mags, 2. Z-Cam E2-F6 & E2-S6 (EF/PL) 6K camera, 10-bit colour, 12 bit ProRes RAW R 2800.00 Cage, 2 x 256GB C-Fast Cards, NP-F batteries, http://www.z-cam.com 3. SONY PXW-FX9 FULL FRAME 4K camera R 5500.00 3 x 64GB XQD cards, SmallRig Camera top plate & handle, Zacuto VCT Pro Shoulder plate, Sony FE PZ 28-135 mm f/4 G OSS Zoom Lens, Batteries, 4:2:2 10-bit internal 4. SONY FS-7 / FS7 II SUPER-35 4K camera R 4000.00 3 x 64GB XQD cards, Wooden camera top plate, Smallrig VCT Shoulder plate, Batteries Sony E PZ 18-110mm f/4.0 G OSS zoom lens 5. SONY FS-5 SUPER-35 4K camera R 3000.00 2 x 64 SD cards & reader, Wooden Camer top plate, Smallrig VCT Shoulder plate,Batteries 6. SONY PXW-X70 4K 1”CMOS Sensor HANDY-CAM R 1100.00 DSLR Full Frame (35MM) & APS-C: 4K, UHD, HD (incl. cards, batteries) 1. CANON EOS 5D MK IV 4K DSLR CAMERA BODY (Cage optional) R 850.00 2. -
Fish-Photography-Post-Processing.Pdf
B Spring 2015 American Currents 26 PHOTOGRAPHY AND POST-PROCESSING TECHNIQUES FOR NATIVE FISHES Scott Smith and Jesse Bissette North Carolina Division of Marine Fisheries, Morehead City, NC INTRODUCTION have an older flash knocking about, it will work as well. Just There are many well-documented methods for photograph- know that you will be required to adjust the flash settings ing fishes, using everything from point-and-shoot cameras manually. Price is the second reason for choosing this flash, to professional DSLRs. These methods often produce excel- as a used SB-600 costs about $200. We find this well within lent photographs, albeit with varying background colors our “oops, I dropped it in the water” budget. and different lighting, depending on the weather. In an ef- fort to standardize our photographs, we use an approach Lens that builds off of known methods, consistently provides In order to properly resolve the fins of small fishes, a macro solid black backgrounds, removes any concern over ambient lens is an absolute necessity. We use the Nikon 40mm f/2.8G lighting, and reveals a level of detail not normally seen in AF-S Micro Nikkor on the D3000 and the 60mm f/2.8G photographs of fish. This article aims to outline our process AF-S Micro Nikkor on the D610. Due to the cropped sensor so that anyone, whether equipped with entry-level or profes- of the D3000, both these setups have an equivalent working sional gear, will be able to duplicate it. focal length (i.e., the angle of view is the same). -
Master Professional Portrait Lighting with These 20 Essential Studio Setups
LIGHTING GUIDE Master professional portrait lighting with these 20 essential studio setups REMBRANDT WITH A PORTALITE SOFTBOX REMBRANDT THROUGH AN UMBRELLA REMBRANDT WITH A HONEYCOMB GRID REMBRANDT WITH A SILVER UMBRELLA KIT: One D-lite RX4 head, one Clip-lock KIT: One D-lite RX4 head, KIT: One D-lite RX4 head, KIT: One D-lite RX4 head, Stand, one Portalite Softbox one Clip-lock Stand, one 16cm Reflector, one Clip-lock Stand, one 18cm Reflector one Clip-lock Stand, one 16cm Reflector, Position the light high and to the side to one Shoot-through Umbrella with Honeycomb one Silver Umbrella create a triangle on the model’s cheek. The Position the light high and to the side as with Position the light in the same manner as the Position the light in the same manner as the shadow of the nose should point towards the the ‘Rembrandt with a Portalite Softbox’ previous ‘Rembrandt’ techniques; the light previous ‘Rembrandt’ techniques. The light edge of the lips. The Portalite creates a soft setup. The light is slightly less contrasty, through the honeycomb grid is stronger and bouncing from the silver umbrella is more directional effect. because the light is less directional more dramatic. The grid makes it very easy direct and wraps around the features of the and there is always some reflection to direct the light on to the model and away face yet still creates the shadow from the from the studio surroundings. from the background, which becomes dark. nose towards the mouth. REMBRANDT SHORT REMBRANDT BROAD SPLIT SPLIT WITH FILL KIT: One D-lite RX4 head, one Clip-lock KIT: One D-lite RX4 head, one Clip-lock KIT: One D-lite RX4 head, one Clip-lock KIT: One D-lite RX4 head, one Clip-lock Stand, one Portalite Softbox Stand, one Portalite Softbox Stand, one Portalite Softbox Stand, one Portalite Softbox, one Use the principles of ‘Rembrandt’ lighting Use the principles of ‘Rembrandt’ lighting Position a light to one side of the model in small reflector to create the triangle of light on the face. -
Digital Cameras
DIGITAL CAMERAS Hasselblad has raised the bar yet again concerning the capture As if that was not enough, this camera still claims all the advan- of super high-quality images. It builds on the achievements and tages of the H5D line – True Focus, Ultra Focus, Digital Lens success of multi-shot capture technology with the H5D-50MS and Correction plus being able to shoot regardless of lighting condi- the liberating characteristics of the H5D-50c – the worlds first tions as a result of the very high ISO settings that are capable of CMOS medium format camera. The H5D-200c MS MS takes still- unforeseen high quality with remarkably little noise. life studio photography to mind blowing moiré free 200Mpix reso- These top of the range features make the H5D-200c MS such lution. Six shot ‘microstep technology’ takes maximum advantage an outstanding camera choice – a studio workhorse to produce of everything the HC lenses have to offer, which is a very great unsurpassable quality in a controlled environment to doubling deal in itself, and combines it with the latest CMOS capabilities up as a top flight, hand held single-shot camera for shots on to produce a quality that is hard to believe is possible. the move. Versatility was always a Hasselblad cornerstone and From fine cars to miniature artworks and from delicate fabrics to remains so. diamonds – or quite simply where only the best reproduction is acceptable – the 200Mpix multi-shot image offers true color and This is the camera that leaves all the others behind. moiré free capture, providing an astonishing level of detail.